Tagged: Spider Woman

Chris’ Comics: Spider-Woman #9 & Green Arrow #2

Spider-Woman_Vol_6_9_TextlessSpider-Woman #9

Dennis Hopeless, Javier Rodriguez, Alvardo Lopez

Marvel $3.99

MOTHER #$@#$%^& WENDIGO!

As I said last week in my Captain Marvel review, Civil War the second is upon us, which means tie-ins issues. And since Carol Danvers has been a supporting character in this title for awhile now, Spider-Woman is getting dragged into this mega-event, like it or not. I feel you J-Drew, lord knows that I feel you.

And while the (gorgeous and simplistic) cover implies hella Civil War action, this issue of Spider-Woman feels like like a tie-in and more like an issue of that delightful Jason Aaron run of Wolverine and the X-men from back in the day. While there’s definitely some Civil War: The Two related stuff in this issue, the bulk of this sees Jessica and friends IMG_0127in Canada dealing with Wendigos! Wendigo is one of my favorite C-list Marvel villains, and I love the way it’s used in this comic, especially when the grizzly twist drops.  As this all goes down, Captain Marvel and Spider-Woman bond, and by bond I mean yell at and insult each other. Good times.

The team of Dennis Hopeless, Javier Rodriguez, and Alvardo Lopez continue their hot streak on this title, with some hilarious dialogue, paired with gorgeous art. The arguing between Jessica and Carol is super entertaining, and readers new and old can feel the history between the two characters. Rodriguez’s facial expressions, acting and page composition are spectacular. I love how we’re guaranteed at least one impressive double page fight scene per issue Lopez’s inks are out of the world, as he and letterer Travis Lanham continue to excel on this book.

Spider-Woman #9 is a very smart tie-in, one that brings Carol into the larger Marvel universe without betraying its mission statement. It’s nothing new for this great creative team, but you still can’t help but get excited reading this sort of comic.

 

GA_Cv2_ds-e1467817721597Green Arrow #2

Benjamin Percy, Otto Scmidt, Nate Piekos

DC $2.99

This series continues to be great for Oliver Queen, who’s just been betrayed, arrowed, tossed into the ocean and left for dead. Hey wait.

Green Arrow #2 resolves the cliffhanger ending of issue 1 by making things MUCH worse for our lead believe it or not. We also get a name for the creepy, homeless-stealing Draculas, and the reintroduction of a character who originated on the Arrow TV show. And while she gets less screen time this month, Benjamin Percy and Otto Schmidt gives some rad as hell Black Canary moments, complete with narration boxes with fishnets. Nate Piekos is the secret MVP of this book for that move.

There’s a lot to like in this issue of GA, which is heavy on the action. Schmidt’s art is gorgeous, and I love the splash pages where a boat is positioning, and the imagery he creates on another page that shows Ollie descending into hell (figuratively) is spectacular.  IMG_0129The book is pretty light on the action sadly, but it makes up for it with a tone of gorgeous visuals.

In terms of the dialogue. Percy’s stuff is “like a Michael Bay movie, but smart and good.”. So the opposite of a Michael Bay movie really. But it’s solid none the less, as he does some clever stuff that reference’s Dante’s Inferno, which is super symbolic of what Ollie’s going through.  The Dinah stuff is great, but I love how he basically manages to remix several older GA stories and do something new with this book. It’s compelling as hell, even though it’s a real bad day for Oliver Queen.

I know a lot of folk like/liked Oliver Queen in Arrow, but this is the first time I’ve really been able to get behind the character and enjoy him in a starring role. Green Arrow #2 is a RAD comic, and it’s arguably one of the biggest successes coming out of Rebirth so far.

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Chris’ Comics: X-men ’92 #4 & Spider-Woman #8

XM922016004-DC11-4baa6X-men ’92 #5

Chris Sims, Chad Bowers, Alti Firmansyah, Matt Milla

Marvel $3.99

X-men ’92 #5 is a comic that had me cackling early in the issue, only to audible gasp come the book’s final pages. To say it’s a good comic is an understatement.

There’s been some online chatter than this book is too jokey at times. Granted there’s been an abundant amount of humor in this series, writers Chris Sims and Chad Bowers are definitely not afraid to get serious at times, which is shown in this issue. And it’s a nice throwback of sorts, as the nature of Storm (phrasing) and Beast’s conflict is something that’s been explored before in Fall of the Mutants/Inferno era of the X-men, and as recent as various X-Force revivals titles. The creative team have done nods like this before, but this is the first time it’s had so much depth to it, and I’m feeling it.

Art wise, Alti Firmansyah is super expressive and animated, and letterer Travis Lanham does something really neat with their choice of fonts during on extended scene. The book has relied on nostalgia for jokes before, and in this particular instance, the lettering really helps sell the humor here. It’s a neat bit that I appreciated a bunch. Matt Milla’s colors are solid, especially when dealing with the Cyberspace craziness.

The second arc of X-men ’92 is a massive improvement over the mini series it followed, and I dug the hell out of that mini. Bower, Sims and the entire art team are given more room to breathe, and don’t have to worry about adhering to the rules of a crossover event. Free to tell their own stories, they turn the extreme up to 11, and gave us an arc that’s absolutely bonkers, yet incredibly enjoyable.

Spider-Woman_Vol_6_8_TextlessSpider-Woman #8

Dennis Hopeless, Javier Rodriguez, Alvardo Lopez

Marvel. $3.99

Hey look, Spider-Woman’s back. Well technically she never left, I just took a break due to Spider-Women crossover times.

