Tagged: spider-man

Chris’ Comics: Spider-Man/Deadpool #3

Spider-Man_Deadpool_Vol_1_3_TextlessSpider-Man/Deadpool #3

Joe Kelly,Ed McGuinnes, Mark Morales, Jason Keith, Joe Sabino

Marvel $3.99

I’ve been reading Deadpool comics since Fabian Niceza and Joe Madureira were working on them, and it’s interesting to see how the character has developed over the last few decades. Wade Wilson has gone from a one note character to one that could support several books, one in particular that’s chock full of queer subtext, and both geopolitical and white privilege commentary. Fandom is a weird, yet wonderful thing at times, and it really feels like Deadpool as a character under editor Jordan D White is aware of what Tumblr users think of Wade, and have incorporated those elements into the character. It also helps that Joe Kelly, a man who helped make Deadpool a more three dimensional character all those years ago is the one doing this, mixing his take on the character with the incarnation that Gerry Duggan has been writing over the last 4 years.

d18b1878-cbf9-4908-9605-8df72c1ca522Spider-Man/Deadpool #3 is a comic that sounds simple enough (Spider-Man agrees to hang out with Deadpool for a day) but turns out to be a lot deeper read than one would expect. Oh sure there’s a lengthy fight scene involving a ton of forgotten 90s Marvel characters, but there’s also a shocking amount of emotion involved. Also jokes. The humor in this issue is fantastic, ranging from Looney Tune-esque violence you would expect from these characters, to some more mature and smart stuff. Kelly manages to do a lot in this 20 pages, never overloading readers with dialogue, and knowing when to let the art do the heavy lifting. He’s the perfect writer for this book, and nothing against Dan Slott or Duggan, but he’s probably the guy best sorted for these characters, given his history with them both.

I have never not loved Ed McGuiness’ art, and obviously this issue of Spider-Man/Deadpool isn’t going to change that fact. Spidey, Deadpool and his team of mercenaries head overseas for a job in this issue, and McGuiness, along w/ inker Mark Morales and Jason Keith, 54yk9bwproduce some fantastic art. We get to see Ed get to draw a plethora of characters featuring different body times, and it’s just so kinetic and fun. The whole thing looks like highlights from a top tier fighting game tournament, which is referenced at the end of the fight in those most Scott Pilgrim of manners. Which by, props to letterer Joe Sabino, who has to deal with a ton of dialogue due to who’s starring in this book. Also the inker and colorist are a big reason while the final big scene in this comic works, perfectly playing light off of the darkness to help make the emotional impact of Spider-Man meeting a very important person in Pool’s life work as well as it does.

A book like Spider-Man/Deadpool could be a success just by the popularity of the title characters alone. But editors Jordan D White and Nick Lowe really went above & beyond, getting Joe Kelly and Ed McGuiness to come back to their most famous collaboration, which is resulting is a phenomenal comic. There’s a layer of depth and emotions one wouldn’t expect from a book starring two of Marvel’s biggest IPs that surprisingly, but not in a way that clashes with the appeal of the characters. It also happens to be a fun super hero book, thanks to Kelly’s wonderful quips and McGuiness’ larger than life art. Spider-Man/Deadpool #3 is a terrific comic, and something Marvel should be extremely proud to be publishing.

 

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Chris’ Comics: Spider-Man/Deadpool #2

Spider-Man_Deadpool_Vol_1_2_TextlessSpider-Man/Deadpool #2

Joe Kelly, Ed McGuiness, Mark Morales, Jason Keith

Marvel $3.99

With the new Deadpool movie currently breaking all sorts of box offices records, it would make sense for me to capitalize on that and talk about a Deadpool comic. As fate would have it, Spider-Man/Deadpool #2 dropped this past week, and is an exceptional comics.

The premise for the “Bromance” arc isn’t exactly high concept, but it is a ton of fun. Someone’s put a hit out on Peter Parker, and Deadpool is  the guy they want to do the job. While Wade doesn’t know that Spider-Man is Peter Parker, he’s still torn on the matter as he’s sort of a an Avenger now, and his idol Spider-Man “works” for Peter. Spidey has no idea this is all going down, and his focused on the launch of his new Apple Watch-like device. Obviously this is an issue where a lot of shenanigans go down, especially when you add Miles Morales and a Green Goblin Army to the mix.

As I said in the last review, it’s been a hot minute since we’ve seen the likes of Joe Kelly spider-man-deadpool-2-shirt-ruinedand Ed McGuiness work on a project together for Marvel. But 2 issues into this series and it’s like they never left the characters. Joe Kelly manages to keep on top of the status quo of 2 of Marvel biggest characters and manages to tell a story that is a ridiculous amount  of fun. His Deadpool isn’t as pop culture obsessed or 4th Wall breaking as one would expect, but he’s hilarious none the less. This issue isn’t as dick joke heavy as the last one, but there is one gag I’m amazed Marvel let slide into a comic where Spider-Man shows up. He also manages to put some real depth into the character, which isn’t exactly a surprise as it’s something he’s famous for, but it’s also something incredibly welcomed. While I’m hoping his Spider-Man lightens up soon, I definitely enjoyed the dark turn the book takes in it’s final pages.

Ed McGuinness is so so good on this book. Every character he draws in this comics looks so iconic and timeless, be it the classic silver age villains that show up, to some of the OvLASVunewer characters who’ve only been around for a few years. His Miles Morales is particularity striking, and way more sleek and agile looking than his Peter Parker, which is a nice contrast and visual. I’m constantly impressed with how much detail and expression McGuiness can pack into his panels. Additionally Mark Morales and Jason Keith do a bang up job with the inks and colors, making it one of the few Marvel books that looks are good in print as it does in digital.

