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Troy’s Toys, but with Comics Belated edition part 1

Hey gang, sorry for the late of updates since Year Zero, but between Special Edition NYC and Heroescon (and the best BBQ), I haven’t been near a keyboard in awhile. Hopefully I’ll be all caught up with things by Wednesday.

sa4Secret Avengers #4

Ales Kot/Michael Walsh/Matthew Wilson

Marvel $3.99

This month: Hawkeye, Nick Fury Jr, and a bunch of disposal SHIELD agents hunt a “The Fury” in a lawless Chinese City that disappeared 20+ years ago. It’s an Alien parody of sorts that’s high concept comics at its finest. Also Fury hunting the Fury sounds like slash fic, no I am not sorry for that joke.

While Ales Kot & Michael Walsh cut back on the comedy for an issue that’s more action-sci-horror, this comic is still entertaining as hell. There’s some laughs thanks to  MODOK mad science team  and the Hawkguy, but for the most part this comic plays it straight to help sell the horror/action aspects of the books. And it succeeds because the final product results in a brutal fight scene that also raises the question of how much Maria Hill and MODOK are the same in some aspects.  In terms of methodology, not so much visually. There’s also some weird stuff in this issue that SHOULD be considered a joke, but is played completely straight, making Secret Avengers that much more of interesting read.

While Kot continues to deliver top notch dialogue and plot, Walsh & colorist Matt Wilson continue to shine on this title. Kot channels some Chris Samnee this issue, and while the action scenes aren’t as dynamic and unique as the previous issue, they’re still strong enough to sell how creepy the Fury is. Wilson’s dark color palate really helps set the ton for this issue, primarily using blue, purples and blacks. Again, Aliens homage y’all.

Tradd Moore supplies another excellent cover to another excellent issue of Secret Avengers. While not as quirky as the last one, the stakes are raised with issue #4, which is another solid comic by this creative team.

 

portrait_incredibleAll New X-Men #28

Brian Michael Bendis/Stuart Immonen, Wade Von Grawbadger/Marte Gracia

Marvel $3.99 

Nothing says father’s day like the X-Men of the past fighting the Son of Charles Xavier right?

Daddy Issues aside ( J/K, this comic has a ton of them), this chapter continues to give more much needed characterization to the future brotherhood that could have helped improve the overall quality of Battle of the Atom. The Future Brotherhood’s motivations are fleshed out more, and amongst the reveals is how certain characters are alive, and why they’ve been acting the way they are. It’s some really good stuff by Bendis, who really gotten this book back on track as of late.

And while Bendis regains his footing, Stuart Immonen continues to impress. While his art has never really faltered at any point in this run, there is two particular pages, a double spread and the final page reveal that are great, and shows how well this creative team works together. The colors especially, because despite this book primarily drowning in red, are super sharp.

TLDR: Business as usual with this title. Which is good, because business is good comics.

 

 

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Troy’s Toys, but with Comics: A Return to Form

DID YOU KNOW: Apartment hunting in New York City is THE PITS FPNYC Faithful.

My personal problems aside, it was a really good week for comics! Shall I give you the details of the goodness? I think I shall!

UNCX2013016-71482-1-15891-300x461Uncanny X-men #16

Brian Michael Bendis/ Chris Bachalo. Tim Townsend and others

Marvel, $3.99, 20 pages

Several weeks ago, Marvel announced Magneto would be getting his own on-going series in 2014, which means that first volume will be out in time for Days of Future Past. Snark aside, Cullen Bunn was named as the head writer of said series, meaning Brian Michael Bendis and friends would have to write Erik out of Uncanny somehow.

This is the exit issue, and DAMN, it’s a impressive goodbye. An excellent done in one, we get to see Magneto unleashed, lashing his frustrations out on Madipoor, as Bendis resolves a few plot lines while setting up Magneto’s new series. It’s a lot to juggle, but Bendis manages to balance all of the plot lines and the result is arguably the most bad ass Magneto seen in some time.  This is the bar scene from X-Men First Class spread across 20 pages, and the results are glorious.

magneto-1Uncanny is at it’s best when Chris Bachalo is drawing and coloring it, and this issue is no different, if not the best. Bachalo does some really neat things with the classic Magneto wave, even if Mags is look more Walter White than Jack Kirby these days. And his choice for setting scenes with certain colors that dominant each one is a good look. It’s another great issue for this creative team, who seem flawless with these last few stories.

dd35_bgDaredevil #35

Mark Waid/Chris Samnee/Javier Rodriguez

Marvel, $2.99, 20 pages

Speaking of flawless, Chris Samnee returns to Daredevil this month, and he’s brought Elektra with him. Elektra is a character I’ve never really cared for when Frank Miller isn’t around, but Samnee draws her with a certain energy and composure that’s so good, it’s hard to not like her. Samnee’s skill doesn’t stop at her though, as there’s an extraordinary display of how Daredevil’s powers work that I’ve attached to show how powerful of a storyteller Samnee is. And with Javier Rodriguez back on colors, this book remains as beautiful as ever.

bsae-1-16-13-11And with this being the next to last issue of Daredevil volume 3,  Mark Waid goes all out with twists, raising the stakes more than ever. There’s also a HUGE shout out to Brian Bendis/Alex Makeev‘s legendary run, that leads to one hell of a cliffhanger. It sets the stage nicely for the upcoming volume 4, which promises a number of changes for Daredevil, all while proving how good this creative team is together.

 

 

 

All-New_X-Men_Vol_1_21_TextlessAll New X-men #21

Brian Michael Bendis/Brandon Peterson/Brent Anderson/Israel Silva

Marvel, $3.99, 20 pages

Here’s some irony for you. Last issue I slammed ANX for throwing in a guest artist who’s style really didn’t mesh the lead artist on this issue. Here this happens again, and this time it’s wonderful.

In my defense, and with no disrespect to said artist, it’s Brent Anderson this time around, adding another chapter to the legendary X-story “God loves, Man kills.” that ties directly to the story Bendis is telling. It’s a neat flashblack, and having Anderson draw it only makes it cooler to long term X-men fans.

Brandon Peterson handles the rest of the book, and it looks great. A tad dark, but it takes place in one of those secret remote evil bases so that makes sense. He works well with the action heavy script, and overall did a good job filling in for Stuart Immonen.

All New was nothing special this month, but it’s still a solid comic. The current arc’s purpose was to introduce X-23 onto the team and it did just that, nothing more, nothing less. It was a fun little arc, and….it’s back to crossovers next week. Whelp.

 

 

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