Tagged: Natasha Allegri

Troy’s Toys, but with Comics: Of Puppycats and X-men

NOTE: In  addition to the books I’m taking a look at this week, I also picked up the second issue of Boom’s Lumberjanes. It’a  great book, but real life hasn’t given me much time to write comics this weekend. Expect a proper review next weekend.

 

portrait_incredibleSecret Avengers #3

Ales Kot/Michael Walsh/Matthew Wilson

Marvel $3.99

 

A “True Detective” reference Secret Avengers? Oh you shouldn’t have (That is a lie, always cater towards my interests please.).

 

Now that our team is assembled, the Secret Avengers are free to begin saving the world (in secret obviously). Not exactly a ground breaking concept I know, but what that actually means is that the team can now make fun of Hawkeye (“The Troubled One” as described by Maria Hill), throw down with Lady Bullseye, and make friends with sentient bombs. Yes, I’m well aware that last part sounds a little crazy, but keep in mind, this is a book with MODOK in it, so it’s not that bizarre if you really think about it.

 

Michael Walsh’s art is an absolute delight in this issue, and one of the reason it works so well is thanks to Matthew Wilson coloring. There’s some panels where only one color is used (the first page of the comic, several panels during the Black Widow/ Lady Bullseye fight), and it’s really striking. Walsh is no slouch either mind you, and the pages inspired by old school video games and really really cool. The art works we’ll with Ales Kot script, which is equally clever and humorous. And Tradd Moore’s cover is perfect, really highlighting the madcap atmosphere of this comic.

 

Secret Avengers continues to be the perfect book for fans eager for books that similar to Hawkeye, as well as ones that maintain the charm of the cinematic Marvel Universe. More comics could benefit with having talking bombs in their cast.

 

 

Bee-and-PuppyCat-Cover-ABee and Puppycat #1

Natasha Allegri/Garret Jackson/Madeleine Flores

KaBoom, $3.99

I’ll be honest with you guys, I’m a little let down by Bee and Puppycat’s comic debut. The animated short from last year was a delight, and the announcement of this mini series had my hopes set high, especially with Natasha Allegri involvement. Allergi’s comics debut with last year’s Fionna and Cake mini-series was excellent, but I found the first issue of Bee and Puppycat suffered from some awkward pacing and a bit of the ol’ decompression.

That being said, the book looks great, and the humor is swell. Bee, our magical girl temp worker, is a hot awkward mess of an adult, and it’s something that Allegri manages to capture perfectly in the comic. Puppycat, her magical dog-cat, is as cute as it’s animated counterpart, but without the audio element of the show in this book (animated Puppycat is voiced by the Japanese Vocaloid synthesizer program, which is super cute), it loses some of its charm. And again why the humor and visuals are great, I found the plot kind of dragging, paling to the narrative of the back up story. The backup story, by Madeline Flores, is excellent, and is a cute follow up to the animated short. Flores’ art is very expressive, and her choice to keep Puppycat silent works well. I’m actually more excited to see how that story wraps up than I am with the main.

Bee and Puppycat isn’t a bad comic but it pales to the recent released Fionna and Cake themed Adventure Time annual, and this week’s issue of Lumberjanes. Fans will find some enjoyment in it, but there’s little to sell people on not familiar with the property aside from the art.

All-New_X-Men_Vol_1_27_TextlessAll New X-Men

Brian Michael Bendis/Stuart Immonen/Wade Von Grawbager/Marte Gracia

Marvel $3.99

An incredibly DENSE issue from Bendis and Immonen, this issue of All New X-Men does a lot right.  Two of the underused characters introduced in last year’s Battle of the Atom event are fleshed out in a flashback, there’s another mystery plot line touched upon and a ton of action as the X-men find them under attack. It’s a lot for 20 pages of content, but Bendis paces it well, letting Stuart Immonen’s pencils to the talking when need be, and saving the large chunks of dialogue he’s known for the break from the action. The colors from Marte Gracia, in conjunction with the heavy black inks from Wade Von Grawbadger mix well, and help Immonen’s art give the sense of urgency and chaos this issue needs.

All New X-Men has really found its footing after dragging its heels for a few months. I’m really glad to see it, and hope this kind of quality continues to be present in the series.

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Troy’s Toys, but with Comics: Top 5 for 2013 part 1

Happy post-whatever you celebrated/are celebrating “dear” reader. The Santa-man was pretty good to me this year, which was nice because Christmas is expensive y’all.