Even though we’re only two issues in, it’s easy for me to say that Spider-Man/Deadpool is my favorite book coming out from Marvel. While it may not be as deep or medium defying as some of other books coming out from the publisher, it is hilarious and a ton of fun, which means it goes on top of my pull list. Kelly and McGuinness prove that you can go home again, and the results are fantastic for the fans.

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Chris’ Comics: Spider-Man & Deadpool #1

Spider-Man_Deadpool_Vol_1_1_TextlessSpider-Man & Deadpool #1

Joe Kelly, Ed McGuiness, Mark Morales, Jason Keith

Marvel $3.99

Coming into this review, you dear reader may expect some annoyance and snark from me regarding Marvel putting out yet another Deadpool title.  That’s fair assumption, given the books I like can make me come across as a bit of a comic snob. But it’s also totally wrong in this instance, haha, way to blow it nerd . Now let me tell you about why Phonogram is amazing…

No wait, let me actually get back on topic. CHRIS FACT: Joe Kelly and Ed McGuiness’ Deadpool book from the late 90s kept me in cape comics. It’s a run that I really enjoyed, was my favorite book for a long time, and having them reunite on a Deadpool book warrants an instabuy from me. The fact that Spider-Man is involved too is nice, as I really enjoyed Joe Kelly’s all too brief run on Amazing Spider-Man, especially since it result in  THE BEST Spider-Man/Deadpool interaction of all time. That is not an opinion by the way, that is fact, how dare you imply otherwise.

spider-man-deadpool-1-interior-590x900Spider-Man and Deadpool #1 is a fantastic read. It’s also the gayest Marvel comic I’ve read since Angela, and that’s something I mean in the best way. Marvel has been not so great with LGBT representation in leading roles as of late, and giving a pan-sexual character like Deadpool another amazing creative team is nice to see, especially when it results in some of the most creative genital jokes I’ve seen in a Marvel comic. It’s also really funny, which is important given these two characters personalities, and looks stunning, thanks to the team of McGuiness, Mark Morales and Jason Keith. It also does a nice job of fitting into the status quo of both these heroes, which props to Joe Kelly and the editorial team, without having to sacrifice much of the charm Kelly brought to Deadpool and Spider-Man way back when.

The visuals created by Ed McGuiness and Mark Morales are top notch, even though I wish Ed would draw Spidey not as jacked as he does. I prefer my Spider-Man/Men drawn sleek, not like he’s dropping passing for the Jets. But that’s a minor nitpick, as his stylistic, Capcom fighting games meets John Romita Sr. style looks fantastic overall, especially in the case of Deadpool. He gets a lot of emotion from these character’s body language, which is very impressive, and his action scenes look great. Mark Morales’ inks are bold and clean, resulting in some crisp art that is colored superbly by Jason Keith. The art team comes together to create beautiful art that really captures the fun tone you would expect from a Spider-Man & Deadpool book.

GreyPouponIt’s been quite some time since Joe Kelly and McGuiness have collaborated on a Marvel book, although you couldn’t tell from Spider-Man and Deadpool #1. Both creators create a comic that feels like they’ve never stopped working together since the mid-90s, making for a great read for old and new readers alike. It’s a super accessible book that looks great and has a number of quality jokes, making it another fine addition to the relatively solid catalog of action/humor titles Marvel has been putting out as of late. The book may not convert any haters into fans, but anyone longing for more Deadpool in the style of one of his greatest runs is in for a real treat, with no fear of sudden cancellation.

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Chris’ Comics: Howard the Duck #5

4730614-howard2015005_dc11-page-001Howard the Duck #5

Chip Zdarsky, Joe Quinones, Joe and Paolo Rivera, Rico Renzi

Marvel $3.99

Oh Howard A Duck, you are a gift.

Chip Zdarsky, Joe Quinones and Rico Renzi’s first arc/volume (NEW HAT THOUGH!) wraps up with a massive super hero fight in Manhattan for the fate of the world, a concept Chip and Joe claim they were the first to come up with. In case you don’t know how #JOKES work, that is one and an example the A+ comedy one gets from a Chip Zdarsky penned comics.

tumblr_nt0y86mP6j1qeeerco2_1280There’s a lot to like in Howard the Duck #5. First and foremost is Joe Quinones drawing a massive amount of of Marvel’s NYC-based heroes, and them looking fantastic/amazing/marvelous/other puns. Quinones’ style is clean and detailed, and his takes on all these characters comes across as looking quite iconic. His commitment to to his craft results in some fine looking lay outs, mashing up some of Marvel most beloved, as well as some of their newer, heroes up against the ridiculous threats he and Chip Zdarsky have conceived. I like what Joe does with facial expressions, as several maskless character perfectly express the absurdity of the whole scenario, especially on the final page with has arguably the best drawing of the Human Torch and Spider-Man in some time. Assisting Quinones on art duties is the brilliant father and son inking team of Paolo & Joe Rivera, giving Quinones’ work the clean, thin lines it deserves. Rico Renzi’s colors pop off the page, completing the art package, and giving Howard a high quality look you wouldn’t expect coming from a comedic book.

Earlier this year writer Chip Zdarsky joked that he was cramming in a lot of content and guest appearances in Howard the Duck as he was expecting to be fire after every issue came out. Howard #5 won’t be Chip’s last ride with the character, but you’ll definitely get you 4 dollars worth from it. This issue wraps up the arch, reveals a supporting character’s secret, and makes several intriguing hints regarding the future of the this book. Oh and is absolutely hilarious as well. We get more “Inconsolable Spider-Man” jokes, editor notes for hilariously titled comics that never existed, several deep cut Marvel jokes and a subplot involving a rather obscure Marvel book that results in Howard freaking out. It’s not all jokes either, as Chip and Joe do some cool stuff with the Howard and Tracy relationship, injecting some heart warming material into the book. Again, a lot of stuff goes down in this book, but it never feels over crowded or bloated.

tumblr_nsznomBLdn1sajkn0o1_400Howard the Duck #5 is a great ending for a fantastic first arc. Howard is easily up there with Superior Foes of Spider-Man and The Unbeatable Squirrel Girl in terms of being some of the best modern Marvel humor books, and the star power behind it should hopefully ensure that it sticks around for quite awhile. You can tell Zdarsky & Quinones definitely love or at least heavily appreciate the classic Steve Gerber era Howard, and embrace it while pushing the character forward. Howard the Duck is book I’ll continue to buy when it returns later this year, especially if the creative teams continues to put out this level of quality comic month after month.

