Joe Kelly, Ed McGuinness, Mark Morales, Livesay, Jason Keith
After a 2 month break, the team of Joe Kelly and Ed McGuinness return to Spider-Man/Deadpool to wrap up their first arc. Truth be told I had no idea that the “Bromance” arc had another chapter left in it, but I’m not complaining. This issue sees our dynamic duo going after the person who put a hit on Peter Parker, something Spidey hasn’t gotten over yet. To be fair, Deadpool did kill him twice.
10000 years ago when Joe Kelly was writing Deadpool, the usually comedic book had the tendency to dip into some dark territory, which made sense given the fact that Wade Wilson killed people for money. This issue of Spidey/Deadpool is very much like those comics, only with a darker, angrier Spider-Man playing the role of the brooding lead. At first glance that MAY sound terrible, but Kelly does enough to with the concept to make it work, via suggesting that a high-end villian may be messing with our boys. Also angry-pants Spidey makes the usually sassy and violent Deadpool the straight man in this pairing (well as straight as a pansexual character can get), which is humorous for it’s own set of reasons. Joe Kelly makes sure that Spider-Man’s morals are never compromised, so he doesn’t stray too far from the character’s M.O.. So while it’s a darker issue than what we’ve been use to, but not to the point where it’s ever too overbearing.
Ed McGuiness is once again incredible on this book. Not only does he design a slick new suit for Spider-Man, but he does some fantastic work designing a trio of grotesque monsters for the issues. There’s also a bitty Wolverine, which is somehow cuter than it sounds. I love what the new suit does for McGuiness’ Spidey, who looks more menacing and sleeker during the book extended fight scene. A lot of it is done via his body language, and which paired with the more sinister colors by Jason Keith help make Spidey look more aggressive and blood thirsty. Those are words usually not associated with the web-help, but it works because it’s so off model, not to mention just looks cool. I also dig that the monsters McGuinness cooks up definitely pay homage to video games and horror manga, but still end up looking unique that you can’t quite place where you’ve seen these beasts before. Inking Mcguinness this month are Mark Morales and Livesay, who do a bang up job of keeping this book clean looking.
Spider-Man/Deadpool remains a title that reads as great as it looks. Allowing the creative team to take a break between arcs was a good call, and I’m glad they’re rested and back producing a great looking book. Issue #8 is comic that will definitely surprise readers, possibly shock them, but not in a way that will alienate them. I’m really curious as to what the next arc will bring, and what the relationship our heroes have with the mysterious Patient Zero. Super Hero Team up books are RARELY this good, so I cannot recommend this title enough.