Spider-Woman #8 is a done in one that sees Jessica Drew back in action, taking on Tigershark, while the Porcupine watches her son. It’s not unlike issue 5 actually, one this issue is super heavy on the action.

Much like myself, Javier Rodriguez returns to Spider-Woman this month, and absolutely kills it. His colors are gorgeous, giving the book a radiant glow that’s also stunning as the pencil art. Which, by the way, is incredible. The way Rodriguez draws sprawling fight scenes is incredibly, never skimping out on the details. This may be the single best looking Marvel comic I’ll read this year, as no one does layouts and motion like Rodriguez. And props to Alvardo Lopez, who manages to ink this thing with some incredibly thin lines, keeping the line clean and crisp.

Dennis Hopeless is superb. He wonderfully mixes humor with some emotion. His Jessica Drew is so three dimensional, being both a loving mother and a adrenaline junkie who loves help people.  And what he’s done with the Porcupine, changing him from a Z-list villain into someone quite endearing is spectacular.

Spider-Woman #8 is a comic that’s big on hear and big on action. It’s a gorgeous book that’s balances character development and super heroics perfectly. And even with Civil War II around the corner, I’m excited to pick up the next issue, just because of what the creators have done with Carol Danvers in this title. Buy on sight.

 

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Chris’ Comics: Spider-Woman #5

Spider-Woman_Vol_6_5_TextlessSpider-Woman #5

Dennis Hopeless, Javier Rodriguez, Alvaro Lopez, Rachelle Rosenberg

Marvel $3.99

The Business. At the Bomb dot Tumblr dot com. Several profanities strung together, typed out with CAPS LOCK on.

Above is list of ways I would describe this issue of Spider-Woman. Marvel, feel free to us any and all of those for the trades pull quote, it’s cool, I grant you permission to do so. Also in case you can’t tell by now dear reader, I dug the hell out of this fifth issue of a series that has been excellent since this team was assembled.].

The last 3 issues of Spider-Woman were home to one of the DOPEST story arcs to grace a Marvel comic in some time (DIE HARD IN SPACE, BUT JOHN MCCLANE IS PREGANT!), and while issue 5 is a little more grounded, it’s an excellent celebration of Jessica Drew, who is now officially a single mother. While exploring this major change in Jessica’s life, creators Dennis Hopeless and Javier Rodriguez reunite Jess with her IMG_7517old supporting cast, and a few guest stars, including her ex who is my favorite Avenger. Oh and some villains from another Marvel book I adored show up for a brief cameo, making this comic the most on-brand Chris Troy comic of 2016 (so far).

Fan service aside, I REALLY enjoyed what the creative team does with Jessica in this issue. The first few pages give a Kill Your Boyfriend/Sex Criminals vibe via Jessica talking directly to the reader, until it’s revealed that she’s talking to a pair of friends and not us. While it’s not exactly the first book to use that narration trick, it’s an excellent way to let the reader’s into Jessica’s head, all while Rodriguez gets to use his artistic skills to once again convey motion.

My favorite scene in this book involves the entire creative team fully in sync, resulting in 3 pages that don’t use emojis & imagery oppose to dialogue to tell the story. Aside from the usual brilliance from Hopless and Rodriguez, Alvaro Lopez use of black inks to make some fantastic imagery. Playing off the strong preference of a dark color is colorist Rachelle Rosenberg, who uses flat yeah bright colors to counter the black. It’s an excellent example IMG_7516of how well this team works together to produce one of the best super hero books on the shelves.

I also love Jessica’s journey in this issue, and how she deals with the idea of being both a mother and super hero. Granted while it plays out as you would expect given this being a super hero book, the journey is so spot on, and really making Jessica read and feel like such a full and fleshed out character. It’s hard not to smile when reading those final pages, as the book ends on series of feel good moments.

Next month begins the Spider-Women crossover, which means I’m taking a break from the title until it’s over. I love the character, but I’m not about to add 2 more titles to my pull, especially when the usual art team is on a well-deserved break. That being said, this book was a phenomenal comic, and an excellent portrayal of the title character. Spider-Woman #5 is an excellent done of one which shows how talent this creative team is, and I cannot recommend it enough.

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CHRIS’ COMICS: Spider-Woman #4

Spider-Woman_Vol_6_4_TextlessSpider-Woman #4

Dennis Hopeless, Javier Rodriguez, Alvaro Lopez, Rachelle Rosenberg

Marvel $3.99

When it was first announced that Spider-Woman post Secret Wars would feature a pregnant Jessica Drew, there was some skepticism from the comics fandom. Even though Dennis Hopeless and Javier Rodriguez had been doing some wonderful work on the title, I can’t blame people for being a little concerned, as child birth and super heroes do not often mix well.

However, now  that we’re 4 issues into the Mama Spider-Woman era, it’s safe to say we have nothing to worry about from this creative team. Spider-Woman #4 is arguably a perfect comic, as Rodriguez and company come together to end their (second) first arc on a massive high note.

Dealing with Skrulls while going into labor is a inventive way of seeing Jessica trying to escape her old life while trying to give her child a normal life. It’s a nice way for the creative team to embrace the roots of the character while trying to do something incredibly tumblr_o2x9uhNDfH1taspq0o4_1280new with the character. And this is the issue that shows that Jessica hasn’t lost a step despite giving birth in this issue, in the most brutal and gorgeous fashion possible thanks to Rodriguez, inker Alvaro Lopez and colorist Rachelle Rosenberg.