 

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Five Questions with Forbidden Planet: Dan Slott!

One of the nice things about comics is that the people who write and draw ’em are just as likely to show up at Forbidden Planet on a Wednesday to pick up their stack as anyone else.

And that’s when we strike!

For our inaugural Five Questions, John Petrie thwipped Spidey writer, Dan Slott to the wall and made him talk. Then there was some awkward, upside-down makey-outies, but that’s neither here nor there, except to say, “We’re all very sorry, Dan.”

On to the questions!

Forbidden Planet: Who would win in a creepy laugh contest: Green Goblin, Hobgoblin or the Joker?

Dan Slott: Now that Norman Osborn’s had the Goblin Serum removed from his system? Sadly, no contest. Joker.

FP: Since we all love cosplayers, what’s the one character you’ve never personally seen cosplayed that would make you smile?

DS: Spider-UK. I’m going to a show in London this summer, so fingers crossed.

Spi11

FP: So, chaos magic, does it exist or not?

DS: Totally exists. We confirmed that during my run of MIGHTY AVENGERS.

FP: Would you rather live in a world without any flavor ice cream or a world without movie popcorn?

DS: Without movie popcorn. Couldn’t live in a world without ice cream.

FP: If you could have dinner with any comic book character (they’re paying), who would it be and why?

DS: Spider-Man. And I’d pay. Would just want to apologize for the hell I’ve put him through in the past… and… will be putting him through in the future.

FP: If you could write a series with any character (or characters) who don’t currently appear in a Marvel book, who would they be?

DS: Indiana Jones, Doctor Who, and Batman.

Thanks again, Dan! And keep an eye out — there will be more FIVE QUESTIONS WITH FORBIDDEN PLANET featuring your favorite comic creators coming soon!

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Just Kill Me

They say you can’t judge a book by its cover…somebody should tell that to Clown Fatale #1 from Dark Horse. I don’t WANT to think that this may be the stupidest human creation of all time, but I don’t want to spend the money in order to make an informed decision. LOOK at this monstrosity!

 

I always envision every comic book taking place in an alternate universe… it helps with the suspension of disbelief. What we have here is an alternate universe in which there are still roving circuses. In one of these, the clowns are a drop dead gorgeous troupe of multi-ethnic ladies who dress like strippers. Our story transpires when criminals, due to a wacky misunderstanding, hire these sexy lady clowns in full make-up to kill, mistaking them for assassins. The clowns naturally accept.

 

I’m not sure if my suspension of disbelief stretches this far.

 

I’ll rationalize it, however, by reminding myself of the strange universe we DO inhabit; We live in a world where someone at a highly successful comic book publisher rationalized that A) People LIKE clowns (hint: They don’t) and that B) People like sexy women, so logically people will like sexy women clowns. I’m sure this creative genius then spent the rest of the afternoon trying to figure out whether the clowns should be Vampires, Assassins or Crime Scene Investigators.

 

Maybe they figured that Harley Quin was popular, and wanted in on some of that action. Regardless of motives, Clown Fatales #1 seems an affront to all art, past, present and future, as well as a finger in the eye to the indomitable human spirit. A veritable raspberry in the face of taste and sense, this.

 

But I will buy it. And I will read it. And I will judge this erotic, tightly paced crime clown drama on its own merits. And I will write a review. And I will weep at the funeral of my artistic credibility, and I will morn my dignity as I bury the last shreds of my self respect.

 

NOT TO SPOIL THE FUN

And you’ll weep, too, if you miss out on Wolverine #11 this week! SOMETHING huge and crazy is going to happen…but WHAT?! There’s much to suggest this issue will be a massive milestone, a sales bonanza to rival Spider-Man’s wedding or the death of Captain America. I’d guess Wolverine is going to die (again,) but the maybe we’re in for something stranger?

 

Marvel, a Disney Entertainment company, wants to make movies off of the Avengers as a step in the process of making money off the toys and merchandise from Marvel comics. A fly in their ointment, however, is the prior business deal wherein Fox owns the motion picture rights to the X-Men franchise and Sony own the Spidey movies.

 

Spidey and Wolvie fighting alongside the Hulk, Thor and Scarlet Johanson would sure sell some lunchboxes.

 

Here’s Unkiedev’s crazy prediction for Wolverine #11…it’s a doozy. It will be revealed that Wolverine is actually AN ALIEN, the last son of a distant planet called Canadaton, which blew up after his parents messed up an experiment. To cover up their mistake, they sent their only son in a small spaceship to a planet where he would have fantastic superpowers…and brain washed him through pre-recorded messages to tell anyone who ever asked that THEY didn’t destroy the planet, they were the only ones trying to stop it from blowing up the whole time!

 

See what this does? Wolverine is no longer a mutant, and no longer tied to the X-Men continuity. That’s why the big Marvel movie coming up is Guardians of the Galaxy! Wolverine #11 will plant these seeds when alien warriors from beyond the stars come to the long ignored planet Earth to bring Wolverine to justice for his parent’s crimes!

