Tagged: X-Men

Chris’ Comics: Uncanny X-men 35

Uncanny_X-Men_Vol_3_35_TextlessUncanny X-men 35

Brian Michael Bendis, Valerio Schiti, Richard Isanove

Marvel $3.99

Okay real talk (about fictional characters) time: This is a dumb comic.

I realize that there has to be some suspension of belief when dealing with super hero books. It’s fantasy, so things that don’t work in the real world may fly in comics, and cool, I’m down with that. But man, that is not the case with this issue, where I had to turn my brain off to get past a huge plot point.

UNCX2013035_int2_00006Uncanny X-men 35 sees the kids of the former New Xavier Institute go out on their own and try the whole super hero team thing. As a result, the hilariously terrible named Goldballs goes viral and becomes a minor celebrity (because you know, super heroes are a rarity on Marvel Earth 616), until SPOILERS, it’s revealed that he’s a mutant and everyone fears and hates him again. Which I think we’ve seen before with Dazzler in the 80s, but whatever. It’s a fun little cautionary tale and that doesn’t bug me. What does is the whole “Wait he’s a mutant” reveal. I mean the dude runs around with a giant X-belt buckle and with 2 dudes who are rocking big X jackets. Not to mention paling the 3 girls who are clones of wanted terrorist Emma Frost in broad daylight. How did no one know he was an X-man of sorts prior to this reveal, especially when this was hanging out with the literal face of the mutant revolution for months? Did they miss the giant X-plane as well? This book also suffers a number of bad Brian Michael Bendis troupes, such as Avengers-level threats jobbing to Bendis’ new wunderkind, Middle age dad dialogue for teens, a cool cover that has nothing to do with the interior, and jokes that miss that mark by roughly a mile. I’ve generally been a fan of Bendis’ work on this book, but the script for this issue is sadly quite rough.

That being said, there’s a gag involving Emma Frost and her past that really works for me, and appreciate it when Bendis makes little nods to X-godfather Chris Claremont’s numerous contributions to this franchise. And the book starts off and ends well, but 80% of this book’s script and direction really doesn’t work for me.

Comics-072215-UncannyHOWEVER, this issue certainly looks great. Valerio Schiti comes over from Guardians of the Galaxy to fill in for cover artist Kris Anka, and he’s a perfect fit for this book. Valerio’s style is comparable to Anka, although there’s also some hints of Joe Quesada as well, resulting is some softer, yet clean looking takes on the casts. It’s impressive how well these characters look under Valerio, as I’m certain this is the first time he’s drawn them, not to mention he was probably under a deadline crunch as well. I particular;y dig the final few pages of this book, where Schiti draws a scene involving an angry mob quite well, perfectly portraying some real anger and violence and hitting all the proper emotional beats to make the scene really work. Schiti inks himself as well, leaving veteran colorist Richard Isanove to finish the art with a crisp and bright pallet. It’s a fantastic looking book that would have been a buy on sight if the script was a little tighter.

I hate to sound nit picky and aggressive towards this comic, but I’ve re-read it a number of times and remain disappointed with it. I think it’s more so due to the fact the Bendis has been really good on Uncanny X-men for quite a while, so a dud issue hurts more, especially if this is the penultimate issue in his run. It’s really a surprise that the book reads so poorly, as Bendis’ past X-done in one’s have been some of the best issues of this run. Luckily Scitit’s art cushions the blow, making for a great looking coming that just read poorly. This issue is far from a must read sadly, and while I feel bad trashing a creative team I like, it’s something I can’t recommend to anyone at $4.

 

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Chris’ Comics: X-Men ’92 edition

XM92_HIRES.0X-Men ’92 #1

Chad Bowers/ Chris Sims/ Scott Koblish/Matt Milla

Marvel $4.99

So here we are in the middle of All New Marvel leaks week. There’s been 3 new X-men books announced so far, and Dennis Hopeless aside, I’m really not feeling them. Aside from some questionable character designs and artists, none of the rosters nor directions do much for me. It’s going to be weird to not be buying an X-book come this fall, but I’ll live, as there’s no shortage of great comics to buy at the moment. Case in point X-Men ’92, the digital first book from Marvel that’s based on one of the most lucrative and iconic eras of the team’s existence.

unnamed-136500The 1990s were a weird period for comics. It was decade that brought us the rise and fall of the collector market, nearly saw the end of Marvel, the creation of Image and a brief love affair with the extreme. Comic Book Scholars (aka older nerds) have varying opinions of the decade, but one thing can be agreed on: No one franchise ruled the decade more than the X-men. The Uncanny X-men (mostly Wolverine) were everywhere: over a dozen books which crossed over every other months, TV, video games, chain pizza restaurants, Mall kiosks, and toy shops. It was a complete 360 from now, where Marvel merchandising partners are allegedly attempting to get the general public from forgetting the character.

At first glance, X-men ’92 would appear to be Marvel’s answer to DC’s Batman 66. But it’s more than that. Writers Chris Sims, Chad Bowers and artist Scott Koblish celebrate everything the decade brought to Marvel’s mutants, while using the iconic animated series roster. Don’t get me wrong, the comic is definitely faithful to the cartoon in terms of character behavior: Gambit is a peak scumbag, Cyclops has a stick up his butt, Jean Grey falls down a ton, etc.  But it brings it a ton of things from the comics of the same time, as well as a character slightly newer to the X-lore. X-Men ’92 collects the first two digital installment of the series, in which the X-men throw down in a game of laser tag and investigate a rehabilitation center which reportedly cures villainous mutants of their evil ways. There’s some mention of Secret Wars related nonsense, but for the most part the crossover has minimal impact on the story, letting the creators tell their story.

x1-e1432736008112-600x415Sims and Bowers, making their Marvel debut, tell a story that’s incredibly faithful to the way the characters were portrayed in that era, and one that’s quite hilarious. The writing duo make a ton of inside jokes, ranging from references to Pizza Hut tie-in comics, to cameos from internet famous X-Men podcasters, and some more accessibly ones, like setting the bulk of the first issue in a mall. The book is incredibly fun and clever, never punching down when it comes to the source material, but always embracing it. Artist Scott Koblish is also on point, channeling everyone from Jim Lee to Rob Liefield, making this book look like a product of the 90s. He and colorist Matt Milla are just dedicated to making this book look like the X-men 90’s animated series and slip in some deep cuts, like constantly miss-coloring Jean Grey’s gloves, changing the length of Cyclops’ neck, and never putting Rogue’s white hair streak in the same location.  The duo absolutely nail the look and the feel of the show, to the point where I could here the animated series actors saying the dialogue in my head. And luckily for us, we don’t have to worry about the budget getting slashed at any given time.

