Tagged: Battle of the Atom

I have bought some comics, also eaten wayyy too much candy.

Halloween is a hell of a thing y’all, and this year’s beer and candy diet was not the best plan. Probably should have thought that one out a bit. :: snorts a crushed-up Kit-Kat bar , because YOLO ::: Woo, comics talk time.

Saga #15, Saga Bryan K. Vaughan, Fiona StaplesSaga #15

Brian K Vaughan. Fiona Staples

Image Comics, $2.99, 20 pages

Remember last week when I was complaining about how it’s hard to critique flawless comics. Here were are again, this time with the newest issue of Saga, which I’m sure surprises no one.  Also damn, that cover is hot, despite also being sort of ridiculous if you’re at all familiar with the book’s leads.

Without diving into spoilers, in this issue Staples and BKV introduce a new character, catch us up with several other characters, answer some questions about an alien planet, and end it all with a killer cliffhanger. The later comes as no surprise, because the book ends on a cliffhanger 90% of the time, which results in me cursing 100% of the time. Other norms for this title seen in this issue include Staples’ fantastic art and colors, and BKV’s hilarious and heartful dialogue. Also vulgar at times, which we all know I’m okay with because I love Sex Criminals. Also damn, that ending, really makes one long for the next issue (less than 30 days away, ha ha crap). So yeah, Saga‘s still perfect in case you were wondering.

SANDMAN-OVERTURE-MCKEAN-600x924Sandman Overture #1

Neil Gaiman/ JH Williams III

DC Comics, $4.99, 20 pages

Speaking of incredibly difficult comics to review…..

Let me say something. If you think Overture is going to be your introduction to the Sandman universe, you’re wrong. So wrong even. This book is fan-service in a way, and if you’ve yet to read arguably one of the BEST comics series of all time, this is not for you. You will be lost, even if you wiki it like a sucker-punk.

But let’s say you’re like me and LOVED the original series. Is this book worth $5? I’ll say YES, it most certainly is, but don’t expect a game changer. This is an incredibly DENSE read, because that’s how Neil Gaiman rolls, and it’s kind of slow paced, because again, Neil Gaiman. WHICH IS FINE, BECAUSE HOLY HELL, J.H. WILLIAMS IS REALLY GOOD AT THIS ART THING EVERYONE. It’s been a while since I’ve read a book William’s drawn (yeah I dropped Batwoman 8 issues in, sorry not sorry), and his skill meets Gaiman’s wonderfully trippy script makes for an fantastical end result.

Now is this book worth buying now, or worth holding out for the eventual deluxe hardcover may be a question you have if you’re a hardcore Sandman fan. That’s entirely up to you. Chances are I’ll double dip on this, assuming it’s a good read. Again I REALLY liked issue #1, BUT your mileage may vary. And again, it’s kinda fan service-y, not in a pandering way, but more of a you need to be up on your Sandman lore to get this book way like I said earlier. And who knows,  it may end up not be completely necessary at all by this all said and done, not unlike Before Watchmen (only you know, not scummy). But it’s hard to imagine that will be the case, especially with the quality of the debut issue.

 

X-Men_Battle_of_the_Atom_Vol_1_2_TextlessX-Men Battle of the Atom #2

Jason Aaron, Esad Ribic, Giuseppe Camuncoli, Andrew Currie and like 6 or 7 other dudes.

Marvel, $3.99, 30 pages

You had one job X-team. One job.

Looks like I’m repeating myself again when it comes to reviewing an X-book. Jason Aaron, as well as Brian Wood and Brian Michael Bendis for the epilogues, wrap up a fairly fun X-event. But once again, the art on this event falls apart.

I don’t mind Kris Anka, Chris Bachalo and Stuart Immonen swinging by to draw some of the epilogues, because they all are great artists who make the ending of this book look really good. But the main story by Esad Ribic, and 2 or 3 others dudes? Not so great. It’s sloppy, looks rushed, the characters are extremely off model-looking at times and you couldn’t have chosen artists whose styles clash any more it seems. It once again ruins Aaron’s solid script, which to be honest, could have toned down the snark in some parts.

