Tagged: Shawna Benson

Chris’ Comics: Batgirl & The Birds of Prey #1

Nightwing #3 also shipped this week, and it’s a pretty good comic that features Barbara Gordon. However, so did B&BOP #1, which offers me MUCH more to talk about.

B013-Batgirl-and-the-Birds-of-Prey-1-Cover-214dcBatgirl & the Birds of Prey #1

Julie and Shawna Benson, Claire Row, Allen Passalaqua, Steven Wands

DC $2.99

It’s rare that I get to say that I have a guilty pleasure comic. Most of the comics I pull are critical darlings, or massive fan favorites. Then we have Batgirl and the Birds of Prey, which not only has a trio of character I like, but also a trio of female creators attached to the book. Should be a slam dunk for me right? No, the art is often ugly, and the dialogue is still WAY too over dramatic. Yet I can’t stop reading this book.

Birds of Prey #1 is the every cliche first meeting turn fight turn team up we’ve all come to expect from super hero books (Nightwing even chimes in on in, turning it into a running gag). Batgirl and Black Canary don’t trust Huntress, who Babs finally pieces together is Dick Grayson’s old spy partner/boss, but they come to terms with her so they can figure out who this new Oracle is. Unfortunately for our heroes, this new Oracle has a Batgirl-and-the-Birds-of-Prey-1-3plan, and this plan is SNAKE THEMED VILLAINS. Between this and the aforementioned Nightwing, it seems DC Rebirth is actually editorial ways of forcing BIG SNAKE onto the populace, and  I am okay with this.

I don’t want to crap on Claire Row‘s art, but there are some really questionable panels in this book. Barbara Gordon looks fine without her cowl on, but once it’s on, the shape of her head can only be described as “potato-esque”. Also there’s several instances where it looks like character’s teeth are trying to escape their mouths. With Roe as the inker and the pencilier, it leaves very little room for colorists Allen Passalaqua to make any improvements in this book. Their contributions are excellent, and its a shame that the line art he’s coloring isn’t better.

And like I said above, a lot of the dialogue from is bad, Julie and Shawna Benson as there’s a few instances where the characters argue with each other via screaming their motivations. Black Canary is often the voice of reasons and the only character who sounds remotely human. They do a fine job of showing that this new Oracle has gotten under Bab’s skin, so her acting slightly out of character at times is fine. But their Huntress spits Batgirl-and-the-Birds-of-Prey-1-7out cliche tough guy line after line to the point where it’s hilarious more than anything.

But that being said, I can’t stop buying and reading this book. It’s heavily flawed, but also crazy fun. While the art isn’t so hot in some areas, it’s more than serviceable in others, especially when it comes to the Babs and Canary versus Helena fight. And while the dialogue is so bad it’s good, the script itself and plot are pretty solid. So while there’s arguable better cape books on the stands, this is THE MOST CW DC book on the market, which means I MUST READ IT, despite my constant avoidance of Arrow.

 

Post to Twitter

Chris’ Comics: Batgirl & the Birds of Prey #1

tumblr_o4ysvnCGRp1rm4afao1_1280Batgirl and the Birds of Prey Rebirth

Julie and Shawna Benson, Claire Roe, Allen Passalaqua

DC $2.99

It’s been a hot minute since I’ve enjoyed a Birds of Prey comic. The Chuck Dixon and 1st Gail Simone runs on the title are some of my favorite DC comics, starring a bunch of my favorites like Barbara Gordon and the Huntress. The less said about the live action TV series it’s inspired however, the better.

DC Rebirth has lead to the revival of the title, re-teaming Batgirl & Black Canary with Huntress, again, for the first time. This isn’t the first time we’ve seen DC flirt with BoP as a title since the new 52 debut, but it is the first time we’ve seen the iconic line up together since 2011.

Speaking of the CW and BoP, while I didn’t bother reading the New 52 incarnation of BoP, I have been watching The 100 over the last few years. Julie and Shawna Benson are writers on that show, and are now writing this title. There I have explained the segue, let’s continue with this . Their dialogue tends to lend on the dramatic side, but it’s still solid enough. They do a good job of tying together events from the past and upcoming Batgirl run, Black Canary’s recent series, and the events the unfolded during Grayson/Nightwing Rebirth. They also give Babs an New 52/Rebirth origin for Oracle, which sadly undoes the 5330745-bgbopreb_1_4attempts to write out The Killing Joke. The Bensons do a good job of setting up their arc in 20 pages,  with this book working at break neck speed. Hopefully the can tone down the dramatic dialogue in future installments, as I found myself saying “No one speaks like that” several times.

On the art we have Claire Roe and Allen Passalaqua. Clare Roe isn’t a bad artist, and the potential for her to be a great fit for this title is there. Her body language and layouts are pretty strong, it’s that she struggles a bit with the faces. Batgirl is the biggest victim of this, as occasionally her eyes or teeth are too big for my liking. Allen Passalaqua’s colors are good, especially in the scene introducing Huntress in this issue. Also I’m not sure who designed Hunteress’ new gear, but man it looks great. It’s a good art team, and I’m sure the more familiar Roe gets with this cast, the better it will be.

Batgirl and the Birds of Prey is your all purpose set up issue, and it’s a perfectly fine one at that. The Bensons do a fine job of introducing these characters to new, lapse or returning readers, and do fine job of giving each Bird their own distinctive voice and motive. Impressive work for their comics debut. And again, while Roe’s art didn’t really do much for me with this debut, the potential for improvement is definitely there. I do think that it it’s pretty cool that we have an all-female writer and artist team on this book, which is the first time it’s happen since the Simone/Nicola Scott days. Batgirl and the BoP is off to a good enough start, and the book is interesting enough to have me coming back next month.

 

Post to Twitter