Screen-Shot-2015-06-11-at-7.25.33-PM-672x372X-Men ’92 is everything I would want from a book based on one of my gateways into the Marvel Universe as a kid. The source material may not be the best incarnation of the X-men, but it felt larger than life, something the creators of this book obviously felt as well. It’s tells a story that you may not like if you’re here for Secret War related content or aren’t familiar with the 90s era of the team, BUT I’m not here for Doom and am VERY familiar with the 1990s! I’m here to see the X-men fight Free Ranged Sentinels and protect the X-treme. Er Extreme. I’m not sure if Adam X, the X-Treme will be showing up in this book. I mean it would make sense, but I can’t promise it. Either way, pick this book up, in print or digitally if you like the stranger side of the X-men, or just like chili fries. It’s higher price point is well worth the trip down memory lane bub. #killme

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Troy’s Toys But with Comics: Memorial Day Lateness

4339743-uxm34Uncanny X-men #34

Brian Michael Bendis/Kris Anka/Marte Gracia

Marvel $3.99

As I’ve said plenty of times in the past, the strongest issues of Brian Michael Bendis’ Uncanny X-men run have been the done in ones. UXM #34  is another done in one, so it’s safe to say you can another positive review from me for this title.

One of the things Bendis did early in his run was set up a cool Mystique Vs Dazzler feud. It’s something I’ve enjoyed because they’re 2 of my favorite mutants, and it’s lead to a cool Kris Anka (who draws this issue) redesign for Dazzler. With the Bendis run coming to an end soon October,  he uses this issue to wrap up that plot up in a satisfying way.

One of the reasons why this issue worked for me was it gave Dazzler some much needed focus and characterization. She joined the team shortly before the Charles Xavier retcon a go-go arc, but was quickly delegated to a background character role. She’s a lead character here, and Bendis gets a lot out of her in 20 pages. It also helps that Bendis get to bounce her off of Maria Hill, a character he co-created and has a massive amount of experience writing. His take on Mystique is also rad, as he handles her with a certain degree of sympathy that makes the character relatable even though she’s a bit of a monster. Aside from the Dazzler & friends related business, we get to  check in on the new students who are currently without a school. Bendis drops some hints that he has some plans for them to be revealed soon, and I’m curious to see what they are. It’s been a bit of a challenge to get new mutants to stick around for an extended period of time, and I’m curious to see if Bendis has any ideas on how to change that with his generation of  “X-kids”.

Kris Anka was the best choice to draw this issue, as he is great at drawing female characters and can convey the proper emotions needed for this story. His body language is really strong, and it shows in this issue, especially since there’s a lot of scenes involving 2 or more character standing/sitting around chatting. Anka’s work is exceptionally clean, and Marte Gracia‘s coloring keep the book looking fresh, giving Anka’s minimalist style a much needed sense of dimension.

Uncanny X-men 34 is another fine single issue that tell a story within 20 pages and will warrant an immediate re-read. It’s not the best this run has seen, but it’s definitely worth the price of admission if you’ve been enjoying this incarnation of X-men

Kaptara_02Kapatara #2

Chip Zdarsky/Kagan McLeod

Image, $3.50

Kaptara #2 is a fine comic, but I’ll be honest: the art is wasted on the monthly format. Artist Kagan McLeod‘s work is so good, it begs to be put in one of those oversize albums (Hardcovers as their known as in the States) the European market gets because they appreciate the medium better. This  absolutely bizarre but incredible looking take on the Masters of the Universe universe deserves an over-sized hardcover at the very least. McLeod’s art, especially his character designs, are hard to describe properly. They’re extremely odd, but are flowing with creativity that it’s worth admiring. Everything from the body language, to the layouts to the environments are so unique, and have just the right amount of comedy to remind you that this is not exactly the most serious book. The best way to describe it would be those old  Sunday morning newspaper strips with a modern Adult Swim twist.

Writer Chip Zdarsky‘s second efforts on this book are a improvement from the previous issue. The main character Keith is given some much needed drive, and the characters from the previous issue also get their fair share of development. Chip and Kagan also introduce several new characters that are also as equally amusing and well designed, expanding the cast quite a bit. Now that the general premise is explained, Chip gets a little more room to breath, and the book benefits greatly from it.

Kaptara #2 is insanity on paper, but also gorgeous. It’s unpredictable, hilarious and something genuinely unique, which something both the readers and the industry benefits from.

 

 

 

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5.5 Questions with Marvel Editor Daniel Ketchum

One of the nice things about comics is that the people who write and draw ‘em are just as likely to show up at Forbidden Planet on a Wednesday to pick up their stack as anyone else.

And that’s when we strike!

This week we caught up with STORM, MAGNETO, and X-MEN editor, Daniel Ketchum. No Pokemon questions were asked. Probably for the best.

FORBIDDEN PLANET: So, as an editor, I’m assuming that you sometimes have to be the bad guy. SO in the world of bad guys are you more like Simon Cowell, Gordon Ramsay or Judge Judy?

DANIEL KETCHUM: If I had to choose one, I’d say Gordon Ramsay, because he’s a Tiger Mom like I am–he criticizes out of love and only wants people to be their best. But when it comes to likening myself to reality show judges, I have definitely said that I am the Michael Kors of Marvel. (e.g. “It looks like you colored that page with a trackball mouse and an eye full of lemon juice!”)

FP: If you could put any single character in all of your books, who would it be and why?

DK: Definitely Mary Cherry from your favorite TV show, Popular. (“Y’all, I’ve got two words for you: EXORCISM!”) But if we’re talking about a Marvel character I would put in all of the books that I edit, it would be STORM…and I do.

FP: If you could have any non-comic writer (novelist, screenwriter, poet) write book for you, who would it be?

DK: Oh, lordy. You know, the last book book I ran to the store to buy the day it was released was Joan Didion’s BLUE NIGHTS. I can only vaguely imagine what a comic written by Joan Didion would be like. But I’d love to read it and, even more so, I’d love to be the editor who got to collaborate with her on it.

FP: If you could have dinner with any comic character (you’re paying) who would it be and why?

DK: I would take Alfred Pennyworth and Jarvis to dinner because they deserve a chance to kick back and enjoy a delicious meal they didn’t have to lift a finger for. I might also take Jubilee, because it looks like she’s fallen on hard times…

FP: Follow-up: Would your answer change if they were paying?

DK: Yes. Because then I would be dining with ALL-NEW X-MEN‘s Hank McCoy and I would expect no less than a magical evening. MAGICAL.

