Tagged: scott pilgrim

Graphic Spotlight – SNOTGIRL VOL. 1: GREEN HAIR DON’T CARE

Bryan Lee O’Malley‘s new series is #BuyMeNow

It’s finally here! Let’s face it, we’ve all kind of been spoiled with Bryan Lee O’Malley’s previous cult hits that include the never duplicated Scott Pilgrim series and his masterful OGN Seconds. Here’s a creator where we’re used to getting a big chunk of awesomeness at once but this time, O’Malley opted to do his first monthly series. At long last, the first volume if this #addictedtofabulous tale of Lottie Person is available in trade paperback form.

For those of you living in a superhero bubble, you’re probably wondering, “Who is Lottie Person?” That’s a rather complicated and, thus far, very fun question to answer. Lottie Person is an influential fashion blogger. She has a “[redacted] number of followers and is always on forefront of what’s hot and what’s not. As far as the digital world’s concerned, she’s the epitome of a fun-loving celebrity social media star. Every pic of her is fierce and fabulous. All of her [redacted] followers hang on her every post. Except the reality might be a little less glam-tastic. What the world doesn’t see is that Lottie suffers from ridiculously severe allergies. Which is what makes her the eponymous #Snotgirl. It’s a world of snot, blood, tears, and where nothing is exactly as it appears.

Mr. O’Malley’s brought on a newcomer for art duties in Leslie Hung. While some were at first a little disappointed that he wouldn’t be the one behind the pencils and inks, there’s no denying he’s picked a perfect collaborator to capture the complex and duplicitous world of Lottie Person.

Collects Snotgirl 1-5 for only $9.99!

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Chris’ Comics: Phonogram: The Immaterial Girl #4

PhonogramIG_04-1Phonogram: The Immaterial Girl #4

Kieron Gillen, Jamie McKelvie, Matthew Wilson, Clayton Cowles

Image $3.99

Common sense would dictate that you shouldn’t jump into a mini-series when it’s halfway over. “But Chris, the cover is a Scott Pilgrim reference, and I love Scott Pilgrim!” That’s cool, I GET that, I too love Scott Pilgrim. And hey, there’s plenty more of references on the inside. BUTTTTTTTTT, chances are if you didn’t read Phonogram: The Singles Club in addition to Scott Pilgrim, this book will confuse the hell out of you, despite it being a very good comic. To say that it’s required reading is an understatement.

For those of you who actually have both those books and currently reading The Immaterial Girl, you are in for a treat! Issue 4 of this mini series focuses on Lloyd, aka Mr Logos and his love/hate relationship with Laura Black, all while playing homage to Bryan Lee O’Malley‘s massive hit comic. Of course it’s done in the most Kieron Gillen way possibly, which means references to Blondie, with some amazing art. This fun done in one is a bit of side story, focusing on some character that have appeared in past volumes of Phonogram, but does not touch upon the the events of T.I.G. much.

PhonogramIG04_Preview_Page2-932x1415So I want to talk about those lovely Scott Pilgrim homages first. What I really dig about team WicDic Phonogram’s tribute to SP is that it’s entirely done through visual cues in the book’s art. Letterer Clayton Cowles, who’s brilliant, uses several font styles found in SP v1: Precious Little Life (I actually have my copy next to me as I typed it to serve as confirmation, look at me, I’M DOING ACTUAL RESEARCH FOR A REVIEW!). Artist Jamie McKelvie frames the opening page exactly the opening page of said book, and like O’Malley’s art, the majority of this book is in black and white. Colorist Matthew Wilson goes the extra distance, giving McKelvie’s black and white art that manga influenced-zine-esque look, while masterfully coloring the pages that allow for color (And there’s a reason for those pages to be in color this issue, which is a story telling technique I love).They could have easily made a “bread make you fat?” joke (No offense Chip and Joe ) and called it a day, but no, they went the extra mile, because they are a gifted bunch.

As for the non-SP influenced content, I really like how Kieron Gillen writes the relationship between Lloyd and Laura. It’s a interesting love/hate relationship, and it PhonogramIG04_Preview_Page3speaks much of Kieron’s talent that he managed to make it so deep and complex in a span of an issue. Additionally, Gillen excels at having a least ONE brilliant phrase per comic and here we’re treated to two that were so good, I actually stood up and cackled a bit. It also helps that Jamie McKelvie’s art is so expressive, so the book looks as good at it sounds when you’re sitting in your living room reading dialogue to your cat. Yeah I do that some times, what of it?!

