So hey, Special Edition NYC happened over at Pier 94 this past weekend, and while I wasn’t the biggest fan of the venue or the panel areas, the show was still pretty good. The quality of guests were solid, the amount of diversity present in the panels were nice, and I saw this adorable Ghus cosplayer when I arrive at the con. It was a fun show if you’re a fan of all comics convetions, as it’s very much in the vein of MoCCa and Heroescon. I fully recommend it if you’re a fan of those shows, or NYCC’s artist alley!
With that mini-convention review done, let’s get to the part where I review the comics I bought last week, yes?
Ryan North/Erica Henderson/Rico Renzi
I love the Squirrel Girl creative team, but I think writer Ryan North may be a 100% real life crazy person. That’s fine though, as he’s using his powers of crazy for the forces of good on this book, co-creating a title that’s hilarious and fun for all ages, while drowning in words and insanity. So I guess North is also a bit of a genius. That line is extremely blurred.
The Unbeatable Squirrel Girl #6 sees our heroine deal with other animal-themed heroes named after the animals they can talk to & both of them very familiar to her, for reasons she can’t figure out why. Meanwhile, North claims to quit writing heroes with rhyming names in the text at the bottom of the page. We also get rampaging animals, and a rampaging animal-turn-human-animals, and North quickly abandoning that claim . This book sounds like a fever dream as I describe it, but it is very good, despite sounding nuts, and…really nuts? That’s what I wrote for real? Now I hate myself for making that (unintentional) pun.
While North may be madness incarnate, but Erica Henderson is a gift. That is the best way to describe her all too important contributions to this book. Squirrel Girl’s visuals may be too cartoonish for some, but those people are dumb and shouldn’t be heard/ allowed to have nice things. TUSQ benefits from having a non-traditional super hero comic look, especially when it’s very much a humor title, and Henderson’s pencils are a perfect fit for North’s constant barrage of jokes. It’s super expressive and exaggerated, helping sell the book’s humor. The coloring from Rico Renzi is crisp and clean, doing Henderson’s art justice and completing the package.
The 2nd major arc for Squirrel Girl is off to a wonderful start. Henderson and North have delivered the best all-ages Marvel title since Thor the Mighty Avenger, and the funniest Marvel comic since Nextwave. This is some career defining stuff for these creators and well worth your time.
Dennis Hopeless/Javier Rodriguez/Alvaro Lopez/Muntsa Vicente
Spider-Woman wraps up her first non-crossover arc, and man, the big fight scene is this issue absolutely brutal. While the violence is kept at a Teen + level (which I think means PG??), Javier Rodriguez‘s art make the feel more brutal. As you can tell from the cover, J-Drew fights a woman in a power loader, and it does not go well for her. Rodriguez doesn’t shy away from making Spider-Woman take some solid hits, but she never looks weak or timid. This is an experienced Spider-Woman, who can take some damage and keep fighting the good fight. Rodriguez’s layouts are phenomenal, with scenes bleeding into other panels or taking place in sound effects. Alvaro Lopez‘s inks are also crazy good, using heavy inks in just the right areas to main the wounds look all the more devastating and painful. VC’s Travie Lanham has some of the most creative lettering and sounds effects I’ve seen in some time, and Muntsa Vicente’s colors and bold and bright, helping this book look very stylistic.
While the art is the best reason to pull this book, Dennis Hopeless does a outstanding job on the script. He keep the dialogued limit in the fight scenes, but when the time for exposition and plot is needed, he absolutely nails it. He does a find job of making the book’s big bad incredibly sympathetic, and more importantly he writes and fantastic Spider-Woman.
Spider-Woman #8 ends with the solid new direction for the book that looks to be a fun read. Hopeless, Rodriguez and their friends have created a title that feels like a classic 70s Marvel book in a way, but also refreshingly modern. This take on Spider-Woman has done wonders for this book, and the character, who’s really come into her own there last 4 issues. It’s nice to see a female lead for Marvel who’s more of an experienced ass kicker, and it pairs well with other action oriented female lead Marvel books like Black Widow and Captain Marvel. Buy on sight.