FP: Who would win a Magic the Gathering game? Batman, Reed Richards or Emma Frost?

DK: Obviously Emma Frost. You can’t play a card game with a telepath! And you know Emma would totally cheat and, like, read her opponents’ minds to find out what their face-down morph creatures are…

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Review: X-men No More Humans

no_more_humans_cover_a_pX-Men: No More Humans

Mike Carey/Salvador Larroca

Marvel/$24.99

Marvel’s renewed focus on the original graphic novel is a creative decision I approve of. Mixing A-list creators with some of their biggest properties is a smart move, especially when they release them around the same times as their big summer movie drops. That’s some solid synergy right there.

Released around the same time as the excellent X-Men Days of Future Past film, X-Men: No Humans has Marvel’s mutants finding themselves in a world with no humans (hence the title). The splintered X-Men (#Cyclopswasright) are forced to work together to get to the source to the disappearances. Said disappearances are tied to Raze, the son of Wolverine and Mystique who’s come from the future to-wait come back here, it’s not as complex as it all sounds!

 

nomorehumanstrailerUnlike the previously released Avengers and Spider-Man OGNs, No More Humans is DEEP in X-continuity, taking place shortly after the Trial of Jean Grey arc (All New X-Men) and return of Nightcrawler (Amazing X-men) story arcs. To the story’s credit, the book is packaged with a digital copy of last year’s Battle of the Atom crossover, which helps explains most of the current status quo.

 

maxresdefaultNo More Humans sees creators Mike Carey and Salvador Larrocca return to the X-Universe proper and for the most part, it’s a welcome returned. LaRocca’s art is great, clean, bright and perfect for the story being told. Even with  several of the characters appearing in newer costumes, the more legendary X-men characters still look very iconic.  Keep in mind, the last time I’ve read an X-Book with Salvador’s art, everyone was wearing jackets with sunglasses or leather jackets. X-Treme X-Men was a weird book kids.

 

tumblr_n5c722Vlwh1r9u466o1_500Mike Carey is another welcomed return, although the reveal of the reason all non-mutants/mutates disappearing is kind of weak in my opinion. That being said, Carey’s dialogue and pacing is perfect, as the X-Men, their allies, and enemies all sound “like they suppose to”. I know that’s a bit of a cliché when it comes to  comic book reviews, but considering these OGNs are supposed to appeal to the Barnes and Noble crowd as well as Forbidden Planet faithful, it helps that it’s accessible. Both hardcore X-Men and new/returning fans can get something out of it. Also it’s nice to see Carey get to play with characters like Cyclops, Emma Frost, Beat, Jean Grey, Storm and Wolverine, instead of being “stuck” with 2nd tier X-Men like he was with his X-men Legacy run ( which was great by the way, despite the presence of Gambit).

 

The only disservice Marvel does with this book is pointing out that it’s the first all new original graphic novel since the legendary “God loves, Man Kills”. While No More Humans is good, that book is a classic that outclasses this story and really defines that X-Men. That being said, No More Humans is a fun read with beautiful visuals and a fun mystery. Your enjoyment just may vary with it depending on how into the current crop of X-Men books you are.

 

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An X-MAS Tale!

The portal opened five feet from his left, and Wolverine watched the lanky, muscled frame of his former teammate and friend step out onto the snowy grounds of the Jean Gray School for Gifted Students. Cyclops looked grim as usual, and travelled with a dusty satchel. Wolverine couldn’t remember the last time he had seen Scott Summers smile.

Wolverine Cyclops X-Men cartoon

“I’m here, Logan.” Cyclops said, looking around for traps. “What is it you needed? Make it quick, I’m a wanted man.”

Wolverine uncrossed his arms and stepped forward. “I’ve been one too, Cyke, many times. After awhile, being out in the cold gets to ya’.” Scott just nodded, and so Wolverine continued. “Remember that first Christmas back at the Mansion with Chucky, Kitty, Peter and Kurt? We all laughed watchin’ Storm give the Professor Snow-Fros?”

“That was a long time ago,” Cyclops said, and instantly struggled with a thought. How long ago was that? Sometimes it feels like it was Thirty years ago, but it may have been only Five.

“If there’s one thing you learn while being an X-Man, it’s that time can always be changed.” Wolverine half smiled, and reached behind a nearby statue. He pulled out a box, brightly wrapped in red and green candy cane printed paper.

It was an X-Mas present from one X-Man to an Ex-X-Man.

Cyclops opened the box with hesitant hands. Years of battle hardened ambushes had trained him to be wary of gifts. What lay inside the present surprised him more than any bomb, alien parasite or severed head of a beloved comrade.

Inside the box was a case of custom made, ruby quartz contact lenses. Enough to last an entire year.

“Merry X-Mas, Slim.” growled Wolverine. “Hank helped with the design. I wonder why we’ve never thought of this before.”

“Logan,” choked Scott, “It’s-. I don’t know what to say.” Embarrassed, he turned and reached into his travel bag, taking out a brightly wrapped box of his own. Wolverine was stunned. He did not expect this…because this story takes place now. If this was the 80’s or 90’s, they would have said Wolverine could pre-smell the present with his heightened senses, but nobody remembers that power set anymore.

“I had hoped your message was sincere, so I came prepared. Thanks for forgiving me for killing Professor X. Again.” Cyclops laughed.

“Ah, heck, Slim. Who hasn’t killed that bald S.O.B. once or twice. Now what have we here,” Wolverine asked, opening the gift. He, too, was surprised because again- no heightened sense of smell.

Rogue, Jubilee, X-Men cartoon

Inside was an Adamantium claw sharpener with a jar of Adamantium claw polish. Wolverine smiled. Cyclops did the same. Somewhere a jolly, fat elf was Ho-Hoed. They both started to laugh.

“You know, Scott, this gift is the most thoughtful thing anyone’s ever given me,” Wolvie sighed, “And as useless as a Metrocard for Nightcrawler. You see-” and what followed was a sickening SHLACK sound, as the bloody stumps of bones broke through Wolverine’s hands. “I sold my Adamantium claws and skeleton to a scrap dealer in order to afford the Ruby Quartz Contacts.”

Tears started to swell in Scott Summers’ eyes, as he broke into a silly grin. “Of course. That seems like our luck, Logan, because you see-” He paused. Red streaks started to roll down his cheeks. Tears of blood were flowing fast now, as Cyclops removed his visor, revealing the ruined cavities of his former weapons. “I sold my eyes to a mutant organ harvester in order to afford the Adamantium claw sharpener.”

They laughed, cried, hugged and bled all over each other there in the snow, both laughing at the magic of Christmas. They soon both passed out from blood loss and died of exposure.

