So in case haven’t sold a
large small portion of your humanity to the internet like I have, you may have missed this week’s Batgirl controversy. The Outhouse has a good summary of the insanity if you care to catch up on it, and I agree with DC‘s decision to recall the cover. Sadly, there’s a loud internet minority that doesn’t agree with me, but I really don’t give a toss about their whacks opinions.
As fate would have it (“or maybe it’s a CONSPIRACY?!” says that one guy on Facebook no one really likes), not only did this month’s issue of Batgirl drop this week, but the Batgirl: Endgame tie-in issue dropped as well. Since Barbara is once again in the spotlight, I’d figured I’d cover both issues in the column, because it makes or better narrative or something.
Cameron Stewart/Brenden Fletcher/Bengal
Cameron Stewart/Brenden Fletcher/Babs Tarr/Maris Wicks
Batgirl Endgame wasn’t what I expecting, but delightful none the less. Taking place before the events of Batman #40, but after Batgirl #40, the one shot sees Babs helping out with some evacuating while dealing with the ( HERE LIES SPOILERS) The Joker plague that infected Gotham.
The comic is impressive on 2 major levels. It’s a silent issue of sorts, which ever since G.I. Joe #21, is nothing new, but still an hard feet to pull off. What separate this silent issue from past ones is the clear use of Emojis, thus making it the MOST 2015 of comics. The other things that wow me was the art of Bengal, who has the not easy task of being the first artist to draw something related the series since Babs Tarr. This France-based artist delivers some gorgeous and really expressive art, and successfully manages to tell a emotional story without the use of any dialogue.
The story, by series regulars Brenden Fletcher and Cameron Stewart, itself is fairly straight forward, and a tad on the fluff side, but let’s be real, there’s only so much you can do with a editorial mandated tie in. Upside, it’s a simple one-shot (unlike the Death of the Story arc from a few years back), the gets to see Batgirl be a creative and triumphant hero, which is nice when dealing with Joker related stuff. It’s a solid alternative to the pretty grim stuff that’s been going with Batman proper, and shows that Barbara can be triumphant and stay true to her character even in the darkest of situations.
With Batgirl #40 we have a story in a very modern setting with a some retro plot elements. The previous issue gave us the reveal of the first arc’s big bad, and we get it’s origin with this issue. It’s a bit disappointing in my opinion, as SPOILERS a rogue AI based on Batgirl’s brain patterns is something straight out of Wargames. I do appreciate it being an analogy for the Batgirl’s ongoing struggle with her identity, but I thought it was a little ham fisted. That being said, I REALLY dug the last few pages of the issue, and I’m hyped to see what June will bring for this title and the upcoming Black Canary title.
Even though I wasn’t exactly the biggest fan of the book’s plot, Cameron Stewart, Babs Tarr and Marius Wicks’ visuals are still gorgeous. Tarr’s facial expressions, beautiful character designs & outfits and brutal yet clean fights scenes combined with Wicks’ crisp colors palette are still the main reason to buy this book. And while Stewart and Brenden Fletcher’s script wasn’t as strong as i’ts been in the past, they do drop some interesting hints about the possible future of some of the cast members.
Batgirl #40 is a bit uneven, and Batgirl Endgame is a bit of light read, but I wouldn’t call either comics bad. They’re fun books, with visuals that aren’t afraid to try new things. They both feel fresh, which is appreciated and welcomed, as I rather see comic try and fail then stick to a proven but tired formula. Batgirl is a book that embraces the changing comic book medium, and that makes it a must read.