 

Or he might just die. I’ll never know. I’ll probably be so traumatized after reading Clown Fatales #1 that I’ll wander into traffic and get hit by a semi. If I see Wolverine in Hell, I’ll send you kids an e-mail.

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SIMPLY THE BEST

All of the Forbidden Planet crew had an excellent time this past weekend on Free Comic Books Day! I’m sorry I couldn’t make it out in person to see everybody, but I unfortunately don’t exist anymore since Wolverine and Sue Storm went back in time to “take care of some business” in Age of Ultron #6. That’s right, I’ve been retconned out of existence.
STILL LUCKY
I still consider myself lucky, really. I’m sure the Avengers or whoever will work the problem out. Reading the LA Times in Limbo, a crazy story caught my eye! Apparently a dangerous suspect was arrested by police after a foiled hit-and-run assault which culminated in the perp trying to muscle her way into a Free Comic Book Day event at a Los Angeles comic shop! Comic book fans, some in costume, gazed in amazement as the suspect forcibly tried to hide in the shop after smashing her get away vehicle through a nearby street sign, only to have the car coast into the wall where the fans had JUST been standing.
The arrest was made possible by the shop owner who held the doors fast when he realized something was amiss.
Comic book retailers working hand in sweaty hand with the LAPD to arrest criminals usually left to Spidey, Nightwing and other fictional (street level) do-gooders. This sort of activity reminds me who the REAL super-heroes are…you know who?
THAT’S RIGHT
YOU! You are the greatest, bravest heroes we have! On behalf of Forbidden Planet, I want to thank you, the readers, fans and supporters for giving us a reason to open our doors! Retail is tough, comic book retail is FREAKIN’ tough, but not half as tough as you folks and your unswerving loyalty to comics.
Thank you for choosing Forbidden Planet as your watering trough for refreshing comics! If there’s every anything more we could be doing, a book you’d like us to carry or material you’d like to see, please be sure you let us know. We exist to serve…well, the rest of the staff does. I don’t (currently) exist at all. Stupid Wolverine.
IF I DID
When I do come back, hopefully with an eyepatch and some crazy new powers, I’ll have to hunt down the back issues of this week’s hot books! The Walking Dead #110, Batman (and Batman and Robin ) #20, Bravest Warriors #8, and some new Richard Corbin horror material from Dark Horse and Creepy Comics #12 all have to be mine!
The main Star Wars book has been a fun read, and Star Wars #5 hits this week, too! Plenty of back issues to scoop up if you haven’t been following it yet. SPEAKING of “star” properties, Star Trek Into Darkness drops this week, and the latest issue of IDW’s Star Trek Ongoing #21 picks up RIGHT after the movie ends! I repeat: DO NOT read Star Trek Ongoing #21 on Wednesday, but do read it Friday after you’ve seen the movie! I can’t wait!
Deadpool #9, Thor #8 and Avengers #11 round out a decent roster of Marvel Must Haves, and with that I lay another column to a close.
At the end of the day, the Forbidden Planet stays open because of you. We are gracious for your business and we hope you come back, soon. As long as you’re there to help, The Forbidden Planet will be there with all your comics, sci-fi, horror, Manga, and various plastic objet d’art you need.
Be good, stay safe, and see you next time!

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HAM FISTED

The other day I was about to eat a ham sandwich when I suddenly realized I wasn’t hungry. No sooner had I put the thing down that it started to talk, telling me how it was a magical sandwich, that it was the prince of Hamsandwichia and how thankful it was that I spared its life and yadda yadda yadda.

Long story short: I’m now the king of the magical land of Ham Sandwiches. This realm is its own, separate reality. I have no idea how to get back to our time, and the absolute worst part of it all is there are NO comic books in Hamsandwichia.  

GOOD READS


Great books out this week, and I can’t read a dang one of em’ because I’m the frickin’ “chosen-one” for an entire stupid kingdom of lunchmeat. Have fun finishing up the latest storyline in Adventure Time #14 with out me, everybody. Tell me how it freaking ends if I ever get back to Earth.   Then there’s All New X-Men #9 (new x-costumes!), Deadpool #6 (wrapping up one of the best runs on Deadpool ever) Superior Spider-Man #6 and the premier of X-Termination #1.   X-Termination is a two issue series written by David Lapham where a bunch of alternative X-folks from many divergent X-Futures throw down like dominoes over the survival of their time lines. Too bad I can’t enjoy that.   DC alone has, like, 18 incredible books out which is apropos as the great “New 52” Experiment is up to issue 18. Action Comics, Catwoman and a bunch more all get #18’s, plus the second issue of Justice League of America and the FIRST new issue of Constantine. As speculative numbers go, these are all pretty impressive…though the most impressive numbered book this week belongs to Simpsons Comic #200 from Bongo! Not impressed? Bongo is a third party comic celebrating its #200th issue of a full color monthly title. Not too many publishers outside of Image and Dark Horse have pulled that off.   Sure, it has Simpson’s money behind it…those still aren’t numbers to scoff at.  

HOLD THE RYE-OT

Wait up, crew. The Ham Sandwich equivalent of my Major Domo has approached the throne asking me to sign some edicts. All royal decrees in Hamsandwichia have to be signed in French’s Mustard on white bread with the laws toasted onto them using special techniques. It sounds delicious except A) I hate French’s and B) I’m not allowed to eat any of them. I’m not allowed to eat anything.   I have to secretly sneak out of the palace at night and eat my subjects in their sleep. It’s only a matter of time before they figure it out and try to kill me. I’d be more worried if the toughest weapon in the land weren’t a butter knife, but still…   Constantine #1 is a spiffy title, but I’m more enticed by Star Wars Legacy #1, the new Star Wars book from Dark Horse. Legacy follows the adventures of Han Solo’s great-great-granddaughter as she lasers her way though a familiar, yet hostile, galaxy of betrayal and conflict.   Then there’s Invincible #101 (What the heck is going to happen next?!) as well as an amazing deluxe Hard Cover collection of Bob Fingerman’s impressive working class comedy Maximum Minimum Wage. Funny, sad and worth every penny.  