But yeah, this event is kind of a mixed bag now that it’s all is said and done. Some really cool stuff happens,  including some fun fan servicey stuff for X-readers, and some new plots to work with going into the 2nd year of the Aaron/Bendis/Wood era of X-books. I just wish some of the questions raised were answered now opposed to down the line (if at all!), and that the art delivered in the last 2 chapters.

 

Up next, an advance look at Vaillant’s Comics Unity #1, the end of Captain Marvel volume 1 and LONGSHOT, SAVING THE UNIVERSE!

 

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Here I have bought some comics. A lot of comics actually.

All heat, no jokes, once again y’all!

Wolverine_and_the_X-Men_Vol_1_37Wolverine and the X-men #37

Jason Aaron/ Giuseppe Camuncoli/ Andrew Currie

Marvel, $3.99, 20 pages

Chapter 9 of the Battle of Atom crossover is such a pain to review on some level. On the script end of things, it’s a fine book, as Aaron delivers on several fronts. If I was discussing this book on the quality of it’s script alone, I’d say it was fantastic. But visually this art in this issue isn’t very good. The book credits Camuncoli as the penciller, and Currie as the finisher. What that means exactly, I don’t know, but it results in some less than great visuals when all is said and done. The art seems very rushed, which is unfortunate, because this event has been fantastic so far in that department, and it seem odd that Camuncoli, a veteran of the 2x a month shipping Spider-books, couldn’t deliver. Because man, this is an ugly book  and it rarely, if ever, matches the standard of Aaron’s script. Hopefully this is more of a mistep than an indication of what the final chapter will be like, because it would suck and blow if the final chapter of this event was as poorly drawn as this one was.

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Sex Criminals #2

Matt Fraction/ Chip Zdarsky

Image, $3.50, 20 pages

When the first issue of #SEXCRIMINALS dropped, I thought it was a very good issue, but it was not at all what I expecting given the contents of the creator’s tweets. It was great, but more 16 Candles than the 40 Year Old Virgin, which I did not see coming. Issue #2 is probably the funniest and vulgar comic I’ve read in years, starting from a page to page recap on the first page to a very candid and HILARIOUS letter page, ending with a picture of Fraction getting a nipple pierce in Toronto sex club. This book is not afraid to be an adult comic, and it’s all the better for it. Fraction writes 2 very human leads with a strange and funny power and Chip Zdarsky’s visual gags are gut-busting. His day job as a Canadian magazine/newspaper (I forget) cartoonish is on full display here, and the product is better for it. This was easily the best book I read this week, and I can’t recommend Sex Criminals enough if you’re A) 17 or older B) Not easily offended C) A little bit of a pervert.

comics-velvet-1Velvet #1

Ed Brubaker/Steve Epting

Image, $3.50, 20 pages

Before I discuss my problem with Velvet, let start by saying how GREAT this book looks. Steve Epting’s, with Elizabeth Breitweiser on colors, art is some next level stuff, as Velvet is easily one of the best looking comics in an already strong stable of artists over at Image. That being said, the Brubaker-snob in me feels this script is VERY by the books, especially after reading his other excellent creator owned series Fatale, and his modern-classic run on Captain America. While it’s an original concept, it feels a bit like an unused Black Widow script at times.  Of course your enjoyment may vary, because you may not be a Bru-snob like myself. And it’s by no means a bad comic. I’m just a little let down is all, and maybe a  little spoiled by Fatale. It’s definitely work a look if you’re a Brubaker/espionage fan though, even with a ton of great Image books already flooding the market.

dd32_bgDaredevil #32

Mark Waid/ Chris Samnee

Marvel, $2.99, 20 pages

Speaking of books that are hard to review, here’s Daredevil. Is Mark Waid one of the best writer still working in the industry? Yup. Is Chris Samnee somehow doing new things with his art, reaching Bruce Timm’s level of quality in some panels/pages. Hell, even the sound effects are used cleverly (not sure if that’s Samnee or VC’s Joe Carmagna) and are super fun. Again, this is brief, but that’s because this book remains flawless. Unless you hate great comics, y’all need to be reading Daredevil. I’m tired of trying to come up with new ways of trying to say how great this book is.