I’ve sung Rodriguez’s praises on ton ever since he’s stepped aboard this book, and this issue is another visually impressive on. Aside from the aforementioned brutal double spread, there’s just as impressive 8 panel one, and an incredibly tense 16 panel one that shows that’s there’s NOTHING Javier can’t do. This issue also proves how important it is to have an great inker and colorist attached to book, with a 9 panel Captain Marvel page that REALLY works thanks to the bold clean inks and fantastic colors. If the art team takes off next issue (I know they’re off for the upcoming Spider-Women arc), I have zero complaints, because it’s a rightfully deserved break.

Meanwhile Dennis Hopeless is the Wolverine of writers, because he’s the best at what he does. There’s something to be said about how he GETS Jessica and how he manages to do hell of a job of writing a mother to be while being a heterosexual male. And I cannot get enough of his Captain Marvel, who’s such a badass while being such a heartfelt character. tumblr_o2x9uhNDfH1taspq0o1_1280And the new Skrull prince Dirk is fun, despite being a bit of a a macguffin. Trope aside, Hopeless does so much good in this issue, be it the pacing to the dialogue, it’s easy to overlook a thing or two.

Spider-Woman #4 more than just nails the landing to a character defining arc. It’s a wonderful celebration of a character that really didn’t have too many great solo stories, and could have been easily lost in a sea of Spider-ladies. But this creative team goes above and beyond, crafting a tale that’s ridiculously good and some of the best super heroics being put out by anyone today. It’s a concept that may have stumbled a bit with a less experience creative team, but Hopeless, Rodriguz, Lopez and Rosenberg take an idea that we have all seen before and turn it into a high concept action comic.

 

 

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Chris’ Comics: Spider-Woman #3

Spider-Woman_Vol_6_3_Textless (1)Spider-Woman #3

Dennis Hopeless, Javier Rodriguez, Albardo Lopez, Racehelle Rosenberg

Marvel $3.99

WHAT I EXPECTED GOING INTO THIS ARC: Jessica Drew struggling with pregnancy and being a super hero.

WHAT I GOT INSTEAD: Die Hard, in space, starring a VERY pregnant Jessica Drew.

The first thing I did after reading this issue was to jump on Twitter and scream it’s praises. Writer Dennis Hopeless and artists Javier Rodriguez, Alvardo Lopez and Rachelle Rosenberg have come together to create an amazing story arc which sees a very pregnant Spider-Woman and a squad of fellow moms-to-be stuck in space hospital that’s trapped in Black Hole and crawling with hostile Skrulls.

That is a crazy pants premise that I love so much.

One of the best things about this arc so far is seeing Javier Rodriguez go FULL JACK KIRBY with the art. Most of my experience with his art was seeing him draw street level heroes and heroines, so seeing him go cosmic and start drawing the way King Kirby did when it came to the Skrulls and other cosmic Marvel beings blew my mind. And it’s just tumblr_o1clk5PrD91uxdbsko6_1280not the characters. There’s a bit in this issue where he has to draw Jessica traveling over some weird alien environments, and Javier completely manages to replicate Kirby super detailed, exotic and trippy as all hell style for this scene. All while ensuring his characters maintain the level of detail and expressiveness we’ve come to expect from him, not to mention his experimental layouts and panel placement. Alvaro Lopez and Rachelle Rosenberg bring their A games as usual too, as Lopez manages to ink Rodriguez’s lines perfectly, while adding  heavy blacks to backgrounds when needed. Rosenberg’s colors are superb, helping the final look as good as a comic can look in 2015, giving it a slight advantage over the Silver Age era where Kirby ruled over.

Dennis Hopeless’ Jessica Drew remains wonderful. Anyone worried that the character wasn’t going to be done justice now that she’s pregnant has nothing to fear, as Jessica is just as kick ass as she’s always been, just now slightly more cautious. Hopeless’ Spider-Woman is a lot like Alanna from Saga, only way less foul-mouthed and way more suitable for an teenage audience. Seeing the character take charge and lead a bunch of expecting mothers against tumblr_o1ml4hmjxl1srcsbxo1_1280the Skrulls is definitely an empowering moment for the character, as she manages to keep her cool and do some serious ass kicking. Additionally, his take on Captain Marvel as the concern future godmother helping Jessica through this ordeal puts the character in a new role, without making her any less of a great character. Combined that will the cool new alien characters Hopeless and the artist team creates for this arc, Spider-Woman #3 has a great cast of characters for reader’s to get invested it.

Spider-Woman #3 is an artistic tour de force with some wonderful character moments. It’s EASILY one of the best looking comics to come out during January, and definitely a personal best for this creative team. I’m not sure if they’ll be able to top this one anytime in the near future, but now I’m just going to enjoy what we got.

 

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Chris’ Comics: Spider-Woman #1

Spider-Woman-1-Cover-8769aSpider-Woman #1

Dennis Hopeless, Javier Rodriguez, Alvard Lopez

Marvel $3.99

When we last saw Spider-Woman, she was running off with Black Widow to go die in Secret Wars #1. Don’t worry, she got better, somehow. Better and apparently pregnant. COMICS, EVERYONE!

In case you somehow missed the hoopla, Jessica Drew is back and with child in this newest volume of Spider-Woman. Dennis Hopeless, Javier Rodriguez and Alvard Lopez fully embrace this whole 8 month post Secret Wars gap by putting J-Drew in a scenario no one saw coming. And by doing so, it sets the book off in an entirely new direction, in addition to adding a much beloved character to the cast of supporting characters. As much as I loved having the Porcupine and Phil Urich bounce off Jessica, having Captain Marvel play a larger role in the book give Jessica a chance to interact with her bestie, and makes for a perfect comedic foil to our hero. There’s also a hint that another Spider-lady will be popping up from time to time, but we have to see how this all plays out first.

