First and foremost, a big thank you to Warren Ellis for coming out to past Friday (as seen here with my friend Sean). It was the first time in FOREVER since he’s had a signing in NYC, and it was super-great to meet one of my favorite writers. I picked up his Avengers OGN too , so expect to see a review on that quite soon, but today shall be dedicated to what dropped this past Wednesday.
Brian Michael Bendis/ Chris Bachalo
Marvel, $3.99, 20 pages
Let’s start off this review by noting that the solicit for this issue has nothing to do with what was actually published. And that’s a great thing because this is by far the best issue of Brian Bendis’ run on Uncanny X-men to date. The plot focuses on Benjamin Deeds, one of the new mutants to pop up post-AvX, and Emma Frost, who decides to take the young male under his wing.
At first this book feels like Bendis and Chris Bachalo riffing on “The Graduate”, but that’s slowly disproven once the pair hit up Atlantic City and hijinks ensue. Bendis is on-point with this issue, as we get a ton of development with young Benjamin, fleshing out one of the newest X-men, in addition to getting to see a side of Emma Frost we haven’t gotten to seen in awhile. Bachalo and his plethora of inkers are great as usual, and the training montage in the beginning of the book looks fantastic. This was a strong month for what’s usually the weaker of the 2 Bendis X-books, and I hope this sort of quality sticks around.
Sex Criminals #3
Image, $3.50, 20 pages
I always feel a little weird when googling Sex Criminals images….
The third issue of Fraction/Zdarsky’s mature readers only series continues to be a laugh riot from cover to cover, which is exactly what I need from this book. I don’t think there’s another book out there that actually makes me as excited to read both the recap page and the letter column like Sex Criminals does. That’s not to say the rest of the book is a bore, because that’s not the case at all. Chip and Matt do a fantastic job of telling an all-too human story about sex and dating, despite the crazy time-freezing/sex police plot elements.
Anyone familiar with Fraction’s Casanova series knows that the dude loves music and that sort of passion sometimes bleeds into the narrative. It happens twice in this issue of Sex Criminals, the 2nd time leading to the comics musical number of the year. It’s hilarious and even a little bit sexy thanks to Zdarsky’s amazing art.
I’d probably go as far as to claim Sex Criminals is probably the most emotional comic not called Saga being published these days. This is the comic perfect for 2013, combining indie comic style with mainstream presentation and hype. It’s also probably my favorite book being published thanks to this amazing 3rd issue, so there’s that.
Mark Waid/Chris Samnee/Jason Copland
$2.99, Marvel, 20 pages
Daredevil has been going strong for awhile, so when something slips up, it hits twice as hard. Jason Copland, who’s not a bad artist, is certainly not on the same level as Chris Samnee, the guy he’s filling in for, and it certainly shows in this issue. The art doesn’t feel as polished as his work on “Kill All Monsters”, feeling rough and unfinished in some parts. To be fair, it may not be all on Copland, and there could be editorial things factoring in here.
That being said, Mark Waid still continues to be the modern legend we all know him as. The book’s script is fine, and it raises a question or two about the mental state of this post-Shadowland Daredevil, which has been an on and off again subplot ever since Waid relaunched the series.
Again, this isn’t a bad issue, but I’ve been spoiled by the bar Waid, Samnee and Javier Rodriguez have set. So unless you’re a Mike Allred level talent filling in, I’m bound to be disappointed when that level isn’t met.
Christopher Hastings/Jacopo Caramagna
Marvel, $2.99, 20 pages
Really wish I knew what was up with my borders getting all messed up with this article.
The 2nd issue of Longshot’s mini, raises the stakes a bit, and it way more action packed than issue 1. Hastings being good at writing cool action pieces is no surprise, given what’s happened over the years with Doctor McNinja, and the book continues to deliver with the trademark over the top humor he’s know for. Caramamagna’s visuals are a treat too, as his art continues to be very fluid, and animated. It’s great to see a self-contained, light-hearted mini series not tied into major events coming out from Marvel, something that’s becoming rarer and rarer over the years. It’s definitely worth reading if you want a fun read without having to know every bit of detail of a character.