SANS SANDWICH

I’m hungry, I’m surrounded by idiotic talking sandwiches and I can’t publicly eat a single one. This must be how Edward Cullen feels. Until next week, this is Unkiedev, the King of the magical land of Sandwichia urging you to eat every sandwich you see. The life you save could be your own.

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FIGHT!

Logic assures that there can be Good comic books which do not contain fight scenes, but emotion would remind you that fight scenes are incredible awesome. Here at Forbidden Planet we want you, the comic book buying populous, to get in on all that the genre has to offer. Today we shall recommend a few tantalizing comics of the FIGHTING genre to whet the appetite for violence.

If these books inspire the youth of America to disassemble into full scale riot, then we have all done our jobs.

FIGHT!

I recommend you start off slowly. Pick up some almost ANYTHING by old Jack Kirby, especially his early Fantastic Four. As an appetizer, try some Savage Dragon, Invincible. Then start spiking your violence intake with some horror, maybe Hack/Slash. Now let’s begin in earnest to learn the art of fighting.

Teenage Mutant Ninja Turtles was a catchy, yet descriptive, name for a comic which hid some of the best fight sequences of the eighties. While Marvel and DC where still just showing buffoons punching each other in the face or gut, the turtles were choreographing fight sequences detailed to feints and blocks. Pick up some of the classic Turtle books, ESPECIALLY the Return to New York saga.

DARK KNIGHT RETURNS, Frank Miller (W/A), DC

When picking the single greatest fight in comics, Dark Knight Returns Batman vs Superman is a strong contender.  If you haven’t read this book, do so now. Frank Miller may be a crazy misogynist homophobe who believes that “Might Makes Right,” but that is precisely the kind of kook you want writing violent comic books. Don’t get me wrong, Miller is as bad as his worst critics say, but his twisted belief in his limited moral compass makes for spectacular fights. Sin City, Wolverine, 300, Holy Terror, all flawed masterworks of brilliant brutality. Speaking of Miller’s other works:

HARD BOILED, Frank Miller (W), Geof Darrow (A), Dark Horse

Miller and Darrow won the 1991 Best writer/artist team Eisner for this baby, and I think that was a very nice bone for the committee to throw Frank’s way. It’s like saying Dolly Parton had nice ankles.

There is a plot to Hard Boiled, something about robots and insurance, but I can’t remember it to save my life. I do remember pages of gut churning fights between robots, humans and mutant freaks the likes of which have never been topped.

Hard Boiled is the most brutal fighting in comics, and Geof Darrow is the most brutal artist in comics. Darrow can draw metal squishing human face flesh into hamburger meat better than any man alive, which is why he was picked as the lead designer on the Matrix films.

Start here to see the craziest, grossest fights you can, and then if you ain’t sickened, go grab Darrow’s other works such as Shaolin Cowboy and Big Guy and Rusty the Boy Robot.

MORE MORE!

Ah Crap, I’m running out of room. Kick-Ass is a great punch em’ up, as are its sequels and spin offs. Michael Avon Oeming draws some pretty fair dust ups in the pages of Powers. Both Civil War and Secret Invasion have some nice full-scale skirmishes.

Although, really, so does most of the stuff you can buy here. GO VIOLENCE!

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Valentine’s Day Shopping Help Part 1 FPNYC 2013 Bestsellers

Valen’s Day is coming up, and for those of you still stuck for a gift for the geek in your life (and for those of you interested in Forbidden Planet sales… stalkers) here’s a quick rundown of what’s hot and popular in the shop so far this year.  The following are FPNYC’s best-selling items in terms of quantity for their respective departments for the dates covering January 1st through February 10th, 2013.

Follow the links for more details.  Who knows?  Mebbe something on the list below will inspire you.

Graphic Novels

  1. Saga Volume 1
  2. Adventure Time Volume 1
  3. Fables Volume 18
  4. Walking Dead Volume 1
  5. One Trick Ripoff/Deep Cuts HC

boom volume 1 tp adventure time

Art Books and Novels

  1. Legend of Zelda Hyrule Historia HC
  2. World War Z TP
  3. Walking Dead TP Rise of the Governor
  4. Marvel Encyclopedia HC
  5. Gun Machine HC

Blind Box/Box Toys

  1. Star Wars Angry Birds Mystery Bags Wave 1
  2. Dunny Series 2012
  3. Persona 4: The Animation GCC Mini-Figures
  4. Tokidoki Unicorn Blind Box Series 1 (temporarily unavailable)
  5. Living Dead Doll Blind Box Series 2

mystery bags toys

Other Gifty Stuff

  1. MtG Gatecrash Booster Packs
  2. Doctor Who Disappearing Tardis Mug
  3. Heroclix Amazing Spider-Man Boosters
  4. Marvel Select Barbarian Hulk
  5. Doctor Who TARDIS Tin Tote Gift Set
  6. Oh! And anything Sailor Moon!

Doctor Who SDCC Tardis tin tote gift set Biff Pow

…Just a small sampling of what we have to offer, but hopefully this list will plant some seeds and be of some service.  Whatever you do this February 14th, and no matter with whom you spend it (even if you’re flying solo), have fun and enjoy!

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TRY SOMETHING NEW Chapter 4: It Is a Period of Civil War

It’s a new year. What better time to set new resolutions, try new things, and, most importantly read new comics. That’s where I come in. Other holidays have their mascosts; Santas and bunnies and…turkeys… and cherubs I guess… And now me. I am the Ghost of Good Comics That Will Be Canceled if You Don’t Read Them. I am your Jacob Marley. I am your conscience. Now I am going to bully you into trying a new comic you will love. You’re welcome.

