Tagged: Stephen Mooney

Chris’ Comics: Grayson #14

Grayson-14Grayson #14

Tom King, Tim Seeley, Stephen Mooney, Jeromy Cox

DC $3.99

One of the things I’ve really enjoyed about Grayson is seeing writers Tom King and Tim Seeley  pull unused characters and concepts from the DC and now defunct Wildstorm Universes . It’s lead to the best use of Midnighter since Warren Ellis wrote The Authority, in addition to a ton of cool toys Grant Morrison created when he had his Batman Incorporated run.  Issue 14 of Grayson sees the team of King and Seeley do it again, working wonders on Ladytron, another remnant of  Wildstorm Comics, as well as the duo putting their own spin on the Spyral mythos. It’s a cool bit of world building done via a neat framing device, and it results in fleshing out two characters a bit via explaining their origins. The pair have done a wonderful job of building upon material established by other Bat-creators before them, while adding a ton of new content, making the Grayson cast one of the most diverse and interesting casts in DC Comics. Also their take on Ladytron is very much in the same of Machine Man in Warren Ellis & Stuart Immonen‘s Nextwave, which is something I absolutely adore.

Rejoining the writer’s on art duties this month is Stephen Mooney, who does a decent Screen Shot 2015-11-20 at 9.42.39 PMenough job on the art side of things. Sadly Mooney isn’t capable of reaching series artist Mikel Janin levels of sexy or psychedelic, but his Bryan Hitch-style art works more times than not. Mooney certainly has good eye for action scenes, and his successfully captures some of the more creepier elements of the books. It’s just unfortunate that some of his art looks rough or even in some panels. Jeromy Cox‘s colors are great as per usual, so at least the art has that going for it when it’s not at it’s best. This is not the worst looking issue of Grayson, but it’s noticeably different that’s what come before it.

Art issues aside, I really like what Tom King and Tim Seeley brought to script/dialogue aspects of this issue. For the most of the book’s existence, a lot of the humor revolved about Dick Grayson being sexy, which is something I don’t mind, but the joke was beginning to become played out. It also doesn’t work as well without the presence of Janin’s gorgeous art. Luckily, King and Seeley went into this issue seemingly aware of their disadvantages and use Ladytron’s dialogue as a source of most of the book’s humor, freshening things up a bit. In addition to that, I really like how they’ve given Spyral a sense of history in this new DCU, giving the organization some really cool origins, and then image64using these revelations to completely change the direction of the book. Granted it’s something the writers have been hinting at for the last few issues, so it does feel like the book is spinning its wheels in place a bit. But we’re also looking at a editorial mandated tie-in issue next month, so I can see why King and Seeley wanted a clean finish for this issue.

This issue of Grayson is far from the best the book has been, but it’s very enjoyable none the less. The creative team produces a book that worth the cover price for loyal readers, but it’s not something that’s going to bring in any new ones.  It remains a clever and exciting read none the less, and I’m eager to see where the book is headed next once Robin War is over.

 

 

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Troy’s Toys But with Comics: Spies like Us Edition

First and foremost, happy 2015 Forbidden Planet faithful! There were all of 7 comics released this past week,  none of which I pull,  so we’re going to take a look at 2 books that dropped last week instead. Then I’ll finish my “What I like dug” over the next few days, just in time for the first New Comics Wednesday of 2015. Aren’t schedules fun?

GRAYANN_Cv1_540f47df5c1c08.60705222Grayson Annual #1

Tom King/Tim Seeley/Stephen Mooney/Jeremy Cox

DC $4.99

I want to like this comic more than I do.

I’m doing my best to not be an old man and start ranting about how Annuals should be saved for big stories like were in my day. Hell this annual was originally solicited as such, promising us the New 52 origin of Helena Bertinelli. Which we get, sort of, for all of a page.

The rest of the book is dedicated to several new characters, one who’s supposedly really good at what he does, and we get a lot more focus on said new character than we do on Helena, as well as a Irish Folktale. Which is different, but not exactly the most compelling stuff in the world.

While the book isn’t bad ( Tom King and Tim Seeley‘s script is okay, Stephen Mooney‘s art is serviceable, and Jeremy Cox‘s colors remain excellent), it’s not exactly required reading at $5. It does nothing for the over all narrative of the series, even  thought there’s some cool stuff sprinkled throughout the issue.

December was not the best month for Grayson in my option. Between the annual and issue 5, the book feels like it’s stuck in neutral. Hopefully January will see a proper return to form for this book and it’s creative team.

background (1)Secret Avengers #11

Ales Kot/Michael Walsh/Matthew Wilson

Marvel $3.99

And once again, Secret Avengers is espionage comics done right.

The final arc of Secret Avengers begins with this issue, and properly raises the stakes. The mysterious world of TLON has began to appear in “our” world, the secret mastermind behind the whole ordeal begins to make his presence known and now it’s up to MODOK and his allies to save to the day. It’s Cosmic Horror meets Archer (wordplay?) at it’s finest.

And speaking of F-I-N-E (#segue) Michael Walsh & Matthew Wilson continue to be at the top of their respected games with this book. Between the storm in Venezuela and the various action pieces on the Hellicarrier, Walsh and Wilson continue to do some interesting and beautiful things with format, design and panel layouts. They do Ales Kot’s script the justice it deserves, being able to convey the emotion needed for the Hawkeye/Coulson confrontation, as well as providing some awesome fight scenes.

Kot also deserves some praise for the way he’s been handling Agent Coulson and his PTSD in this book. Hawkeye, Maria Hill, and Black Widow may be normal human comfortable with some of insanity that goes down on the reg in the 616, Phil Coulson is not, and is affected by it. It’s something that could be handled poorly in the wrong hangs, but Ales Kot writes Phil and his condition properly, which makes for a compelling and a emotionally invested read.

Secret Avengers continues to be one of the strongest offerings from Marvel month after moth. It’s weird, violent and funny, and every so often, it has something smart and endearing to say.

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