Tagged: hawkguy

I have bought some comi-SHUT UP HAWKEYE’S BACK!

This is where my usually hilarious intro paragraph goes, but I don’t got the time for that today. Hawk-talk time is now!

 

HAWKEYE2012013_COVHawkeye #13

Matt Fraction/ David Aja

Marvel Comics, $2.99, 20 pages

David $%$#ing Aja y’all.

As someone who’s given up drawing some time ago, I can only imagine the frustration that results in reading this issue/series if you want to draw comics for a living. David Aja, who’s almost reinvented himself for this book, returns after a brief hiatus, and shows us why this title won an Eisner and a Harvey for art in the same year. Using 9 panel pages (his idea, as I’ve asked  him as such  on the Twitter), Aja and Fraction finally reveal what Clint Barton’s been up to after the events in issue 9, filling in some the blanks and raising new questions. There’s some emotional stuff going down, as Clint’s life seems to be falling apart around him, due to the choices (both good and bad) that’s he’s made throughout the series.

Matt Fraction also does his share of heavy lifting in a relatively action free issue. His dialogue is pitch perfect, as you can tell his Hawkguy is obviously going through a rough patch, and Clint knows things aren’t going to get better anytime soon. Fraction’s Hawkeye is a very human one, despite rolling with the Avengers and 2 of his super powered exes showing up. Hawkguy’s little corner of the Marvel Universe is very dark right now, and it’s fascinating to see how Clint is going to get himself back on his feet. Marvel’s best book not-named Daredevil continues to amaze, and I cannot stress how great of a read it is.

 

a_x_13_cover_by_davidyardin-d6d1pajA+X #13

Gerry Duggan/David Yardin & Howard Chaykin

Marvel, $3.99, 20 pages

Once again I’m talking about A+X and once again Cyclops is featured in the title. Look I bought other issues without Cyclops in them. Like 5 of them. So I’m only semi-bias. #prspin

A+X #13 is a weird read, and I mean that in a good way. Instead of there being 2 done in one stories, we get a done in one by the legendary Howard Chaykin, and then the first chapter of a 6 part story by Duggan and Yardin. Duggan’s tale revolves around a really obscure early 2000s Alan Davis (or Claremont. I forget) X-storyline involving Skrulls, and is injected with the humor he’s known for from his current run on Deadpool. He doesn’t shy away from the fact that Cyclops and Cap still hate each other, so if you want to see a story where Cyclops attacks Captain America with a frying pan, this is the book. David Yardin handles the art duties, and it’s not the best drawn book out there, but it’s solid. It’s very Neal Adams’ influenced, and his Cyclops is actually really solid, so I imagine with only improves over time. The 2 enemies forced to work together story is nothing new, but it can be fun when used right. Hopefully this will be one of those stories, because the 1st chapter implies that it has the right tools to be.

The Emma Frost/ Black Widow Chaykin B-story is a little bit risque, and actually super funny at times. It’s weird seeing Chaykin’s art in color after reading Satellite Sam, but Edgar Delgado does some really interesting stuff with it, and I dig it, particularly when it comes to the coloring of Emma and Widow’s lips. Which sounds weird I know, but it really stands outs to me. It’s not an incredibly deep read, but it’s fun, which is all I ask for. Your mileage may vary with this book, but as someone who like the majority if the characters and creators involved, I liked it.

Uncanny_X-Men_Vol_3_13Uncanny X-men #13

Brian Michael Bendis & Chris Bachalo

Marvel, $3.99, 20 pages

There is a plethora of X-man on X-man violence in this book, and I am okay with this. It means Chris Bachalo can flex some creative muscles and go H.A.M. with the fight scenes, and he does. Big Swords, mutant powers and falling Deadpools make for a great throwdown, and the half-dozen inkers assigned to Bachalo work much better this time around. He’s probably one of the best “Widescreen” artists working in comics now, as his fights scenes are kinetic as hell, especially with Magik in particular.

That’s not to say that Bendis doesn’t contribute anything, because he does, as the last few pages unofficially tie-in both into Age of Ultron and this week’s Superior Spider-Man quite nicely. It leads to a nice little twist, which explains/spoils some stuff that’s been solicited as of late. I’m also really digging of the unexplained “History” related to the future X-men, which will hopefully be delve into more sometime down the line, because these little teases are KILLING me. And once again Bendis and Bachalo end the book with a final page that is beyond badass. Battle of the Atom continues to be everything I love about the X-men crammed into a super fun event.

And that wraps us this Marvel heavy week. Next time, I hope you like creator owned books, because I’m tired of yelling at y’all to support them. That and hell of  a pair debut on Wednesday.

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Hawkeye Volume 1 Review: A Guy, a girl and a pizza dog

Hawkeye : My Life as a Weapon

Written by: Matt Fraction

Art by: David Aja, Javier Pulido, Alan Davis

Collects Hawkeye (2012) 1-5, Young Avengers Presents 6

Published by: Marvel Comics, retail price $16.99

A great creative team can get me to read any book on the stand, despite what characters are involved. Case in point, I could have not given any less of a damn about the Young Avengers in the past, but then Marvel NOW tossed Kieron Gillen and Jamie McKelvie on the title, and I haven’t missed an issue yet. Having a creative team you like work on a character you love however, is one of the best things you can ask for as a comics fan, and I’m a pretty big Hawkeye fan.

While the last time Fraction/Aja worked together on a book ( Immortal Iron Fist) was fantastic, both contributor’s have stepped up their game for the Marvel on-going “Hawkeye” series, which the first collected edition just dropped. The premise is simple: What does the most human Avenger do during his  time off? Obviously get into a ton of trouble, because this is a comic book, and violence & drama sell. Clint ends up trading blows with his Landlord and his Bros (Bros), an evil version of Cirque De Soleil and eventually, a collection of Marvel’s nastiest gangsters, spies, and thugs for a mission of sorts for S.H.I.E.L.D.. Barton also has to deal with himself, and the series of poor life choices he makes. And when he’s not, he’s usually hanging around his neighbors in Brooklyn, allowing Fractions and friend to do some nice character building.

There’s also a dog who eats pizza named Lucky, that both I and Tumblr are very fond of.

And even though the book is called “Hawkeye”, Clint’s not the sole start of the title. Kate Bishop, also Hawkeye, is the straight man to Clint, despite being 11-12 years younger than him. Fraction does a great job making her a polar opposite to Clint, but every so often will drop a reminder that she’s 18, and all the baggage that goes with that age. Also props  to the artists’ attached to the collection that do a fine job of drawing her at her proper age, and even giving her a cool new redesign. She’s a much of a main character as Clint is, only not as much of a mess. And if you’re not familiar with Kate was a character (a shame, Young Avengers volume 3 is great), Marvel did a solid and included a Fraction penned-one shot where both Hawkguys meet for the first time.

I’ve praised the writing a lot so far, but David Aja and Javier Pulido deserve a ton of props for the art in this book. Like Chris Samsee on Daredevil (also edited by Steve Whacker!), this book has a very European art book vibe to it, which works even as a street level Marvel title. Both artists do some amazing work, and 12-13 panels per page is something not uncommon in the series. The art does the script justice and it shows what kind of magic results from creators bringing their A game to a title .

I’ve given Hawkeye a ton of praise on this site before, and it’s deserved. And I’m not the only one. The book has gone through several reprintings for each issues, and it’s up for a number of Eisner’s this year. For $17, there’s no reason why you shouldn’t be reading this book right now.

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