MERRY X-MAS!

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Just Kill Me

They say you can’t judge a book by its cover…somebody should tell that to Clown Fatale #1 from Dark Horse. I don’t WANT to think that this may be the stupidest human creation of all time, but I don’t want to spend the money in order to make an informed decision. LOOK at this monstrosity!

 

I always envision every comic book taking place in an alternate universe… it helps with the suspension of disbelief. What we have here is an alternate universe in which there are still roving circuses. In one of these, the clowns are a drop dead gorgeous troupe of multi-ethnic ladies who dress like strippers. Our story transpires when criminals, due to a wacky misunderstanding, hire these sexy lady clowns in full make-up to kill, mistaking them for assassins. The clowns naturally accept.

 

I’m not sure if my suspension of disbelief stretches this far.

 

I’ll rationalize it, however, by reminding myself of the strange universe we DO inhabit; We live in a world where someone at a highly successful comic book publisher rationalized that A) People LIKE clowns (hint: They don’t) and that B) People like sexy women, so logically people will like sexy women clowns. I’m sure this creative genius then spent the rest of the afternoon trying to figure out whether the clowns should be Vampires, Assassins or Crime Scene Investigators.

 

Maybe they figured that Harley Quin was popular, and wanted in on some of that action. Regardless of motives, Clown Fatales #1 seems an affront to all art, past, present and future, as well as a finger in the eye to the indomitable human spirit. A veritable raspberry in the face of taste and sense, this.

 

But I will buy it. And I will read it. And I will judge this erotic, tightly paced crime clown drama on its own merits. And I will write a review. And I will weep at the funeral of my artistic credibility, and I will morn my dignity as I bury the last shreds of my self respect.

 

NOT TO SPOIL THE FUN

And you’ll weep, too, if you miss out on Wolverine #11 this week! SOMETHING huge and crazy is going to happen…but WHAT?! There’s much to suggest this issue will be a massive milestone, a sales bonanza to rival Spider-Man’s wedding or the death of Captain America. I’d guess Wolverine is going to die (again,) but the maybe we’re in for something stranger?

 

Marvel, a Disney Entertainment company, wants to make movies off of the Avengers as a step in the process of making money off the toys and merchandise from Marvel comics. A fly in their ointment, however, is the prior business deal wherein Fox owns the motion picture rights to the X-Men franchise and Sony own the Spidey movies.

 

Spidey and Wolvie fighting alongside the Hulk, Thor and Scarlet Johanson would sure sell some lunchboxes.

 

Here’s Unkiedev’s crazy prediction for Wolverine #11…it’s a doozy. It will be revealed that Wolverine is actually AN ALIEN, the last son of a distant planet called Canadaton, which blew up after his parents messed up an experiment. To cover up their mistake, they sent their only son in a small spaceship to a planet where he would have fantastic superpowers…and brain washed him through pre-recorded messages to tell anyone who ever asked that THEY didn’t destroy the planet, they were the only ones trying to stop it from blowing up the whole time!

 

See what this does? Wolverine is no longer a mutant, and no longer tied to the X-Men continuity. That’s why the big Marvel movie coming up is Guardians of the Galaxy! Wolverine #11 will plant these seeds when alien warriors from beyond the stars come to the long ignored planet Earth to bring Wolverine to justice for his parent’s crimes!

 

Or he might just die. I’ll never know. I’ll probably be so traumatized after reading Clown Fatales #1 that I’ll wander into traffic and get hit by a semi. If I see Wolverine in Hell, I’ll send you kids an e-mail.

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The Unbearable Lightness of X-Being

One of the biggest themes in the Marvel X-Men universe at the moment is the rift between founding member Cyclops and best selling Canadian bad-boy Wolverine. Their rivalry, previously limited to girls and respect, changed tone under the X-Men “Schism” storyline. Cyclops, an X-man since his teenage years, believed that students at the Xavier School for Gifted Youngsters were defacto soldiers in the X-Men army, and further argued that this was always Xavier’s intention. Wolverine felt otherwise.

Fighting ensued. As happens in an X-Story, Cyclops goes crazy with the power of the Phoenix and kills Professor X before freeing himself from the Phoenix’s corrupting influence. Even though they have all seen Xavier die and come back at least three times, and even though it could have been worse (I mean, Jean Gray killed a whole planet while possessed by Phoenix, so I’d say Earth got off pretty easy there,) Scott’s actions put him in dutch with his fellow mutants. NOW…

 

The coinage of mainstream comic books is violence, which has an ultimate resolution. The problem with this, from a dramatic standpoint, appears when the finale isn’t as final as you would have like. In other words, “Why should I care about who dies in a comic book when they’re just going to come back again?”

 

HMMMMM…

 

Amazing X-Men #1 hits the stands this week, and we should all be excited for multiple reasons. A brand new, spanking “#1” issue of an X-Title! Ed McGuinness is drawing the X-men again! Nightcrawler is making his come back to the good ole’ Marvel 616! Thrills, chills, spills, big time action and top shelf fun!

 

Ah, but here’s the rub; Amazing X-Men will reintroduce Nightcrawler, arguable one of the more iconic and popular current Ex-X-Men, back into the story…after being dead for only three years. Keep in mind that comics, especially Marvel comics, do NOT take place on any real timeline. Kurt Wagner has been dead since 2010, but it might have only been a year, maybe less to the people living in the stories.

 

HOW did Kurt die? He died teleporting Hope Summer to safety in a noble sacrifice…which ultimately meant nothing as two (real-time) years later Wolverine did his best to kill her in order to stop her from merging with the Phoenix. Yes, the same Wolverine who had a falling out with Cyclops because he thought putting children in harms way, even when serving a greater good, was morally wrong.

 

The theme of “Noble death” should sound familiar to long time X-Readers. Colossus died, sacrificing himself to destroy the Legacy Virus, only to come back from death at the beginning of Joss Whedon’s X-Run. Ironic, really, as Whedon himself kills Kitty Pryde, the X-Woman known as Shadowcat, in a self sacrificing gesture. Needless to say, she’s alive right now, too.

 

TEETER TOTTER

 

Currently Cyclops is on a mission to punish those who would dare hurt Mutant kind…which often takes the form of him hurting other Mutants trying to stop him from hurting other Mutants. The big sticking point is what to do with the time traveling, alternate reality versions of the founding X-Men, who want to go back in time and prevent our timeline from ever happening. Let’s review:

 

Every member of the X-Men, a group which believes they are genetically superior to humans, though philosophically dedicated to living with them equally, has either died, returned from death or has seen a team member or loved one reborn. They are currently split into factions, fighting with each other, trying to figure out the best way to stop each other from dying and creating world threatening apocalypses. Got it? GOOD! HERE comes the important part…

 

Amazing X-Men is going to be just that…Amazing. It will be Amazing for all the reasons I mentioned previously, and for all of the blatant, mind hurting logical flaws the X-Tales continue to propagate.