I really like the way Jessica’s pregnancy is handled in this first issue. She’s upset that she’s being sidelined, but it’s a choice that she ultimately made, not wanting to risk the life of her Jess-and-her-motorcycle-e1447959748798yet to be born child. Seeing Jessica dealing with a maternity leave and an overly-concerned best friend is fun, but never makes the character the butt of the jokes. She’s struggling with the pregnancy, on her own mind you as there doesn’t seem to be an active father figure present, but she never comes off as weak. If anything it’s the opposite, as it shows Jessica rising to  the challenge to meet it head on (with some help from her friends).

Aside from the addition of her blonde BFF and some cameos from a bunch of prominent Marvel characters,  Jessica mostly interacts with Ben Urich,  who helping her adjust to an everyday normal person problem, and the Porcupine, who’s gone full amateur super hero. I really dig Jessica training Roger Cocking to be a better person, as its nice to see a petty crook being rehabilitated successfully. Hopeless and Rodriguez did wonders for the character, and seeing him as a full on hero is a nice path of progression for the character. Hopefully it will stick, because while I’m not expecting a Deadpool-level boost for the character, way too many reformed super villains have gone to the side of the angels, only to be written as a villain down the line with little to no explanation.

29cncyfAnd while a ton of things have changed for Jessica in terms of the status quo, the creators involved remain just as good as they were before the hiatus. I mean, that sort of thing should go without saying, because more writers and artists don’t suddenly regress in skills after a short hiatus. But we get to see a different side of Javier skills when he as to channel his inner Kirby/Byrne towards the end of the book. I absolutely love the way he draws a certain race of Marvel characters, as they look way creepier and in line with their silver age incarnations than the way they’ve been portrayed as of late. Plus being his own colorists give him a chance to do things with skin and lighting most artist don’t get to do with their own work. And I absolutely love Hopeless’ dialogue in this issue. He gets to focus on these heroes more human sides, which leads to a number of wonder scenes and interactions that are very enjoyable, and sound so natural.

This is the Spider-Woman #1 we deserved for the last year. It’s a fantastic soft reboot that does Jessica Drew, a wonderfully complex and compelling character, justice, while dealing with a subject matter that’s often mishandled by cape comics. Hopeless approaches pregnancy with the respect and sincerity it deserves, ensuring his critics that he’s going to do Spider-Woman right. It’s a great comic, and I can’t wait to see this story arc play out.

 

 

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Chris’ Comics: Spider-Woman #10 & X-men ’92 #3

Spider-Woman_Vol_5_10Spider-Woman #10

Dennis Hopeless/ Natasha Bustos/Vero Gandini

Marvel $3.99

Going into this issue knowing regular series artist Javier Rodriguez would not be drawing it, I was expecting myself to enjoying this issue of Spider-Woman a little less than usual. Nothing against guest artist Natacha Bustos, but the shadow Rodriguez casts on this book is MASSIVE, and it’s a hard to follow.

However, most of my issues with #10 aren’t with Bustos. She kills it with this issue, channeling Rodriguez while giving the book a softer, more manga-influenced look. Natacha never gives us any crazy, hyperactive layouts we’ve gotten in the past, but she does a fine enough job with the issue. It’s a shame that Vero Gandinis color pallet is so pale, otherwise I would have zero complaints with the art. Sadly, aside from his beautiful night skies,  his use of light colors irk me, making the final product look cheaper. I was willing to chalk it up to a printing error, but after looking at the digital copy, it’s definitely the shade. The day scenes are well lite enough, but it takes away from the night time scene.

CNWcZSSW8AAR1_CMy other issue with this comic was it being forced into being a Secret Wars: Last Days tie-in. 1/4 of the book is spent setting up Jessica’s appearance in Secret War #1, and it feels so forced, with an overly aggressive Black Widow that’s incredibly unlikable. It’s rare to see writer Dennis Hopeless slip up like this, but given how poor the Spider-Verse stuff was handled, it doesn’t come as a surprise. The book is at it’s best when it’s dealing with the A plot, which involves such greatness as HULK CATTLE and the Porcupine going full O.M.A.C. (Happy birthday Jack Kirby!), and could have used five more pages of that then lining up the events of a 4 month old comic.

Spider-Woman #10 is the uneven conclusion to a pretty great run of Spider-Woman comics. The book will be back in November with the Javier Rodriguez, and Natcha Bustos will be off drawing the All New Devil Dinosaur series. I’m excited for both titles, and I hope this next volume of Spider-Woman will be free of crossovers. Hopeless and Jessica are best when they’re left to their own devices, despite the chance of boosted sales thanks to being a major event tie in

X-Men_'92_Vol_1_3_TextlessX-men ’92 #3

Chad Bowers/Chris Sims/ Scott Koblish 

Marvel $4.99

Nothing says 90s X-men like X-Force. The New Mutants went from being the 2nd X-men book to being a sales juggernauts, launching the careers of both Rob Liefield and Greg Capullo, and introducing Marvel icons like Cable and Deadpool. It comes as no surprise that Sims and Bowers decided to use these characters for this title, and the results of pretty great.