4pd1logoPretty Deadly #1

Kelly Sue Deconnick/ Emma Rios

Image, $3.50, 20 pages

As anyone whose read this column before can tell you, I’ve never had a problem admitting the fact that I’m a HUGE fan of Kelly Sue Deconnick’s writing. AND DAMN, KSD’s creator owned book’s debut comes out swinging, with Emma Rios’ best work to date, making this book a visual tour-de-force. A fantasy-western with a female lead, Pretty Deadly’s debut may not exactly be the most straightforward read, but it’s the one of the best look books to debut this year. Rios’ work is both dynamic and trippy, and it’s fun just to stare at her panel work and layouts in this book without reading any dialogue. Her character designs are pretty great, and it’s a shame that we don’t see our lead until the final page of this issue, because Ginny’s possibly the coolest new character of 2013 I.M.O, at least on a visual level.

KSD’s script is sharp, even if it’s a little abstract at time. Her work here is VERY different from her Captain Marvel scripts, aside from the fact that both books have some kick ass female leads. But it’s still fantastic, making Pretty Deadly a must read, especially with Jordie Bellaire’s colors completely the package, making this one of the best looking takes on the wild west in some time. In a white-male heavy industry, books like Pretty Deadly are rare , but definitely needed and welcomed. Arguably one of most important launches of the fall, and it delivers. Buy on sight, assuming it’s still in stock.

Tune in next time for…THE END OF BATTLE OF ATOM! SAGA! AND BECAUSE WE ALL DEMANDED IT, THE RETURN OF NEIL GAIMAN’S SANDMAN!

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Here I have bought some comics and NEW YORK COMIC CON WEEK!

In case you’re new here, it’s been established that I have much love for the hometown show known as NYCC. Granted PAX East and Heroescon are probably my favorite shows, NYCC is all the HYPE of SDCC and is only a subway ride away, making it TON more easier to get to than it’s west coast counterpart. More importantly, I’ve always had a great time at NYCC, so I’m excited for Thursday obviously! But we still have 4 days, so let’s take a look at what I dropped cash monies on this week. (Also make sure you swing by the store for the numerous signings and events we’re having over the next 7 days!)

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All New X-men 17

Brian Michael Bendis/Stuart Immonen

$3.99, Marvel, 20 pages

One of the biggest joys I’ve gotten out of Battle of the Atom is watching my wife read this event. She’s still new to cape comics/events in the 616, and seeing her lose her collective sh*t over BotA has been great, considering I’m jaded towards these sort of things, even the ones I like. Chapter 6 of BotA plays off of the reveal from Chapter 5, doing some world building for the X-men of the future. Bendis had been hyping up the issue on twitter for a week, and while you can argue it living up to said hype or not, it’s still a fun read. Stuart Immonen, Wade von Grawbadger and Marte Garcia are still doing some of the best work in their careers, as this book continues to be a visual treat. And if you’ve been reading the X-books for a awhile and there’s a nice little homage to Jason Aaron‘s first Wolverine and the X-men story, which I enjoyed . The 2nd month of Battle of the Atom is off to a strong start, and I can’t wait for Chapter 7 to drop on the eve of NYCC.

Superior_Foes_of_Spider-Man_Vol_1_4_Textless

 Superior Foes of Spider-Man #4

Nick Spencer, Steve Lieber

Marvel, $2.99, 20 pages

Superior Foes continues to impress, as the Sinister 5 run into the Heroes for Hire, and things do not go well for our leads. Which is good, because they’re villains and they’re not supposed to have good things happen to them, right? I may be confused about that.

Spencer and Lieber are still firings on all cylinders here, and 4 issues in, we can see/enjoy a few fantastic running gags these 2 have established. If you would have told me that Boomerang was going to be one of the breakout characters of 2013 before this book dropped, I would have laughed at you. Now I couldn’t agree that statement anymore, although I do have some love for the female Beetle as well. And if you’re expecting some nods to Luke Cage and Shocker’s run in the Thunderbolts, you’ll get it. And the 2nd half of this book is fantastic, fleshing out Boomerang a ton, only to throw a hilarious black-humor swerve on the final page. Again, if you like Hawkeye and Daredevil or B/C-list villains you need to be reading this. book.