 

X-Men comics are not based on “Making Sense.” The X-Men are the greatest comic book soap opera going, with a history spanning multiple realities and endless timelines. I hope Kurt Wagner, a staunch Catholic, comes back to life through Buddhist reincarnation, mistakenly marries his own dimension hopping daughter from an alternate timeline (Yes, she exists) and they both fall back in time while giving birth to their new son…WOLVERINE!

 

Pick up Amazing X-Men, and let your mind go. You don’t buy an X-Book for logic, kids. You buy an X-book to watch brightly clad weirdoes make the least amount of sense they possibly can.

 

 

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I have bought some comics, also eaten wayyy too much candy.

Halloween is a hell of a thing y’all, and this year’s beer and candy diet was not the best plan. Probably should have thought that one out a bit. :: snorts a crushed-up Kit-Kat bar , because YOLO ::: Woo, comics talk time.

Saga #15, Saga Bryan K. Vaughan, Fiona StaplesSaga #15

Brian K Vaughan. Fiona Staples

Image Comics, $2.99, 20 pages

Remember last week when I was complaining about how it’s hard to critique flawless comics. Here were are again, this time with the newest issue of Saga, which I’m sure surprises no one.  Also damn, that cover is hot, despite also being sort of ridiculous if you’re at all familiar with the book’s leads.

Without diving into spoilers, in this issue Staples and BKV introduce a new character, catch us up with several other characters, answer some questions about an alien planet, and end it all with a killer cliffhanger. The later comes as no surprise, because the book ends on a cliffhanger 90% of the time, which results in me cursing 100% of the time. Other norms for this title seen in this issue include Staples’ fantastic art and colors, and BKV’s hilarious and heartful dialogue. Also vulgar at times, which we all know I’m okay with because I love Sex Criminals. Also damn, that ending, really makes one long for the next issue (less than 30 days away, ha ha crap). So yeah, Saga‘s still perfect in case you were wondering.

SANDMAN-OVERTURE-MCKEAN-600x924Sandman Overture #1

Neil Gaiman/ JH Williams III

DC Comics, $4.99, 20 pages

Speaking of incredibly difficult comics to review…..

Let me say something. If you think Overture is going to be your introduction to the Sandman universe, you’re wrong. So wrong even. This book is fan-service in a way, and if you’ve yet to read arguably one of the BEST comics series of all time, this is not for you. You will be lost, even if you wiki it like a sucker-punk.

But let’s say you’re like me and LOVED the original series. Is this book worth $5? I’ll say YES, it most certainly is, but don’t expect a game changer. This is an incredibly DENSE read, because that’s how Neil Gaiman rolls, and it’s kind of slow paced, because again, Neil Gaiman. WHICH IS FINE, BECAUSE HOLY HELL, J.H. WILLIAMS IS REALLY GOOD AT THIS ART THING EVERYONE. It’s been a while since I’ve read a book William’s drawn (yeah I dropped Batwoman 8 issues in, sorry not sorry), and his skill meets Gaiman’s wonderfully trippy script makes for an fantastical end result.

Now is this book worth buying now, or worth holding out for the eventual deluxe hardcover may be a question you have if you’re a hardcore Sandman fan. That’s entirely up to you. Chances are I’ll double dip on this, assuming it’s a good read. Again I REALLY liked issue #1, BUT your mileage may vary. And again, it’s kinda fan service-y, not in a pandering way, but more of a you need to be up on your Sandman lore to get this book way like I said earlier. And who knows,  it may end up not be completely necessary at all by this all said and done, not unlike Before Watchmen (only you know, not scummy). But it’s hard to imagine that will be the case, especially with the quality of the debut issue.

 

X-Men_Battle_of_the_Atom_Vol_1_2_TextlessX-Men Battle of the Atom #2

Jason Aaron, Esad Ribic, Giuseppe Camuncoli, Andrew Currie and like 6 or 7 other dudes.

Marvel, $3.99, 30 pages

You had one job X-team. One job.

Looks like I’m repeating myself again when it comes to reviewing an X-book. Jason Aaron, as well as Brian Wood and Brian Michael Bendis for the epilogues, wrap up a fairly fun X-event. But once again, the art on this event falls apart.

I don’t mind Kris Anka, Chris Bachalo and Stuart Immonen swinging by to draw some of the epilogues, because they all are great artists who make the ending of this book look really good. But the main story by Esad Ribic, and 2 or 3 others dudes? Not so great. It’s sloppy, looks rushed, the characters are extremely off model-looking at times and you couldn’t have chosen artists whose styles clash any more it seems. It once again ruins Aaron’s solid script, which to be honest, could have toned down the snark in some parts.

But yeah, this event is kind of a mixed bag now that it’s all is said and done. Some really cool stuff happens,  including some fun fan servicey stuff for X-readers, and some new plots to work with going into the 2nd year of the Aaron/Bendis/Wood era of X-books. I just wish some of the questions raised were answered now opposed to down the line (if at all!), and that the art delivered in the last 2 chapters.

 

Up next, an advance look at Vaillant’s Comics Unity #1, the end of Captain Marvel volume 1 and LONGSHOT, SAVING THE UNIVERSE!

 

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I have survived NYCC, also I have bought some comics.

1382380_10152054711929050_1301273322_nI survived New York Comic Con 2013 and all I got was….a butt ton of stuff actually. Roughly $180 worth or stuff. No regrets, YOLO and such, because if I review it, I can write it off come tax time, at least I think I can. I now hope my accountant does not read my articles.

And yes,  I’ve decided to use a photo of my wife as part of my convention recap once again, because I like her Spider-Woman costume and she looks SUPER CUTE next to her most favoritest writer Kelly Sue Deconnick, who’s comics I’ve praised often round these parts. NYCC ’13 was rad overall, as I got to enjoy 2 FXX related panels, heard of the return of Stephanie Brown, watched as Marvel announced a TON of new books with awesome female leads, did some cosplay things (Check me out in the NYCC edition of Time Out New York and the Business Insider) and like I said above, bought stuff. A good time was had by all, especially Visa, so let’s get with the talking of comics.

x-men-6X-men #6 (Marvel)

Brian Wood/ David Lopez

$3.99, 20 pages

REJOICE, AS CAPTAIN MARVEL VOLUME 2 RELAUNCHES IN MARCH 2014 WITH DAVID LOPEZ JOINING THE CREATIVE TEAM! BUT ALSO BE SLIGHTLY UPSET, BECAUSE THAT MEANS HE’S NOT DRAWING THE X-MEN AGAIN ANYTIME SOON.