X-Men ’92 #3 collects the 5th and 6th installments of the digital version of X-Men ’92, which are both the best and worst chapters of this series so far. The first half of this book sees X-Force off to save the captive X-men, all while Casanova Nova finds herself struggling against the combined might of Cyclops and Jean Grey. The 2nd of the half explains Casanova’s end game, ties the book back to Secret Wars, and is kind of all over the place. You can tell writers Chad Bowers and Chris Sims are having a blast with this book when their focusing on the characters, which is where is when the book really shines. It’s an extremely fun fiction of sorts, and I wish these two could continue to have their fun instead of having to wrap this thing up so the 616 X-men can pal around with the Inhumans or whatever.

004085411ce2dfd3afbf59c707e7fe85Sadly the artist Scott Koblish‘s art isn’t as solid this time around. While he manages to draw some ridiculous guns and pouches this issue, some of the pages feel rush, and the art feels less parody and more cheap 90s licensed merchandise at times.

The good more than out weight the bad in X-men ’92 #3. Its an incredibly fun and exciting read that hits a few snags, but is worth the cover price. It’s been a while since we’ve had a light-hearted X-men book on the stands, and hopefully these creators will have a chance to work their magic again after Secret Wars.

 

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Chris’ Comics: Spider-Woman #9

SWOMAN2015009-Cov-c2f18Spider-Woman #9

Dennis Hopeless, Javier Rodriguez, Alvardo Lopez

Marvel $3.99

Javier Rodriguez is a beast y’all.

I’ve been a fan of both Spider-Woman and Javier for awhile. Jessica Drew is my wife’s favorite Avenger, and Rodriguez won me over back when he was coloring Daredevil. Putting him on Spider-Woman with that slick Kris Anka designed costume was a gift, and this issue may arguably be his most impressive work to date.  It also helps that he and writer Dennis Hopeless are channeling other quirky creator driven books like Superior Foes of Spider-Man, the aforementioned Daredevil and Hawkeye with this incarnation of Spider-Woman.

4691358-2+swoman2014009_int2-1Issue 9 kicks off the 2nd arc of this team’s run, which sees J-Drew, reporter Phil Urich, and reformed Z-list villain the Porcupine hit the road to help folk across the country deal with the various weirdness one would face as a denizen in the Marvel Universe. This results in the Porcupine not being the most obscure villain to show up in this book, which says a lot. It alsot means Rodriguez is able to draw a number of insane fight scenes, all of which are gorgeous and highly detailed. I also like how he also frames his pages, using photos as panels, and doing a lot of interesting things with the sense motion by drawing multiple Jessicas in a single panel. The book seems excessive to the untrained eye, but once you start reading it, the proper flow of events becomes apparent and it’s all very wonderful. And since he doubles as colorist, he uses lighting to his advantage throughout the book. I’m not saying he uses it for some easy outs, no, his pages are crammed full of content, the coloring just helps to guide the reader’s eyes as to where they should be focusing on. And the quality of the colors are worth mentioning, as it’s the first time the digital editions looks as good as the paper version. A lot of books look a lot crisper on a tablet then on paper (ie any DC book I buy) , but Rodriguez someone manages to avoid it. Inker Alavardo Lopez is as equally talented, providing the art with thin clean lines, showcasing just how detailed the art is. The finish product looks like it’s popping off of the page in several instances, making it one of the more eye catching books coming from Marvel.

tumblr_nryvwpapM11qlmthpo1_1280Dennis Hopeless’ Jessica Drew is a fantastic take on the character. She’s flawed – impatient, short tempered, slightly aggressive, but her heroic nature is never in question. It’s nice to see a veteran like Jessica not fall into the model of the good, but boring, role model, as it makes her a tad more relatable then some of her newer peers. She reads more like a more competent Clint Barton (or and adult Kate Bishop if you will) than a sexy Peter Parker, which makes her stands out a ton from the other Spider-female characters. Hopeless also give Porcupine some character, making the newest addition of the cast slightly more lovable. It will be interesting to see if the character will catch on like the Superior Foes of Spider-Man era Sinister Six Five have, but the potential is certainly there.

Spider-Woman #9 is another fantastic issue by a creative team that’s clearly firing on all cylinders. Jessica Drew is a delightful lead, her supporting cast is fun, and the book’s direction is interesting, until it’s interrupted by Secret Wars and relaunched. I can’t recommend it enough, as it’s arguably one of the best super hero books currently available.

 

 

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Troy’s Toys But with comics: Special Edition NYC edition!

IMG_5060

So hey, Special Edition NYC happened over at Pier 94 this past weekend, and while I wasn’t the biggest fan of the venue or the panel areas, the show was still pretty good. The quality of guests were solid, the amount of diversity present in the panels were nice, and I saw this adorable Ghus cosplayer when I arrive at the con. It was a fun show if you’re a fan of all comics convetions, as it’s very much in the vein of MoCCa and Heroescon. I fully recommend it if you’re a fan of those shows, or NYCC’s artist alley!

With that mini-convention review done, let’s get to the part where I review the comics I bought last week, yes?

 

4590451-sqgirl2015006_dc11-0The Unbeatable Squirrel Girl #6

Ryan North/Erica Henderson/Rico Renzi

Marvel, $3.99

I love the Squirrel Girl creative team, but I think writer Ryan North may be a 100% real life crazy person. That’s fine though, as he’s using his powers of crazy for the forces of good on this book, co-creating a title that’s hilarious and fun for all ages, while drowning in words and insanity. So I guess North is also a bit of a genius. That line is extremely blurred.

