Chip Zdarsky, Joe Quinones, Rico Renzi
I love the fact that we now live in a world where the box office success of Guardians of the Galaxy means Chip Zdarsky gets to write a Howard the Duck book drawn by Joe Quinones.
Howard the Duck is the latest off-beat Marvel book that’s unsurprisingly amazing. Joe Quinones has been drawing a number of beautiful covers for years, so this book looking as good as it does is expected. And Zdarkseid (Mandatory misspelling of Chip’s pen name=GET) has been one of the funniest dudes in comics as of late, so Howard being a laugh riot also isn’t shocking.
What I wasn’t expecting was this creative team to build a narrative that spans from the original Howard the Duck #1 all the way to the GOTG post credit scene. It’s the opposite of the recently relaunched Ant-Man, embracing Howard’s weird history, not to mention the recently concluded She- Hulk series, yet presenting in a way that easy for new reader to pick up. I would say it’s the best Howard I’ve read since creator Steve Gerber’s last run, but I’m sure there was also a mini series where Howard turned into a MODOK, which is also pretty great.
I can’t ever recall wanting a Howard the Duck series, but now that I have one by this specific creative team I kind of love it. It looks great, it’s funny as hell and there’s enough content in the first issue that warrants a re-read. Howard the Duck #1 is not unlike Squirrel girl#1 where Marvel has given us super hero humor book by some top-self creators. Also if anyone at Marvel is reading this, a Zdarsky-penned “Self-loathing Spider-Man” series is something I want now.
Jason Latour/Robbi Rodrigues/Rico Renzi
I’ll be honest, I was willing to trade wait Spider-Gwen even with the first issue being quite superb. But then Scumbag Matt Murdock made an appearance, and suddenly I was $4 poorer.
Spider-Gwen continues the trend of excellent talking animal comics by Marvel this week, as Spider-Ham plays a unexpected, but none the less important role in this issue, which sees both Stacys deal with their respected Spider-Gwen related problems. Having both Stacys take point this issue gives it a unique perspective, as Father/Daughter relationships are rarely explored in super hero comics. We also get to see more of this reimagined Marvel universe characters, and a background Easter egg promising an interesting take on one Felicia Hardy. In a way it hits a lot of the same beats the first issue did, while continuing to develop the characters and move the story forward. This continues to be Jason Latour‘s finest Marvel work to date, especially with the dialogue sounding and flowing as well as it does.
Visually, Robbi Rodriguez and Rico Renzi continue to provide stellar art for this book. Each character is boiled down to a specific characteristic (Murdock’s always sleazy, Frank Castle always looks determined, Spider-Ham is VERY much a pig) under Rodriguez’s skillful line work, and the heavy use of pink and green against the darker backgrounds of this book still make it look slick as hell.
Spider-Gwen #2 is pretty much more of the same of what we got from issue 1, which is fine. The first issue was rad, as was this one. Between this and the newly relaunched Spider-Woman, we have two awesome alternatives to Amazing Spider-Man, with each book offering something fresh and fun.