X-Men #6 is proof of why the later sucks, because David is REALLY good at drawing mutants, even when there is a numerous amount of them. At this point in his career, it’s scary to think that he may only get better, because he’s pretty damn good right now. I’m not sure how much of this comic was fully scripted vs. Marvel style, but Lopez’s panels are dynamic, and they deliver the proper drama needed because there are 2 ZOMG! level twists in this book. Also a hilarious scene where a baby floats away in a hamster ball (sorta) and Rachel Grey and Psylocke both being badass. That isn’t to say Brian Wood is a slouch, because chapter 7’s script is a HUGE step up from Chapter 6’s , which is a fine issue, but the stakes are definitely raised in this issue, as secrets are revealed and the plot takes yet another interesting turn. With 3 issues to go, Battle of the Atom continues to deliver thanks to A+ creators like Lopez and Wood, and I’m excited to see how this all wraps up.

 

alwarchie1Afterlife with Archie (Archie Comics)

Roberto Aguirre-Sacasa/ Francesco Francavilla

$2.99, 20 pages

 

We now live in a world where the Riverdale Gang must survive the zombie apocalypse. Truly this is the best of times.

I couldn’t tell you what the last time I bought an comic published by Archie was, even though I’ve heard a number of their books in the last few years have been both extremely progressive and good. But then they go release a zombie comic drawn by Francesco Francavilla, and BLAM, bought on day 1. It could be the fact that I love zombies, but it’s probably more of the fact that I love Francavilla’s art, which is the pretty legit, and very much gives off that ol’ EC Horror Comics vibe. It’s great stuff, as Aguirre-Sacasa’s handling of the cast is definitely in-tune with their “canon” voices, but obviously this not the Archie you give to your kids, as this issue ends SPOILER with Zombie Jughead SPOILER. Also it is violent and spooky as hell, a little sexy. Well I think Sabrina is cute and man, now I feel extra creepy for typing that. Perfect for the season. Halloween that is, although the Walking Dead hype at NYCC is also fitting in a way.

Short week is short, but don’t worry, I’ll be back real soon to scream about the return of Hawkeye.

 

 

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I went to Europe, but then I came home to read some comics

The European comic shop scene is weird to me you guys. Between London, Halifax and Paris, I saw no less than a dozen comics shops, some of them named Forbidden Planet even, but man, it’s weird seeing the books I pull be considered imports. It’s also worth noting those shops were kinda fantastic, as there were things in them I was wiling to drop insane amounts of cash on. Also man the dollar sucks in the global sense, which is why I didn’t drop crazyyyyyy money. But if you’re ever in Europe, I encourage y’all to take some times to look at some of the local shops, ESPECIALLY in Paris.

X-Men005portrait_incredible (1)So yeah remember when I said I was going to take a break from the X-books and wait for the oversized hardcover  that was dropping in December? J/K, I BOUGHT CHAPTERS 3 AND 4 BECAUSE I AM WEAK! Zero regrets about that mind you (YOLO), because this event is crazy fun and serves as testament on how strong the X-line is these days. Brian Wood and David Lopez absolutely kill on their chapter (X-men #5, Marvel, $3.99, 20 pages) which should be a suprise to no one. The two had a great run on the X-men last year, and it’s great to see them work their magic once again on Marvel’s mutants. Lopez especially, who’s John Cassadyesque, only with better faces. And Woods, not unlike Bendis, is fantastic at injecting humor throughout the soap opera that is the X-men. As for Uncanny X-men #12 (Chapter 12, also $3.99 and 20 pages), Chris Bachalo and like 4 inkers (Really?!?) rejoin Bendis for a tale that had me drop at least 5 very  audible profanities as I read it. The last 6 pages of this book are insane, and are setting some some great stuff for Chapter 5. Despite my intial concerns about this book, Battle of Atom has pleased me on every level, and I cannot stress how awesome this X-event has been so far. THIS is how events should be done.

Daredevil_Vol_3_31_TextlessMark Waid and Chris Samnee are really doing their best to trying to get me to come up with new ways to praise Daredevil. This current arc, a take on the Trayvon Martin case, covers a LOT in 20 pages, making it a stral for $3. Also everytime Mark Waid writes Hank Pym is a treat, and adding him to DD’s supporting cast was a genius move. And Chris Samnee remains one of the best artists working in the industry today. Don’t let the cover fool you, there’s a lot more going in the pages of Daredevil 31 then it implies (the promised deathtraps are missed though) and you’re a fool if you’re not reading this book. Yes I’ll resort to name calling to get people to buy this title, I am not above doing as such.

tumblr_mo1jxvJbSe1rwk3plo1_500

Captain Marvel #16 ($2.99, 20 pages, Marvel) had a very fun cover, but it’s an uneven read. Which is unfortunate, as the book has been very hit or miss as of late. I’m not reading Infinity,and this book is VERY much tied into the event of this mini, so there’s a lot that I just didn’t get. A shame, because there’s some great talent giving KSD a hand with this issue in the form of  Jen Van Meter and Patrick Olliffe. And there’s a lot of strong bits spread through out the issue, as the writers have a great handle on the Avengers featured in this book. But again, if you’re not reading Infinity you’re gonna be lost. At least the 5 months of crossovers comes to an end next issue..before the book takes a small break before the rumor relaunched during ALL NEW MARVEL NOW, or whatever it’s call. Either way, this was probably the worst issue to drop in an otherwise fun run, and hopefully the break will do KSD and Captain Marvel some good.

And with that I’m caught up with my single issues. However, I did read some trades, some manga and there’s a bunch of great books coming out this upcoming week. So I’ll be back real quick (maybe).

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I have bought some comics, and now I’m taking a vacation

Little bit of news FPNYC Faithful, I’m going to Europe from 9/10-9/20. Meaning I’m not going to be talking comics with y’all for 10 days. Which means you’ll have to go to one of those other hundred websites that talk about Marvel comics, I KNOW, I’N SCARED FOR YOU TOO, BUT SOMETIMES LIFE IS HARD YOU GUYS.