The Unbeatable Squirrel Girl #6 sees our heroine deal with other animal-themed heroes named after the animals they can talk to & both of them very familiar to her, for reasons she can’t figure out why. Meanwhile, North claims to quit writing heroes with rhyming names in the text at the bottom of the page. We  also get rampaging animals, and a rampaging animal-turn-human-animals, and North quickly abandoning that claim . This book sounds like a fever dream as I describe it, but it is very good, despite sounding nuts, and…really nuts? That’s what I wrote for real? Now I hate myself for making that (unintentional) pun.

While North may be madness incarnate, but Erica Henderson is a gift. That is the best way to describe her all too important contributions to this book. Squirrel Girl’s visuals may be too cartoonish for some, but those people are dumb and shouldn’t be heard/ allowed to have nice things. TUSQ benefits from having a non-traditional super hero comic look, especially when it’s very much a humor title, and Henderson’s pencils are a perfect fit for North’s constant barrage of jokes. It’s super expressive and exaggerated, helping sell the book’s humor. The coloring from Rico Renzi is crisp and clean, doing Henderson’s art justice and completing the package.

The 2nd major arc for Squirrel Girl is off to a wonderful start. Henderson and North have delivered the best all-ages Marvel title since Thor the Mighty Avenger, and the funniest Marvel comic since Nextwave. This is some career defining stuff for these creators and well worth your time.

 

Spider-Woman-8-Cover-e1433537865998Spider-Woman #8

Dennis Hopeless/Javier Rodriguez/Alvaro Lopez/Muntsa Vicente

Marvel $3.99

Spider-Woman wraps up her first non-crossover arc, and man, the big fight scene is this issue absolutely brutal. While the violence is kept at a Teen + level (which I think means PG??), Javier Rodriguez‘s art make the feel more brutal. As you can tell from the cover, J-Drew fights a woman in a power loader, and it does not go well for her. Rodriguez doesn’t shy away from making Spider-Woman take some solid hits, but she never looks weak or timid. This is an experienced Spider-Woman, who can take some damage and keep fighting the good fight. Rodriguez’s layouts are phenomenal, with scenes bleeding into other panels or taking place in sound effects. Alvaro Lopez‘s inks are also crazy good, using heavy inks in just the right areas to main the wounds look all the more devastating and painful. VC’s Travie Lanham has some of the most creative lettering and sounds effects I’ve seen in some time, and Muntsa Vicente’s colors and bold and bright, helping this book look very stylistic.

While the art is the best reason to pull this book, Dennis Hopeless does a outstanding job on the script. He keep the dialogued limit in the fight scenes, but when the time for exposition and plot is needed, he absolutely nails it. He does a find job of making the book’s big bad incredibly sympathetic, and more importantly he writes and fantastic Spider-Woman.

Spider-Woman #8 ends with the solid new direction for the book that looks to be a fun read. Hopeless, Rodriguez and their friends have created a title that feels like a classic 70s Marvel book in a way, but also refreshingly modern. This take on Spider-Woman has done wonders for this book, and the character, who’s really come into her own there last 4 issues. It’s nice to see a female lead for Marvel who’s more of an experienced ass kicker, and it pairs well with other action oriented female lead Marvel books like Black Widow and Captain Marvel. Buy on sight.

 

 

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2 Spider-Women and a little Silk

With the SPIDER-VERSE story arc over and the dust only beginning to settle, you may have noticed a shift in the shape of Peter Parker’s part of the Marvel Universe.

It’s got *gasp* girl heroes! Three of ’em, even!

Yes, three new books have made their way out to you Marvel readers, each featuring a female protagonist, two of whom are brand-spankin’ new. But with MS. MARVEL already dominating and SHE-HULK‘s book sadly finished, the obvious question becomes – is their room in the sky for three new, distaff Spider-Man counterparts?

Probably not. But that doesn’t mean we can’t enjoy it while it lasts. So let’s look at why you should be reading the comics  for each of our gals – SPIDER-WOMAN, SPIDER-GWEN, and SILK!

SILK

So! Elephant in the room – we’ve still got a slew of copies of SILK #1 sitting on the stands right now. Which doesn’t bode well for newcomer, Cindy Moon, nor her creative team, Robbie Thompson, Stacey Lee, et al.

And that’s a shame because the centerpiece for the Spider-Verse story arc has a real solid story already in her own book. Girl out of time, missing family, and a complicated relationship to Peter Parker himself, Cindy’s got all the makings of a relatable super-hero. Plus, she’s one of the scant few Korean characters in the regular Marvel roster right now.

Even though her family is MIA, Cindy Moon is deeply affected by them. We get flashbacks of what her home life was like before she wound up in a lonely bunker, hidden away for a decade. And what we see isn’t so dissimilar from the kind of interactions we see between Kamala Khan and her family.

What it boils down to is this – if you’re looking for a book that marries the web-slinging sensibilities of Spider-Man with the more modern, slice-of-life style from Ms. Marvel, Silk is probably the book you ought to be reading.

SPIDER-WOMAN

If there’s a true dark horse among this three-some it is, unquestionably, Jessica Drew. While Silk may not have sold out, SPIDER-WOMAN #5 is seeing attention for all the wrong reasons.

While the comic-reading world was divided on Milo Manara’s butt-tastic variant cover to Spider-Woman #1, it’s her new costume that’s been universally agreed upon. And that response is “eh”. It’s not terrible, it’s not great, it’s just not particularly… right. That’s the consensus. And that tepid response mixed with kickstarting the new adventures of Jessica Drew at a number five rather than a number one isn’t helping things either.

