NOTE: In addition to the books I’m taking a look at this week, I also picked up the second issue of Boom’s Lumberjanes. It’a great book, but real life hasn’t given me much time to write comics this weekend. Expect a proper review next weekend.
Ales Kot/Michael Walsh/Matthew Wilson
A “True Detective” reference Secret Avengers? Oh you shouldn’t have (That is a lie, always cater towards my interests please.).
Now that our team is assembled, the Secret Avengers are free to begin saving the world (in secret obviously). Not exactly a ground breaking concept I know, but what that actually means is that the team can now make fun of Hawkeye (“The Troubled One” as described by Maria Hill), throw down with Lady Bullseye, and make friends with sentient bombs. Yes, I’m well aware that last part sounds a little crazy, but keep in mind, this is a book with MODOK in it, so it’s not that bizarre if you really think about it.
Michael Walsh’s art is an absolute delight in this issue, and one of the reason it works so well is thanks to Matthew Wilson coloring. There’s some panels where only one color is used (the first page of the comic, several panels during the Black Widow/ Lady Bullseye fight), and it’s really striking. Walsh is no slouch either mind you, and the pages inspired by old school video games and really really cool. The art works we’ll with Ales Kot script, which is equally clever and humorous. And Tradd Moore’s cover is perfect, really highlighting the madcap atmosphere of this comic.
Secret Avengers continues to be the perfect book for fans eager for books that similar to Hawkeye, as well as ones that maintain the charm of the cinematic Marvel Universe. More comics could benefit with having talking bombs in their cast.
Natasha Allegri/Garret Jackson/Madeleine Flores
I’ll be honest with you guys, I’m a little let down by Bee and Puppycat’s comic debut. The animated short from last year was a delight, and the announcement of this mini series had my hopes set high, especially with Natasha Allegri involvement. Allergi’s comics debut with last year’s Fionna and Cake mini-series was excellent, but I found the first issue of Bee and Puppycat suffered from some awkward pacing and a bit of the ol’ decompression.
That being said, the book looks great, and the humor is swell. Bee, our magical girl temp worker, is a hot awkward mess of an adult, and it’s something that Allegri manages to capture perfectly in the comic. Puppycat, her magical dog-cat, is as cute as it’s animated counterpart, but without the audio element of the show in this book (animated Puppycat is voiced by the Japanese Vocaloid synthesizer program, which is super cute), it loses some of its charm. And again why the humor and visuals are great, I found the plot kind of dragging, paling to the narrative of the back up story. The backup story, by Madeline Flores, is excellent, and is a cute follow up to the animated short. Flores’ art is very expressive, and her choice to keep Puppycat silent works well. I’m actually more excited to see how that story wraps up than I am with the main.
Bee and Puppycat isn’t a bad comic but it pales to the recent released Fionna and Cake themed Adventure Time annual, and this week’s issue of Lumberjanes. Fans will find some enjoyment in it, but there’s little to sell people on not familiar with the property aside from the art.
Brian Michael Bendis/Stuart Immonen/Wade Von Grawbager/Marte Gracia
An incredibly DENSE issue from Bendis and Immonen, this issue of All New X-Men does a lot right. Two of the underused characters introduced in last year’s Battle of the Atom event are fleshed out in a flashback, there’s another mystery plot line touched upon and a ton of action as the X-men find them under attack. It’s a lot for 20 pages of content, but Bendis paces it well, letting Stuart Immonen’s pencils to the talking when need be, and saving the large chunks of dialogue he’s known for the break from the action. The colors from Marte Gracia, in conjunction with the heavy black inks from Wade Von Grawbadger mix well, and help Immonen’s art give the sense of urgency and chaos this issue needs.
All New X-Men has really found its footing after dragging its heels for a few months. I’m really glad to see it, and hope this kind of quality continues to be present in the series.