Phonogram: The Immaterial Girl #4 is a done and one that allows the story to breathe a bit, and shines some light on some fun characters. I enjoyed the hell out of it, and am absolutely loving what this return to Phonogram has given me so far.

 

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TRY SOMETHING NEW Chapter 10: To The Empire’s Ultimate Weapon!

Sometimes people in positions of power royally #@$% things up. I’ve never had the amazing opportunity to do this before, but this new year has been all about new experiences for me. After 9 brutal weeks of spending 20 minutes a week writing semi-nonsense about new comics in this column I think we can all agree I now wield a remarkably frightening amount of power in this world. And what did I do with my power? With great power comes human trafficking. I offered up Forbidden Planet’s poor basement dweller/demerit collector Ben to you all like he was some sort of man-shaped cookie… Which he sort of is. Poor, sweet Ben. 9 “lucky” contest winners got to take Ben on a date this past week. Poor, sweet, gentle Ben. And what did you, the loyal readers of TRY SOMETHING NEW, do? I legally can’t go into all the details but suffice it to say that Ben will never be the same. Good job readers. My power and your depravity royally #@$% this up. No more contests for at least 2 weeks. Poor, sweet, gentle, exsanguinated Ben needs to rest and regenerate around 4 pints of blood… and an eye. How long does that take?

These double digit columns are rough. Now I’m onto my second apology/retraction of the week. Last week I suggested you pick up Mr. Diggle & Mr. Jock‘s Snapshot #1 from Image. I just wrote “Mr. Jock.” Huh. Anyway, I pointed out that is was a newly colored update of the UK version. Well if you bought the book you might have noticed that the colors they used are both the color black and the color white. There aren’t even ink washes. And if you didn’t buy the book, what the hell? Buy the stuff I recommend. C’mon. I went back and edited that part out of last weeks blog post because this is the 21st century and information is supposed to be fluid and temporary. But for those of you who read the newsletter, you Guttenberg-ites, you are all stuck with what we used to refer to as “mistakes” but what we now refer to as “artifacts of non verified information.” I would feel bad for lying to all of you print readers but in a way I feel like it’s social Darwinism. You get bad information, it slows you down, and a lion eats you. The comic reading herd begins to move faster and make better choices. Malthus smiles from his grave. Sucks to be you. So anyway, yeah I sort of $#!% the bed on that one. You see I don’t get sent many preview versions of books (You hear that marketing/pr folks? Sort your stuff out.) so I go off what I can. What I saw was the black & white stuff and I was told the great colorist Lee Loughridge was going to be adding more colors beyond black & white. Mr. Loughridge is a great colorist and I met him at a party once and we talked about hardcore bands for 5 minutes so he’s basically the coolest guy working in comics right now. Either way, he didn’t color the book. Don’t know what happened. Like most reputable news outlets I get my news from various disreputable news outlets. They said it would be colored. It wasn’t. So there you have it. Either way the book is really good and worth your time. Stop being such a prude and read black & white comics. It’s better for your eyes. (No. It probably isn’t.)

Atomic Robo TP VOL 07 Flying She-Devils of the Pacific

Onto the parade of new books. When Mike Mignola created Hellboy in 19XX (too lazy to google that) there was a weird byproduct that I don’t think anyone could have predicted. The “monster/freak as adventurer/government agent” genre is certainly weirdly specific and probably only exists in western comics. You got the Hellboy spinoff monster cops book B.P.R.D., and new series like Yeti cop book Proof, monster cop book Frankenstein: Agent Of S.H.A.D.E., other Yeti cop book Footprints, and robot adventurer (cop) book Atomic Robo. The weird thing is that all of these books are pretty good. It is a premise that lends itself well to big exciting stories. Personally I have a real soft spot for Atomic Robo and was really glad to see ATOMIC ROBO vol 7.: ATOMIC ROBO AND THE FLYING SHE-DEVILS OF THE SOUTH PACIFIC out this week. Atomic Robo manages to differentiate itself from the crowd by maintaining a serious amount of fun at all times. If Hollywood people were smarter Atomic Robo would be a successful film or cartoon franchise already. (Do they make cartoons in Hollywood?) Equal parts Hellboy and Indiana Jones, Atomic Robo is one of the few ongoing (pretty much) all ages books of any real worth and is a real treasure. Before you pass over the book because it is kid friendly let me remind you that you are reading the newsletter/blog of a comic shop. You are, by definition, at least 60% manchild or womanchild depending on your genitals. Stop being pretentious and read something fun.

