From writers Scott Snyder and Stephen King, AMERICAN VAMPIRE introduces a new strain of vampire – a more vicious species – and traces the creatures’ bloodline through decades of American history.
This first hardcover volume of the critically acclaimed series collects issues #1-5 and follows two stories: one written by Snyder and one written by King, both with art by future superstar Rafael Albuquerque. Snyder’s tale follows Pearl, a young woman living in 1920s Los Angeles, who is brutally turned into a vampire and sets out on a path of righteous revenge against the European monsters who tortured and abused her. And in King’s story set in the days of America’s Wild West, readers learn the origin of Skinner Sweet, the original American vampire – a stronger, faster creature than any vampire ever seen before.
Don’t miss out as Snyder and King set fire to the horror genre with this visionary, all-original take on one of the most popular monster stories! This beautiful collection features a new introduction by Stephen King and bonus art including character sketches, variant covers and more!
It can be found on Forbidden Planet NYC’s webstore here.
American Vampires co-writer Scott Snyder (w/ Stephen King) was kind enough to stop by Forbidden Planet NYC this past Wednesday to sign our copies of the premier issue. He also was kind enough to sit in front of the now-ever-present Lens of FPTransmissions for a little chat.
Further proving this writer’s hypothesis that damn near everyone involved in the pop arts these days wants to be associated with comics & geek culture, an onslaught of prose novelists are releasing comics in the near future, led by this week’s Anita Blake: Guilty Pleasures #1 from Laurell K.Hamilton. Other recent medium-hoppers of note include espionage/suspense writers Greg Rucka (52, Whiteout) and Brad Meltzer (Identity Crisis, Justice League), as well as fantasists Raymond E. Feist, Tad Williams, and Orson Scott Card. Movie and TV personalities are also jumping aboard as director Reggie Huddlin, Lost producer Damon Lindelof, Buffy creator Joss Whedon, and Allan Heinberg of The OC are all writing comics, too.
While this trend is anything but new, the sheer number of projects granted to these fledging comic authors is daunting to say the least. One wonders if the job pool for established comic writers will soon be shallower by way of this new wave, regardless of the former’s prior successes, their knowledge of the medium, and their ability to make a deadline. Indeed, many of these newer ongoing projects from “outside” writers are plagued by release dates not met and rush-jobs churned out on account of the writer’s other, more profitable, obligations. However, as long as their comics maintain a consistent level of quality and punctuality they are worth note.