It was a big week for the X-books as the first 2 chapters of “Battle of the Atom” dropped. Originally I was going to sit this one out and wait for the trade, but I’m an addict of sorts, so I figure I might as well pick up the first 2 issues to hold me over to December/January. And I’m glad I did, because they’re really solid. Chapter 1, the Battle of the Atom (Marvel, $3.99, 32 pages) one-shot is written be Brian Michael Bendis and joined by Frank Cho and Stuart Immonen, and Benis and Immonen handled chapter 2 as well over in All New X-men (Marvel, $3.99, 20 pages) . Props to Stuart Immonen who managed to bang out 24 pages between 2 books, as Cho couldn’t finish the BotA one-shot by himself. Regardless of art assists, the books look fantastic, as Cho doesn’t go too cheesecake (something he’s famous for) with part 1, and Stuart remains one of Marvel’s best artists, drawing dynamic page after dynamic page. Bendis isn’t a slouch either, his scripts are action packed, but don’t skimp out on the humor or drama either. BMB juggles the 4 teams quite well, and despite 50 years of X-comics, these books are super accessible.  Both these books are worth the $4, so if you’re not a X-men fan but want to check em out, I wholly encourage you to do so. And yes, unless you’re anti-Bendis or some nonsense, there’s plenty to enjoy if you’re a veteran X-fan too.

In non-X-Men Marvel news, the 3rd issue of the Superior Foes of Spider-Man (Marvel, 20 pages, $2.99) has been released and we’re all better for it. Hawkeye did not drop in August, and chances are we’ll be Hawkguy impaired in September as well, which sucks. SFoSM however has done a great job of filling the Hawkeye-sized hole in my heart, as the 3rd issue of this fantastic issue is comedic delight. Boomerang, our lead for this series,  manages to fill us in on the life of a low-tier Spider-Man villain, gets thrown out of his crew, hits up a meeting for Super Villains anonymous and gets a little revenge on his old “friends” all within 20 pages. Nick Spencer KILLS it with this book, as the humor is fantastic, and he gives Steve Lieber plenty of quality stuff to work with. And Lieber delivers too, as his expert pencils give us excellent visual gags that only enhance Spencer’s jokes. I know there’s no shortage of fantastic books at Marve these days, but Superior Foes is quickly making a name for itself amongst it’s peers, and is one of the most funs books Marvel’s been putting out as of late.

Oh hai Mark, it’s been awhile.

Released a week about, the latest Invincible collection dropped, collecting the landmark 100th issue of Robert Kirkman/Ryan Ottley‘s fantastic series. I use to buy this title monthly, but decided to go back to trade-waiting when I felt the book was getting a little stale. And I’m glad I do so, because coming back to it after a brief break only made me love this title again. Ryan Ottley is probably my favorite monthly artist on the stands these days, and watching him grow on his book over the year (artistically) has been a treat, as his action bits (and violence) are second to none. And Kirkman is great as well, reminding us all that the joys of a creator owned book mean the status quo can change on the dime. If you’re a fan of super hero books, there’s no excuse not to buy Invincible (unless you don’t like excessive violence, then yeah, I can understand why you may not be reading it). Even with it be being 100 issues deep, there are a ton of collection/omnibus’ in existence that can help you get caught up ASAP. I advice you do so.

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Once again I have bought some comics, let me tell you about them.

The BEST comics weeks are the ones that you walk into the shop and realize that you can’t possibly afford to buy all the books you want. Or you could, but  you shouldn’t. It usually a sign that the industry is doing something right, or that you need a better job, or the comics industry’s shipping schedule needs to do a better job of meeting my very specific needs. Why yes, I am a diva. So a special shout-out to Young Avengers, Fatale and the Wake, 3 books that I really dig, but that not being bought in trade, not unlike “Wolverine and the X-men“. So where does that leave us?

Let’s start off with a pair of Brian Bendis penned X-books, All-New X-men and Uncanny X-men. First and foremost these books look great. Stuart Immonen and friends keep All-New looking fresh and expressive, giving Bendis plenty to work with. And you really can’t do any better than Frazer Irving for an artist on Uncanny when you’re telling an story involving Limbo and demons. Believe it or not it actually helps to good when it comes to a medium like comics (SHOCKING REVEAL), and these X-books very much succeed on that level here.

However, they couldn’t be any different on a script level. All-New’s is great. Fun read, choke full of characters with unique voices and Bendis has GREAT moment with Kitty Pryde reacting to something that happened in Uncanny Avengers not too long ago. Well worth the $4. Uncanny X-men…kinda mediocre. The book feels lost, as big reveals and twists don’t carry the omph they need thanks to some not so great dialogue choices made by Bendis. If you’re torn on the two, go with All-New, and hope Uncanny reads better in trade.

This week was a very good week for Marvel editor Stephen Whacker, as both Daredevil #27 and Hawkeye #11 hit the stands, and were the type of books that wins Eisners. Both Mark Waid and Matt Fraction did great jobs on the words & plot department for these books, but it was their artists, Chris Samnee and David Aja respectively, who really elevated these books above the majority of the titles on the stands. Samnee is a master story teller, as there’s a moment that happens about halfway through that book that kicks of a series of pages that are impossible NOT to get pumped up for. As someone who didn’t even start off as the main artist on this title, Chris has definitely left his mark on it, making it one of the best looking books on the market month after month.

As for Hawkeye…I honestly don’t know what else there’s left to say about the title. I’ve been a fan of the book since it was announced. I’ve sung it’s praises with every issues released. Hell, I even read this issue 3 weeks in advance, and I was still excited for 11. And you know what? It’s honestly the BEST comic to come out this year. Aja tells a murder mystery from a dog’s P.O.V. and it’s great! There’s action, drama, romance, humor and if you’ve been paying attention to this book, the last 3 pages will hit you like a ton of bricks.  For $3, I can’t recommend a better book.

I CAN HOWEVER, OFFER SOMETHING THAT IS PRETTY GREAT AT THE SAME COST! Greg Rucka and Michael Lark, 2 veteran creators who have made many a fine comic over the years, have Lazarus #1 on the stands, and holy butts, is solid as hell. I love debut issues that stand on their own, and if this was a done and one I’d be pleased as punch. HOWEVER IT’S A ON-GOING, SO I’M THRILLED. Without going into details, it’s very much a crime story with a sci-fi background, and also violent as hell. But I’m in. Rucka’s great, Lark is fantastic on both art and letters and Santi Arcas is fantastic on covers. All for $3. Image have been firing on all cylinders when it’s come to fantastic new series, and this book isn’t any different. GET ON IT THIS BOOK NOW, IT IS THE NEW FATAL, IT THE THE NEW SAGA, AND IT WILL PROBABLY BE SOLD OUT BY THE TIME YOU READ THIS, OPPS!