You remember 2007? I don’t really. I looked online and it seems almost nothing really happened that year. Some Marvel character probably died. The Loch Ness monster was caught. George Clinton was president. That Battles record that came out was really good. I discovered basketball shorts. 7/11 perfected making “chicken” nuggets out of Loch Ness Monster meat. The U.S. became the first country to use giant robots in actual combat. I meant to see Michael Clayton. Forbidden Planet’s Executive Director of Web Development, Halal food, & Mini-Comics, Tyler, was born. I had my first milkshake with pieces of cake in it and I refused to believe it was as gross as it actually is. Crazy all the stuff you can find out on the internet, huh? All of that stuff was ok but the one really interesting thing the whole year was that Vasilis Lolos released his super weirdo comic Last Call. Did you miss it? Well it’s about… I don’t really know what it’s about. Some dudes get on a train that is magical or demonic or metaphorical. Not sure. Then lots of weird stuff happens. Well now it’s 2013. Cake shakes ARE gross, basketball shorts are out in favor of smart ties and v-neck sweaters, I probably still won’t watch Michael Clayton, and Tyler is 5 years old and makes more money than me. Also, Mr. Lolos has released LAST CALL vol. 2. There is a lot of killing, some playing with relativity, and lots of “train as metaphor for _____”. In short, the book is pretty awesome. Another of the up and comers making western comics with strong Manga influence, LAST CALL vol. 2 feels like the freaky offspring of Scott Pilgrim, Prophet, and Orc Stain. If you have been digging the work of people like Giannis Milogiannis (some folks just have dope names), James Harren, Brandon Graham, or James Stokoe, this book should be a no-brainer for you. Remember; if you just read vol. 2 and don’t bother to track down vol. 1 first you haven’t earned your sense of confusion.

Powers Bureau #1

Let’s talk about Powers for a minute. Michael Avon Oeming draws it. It looks like he puts more thought into each panel than most cartoonists put into their careers. That’s cool. Good look, Mike. But I am, in some shameful misuse of the word, a writer. I like words. Words are sexy to me. Words are the things I use to both mock and lie to the people around me, and that gives me most of the joy I get in this world. People who use words well are better than people who don’t in my world. Now let’s talk about Brian Michael Bendis. But let’s talk about him via me. I had a shameful period in my life where I didn’t care about comics more than I care about everything else. I was into other stuff and comics just weren’t doing it for me. The thrill had faded years ago, like the shine on so many foil covers. Artists turned writers had abused me and left me bitter and broken. If I did hard drugs this would be my opium years. I was aimless, vacant, distant bordering on ethereal, and almost always nodding off in the back of that cockfighting place on Mott Street. Then someone came to me and saved me. They handed me POWERS vol. 1: WHO KILLED RETRO GIRL? It was an epiphany. It was a chance to see a world I once loved through virgin eyes again. It would have been cool for the sake of this story if the person who handed me that book was Brian Michael Bendis himself, but it wasn’t. I don’t know him. He probably doesn’t hang out at cockfights (“probably” is a strong word.). It was a creepy Gollum-like man in a comic shop that shall not be named who gave me the book. Anyway, I read it and I felt something. Brian Michael Bendis writes dialogue not like the way people talk, he writes it better. It’s idealized dialogue. It’s conversation, perfected. I can’t explain how important his dialogue and the way it forms his characters is to me. In my love of writing I have stopped and obsessed on folks like David Mamet, Elmore Leonard, Quentin Tarantino, Aaron Sorkin, and Whit Stillman for periods of my life. But here is where I say the crazy thing that gets me hate mail. None of them do for me what Bendis does. Bendis made me realize that comics are supposed to be better than all the other mediums. It is the best of all the worlds.