Let’s start it off with the basics. You probably like comics because they are great. You probably like Spider-Man because he is amazing (or superior). You probably should be trying a new book because that is a moral imperative. While Dan Slott and co. make you wait for the debut of their new SUPERIOR SPIDER-MAN, Marvel newcomer Joe Keatinge gives one of Spidey’s most fun pseudo-villains a series of his own. MORBIUS THE LIVING VAMPIRE #1 comes out today. Mr. Keatinge has been working on comics for years but has really made a name for himself in the past year with Image books like HELL YEAH! and GLORY. Morbius on the other hand has been kicking around the Marvel Universe for decades while rarely getting his proper due. He is an interesting character and Mr. Keatinge is an interesting writer, making this one a no brainer for the superhero set. These last 10 years have seen the big 2 companies face a nearly impossible battle of trying to diversify their titles. Great characters like Guardians of the Galaxy, Secret Six, Sentry, OMAC, and tons more have withered on shelves because readers won’t branch out. If you have ever been in a comic shop and said to yourself “why does every book have “BAT” or “SUPER” or “X” or “AVENGERS” in the title?” the answer is that you won’t buy books like Morbius. Do us all a favor and give an interesting book a chance. Or wait patiently for Marvel to make a book called X-Avengers. RIYL: SPIDER-MAN, GLORY, or any new characters ever getting books at the big 2.

Blackacre #2

BLACK ACRE #1 was an interesting idea. Private, walled-off cities that weathered an apocalypse and now stand on the brink of collapse in the wastelands of America. Well, BLACK ACRE #2 hits this week. Comics is a difficult medium because it is episodic so it requires a series to open with a bang and really grab you. Some of the classic ones can do it on page one. Some of the others take a full 22 pages. Here’s the thing, BLACK ACRE never grabbed me like that at all. It is smart, well written, has a great setting, and nice art. It doesn’t have that hook though. It feels a lot like a movie, a whole lot of setup that seems like it is building towards something, but it isn’t there in the opening. It is hard to quantify why though. I put down issue #1 fully entertained and satisfied, but not at all curious. Now a month has passed and I find myself pretty excited for #2. And I think that is what BLACK ACRE has and why it shines. It isn’t playing a lot of the games other books are playing. It does it’s own thing and it’s clever enough to know that should be enough to keep you coming back. And here is the book I thought I had forgotten, worming it’s way to the top of my pile. RIYL: Smart dystopian sci-fi like JUDGE DREDD or WASTELAND, or near future action stuff like DMZ, or films like ESCAPE FROM NEW YORK.

Fatale TP VOL 02 Devils BusinessFATALE vol. 2: THE DEVIL’S BUSINESS comes out this week. Ed Brubaker and Sean Phillips have spent a few years chipping away at the title of best creative team in comics. They pretty much have it in the bag but they want to put a bunch of FATALE out to make everyone else look stupid. In the realm of crime writers Brubaker now stands nearly alone in terms of quality. And in the realm of noir-ish cartoonists Phillips has very few challengers. After SLEEPER, and CRIMINAL, and INCOGNITO, these two have done some of the best crime comics ever made. FATALE is their crime comic cum Lovecraft. It’s Cthulu noir. It is better than everything else and if you didn’t buy the first one you made a horrible mistake. Buy the second one with the first one now. This book gets all the recommendations I have to give. RIYL: Crime. Horror. Good things.

47 Ronin #2 of (5)47 RONIN #2 is also out now. Mike Richardson is the founder of Dark Horse comics and has done more to raise the quality of comics than everybody but a very select few. Stan Sakai has been drawing and writing USAGI YOJIMBO for 2+ decades. The legend of the 47 Ronin is one of the most beloved and badass legends in all of human existence. Richardson & Sakai are teaming up to do a very authentic and faithful retelling of this story and it is really entertaining. Most importantly they are taking a hundreds of years old legend and making it feel relevant and fresh. Unless you read a lot of manga a book like this will be like a slap in the face, in the best possible way. Best part of all, it looks like USAGI YOJIMBO with humans… and that is just weird fun. RIYL: USAGI YOJIMBO, manga like LONE WOLF & CUB, BLADE OF THE IMMORTAL, or SAMURAI EXECUTIONER, and classic tales on the level of Homer or Brother’s Grimm.

Red Ten #1 (of 10)

RED TEN #1. A new take on Agatha Christie’s AND THEN THERE WERE NONE, this is a superhero revenge and murder mystery from the folks at upstart publisher Comixtribe. The big guys in superhero comics like to borrow liberally from the great stories of western culture and act like it’s theirs, and here Tyler James and Cesar Feliciano do the same only these guys believe in their work enough to site their influences openly and know that RED TEN still stands up on it’s own. Basically self published, put together because they care and believe the story is good and matters, and fought and hustled all the way on to comic shop shelves, this book is nothing if not a product of pure passion. Reward the creators who are fighting hard to get their stories out there for you. Pick up RED TEN and let them know that you appreciate it. RIYL: Whodunnit style superhero mysteries like BATMAN: HUSH, high stakes superhero events like SECRET WARS, or fans of BATTLE ROYALE style mayhem.

Country Ass Whuppin Tornado Relief One ShotCOUNTRY ASS-WHUPPIN’ is an awesomely named new anthology from the usually quite good folks at 12-Gauge Comics. This single issue is full of a variety of weird and fun tales by some of the better southern gentlemen & lady creators in comics. Jason Aaron (SCALPED, WOLVERINE & THE X-MEN, THE HULK), Cully Hamner (R.E.D., DETECTIVE COMICS, GREEN LANTERN), Rebekah Isaacs (ANGEL & FAITH, DV8, HACK/SLASH), and a bunch more all throw down solid stories. Best part of the whole thing? Proceeds are donated to the Red Cross tornado relief fund. You get good comics by great creators and help people in the process. It is quite possible if that doesn’t interest you that you may be a bad person. Think about it. RIYL: DARK HORSE PRESENTS, the Vertigo anthology books, helping people in need.

