I’ve been reading a LOT of Marvel and Image books as of late, which comes to the surprise of no one who reads this column on the reg. For good reasons mind you, as both publishers have been doing a great job of putting out books that appeal to me. But even I need a little change of pace every now and then, and Oni Press is usually the publisher that scratches that itch .
I’m going to focus on a pair of recently released graphic novels by some relatively new creators, both published by the fine folks over at Oni. Oni Press has released a number of titles I’ve really enjoyed over the years, such as Scott Pilgrim, Wasteland, Super Pro KO! and the Sixth Gun, just to name a few. I really dug both these books, and hopefully you will too. If not, no worries, I’ll be talking about like 5 new Marvel books come the weekend.
Recently, I found myself interested in seeing what was up with the Power Rangers, mostly due to various Twitter babble. It’s probably been close to 15 years, if not longer, since I’ve cared about the franchise in an non-Figuarts context. And since most of the various series is available on Netflix, I thought I’d give one of the newer seasons a shot.
SPOILER: I did not like it.
So I gave up on MMPR. Several days later Comics Alliance ran a preview for Megagogo, which was Super-Sentai-esque, only a little more mature, for a lack of a better word. There’s shades of Voltron, Kamen Rider and Pacific Rim in there as well, not nothing that could be considered homage or parody. It was very much WHAT I was looking for out of my Power Rangers-fueled nostalgia journey, so I gladly dropped the $20 it retailed for.
For those not familiar with the book, Megagogo pits a bunch of Giant Robot piloting heroes against monsters and the KKK. Most of this first volume sets up the world (set in Atlanta, GA), illustrated beautifully by Wook Jin Clark. Clark’s art reminds me a lot of Jeff Smith‘s post-Bone work (Shazam: The Monster Society of Evil, Rasl), with dash of manga flair, with the expert use of grey-scale and black and white. The characters faces are very expressive, which helps sell the dialogue a ton . I also took great delightful in Clark’s use of sound effect, because I’m the type of dude who appreciates a giant OH SNAP written in the background while a Giant Mecha Robot pummels as Kaiju.
Speaking of the ultra-violence, the fight scenes in Megagogo are super fun. Without spoiling things, the final battle in the book is a must-read, and is probably one of the most unique fight scenes to grace comics in some time.
While the narrative is nothing deep, Megagogo is a super fun read, and well worth your time if you’re into books with giant robots punching hella racists. And if you’re not, yo, what’s up with that?
As far as Comic Journalists go, I’m a fan of Chris Sims. He’s down a ton of fun stuff for Comics Alliance over the years (as well as Wired, Cracked, With Leather and a few other places), and I’ve had a fun timing chatting with him at Heroescon in the past. And I’m digging what he and Chad Bowers are doing with Erica Henderson are doing with Subatomic Party Girls (Monkey Brain), so this book wasn’t the hardest sell for me. I mean, it’s not mecha vs racism, butttttt an disgraced ex-football player forced to do combat with a legion of sports mascots is pretty great as well.
What did end up taking me by surprise is how good Scott Kowalchuk’s art is. There’s a Chris Samnee vibe to it, with hints of Jazzy John Romita Sr. His colors are pretty great too, capturing the look and feel of the Southern setting perfectly.
In case you somehow skipped the 2nd paragraph, this book definitelu delivers. It feels like some sort of Black Dynamite/Batman ’66 mash-up, with some Looney Tunes level violence. There are a ton of action in this book, all well “choreographed”, and at times, hilarious. Going back to the Looney Tunes comparison, it’s more more pianos-falling-on-coyotes, then say Invincible. And much like Megagogo and Scott Pilgrim before them, there’s some extremely clever uses of sound effects.
Overall, neither of these books are reinventing the wheel, which they never claim to be doing to begin with. But what they are is good looking and fun reads. Which is fine, because I love fun, and you should too. At $20 a pop, both of these books deserve a spot on your book shelves. Big ups to the creators and Oni Press for continuing to fill the racks with something different.
-Chris Troy can be found screaming about True Detective on all sorts of social media thiniges @theanarchris