 

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Avengers Arena Volume 2: Game On

Dennis Hopeless, Kev Walker, Jason Gorder and Riccardo Burchielli

Marvel, $15.99, collecting issue #7-12

The 2nd collection of Avengers Arena answers several questions the ultra violent series raised in the first volume, all of which are brilliant in their own ways. But then several more are raised,  delivering a twist that could change how we’ve all looked at the series this far. Hopeless is blessed with 3 different and VERY talented artists for this volume, all who maintain a fairly similar art styles, which is nice if you’re a fan of consistency. And with most 2nd tier/new characters being used, it’s nice that the stakes in this death game still remain high. Marvel’s teasing a 2nd season of this title under a new name (which should be revealed at NYCC this week). Possibly the most violent Marvel title not being published under the MAX label, Avengers Arena remains a delight, assuming you don’t mind a book with high body count.

 

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I went to Europe, but then I came home to read some comics

The European comic shop scene is weird to me you guys. Between London, Halifax and Paris, I saw no less than a dozen comics shops, some of them named Forbidden Planet even, but man, it’s weird seeing the books I pull be considered imports. It’s also worth noting those shops were kinda fantastic, as there were things in them I was wiling to drop insane amounts of cash on. Also man the dollar sucks in the global sense, which is why I didn’t drop crazyyyyyy money. But if you’re ever in Europe, I encourage y’all to take some times to look at some of the local shops, ESPECIALLY in Paris.

X-Men005portrait_incredible (1)So yeah remember when I said I was going to take a break from the X-books and wait for the oversized hardcover  that was dropping in December? J/K, I BOUGHT CHAPTERS 3 AND 4 BECAUSE I AM WEAK! Zero regrets about that mind you (YOLO), because this event is crazy fun and serves as testament on how strong the X-line is these days. Brian Wood and David Lopez absolutely kill on their chapter (X-men #5, Marvel, $3.99, 20 pages) which should be a suprise to no one. The two had a great run on the X-men last year, and it’s great to see them work their magic once again on Marvel’s mutants. Lopez especially, who’s John Cassadyesque, only with better faces. And Woods, not unlike Bendis, is fantastic at injecting humor throughout the soap opera that is the X-men. As for Uncanny X-men #12 (Chapter 12, also $3.99 and 20 pages), Chris Bachalo and like 4 inkers (Really?!?) rejoin Bendis for a tale that had me drop at least 5 very  audible profanities as I read it. The last 6 pages of this book are insane, and are setting some some great stuff for Chapter 5. Despite my intial concerns about this book, Battle of Atom has pleased me on every level, and I cannot stress how awesome this X-event has been so far. THIS is how events should be done.

Daredevil_Vol_3_31_TextlessMark Waid and Chris Samnee are really doing their best to trying to get me to come up with new ways to praise Daredevil. This current arc, a take on the Trayvon Martin case, covers a LOT in 20 pages, making it a stral for $3. Also everytime Mark Waid writes Hank Pym is a treat, and adding him to DD’s supporting cast was a genius move. And Chris Samnee remains one of the best artists working in the industry today. Don’t let the cover fool you, there’s a lot more going in the pages of Daredevil 31 then it implies (the promised deathtraps are missed though) and you’re a fool if you’re not reading this book. Yes I’ll resort to name calling to get people to buy this title, I am not above doing as such.

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Captain Marvel #16 ($2.99, 20 pages, Marvel) had a very fun cover, but it’s an uneven read. Which is unfortunate, as the book has been very hit or miss as of late. I’m not reading Infinity,and this book is VERY much tied into the event of this mini, so there’s a lot that I just didn’t get. A shame, because there’s some great talent giving KSD a hand with this issue in the form of  Jen Van Meter and Patrick Olliffe. And there’s a lot of strong bits spread through out the issue, as the writers have a great handle on the Avengers featured in this book. But again, if you’re not reading Infinity you’re gonna be lost. At least the 5 months of crossovers comes to an end next issue..before the book takes a small break before the rumor relaunched during ALL NEW MARVEL NOW, or whatever it’s call. Either way, this was probably the worst issue to drop in an otherwise fun run, and hopefully the break will do KSD and Captain Marvel some good.

And with that I’m caught up with my single issues. However, I did read some trades, some manga and there’s a bunch of great books coming out this upcoming week. So I’ll be back real quick (maybe).

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