Boom/Boom! Box, $3.99
Writer/Artist Tyson Hesse is a creator I’m familiar with from his late webcomic Boxer Hockey, but I was sold on this new mini series, Diesel, the minute the preview art hit the internet. Completely missing out on his run on The Amazing World of Gumball, it’s nice to see Hesse’s art improve so much since the last installment of Boxer Hockey. Diesel #1 is a gorgeous book, just one that’s a little light on content.
Diesel tells the tale of Dee Diesel, who’s apparently the heir to a awesome airship that also doubles as a small mobile community. The book reads like a Miyazaki movie, only less whimsical and more sarcastic and comical. The majority of the book introduces us to the cast of the book, and a hint of backstory, but mostly focuses on Dee. Dee is a fun lead, and a lot of the humor associated with her is solid, but she also reads a lot like the cliche bratty lead who’s got a gift but is also kind of a pain due to her over confidence. Diesel wears a lot of it’s influences on it’s sleeves, and while the premise is near and a lot of the jokes land, it also feels very familiar.
That being said, the book looks great. Tyson Hesse, with help from Mariel Cartwight, create a fun world with characters who are very expressive and animated. The character’s “acting” go a long well to help sell the jokes, and the visuals are very clean and fluid. The art really does a lot for this book, making it an entertaining read.
I understand that first issues are difficult to nail, so I hope this promising start improves with it’s next issue. Diesel is a great looking and funny book, it’s just a little light on the story. With the cast now introduced, I expect great things from future installment. It’s a cool all ages book with some charm, and fan of The Legend of Korra and Japanese role playing video games ought to check it out.
Kieron Gillen, Jamie McKelvie, Matthew Wilson, Clayton Cowles
Jamie McKelvie y’all.
Phonogram: The Immaterial Girl #2 is the comic Jamie McKelvie drew “for real” this past week and my god, it’s gorgeous. Given arguably the MOST Kieron Gillen script in some time, McKelvie not only draws fantastic looking characters with gorgeous outfits, but also pays homages to 2 iconic music videos in this issue and completely nails it. His character’s acting is flawless, perfectly capturing the look and energy the 2 videos he pays homage to, but also puts his own feels to it. It’s incredibly good looking, and impressive how he can change his style mid book and then go back to his default setting with no problem. And as someone who’s read the previous installment of Phonograns, I’m amused of how we get to see David Kohl aged and become more Gillen-esque in appearance with every passing volume.
Helping Jamie set the mood as per usual is colorist Matthew Wilson, who’s also having an amazing week. If killing it on WicDiv wasn’t enough for Mr Wilson, he also changes up his palettes multiple times in this comic, and it all looks terrific in the end. Same with letter Clayton Cowles, who swaps up the fonts to help differentiate the narrators. This may be Kieron Gillen’s semi-autobiographical story about critics, but the artists are clearly having a blast telling this story, having the freedom to experiment with their styles as they see fit.
Phonograms: TIG isn’t any more accessible than the first issue, but you don’t have to be in the loop to appreciate how good this book it. It’s brilliant even if you don’t get the references without the help of glossary, which I am grateful for. Plus the gorgeous back up illustrated by Jamaica Dyer is worth your time and money. It’s certainly not a book for everyone, the the 2nd issue of The Immaterial Girl is a terrific experience for the target audience.