And that’s it for me. I am sure there is a lot of other good stuff worth grabbing this week, just make sure you get something. Happy new year. Love, GGCTWBCYDRT

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TRY SOMETHING NEW Chapter 3: In A Galaxy Far, Far Away…

Third column. I am coming out of my sophomoric slump with an all star one this week. The only problem is that the comic industry basically takes the last week of December off meaning that there are less than 10 mainstream comics releasing. I’m not going to resort to recommending comics that I don’t believe in 100% (actually like 80% but you get the point) just to fill space so I’m going to resort to recommending books that don’t really fit the “TRY SOMETHING NEW” criteria. That’s called integrity folks. It’s not just a great metal band from Cleveland.

Before I move on to books that need your attention I would like to give a nod to Dan Slott and the Spider-Man team for wrapping up Amazing Spider-Man this week in an interesting and different direction. Mr. Slott and the Spider-Man crew have put out a really great book for a few years, consistently among the best superhero books on the shelf. Every time they try and push the story forward, evolve the character, or even just do something compelling they meet with a great deal of resistance from folks who want their superhero books to be a never changing constant in their lives. I am not sure what drives a person to want to read the same thing year in and year out, but my thanks to the Spider-Man team for not giving in to them. These are stories not security blankets. The curtain goes up, we meet a character, the curtain goes down and that character is somehow different. That is how stortytelling is supposed to work. Anyway, buy SPIDER-MAN #700 and celebrate the end of an era.

Of the handful of new titles this week, the only thing that really caught my eye as “try something new” material is Brian Wood & Ming Doyle’s MARA #1 from Image. Brian Wood has long been a favorite of mine for, at worst doing interesting and unique books (COURIERS, NEW YORK 4), and at his best being among the top writers in comics (DMZ, NORTHLANDERS, LOCAL). With his new series from Dark Horse, THE MASSIVE, easily making the best books of the year list, and his work on ULTIMATE X-MEN quickly becoming one of the best runs that book has ever had, I was very excited for MARA. Mr. Wood is good for nothing if not keeping you guessing, and MARA certainly does that in spades. A dystopian tale about the world’s most famous female volleyball player. I don’t think I need to really say anything else. Either that interests you or it doesn’t. Personally I love reading something I have never read before and this easily falls into that category. In a year of weird premised comic books, a 20+ year old story by Alan Moore takes the cake (FASHION BEAST) but MARA certainly gave it a run for it’s money. RIYL: Brian Wood’s more “out there” dystopian work, the volleyball scenes in Top Gun, or sci-fi that doesn’t “feel” sci-fi.

On to things that didn’t come out this week but you should pick up. Anders Nilsen is one of the great indie comic creators to emerge in the last decade. Everything he touches has a deeply personal and intimate feel and this allows the stories he choose to tell to be both wildly unique and relatable. His epic BIG QUESTIONS is a must read for the “lit” comics set and deserves it’s place on shelves alongside other modern classics that start with “B” like BLANKETS, BLACK HOLE, BUILDING STORIES, and BORING, DAVID. But Mr. Nilsen’s most personal work has also been the one that was the hardest to get for years, DON’T GO WHERE I CAN’T FOLLOW. Finally back in print, DGWICF is bar none one of the most beautiful and heartbreaking stories I have ever read. Using journal entries, photos, postcards, and comics, Mr. Nilsen recounts the love he shared with his fiancee, Cheryl Weaver. You follow their tale through vacations and young love, her getting sick with cancer, her hospitalization, and, heartbreakingly, through her memorial. This book is an amazing tribute to the love shared between two people and the fragility of the human experience. RIYL: Crying.

SAUCER COUNTRY is the new ongoing series by a couple of the more interesting creators in comics from one of the best publishers. Paul Cornell (Dr. Who tv show, BATMAN & ROBIN, CAPTAIN BRITAIN & MI-13, etc)), Ryan Kelly (BOOKS OF MAGIC, DMZ, etc) have put together a great political alien abduction series that is as smart as it is fun. Equal parts X-Files, EX MACHINA, and The Manchurian Candidate, this book is worth picking up if you are a fan of any of that stuff. RIYL: All the stuff I just mentioned. Come on, pay attention.

My final recommendation of recent stuff that is worth grabbing is MARK TWAIN WAS RIGHT. The always excellent Microcosm Publishing releases this collection of comic journalism about the 2001 Cincinnati riots. Dan P. Moore recounts through personal experience and interviews the days leading up to and after the police shooting of Timothy Thomas, an unarmed black teenager. MTWR tells the story of the riots and civil disobedience from a perspective we are rarely are offered, the community itself. The Cincinnati riots are a major moment in recent American history and the roots and causes of the anger and sadness that took over that city for days deserve your attention as much as anything on a comic store shelf. It’s one of those rare instances where comics aren’t just telling this important story better than other media, comics is the only one telling it. Support a unique voice, support a worthwhile book, and get yourself a great book all at the same time. RIYL: Comics journalism by folks like Joe Sacco, Ted Rall, or Guy Delisle.

That’s it for my my third column. Can you tell I wrote this one when I was extra tired? I can. As always, thanks for reading. And to those of you who do, thanks for supporting new books and new ideas in comics.

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Storms!

Every week I look forward to being mugged by an invisible assailant right in plain view of others. I have always found this gentleman thief, though thorough, to be fair. Maybe you’ve been robbed blind by this same perp. Its name is Wednesday, a.k.a. “New Comics Day.” I like this perp.