The Powers premise, police procedural in a superhero world, is so simple yet so perfect. This is the chocolate and peanut butter of comics. And the things Bendis does within the book, they were a revelation at the time and can still give you a jolt if you let them; the talking head panels, the multiple interwoven arcs, the focus on the relationships of characters, and lets not forgot the monkey sex issue (google it). All of this was eye opening for me (and most of the comics industry it would seem). The man brought me out of my smoky backroom cockfighting ring and into the less smoky but equally sketchy comic shop once again. Powers is my moment of clarity. I knew I wanted to give myself wholly to comics after I read it and I knew I would follow Mr. Bendis until the day he writes his final panel description. Sadly, Powers has come to an end. And like Lazarus, frozen yogurt shops in New York, and noisy indie rock, Powers has returned from the dead better than ever. POWERS BUREAU #1 comes out on Wednesday. I would say buy it but I might buy all of them and give them out in Port Authority to lost souls and wayward Aaron Sorkin fans. They have nothing left anymore.

Uncanny X-Men #1 Now

Hey, did you read that last paragraph? Did you like it? Don’t care. This awkward obsessing train rolls on. So… Brian Michael Bendis. I don’t expect all people to like his work. I get that he can be polarizing. He occasionally sacrifices old characterization continuity to serve story and people like their weird old continuity baggage. He pushed the medium forward and there always have to be people who push back. Sometimes his female characters are treated like second class citizens… (I don’t have a funny quip for that one. It’s a bummer.) He is good and most people don’t like good things. I get all that. But for me this new Bendis era of X-Men is about as exciting as comics gets. The X-Men were my childhood obsession, and smart comics are my adult obsession. This week childhood me and adult me meet up for a very excited 22 pages as Brian Michael Bendis begins writing UNCANNY X-MEN #1. His All New X-Men is the standout book of the very excellent Marvel Now! relaunch. Now his “X-Men on the run” team gets their own book, harkening back to the mutants as outlaws origins of the characters. The recent evolution of Cyclops, from preppy milquetoast, to his “heavy is the head that wears the crown” version, to his current radicalization, is one of the best things either of the Big 2 has done with one of their characters ever. This is actual growth and development. This is art. It is sad, hard to read sometimes, and compelling as hell. My guess? When all is said and done Mr. Bendis does the best X-Men book of the last 25 years. Get it now and watch the X-Men take their place once again as the most exciting team in comics.

Well it’s time to go. You have new books to buy and it’s my turn to irrigate Ben’s eye socket and I have to find out if my attorney appealed Mr. Bendis’ restraining order yet. Wish us both luck.

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DC/DC

DC has a few small comics coming out this week, no big deal. Just, you know, a couple of home-brewed, indie titles you might not care about…they’re so small and insignificant, they’ll prolly only sell a couple of copies. S’no biggie…just, uhm-

BEFORE WATCHMEN: MINUTEMEN #1 AND EARTH-2 #2 FEATURING GAY PEOPLE! CALL THE MEDIA! PUT DOWN THAT SANDWICH! YOWZA, GO GET EVERYBODY!

FAIR IS FAIR

Unkiedev is by no means anti-gimmick. If DC put out a comic book with 3D glasses so Batman’s pointy ears were coming right at’cha, or a scratch and sniff cover of Superman’s armpit, I would be the first in line to buy. I do have a problem, however, with lying.

For DC to pretend that Watchmen sequels, prequels, and any other “uels,” is anything more than an excuse to let today’s top talents play in Alan Moore’s sandbox while we the audience get to look on for a nominal fee, they are blowing smoke up our collective kilts.

Listen DC, just don’t tell me this is because you feel there’s an insatiable desire for the compelling stories that may arise. A gimmick is a gimmick. Be honest.

Unkiedev is, as well, not opposed to capitalism. If it was good enough for Ben “Master Turkey Baster” Franklin, it’s good enough for yours truly. I WANT the comic book industry to make money, to thrive and survive. I want great comic book shops like Forbidden Planet to keep the lights on and the registers ringing. I want super-talented writers and artists to earn their living in the industry I love.