So yeah, it’s the final week of 2013, and my video game cup run overfloweth. Which means time to crap out one of those best-of lists. I’ve usually done such for action figures and toys, but it’s been a pretty lackluster year for me and toys. Let’s just say that Armored Red Power Ranger was the best toy to drop, kay?

 

2013 for comics however, was great. Super great in fact. I could have easily made this a top 10 and coasted on a list for like 4 weeks. You should expect a runner’s up list at some point though. Because lazy. Anyways, let’s get show on the road.

 

jul1309615) Adventure Time: Fionna and Cake

by Natasha Allegri (Boom Studios) and a whole bunch of rad people.

Boom Studios is doing all-ages comics right with their Cartoon Network/Cartoon Hangover books, successfully merging indie & webcomics talent with popular properties. And honestly, from a quality standpoint Regular Show, Adventure Time or Bravest Warriors could have taken this spot, but I connected with the Fionna & Cake in ways I haven’t with those titles. And given the success of this book and the popularity of Fionna and Cake, I’m probably not the only one.

7dd7fd82a640bbc00cfddffff5c1efa3It’s all thanks to animator Natasha Allegri, who you may know from her recent and super successful Bee and PuppyCat Kickstarter. Aside from creating the pair, she handles writer/artist duties on the main stories in this mini  and her work is phenomenal. Not unlike Saga, her layouts are more like a children’s storybook than a comic books, and the range of emotion she displays in her characters is fantastic. I know saying “So cute!” may sound like I’m doing this book a huge disservice, but I swear it’s not, despite wanting to hug several of the cast member. Just flip through the book and look at the thing Allegri does with Cake the Cat’s expression and form to be amazed. It’s also legitimately hilarious and sweet, a credit to Allegri’s talent.  That’s not to saying that the the back-up comics aren’t also fantastic, it’s just Natasha is playing on a whole different level here with the main plot, which involves a diminutive flame prince, some boys, and evil ice queen and a prince who is both lumpy and from space . The end result is a fantastic bunch of comics, which is a win for everyone.

A simple thing like changing the gender of the cast usually doesn’t end in results like these, but Natasha is damn good, and does more than just tell stories that are all “THEY’RE GIRLS SO LOL BOYS, FLOWERS AND SHIT”. The source material is very progressive and so is this comic, to the surprise of no one I imagine. Which is just another reason why it’s the BEST mini-series in 2013, at least to me.

all-new-x-men-covers4) All New X-men/Uncanny X-men

Brian Michael Bendis, Stuart Immonen, Chris Bachalo and others (Marvel Comics)

On paper, All New X-men sounds like a hot mess (despite the guarantee that X-books will always sell) . Taking the original Kirby/Lee era X-men and dragging them to the modern Marvel era sounds lazy, and at best maybe good for a few issues before the continuity baggage ways the book down. I had my reservations going into this book, aside from the art because Stuart Immonen and Chris Bachalo always delivers.

And then I was proven wrong. So very wrong, and that’s fine, because that’s okay.

UNCANNYXMEN1Teaser_cropWe don’t get New Avengers-era Bendis/Immonen here. It’s Ultimate Spider-Man level quality here, only thing time set in the 616 with the entire X-universe at it’s disposable. Which means heavy on the Kitty Pryde and the snark, which I am so okay with. It means Stuart Immonen being the best at what he does, which is draw the living hell out of the Marvel Universe.  It also means Brian Michael Bendis has a whole bunch of new toys to play which, some of which are the best that Marvel has to offer. It also means we get Uncanny X-men, which sees Chris Bachalo and Bendis take on Cyclops, his renegade X-men and a whole slew of new mutants, and it’s GREAT.

For the most part, Marvel NOW! was a huge success for Marvel by shaking things up creatively. None have benefitted better than the X-men under Bendis, which is true because Hawkeye and Daredevil weren’t rebooted. These books are giant love letters to the likes of Kirby, Claremont, Cockrum, Byrne and a few dudes who have the last name Lee, without being clever rehashes. They’re loud, funny and over-dramatic, like any good X-book. And under Immonen, Bachalo and the occasional guest artist, they’re some of the best looking books coming out from Marvel. They’re a ton a fun to read, and I’m geniunely excited to see where Bendis and company take their characters next.

 

That wraps up part 1. Expect Part 2, aka “The Matt Fraction Power Hour” to go live within a day or 2.

 

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