All heat, no jokes, once again y’all!
Wolverine and the X-men #37
Jason Aaron/ Giuseppe Camuncoli/ Andrew Currie
Marvel, $3.99, 20 pages
Chapter 9 of the Battle of Atom crossover is such a pain to review on some level. On the script end of things, it’s a fine book, as Aaron delivers on several fronts. If I was discussing this book on the quality of it’s script alone, I’d say it was fantastic. But visually this art in this issue isn’t very good. The book credits Camuncoli as the penciller, and Currie as the finisher. What that means exactly, I don’t know, but it results in some less than great visuals when all is said and done. The art seems very rushed, which is unfortunate, because this event has been fantastic so far in that department, and it seem odd that Camuncoli, a veteran of the 2x a month shipping Spider-books, couldn’t deliver. Because man, this is an ugly book and it rarely, if ever, matches the standard of Aaron’s script. Hopefully this is more of a mistep than an indication of what the final chapter will be like, because it would suck and blow if the final chapter of this event was as poorly drawn as this one was.
Sex Criminals #2
Matt Fraction/ Chip Zdarsky
Image, $3.50, 20 pages
When the first issue of #SEXCRIMINALS dropped, I thought it was a very good issue, but it was not at all what I expecting given the contents of the creator’s tweets. It was great, but more 16 Candles than the 40 Year Old Virgin, which I did not see coming. Issue #2 is probably the funniest and vulgar comic I’ve read in years, starting from a page to page recap on the first page to a very candid and HILARIOUS letter page, ending with a picture of Fraction getting a nipple pierce in Toronto sex club. This book is not afraid to be an adult comic, and it’s all the better for it. Fraction writes 2 very human leads with a strange and funny power and Chip Zdarsky’s visual gags are gut-busting. His day job as a Canadian magazine/newspaper (I forget) cartoonish is on full display here, and the product is better for it. This was easily the best book I read this week, and I can’t recommend Sex Criminals enough if you’re A) 17 or older B) Not easily offended C) A little bit of a pervert.
Ed Brubaker/Steve Epting
Image, $3.50, 20 pages
Before I discuss my problem with Velvet, let start by saying how GREAT this book looks. Steve Epting’s, with Elizabeth Breitweiser on colors, art is some next level stuff, as Velvet is easily one of the best looking comics in an already strong stable of artists over at Image. That being said, the Brubaker-snob in me feels this script is VERY by the books, especially after reading his other excellent creator owned series Fatale, and his modern-classic run on Captain America. While it’s an original concept, it feels a bit like an unused Black Widow script at times. Of course your enjoyment may vary, because you may not be a Bru-snob like myself. And it’s by no means a bad comic. I’m just a little let down is all, and maybe a little spoiled by Fatale. It’s definitely work a look if you’re a Brubaker/espionage fan though, even with a ton of great Image books already flooding the market.
Mark Waid/ Chris Samnee
Marvel, $2.99, 20 pages
Speaking of books that are hard to review, here’s Daredevil. Is Mark Waid one of the best writer still working in the industry? Yup. Is Chris Samnee somehow doing new things with his art, reaching Bruce Timm’s level of quality in some panels/pages. Hell, even the sound effects are used cleverly (not sure if that’s Samnee or VC’s Joe Carmagna) and are super fun. Again, this is brief, but that’s because this book remains flawless. Unless you hate great comics, y’all need to be reading Daredevil. I’m tired of trying to come up with new ways of trying to say how great this book is.
Pretty Deadly #1
Kelly Sue Deconnick/ Emma Rios
Image, $3.50, 20 pages
As anyone whose read this column before can tell you, I’ve never had a problem admitting the fact that I’m a HUGE fan of Kelly Sue Deconnick’s writing. AND DAMN, KSD’s creator owned book’s debut comes out swinging, with Emma Rios’ best work to date, making this book a visual tour-de-force. A fantasy-western with a female lead, Pretty Deadly’s debut may not exactly be the most straightforward read, but it’s the one of the best look books to debut this year. Rios’ work is both dynamic and trippy, and it’s fun just to stare at her panel work and layouts in this book without reading any dialogue. Her character designs are pretty great, and it’s a shame that we don’t see our lead until the final page of this issue, because Ginny’s possibly the coolest new character of 2013 I.M.O, at least on a visual level.
KSD’s script is sharp, even if it’s a little abstract at time. Her work here is VERY different from her Captain Marvel scripts, aside from the fact that both books have some kick ass female leads. But it’s still fantastic, making Pretty Deadly a must read, especially with Jordie Bellaire’s colors completely the package, making this one of the best looking takes on the wild west in some time. In a white-male heavy industry, books like Pretty Deadly are rare , but definitely needed and welcomed. Arguably one of most important launches of the fall, and it delivers. Buy on sight, assuming it’s still in stock.
Tune in next time for…THE END OF BATTLE OF ATOM! SAGA! AND BECAUSE WE ALL DEMANDED IT, THE RETURN OF NEIL GAIMAN’S SANDMAN!