But that doesn’t mean you shouldn’t be reading! Especially if you’ve been longing for something that feels less superhero and more A.K.A. Jessica Jones. Yes, it’s impossible to miss writer Dennis Hopeless’s homage to the Bendis new classic, ALIAS. Spider-Woman’s a detective, and she spends a lot of time being duped and getting it wrong. Throw in a snarky attitude, and the new Jessica Drew is definitely the new Jessica Jones.

And whether or not you’re happy with the costume or the fact that she left the Avengers, there’s no mistaking the potential for a more street-savvy, motorcycle riding, ain’t-afraid-to-fight-dirty Spider-Woman. So if you haven’t given her a shot yet, do. I think you’ll be pleasantly surprised.

SPIDER-GWEN

And if there’s one hero who’s off to the best start it is, undoubtedly, Gwen Stacey. Spidey fans have loved Gwen since time immemorial, so the chance to see her in a new alt. universe where she was the one who got bit by that radioactive spider? Well that’s about as right as it can get.

And while Jessica Drew’s costume hasn’t played well with fans, you’re guaranteed to see multiple Spider-Gwen’s at every convention you go to. Rightly so. The stark-white and black, mixed with purple – and that hood! It’s costume-design perfection.

All that, and the book ain’t bad either. Much like Peter, Gwen’s not exactly beloved in her city either. And while her father tries to help, her reputation is tearing his down more than his is bolstering her’s up.

Yes, it definitely feels like a Spidey book just left of center. Which would explain why it sold out so quickly. Lucky for you the story’s easy to pick up AND SPIDER- GWEN #2 is out this week.

But you tell us next time you’re in the shop – who’s your favorite of the new(ish) Spider-Women?

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Troy’s Toys but with Comics: Sassy Spies Editions

Yes, yes, I’m well aware Spider-Woman isn’t a spy anymore, but she’s still in Secret Avengers for the next 2 months so it works.

 

635544611181339292-SpiderWoman-coverSpider-Woman #5

Dennis Hopeless/Javier Rodriguez/Alvaro Lopez

Marvel $3.99

NEW STATUS QUO! NEW COSTUME! NEW ARTIST! 5TH ISSUE IN!

Spider-Woman, not unlike Spider-Gwen, is done with Spider-Verse nonsense, done with the Avengers, done with Greg Land, and is hitting the streets with a new mission and a new slick look courtesy of Kris Anka. Writer Dennis Hopeless is now free to tell stories without having to worry about tying into Amazing Spider-Man, and the book’s all the better for it.

 

Land is replaced by former Daredevil colorist/Fill in Artist Javier Rodriguez, who reminds everyone that he can draw and color the hell out of a comic 5 pages into this issue. Rodriquez definitely picked up some tricks coloring Chris Samnee over the years, which explains why is layouts are so good. And of course, the coloring on this book is surreal. The way Rodriquez colors the rain almost make those panels feel 3-D. And man, that new costume looks amazing on Jessica. Inking him is Alvaro Lopez, who knows where to thicken his black lines and where to keep them thin. He’s a fine match for Javier.

 

Hopeless staying aboard on the title is A-O-K with me, as he’s a smart writer with a knack of coming up with unique premises on corporate comic characters. Jessica struggling with going solo is an interesting predicament for a super hero, and it’s a cool challenge for her to overcome. And the addition of Daily Bugle mainstay Phil Urich is neat, and gives Jessica a great character to interact with. Also Hopeless appeals to my loves of the recently completed Superior Foes of Spider-Man and brings in several Z-list Marvel villains for Jessica to harass.

 

Spider-Woman #5 is not unlike the Bab Tarring of Batgirl, which is fine because that was a smart move, and it’s certainly now working for J-Drew.   Between this, Silk and Spider-Gwen, you’d think the comics world would be sick of female Spider-ladies, but not that’s far from the case. Each one of these titles brings something to new to medium, and all of them are good comics.  Spider-Woman #5 is a VERY good comic that should have been a #1. I know the book got a nice sales boost launching and tying into Spider-Verse, but THIS is the debut issue the creators and characters deserve.

 

stk665635Grayson #8

Tom King/Tim Seeley/Mikel Janin/Jeromy Cox

DC $2.99

This issue sees the end of season 1 wrapping up, as the book goes on hiatus for 2 months due to DC moving to the west coast and not replacing them with robots like I did (Hence I spell all good like always). In terms of endings, I don’t think this could have been any better.

Issue 8’s cover is pretty spot on, as SPYRAL finds a traitor in it’s ranks, and it’s up to Agent Grayson to save the day. It brings the cast of mostly new characters together in a fun and creative way, and ends on a brutal note. It’s spy comics done right, which has been this creative team’s MO since day 1, so this issue being as great as it is doesn’t come at that much of a surprise. Tom King and Tim Seeley deliver another fine script with some choice dialogue and neat twists, and Mike Janin and Jeromy Cox make the whole thing looks so pretty. Even when things get dark and violent, which says a lot about how I judge beauty.

Issue 8 is an issue that wraps up some plot-lines, starts new ones, and sees one of Dick Grayson’s student name each of his butt cheeks. It’s another great installment of comic that has been a crazy fun ride, and this slight break will make me miss it a ton.

 

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Of Arkham City and Marvel Universe figures

By Chris Troy

Happy Halloween FPNYC Faithful! Hope whatever you have planned for this/weekend doesn’t involve being dressed as M.O.D.O.K. and drinking a ton of tequila, because that’s my plan for the year (and as of writing, it’s been 12+ hours later and I’m STILL hung over). That being said, anybody pick up Arkham City for their Xbox or PS3 yet (I think PC users still have to wait a bit)? The game is damn good, as it improves on several things from Rocksteady‘s previous release, the million units selling Arkham Asylum. If you’re a fan of Batman and/or excellent video games, it’s worth your time.

