Brian K Vaughan, Cliff Chang, Matt Wilson, Jared K. Fletcher
It feels almost pointless to review a book drawn by Cliff Chang, written by Brian K Vaughan, and colored by Matthew Wilson these days. Given the collected works by these 3 creators have product throughout their comics careers, you know the book will be worth your time, and that this trio will bring their A-game to the table. To tell you that Paper Girls is easily worth the $3 should go without saying by now.
What I do want to talk about today is how good this book’s packaging and design is. Letterer Jared K. Fletcher handles the book’s design and it’s quite wonderful. Fletcher kicks the issue off with a phrase in the “alien” language that debuted in the last issue on a page that apparently is also a pull out poster. The book’s back matter, a letters column, and a survey that may or may not get the reader some cool swag and information in the future, is crafted as to match the 80s setting of the book. I love the creative’s team dedication to the single issue format, as if they want the readers to know they’re appreciated for supporting the book on a monthly basis. And I dig the fact that the 3 ads in the back of the issue are for the creator’s others projects, which is a cool way for any new readers to check out some other great comics by the creative team. Team Paper Girls is trying to build a strong community, and I applaud them trying to go about it in such an old school and traditional method.
Let’s talk about the book’s visuals now. I really like what Cliff Chang and Matt Wilson are doing with the covers. They only use 2-3 colors, but use such an unusual palette that it’s bound to stick out on the shelves. It’s a bold strategy, but effective, and also iconic in a way. The first 2 issues of Paper Girls are designed in such a way that I want to frame them and display them like vinyl record, like some sort of comic book hipster. The interiors are unsurprisingly great. Chang does a fine job of keeping the characters looking period accurate without it ever going too deep into the nostalgia. He and Wilson also absolutely slay when it comes to the weirder elements introduced in this issue, furthering the mystery of what exactly is going on. There’s enough material to make some solid guesses with this small Cleveland suburb, but nothing that’s strong enough to confirm anything yet.
Paper Girls is an incredibly well crafted that can easily double for a celebration of the medium. Vaughan, Chang, Wilson and Fletcher are channeling Steven Spielberg with this book, but in an mature and self aware sort of way. It’s hard to explain, but the book does give off a vibe of 80s cinema, but not in cheesy, lust for the past sort of way. Paper Girls remains a stellar, creator driven comic that is up there with Saga as some of the finest comics being published today. It goes without saying that this book is worth reading immediately, despite the urge to wait for trade. In my opinion, it’s meant to be enjoyed issue by issues, especially with the sort of cliffhangers BKV comics are known for.