Some people do not…and by people I mean “Satan.” He has decided that this New Comics Day will be complicated by evil and external forces. Storms, Floods, Rat Plagues and Halloween stand between you and giving us your money this Wednesday!

Usually, we here at Forbidden Planet are Pro-Satan, or at least Satan-ambivalent. This time, the big S has gone too far. This Wednesday, we need you to be very brave and come on back to the Forbidden Planet. We need you to shop for comics for Christ. Or for Satan. Whatever, we just want to make sure you get your comics. [Editor’s note: This post was obviously written before we had to shut down for a week due to storm-related power outages. Sorry about that. Clearly Satan won this round.]

YEAH, WHAT ABOUT COMICS?

After 73 years, someone has finally figured out how to stop Superman. In this week’s Action Comics Annual #1, not only do we get to stare at Superman’s crotch and wish it was red, we also get to see the showdown between Superman and Kryptonite Man! There have been SEVERAL Kryptonite Men over the years, some with sleeves and some without. This NEW, Post Crisis, Post New 52 Kryptonite Man has not only NO SLEEVES, but no ARMS! BWA-HA-HA! He has some sort of Kryptonite arms! AH! SCARY!

Speaking of scary, Steve “30 Days of Night” Niles and the AMAZING Glenn Fabry have a new horror comic out this week from DC called Lot 13! It sounds great! THAT will really show Satan who’s boss! Jesus wants you to buy blood-puking horror comics! Jesus also wants you to buy Masters of the Universe: Origins of Skeletor #1 this Wednesday, too. Or Satan does. I forget…hum.

We better pick up as many horror comics as we can in order to play the field.  I’ll be picking up the latest Ghostbusters Ongoing #14, then Vampirella #24, Happy #2 and, uhm,  New Mutants #50…those are horror comics, right?

I KNOW! The perfect compromise! Mars Attacks Holiday Special #1 should keep both sides of the religious fence appeased. Besides, I think the Martians are agnostics.

STORMY WEATHER

There is positively no storm, nor flood, nor rat plague that could keep me from Happy #2, A + X #1 or Ultimate Spider-Man 2 #18.

And no amount of Trick or Treaters is going to prevent me from picking up T-Shirts, figures, trade paperbacks and spectacular comics. As a matter of fact, neither Hurricane Sandy, Jesus/Satan, Rat Plagues, nor apathy will stop me from getting my butt to the Forbidden Planet and letting that perfect thief, Wednesday, from picking my pocket!

NEXT WEEK: Rebuilding New York City after Hurricane Sandy using only the lessons we can glean from comic books.

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More musings from Unkiedev, Earth’s own sidekick, can be read at unkiedev.blogspot.com

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Comic Books!

New York Comic Con, like a vestigial tail, is now behind us. Maybe you were one of the lucky ones on the Con floor and know firsthand of the amazing announcements, projects and previews which just went down. I’ve heard the Evil Dead remake footage was impressive. I hear both Brian Michael Bendis and Iron Man will be joining Guardians of the Galaxy, that Dan Slott is changing Spider-Man for 2013, that the ATMs didn’t work, that the cosplay was top-notch and the LEGO was cool.

Above all else, the biggest stories, surprises and revelations were almost all Comic BOOK based. SDCC is great, but SDCC is to comics as Playboy is to articles. The New York Comic Con remains a very hands-on, fans-on comic book show.

HOW ‘BOUT COMICS?

This week, DC is launching their new “The Cheetah” super-villainess in Justice League #13. Traditionally, The Cheetah has been a crazy lady who dresses up in a catsuit and harasses Wonder Woman due to her being empowered by Jungle Cat Gods or some such. In the new 52, The Cheetah is poised to get a real chance at iconic super villain stardom!

I think the new angle is that The Cheetah is an empowered Amazon, much like Wonder Woman herself, but that she was pushed off of a building by Christopher Walken and was brought back to life by cats.

Sounds strange, I know… No stranger, however, than The Zaucer of Zilk #1, a weird new Image book with some British talents behind it. Image is still one of the best creator-owned American comics publishers, so it is no surprise that some UK talents would take advantage of the free atmosphere to work out a book that sounds completely bonkers.

The Zaucer of Zilk centers around a wizard traveling through realities with his assistants trying to save multiple realities, but with a bunch of “Zs” thrown in for extra weirdness. It all comes off as a tribute to the classic Dr. Strange tales of the ‘60s. SOUNDS GOOD!

Speaking of nostalgia, Image is also hoping you’ll take a ride on a Cyberforce reboot. Once Image’s top seller, Cyberforce harkens back to a time when it was cool to have a team whose superpowers included “having as much metal on your costume as super-humanly possible” and “whatever the X-Men are doing, only more extreme.” AH, the ‘90s!

It’s getting hard to tell what is happening between the lines of publisher, online publisher, digital comics and print comics. This reboot of a once-huge Image comic was funded by fan donations through Kickstarter to Silvestri’s “Top Cow” studio. Image is acting as printer and distributor for a comic funded through the internet, famous ‘cause of print.

SWEET WEEK

Boy, there sure are some great books out this week! IDW has the Teenage Mutant Ninja Turtles Annual 2012 #1, which achieves “Must Have” status in my book as it’ll be written and drawn by Kevin Eastman. Fans of the AVENGERS movie will want to check out THANOS Son of Titan #1 (or just go buy any of the many copies of Infinity Gauntlet available at Forbidden Planet) in order to get an idea of who that purple alien guy at the end of the movie was.

AND let’s all have a good chuckle with those wacky funsters, the Marvel Zombies, in the sure-to-be-classic holiday one-shot, the Marvel Zombies Halloween Special #1! Yay!

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More musings from Unkiedev, Earth’s own sidekick, can be read at unkiedev.blogspot.com

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