Paper Girls #7
Brian K Vaughan, Cliff Chiang, Matt Wilson, Jared K. Fletcher
What I like about this current arc of Paper Girls is that it’s taking a lot of time travel cliches and having fun with them. So many stories involving time traveling embrace a certain set of rules (Don’t interact with your past/future self, don’t tell people things that haven’t happen yet) that it feels like there’s a certain checklist you have to embrace to tell they type of story. Luckily the team of Brian K Vaughan, Cliff Chiang, Matt Wilson and Jared K. Fletcher play by their own rules, and it makes for a fascinating read.
As anyone who’s read Saga or anything else BKV has written, you know that he’s quite capable of doing emotional moments well. There’s two in this issue that are on the complete opposite end of the spectrum, but they’re both written so incredible well. Of course the credit due is split between Vaughan and artists Chiang and Wilson who excel at body language and mode coloring. Their pacing is great, as one scene goes from super cute to pretty funny in a blink of an eye, while the other drags out just the right amount of time for maximum devastation.
While I was pretty hit or miss on the initial arc, Paper Girls #7 is a great read by a creative team that can’t seem to do any wrong this time around. Everything from the art to the dialogue to the placement of the word balloons seems perfect and significant, and it’s proof that these creators are onto something truly special with this title.
The Fix #4
Nick Spencer, Steve Lieber,Ryan Hill, Nic J Shaw
Sadly, the events on that rad as all hell cover do not take place in this issue.
Mac Brundo is the lead for this issue, a nice change of pace from the last few Roy-centric issues. While he’s no angel, Mac is a little more likable then Roy, and this issue does a good job of making the reader emphasize with him. We also get introduced a character who may or may not have something to do with the events of the last issue, as well as checking in with character find of the year, Pretzels.
Also it’s the first comic I’ve read in recent history where FAP is used as a sound effect, and yes, if you know what that refers to, it’s for those exact reasons. Props to Nic J Shaw for making those fonts large enough for extra comedic effect.
Steve Lieber‘s art thiis month is a little more exaggerated than usual, and it works well for this issue. It never clashes with Lieber’s more realistic style, and when paired with some great sights gags and razor sharp dialogue from Nick Spencer, it results in laughs.
The Fix #4 is another hilarious read from a team of creators who excel at the ridiculous. Between genital based humor, pets, and several threats of violence, it’s hard for me to not love this comic.