Steve Orlando, Emanuela Lupaccino, Ray Mccarthy, Michael Atiyeh
Supergirl is one of those DC characters I’m a fan of in theory, but rarely actually read any of the comics she appears in. While I’m a fan of how she’s been handled when it comes to animation and live action incarnations (the current CBS/CW Supergirl series, not the movie mind you), the comics Supergirl starred a character that was either too angry or sexed up, or in the case of the Peter David penned series, too weird. As fate would have it, DC editorial got their stuff together for Rebirth/the CW re-airing of the first season of Supergirl to make a comic that’s the perfect gateway book.
Supergirl Rebirth sees Kara Zor-El get shot into the sun, fight a Kryptonian werewolf, and start high school. On paper that may sound weird (and also awesome), but keep in mind this book is written by Steve Orlando, who’s run on Midnighter was anything but conventional. Much like Supergirl, Orlando is a someone I wish I was more familiar with, as a PDF of his acclaimed graphic novel Virgil remains unread on my iPad. Orlando is great on his Supergirl debut, making his Supergirl a powerful and skilled fighter, but also someone who’s very compassionate. Marvel has done a excellent job of producing comics where the heroes want to see their villains rehabilitated, rather than just punched and punished, and it’s nice to see Orlando bring that sort of thing to DC, and make it feel natural. Speaking of feeling natural, I’m unsure how much of the elements popularized by the live action show were influenced by the comics and vice versa, but Orlando manages to make a book that incorporates elements like the Danvers and the D.E.O. work without ignoring work done by previous creators.
On the art side of things, we get the team of Emanuela Lupaccino, Ray McCarthy, & Michael Atiyeh, fresh from their run on the recently concluded Starfire series. I can’t think of a better trio of artists for a Supergirl book, as Lupancchino’s pencils inject the type of life and energy you’d expect when you think of a Superman comic. There’s a double spread of Kara flying out of the sun that just screams iconic, and it’s nice to see a Supergirl comic where she’s smiling again. McCarthy’s inks are clean, ensuring everything that Lupacciono puts down on paper ends up in the final art, and Atiyeh’s colors are gorgeous.
Supergirl Rebirth is probably not a book I’ll be reviewing every month, but it’s definitely good enough for me to catch up via trade. That being said, if you have more of an investment in the title character or any element of the creative team, it’s an extremely fun book with a ton of promise. It’s the type of start you want from a new creative team, and something DC needed to do with the IP. If Orlando, Lupacchino and co can continue the moment they established here, we should be in store for a pretty good run for a character who needs more of them.