So all in all a great comics. This upcoming week has “Satellite Sam” debuting from Image, and the Fionna and Cake mini-series wrapping up, plus I’ll be spending some time looking at the 5th volume of Wolveirne and the X-men. COMICS FOR EVERYONE Y’ALL!

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FREE IDEAS

The top picks for this week on many reviewer’s lists will probably include IDW’s X-Files Season 10 #1, the comic book continuation of the hit paranormal investigator drama which started it all. It will probably also have Age of Ultron #10, the top secret finale to Marvel’s latest crossover which will introduce a new status quo to the Marvel Universe and feature art drawn by the EiC himself, Mr. Joey Q.
Might I also call to your attention the always fun A+ X, which drops this week with #9, featuring a back-up story by Adam “Empowered” Warren? Might I also recommend the new 100 Bullets comic from the original creators, 100 Bullets Brother Lono #1, which picks up right where the old title left off? OR the ALWAYS ENJOYABLE Sergio Aragone’s Funnies #8?
I can? Super! You folks should really buy those books…and while we’re addressing each other, dear reader.
Occasionally I try to give back to my community by supplying to you, my loyal and trustworthy readers, FREE ideas you may utilize to make yourselves millions. True, many of these ideas are only applicable to the rich and powerful, but they say one should write for the audience you’d like to have, and they will find your words through the prism of time.
BIEBER COMICS
Someone needs to negotiate the comic book rights to Justin Bieber…and not just the Beeb, but One Direction, Little Mix and the rest of those garbage no talents. WHY? HOW many times do you hear the comic book press and publisher complain about the girls comics market?
Yet the idea to publish comics young ladies might want to read seems to never get used. I can only think this is because everybody on the planet Earth HATES young girls and doesn’t want them to have any fun…and Cindy Lauper says that that is all they really want. Some fun.
That last idea was so good, I can coast on the next couple…let’s see now:
EDIBLE COMICS
How many times do you hear the comic book press and publishers complain that nobody is eating their comic books anymore? Never? That’s because you can’t…yet! If we start printing comics on edible tortillas or ultra-thin sheets of soy, we can add a new dimension to the experience: TASTE!
Did you ever wonder what Wolverine TASTED like?! Well now you can find out, without having to have to stalk Hugh Jackman, tackle him at a movie premier and lick his pits. (Btw, he tastes like smokey canadian maple bacon.) Blood could taste like real blood to boost sales on vampire titles, and everybody will want to lick their favorite super heroes and super sheroes…in public. to see what Wonder Woman tastes like.
Wow, I really phoned that last idea in. This NEXT idea is going to be a smash!
SEQUEL COMICS
You know what was a great comic? Batman and Robin #20! When did that come out, like about a month ago? I’ve got a great idea! How about a sequel to that fine comic book. They could call it Batman and Robin #21! It could come out this week, and it could be about Batman fighting Batgirl because he wants to resurrect Damien. While we’re at it, let’s make sequels to Wonder Woman #20, Justice League #20, and Supergirl #20 this week as well. And let’s have a comic book that is going to kick off DC’s summer event, staring the mysterious Pandora! We can call it Trinity War Pandora #, and we can also make it come out this week!
Well, I don’t know if those ideas are going to make anyone a million dollars, but these NEXT ideas might!
PREQUEL COMICS
This week, let’s make some prequel comics! To set up the stupendous events of next month’s super comics, such as Indestructible Hulk #10Kick-Ass 3 #3 and Superior Spider-Man #13, why don’t we release titles this week so people will know what happened before? We can call them Indestructible Hulk #9, Kick Ass 3 #2 and Superior Spider-
Ah, you get the idea.

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YOU put the I in “COMIC.”

The comic book hits of tomorrow are written and drawn by the genius’ of today! I hope each and every one of you out there is creating your own amazing stories to thrill and entertain. Forbidden Planet has an excellent small press section, and there is no reason you books cannot be amongst them.
Until then, dear reader, maybe you’ll check out these other titels?
DREAM TEAM
Image has a brand new title out this week called The Dream Merchant #1, and Dark Horse has The Dream Thief #1 (of 5). Listen, we have GOT to get these two characters together! They might work out a plt for Inception 2.
Joking aside, both look like interesting sci/fi supernatural thrillers. In the Dream Merchant, a young boy has haunting dreams of an alternate timeline which has been erased by sinister forces. His dreams unlock the secrets to getting that reality back, but should he follow them or go back to sleep?
In the Dream Thief, an ancient mask worn by our hero once makes him the conduit for vengeful spirits while he slumbers. Think Poltergeist meets the Mask.
Here’s a helpful piece of advice: If you’re in a comic book and you should find a strange, creepy mask? JUST LEAVE IT ALONE! Same goes for drinking serums in laboratories, or flying in space or trying on any jewelry you find in a treasure chest or tomb.
Speaking of tombs,
MASTER OF HORROR
Edgar Allen Poe’s Fall of the House of Usher #1 (of 2) is a new horror comic out from Richard Corbin and Dark Horse. I don’t know much about the writer on this book…Edgar Allen Poe? What comics has he worked on before? Can anyone tell me if this guy has done any superhero stuff, I’d like to read more of his work. Still, Richard Corbin is one of the best in horror books. If you’ve seen Corbin’s work then you know he’s both cartoony and horrifying, grotesque and fun all at once!
Kinda’ like this next book; John K. Presents Spumco Comic Book HC (34.99) is my NUMBER ONE pick this week! IDW continues their fine work reprinting in large format print classic material from hard to find sources. Spumco Comics is a collection (plus new material!) of the comic works of John K., the animation super star behind Ren and Stimpy. John K. has a unique style, and humor so low-brow people will wonder if you have any brows at all.
THE BIG TWO
DC has the second issue of their He-Man relaunch title (He-Man and the Masters of the Universe #2) as well as Justice League #20, and the 30 page, final issue of Sword and Sorcery #8. DC is gearing up for their big summer specials, as well as a few surprises for our pal He-Man!
Marvel is swinging back with Age of Ultron #8, FF#7, and Wolverine and the X-Men #29 amongst others. Both Age of Ultron #8 and the latest Wolvie title are alternate future versions of the current Marvel Universe. Alternate titles are always fun! I suggest you read these now, so when you pick up the Return to the Age of Ultron Universe title Marvel will be publishing in 10 years, you’ll know what’s going on.
STILL DRAWING?
How’s your comic going…you know, the one you’r working on? WHAT? You haven’t started it yet, you’ve been reading my column?! DUDE/M’AME, drop this thing like your butt in a bouncy castle and get working on new comic books!
Don’t forget to clip all the pages of your comic book together with staples. Comics without staples is just a series of nonsensical leaflets which won’t stay together.

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