And if you’re a Bat-video game fan, you REALLY need to pick up the Arkham City tie-in graphic novel. I know, I know, tie-in books usually blow and are usually widely ignored when it comes to the actual game’s, but things are different with this one. It’s written by the game’s  head writer Paul Dini (who was also one of the original creators involved with the 90s Batman Animated series, as well as runs on Bat-books like Gotham Sirens & Detective Comics) and drawn by the game’s concept artist Carlos D’ana. The hardcover collects the mini-series & web-only episodes, which connect the 2 games, as well as some behind the scenes artwork. A solid collection to add to your book shelf.

Last week I mentioned I picked up some new Marvel Universe figures, and promised to give a review of them this week. So unless I want to be labeled a liar, I better do so. X-23 & Commander Steve Rogers were the 1st two ML figures I’ve purchased since Spider-Woman, and man, the line has come a far way since then! Hasbro has been getting better with these figures since their debut a few year back, but now it’s really showing how much the line has improved. Continue reading

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Marvel Universe Series 3 Wave 1 line review

By Chris Troy

This is a very unique February for Marvel fans across the US. Comic wise, Marvel’s launching it’s .01 initiative, special $2.99 priced 1-shots that help new readers get caught up to date on Marvel’s big heroes ( like Spidey, Wolverine, Iron Man…..Deadpool?!). Tonight’s the Super Bowl, which as a Jets’ fan, I’m once again super-bitter than Gang Green couldn’t get it done once again in the division finals (go Packers!), but we’ll be seeing trailers for both Thor and Captain America: The First Avenger. Also, in about 2 weeks, Marvel vs. Capcom 3 drops for the PS3 and Xbox 360, which as a Marvel AND a fighting game fan,  I am 50 exciteds for. So, to complete this theme, today’s article will be on the latest wave of Marvel Universe figures.

Fair warning, my digital camera’s battery is shot and my wife’s not home with her’s at the time, and I dare not use cellphone photos for blog use, so it’s going to be Goggle-found image day! I found some pretty reliable images though,so everything should be okay. Anywho while this is technically the 13th wave, Hasbro is calling this Wave 3 series 1 as the difference is that Steve Rogers (aka Captain America) is now features on the box, replacing Norman Osborn, Series’2 representative, who originally replace Nick Fury. Back in the day, you got S.H.I.E.L.D or H.A.M.M.E.R file cards, which offered brief descriptions of the character you bought.  Now you get a stand with the character’s  name on it, which is extremely helpful, as these some of these figures aren’t exactly that great at standing to begin with. Why they are even bothering  with slapping  Steve on the box now is beyond me, but hey, it’s current with the current Marvel Universe in terms of who’s top cop, so I guess that’s cool. Anyway, this wave consists of World War Hulk, Doc Samson, Spider-Man 2099, Spider-Woman, Captain Marvel and Heroic Age Iron Man. Continue reading

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Don’t Hate, Just Read #1: This Week in Comics.

Superman Secret Origin covers 1-4

Wednesday means new comics, anyone reading this blog knows that.  So, with that in mind I’d like to point you in the direction of a couple of books I’m looking forward to.

From DC Comics today, we have the Geoff Johns/Gary Frank interpretation of Superman’s modern origin in Superman: Secret Origin #1.  Think of it as Geoff Johns’s way of doing Smallville. We also have the final issue of Wednesday Comics, DC’s brilliant effort at distributing comics the old fashioned way, in newspaper form. There were some beautiful stories in this including Paul Pope’s Adam Strange, Karl Kerschl’s The Flash, and the 100 Bullets team on Batman. I’m looking forward to seeing how they collect this astounding collection.

At Marvel we have the comic book form of Spider-Woman. Like I mentioned in my review of the motion comic, I think I like this book better in its natural format than  this motion comic business.

The other book I really like is Immortal Weapons #3 featuring a story by Rick Spears.  Frankly, one cannot get enough of a Rick Spears story, and I love anything involving the Iron Fist universe these days.

Other than that,  its all I got.   Happy Reading!

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REVIEW: Spider-Woman, Agent of S.W.O.R.D Motion Comic.

Spider-Woman by Alex Maleev

Marvel’s first motion comic arrived earlier this week, and I just viewed it.  Written by Brian Michael Bendis and drawn by Alex Maleev this stripped down if not disconcerting 10 minute static animation was enjoyable, but weird to look at.

We follow Jessica Drew, recovering from post-Skrull Invasion and has been contracted by Agent Brand of S.W.O.R.D. to hunt down the remaining Skrulls on Earth and deep six ’em. This is the key sequence in the motion comic that was disconcerting and actually kind of gave me motion sickness, but I attribute that more to last night than the viewing itself.  During Jessica’s discussion with Brand on a London double decker bus, the bus moves and you can see traffic going by outside, their fancy schmancy iPhones do all the things an iPhone does, but the characters talk and their lips are not moving.  See what I’m saying? Disconcerting.  The entire thing is like that.

However, that does not make this a bad thing at all, actually I really really enjoyed it.  Alex Maleev’s restrained paintings bring life to this exceptionally dark piece of animation, and Bendis restrains himself from the wordy chatter he’s known for, but still retains the attitude that is Jessica Drew.  However, I am with Graeme McMillan over at io9.com, that I would rather read it than watch it. However, for .99 cents its cheaper than buying the comic, so really, its worth downloading.

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