I just wish we didn’t need to stoop so low as new Watchmen comics in order to put a dent into the collective attention of mainstream audiences. Breakaway titles, such as Walking Dead, 30 Days of Night, Scott Pilgrim, and Kick-Ass have proven that comics still play just as well to the masses when given the proper room to shine!

AND FOR THE RECORD, Unkiedev is not opposed to being a hypocrite. I will eat an entire bag of Frito corn chips and tell you, all the while, that I hate them. I can’t stand smoking…except for cigars, and pipes, and the occasional “jazz cigarette.”

With one hand I will be waving a finger at myself, accusing “shame” with every waggle as my other hand passes the cash to the cashier in order to get my copy of Before Watchmen The Minutemen #1.

I can hate the sin, and like the sinner, and I’m pretty sure I’m going to like these sinful comics despite myself.

QUEER AS SUPERFOLKS

Similarly, if DC’s publicity department hasn’t ruined the surprise for you, an old DC stalwart is coming out of the titanium closet in Earth-2 #2. I WON’T BE TELLING YOU WHO, but here’s a hint: it’s not LOBO. The New York Times and several other media outlets have beaten me to that punch, but I will be asking a few questions.

Why couldn’t this have happened sooner? Why couldn’t it happen to a current character, not an Earth-2 reboot character? Why did DC feel the need to tell every paper in town about their “little secret?” Is this about storytelling or marketing?

Comics is a business, I can accept that. Marvel made a big public splash getting ink off of the gay marriage between the Alpha-Flight member Northstar and his boyfriend, and Archie comics did the same with their token GLBT character Kevin Keller.

When Marvel announced a few years back that old-timey western comics hero the Rawhide Kid was gay it seemed less like a marketing ploy and more like an interesting story. NOTE TO ANYONE WHO READ THOSE ISSUES: too bad it wasn’t a good story.

And that’s the point. I will support my favorite comics companies, their books, and the stores that sell them…I just wish the industry was getting ink in the press over great stories and not gimmicks, reruns, and controversies.

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More musings from Unkiedev, Earth’s own sidekick, can be read at unkiedev.blogspot.com

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Rosie Psalm

Did you get some really cool comic books for free on Free Comic Books Day? Good! BECAUSE I GOT ARRESTED FOR PUBLIC NUDITY IN A CHURCH!

It’s all a big, stupid misunderstanding. There were these guys who were saying that Brandon Graham’s King City wasn’t one of the best graphic novels in the past five years, and I took great umbrage with that statement as I believe the antithesis. Go read that sentence back if you don’t believe me. NOW believe this: Brandon Graham’s King City is NOT ONLY one of the best graphic novels of the past five years, it’s also ONLY $19.99 for over 400 pages of pure comics dynamite!

KING CITY


There’s this guy with a magic cat trying to either win back his ex-girlfriend or stop the hell-beast of the Apocalypse from destroying the eponymous, sprawling, insane city he calls home. He’s on the fence because he can’t really figure out if he still loves this girl, or if it’s just his love of nostalgia, OR if this hell-beast thing could blow over without him getting involved because, really, he should probably be helping his luchador roommate rescue a water alien before she’s thrown into intergalactic sex-slavery by mobsters.

THAT is essentially the plot to King City as I loudly explained it to the two gentlemen in question right after they said that King City could “Eat it.” Now that I think about it, they may have been saying “Take this, all of you, and eat it, this is the blood of my body.” I did so many whip-its that day, it’s hard to remember. As I walked up the aisle of the bar to explain further, I rolled up my sleeves anticipating trouble, as well as taking off my shoes so I had a place to keep my glasses safe. I took my sock off so I had something to protect my other sock in, and I took my pants off to keep my socks company. It was only once I was PARTIALLY naked that I realized I wasn’t in a bar, but a church.

“Didn’t I hear you two guys about five minutes ago reading the new Image comic, Prophet?” I slurred. “EVERYBODY knows that this new Prophet reboot is amazing, and it’s drawn by Brandon Graham, too! LOOK at the difference in art styles! Graham has such a versatile pen that Prophet is the best looking sci-fi comic since Moebius, but King City is all in a fluid, funky cartoon/graphiti style…almost like Crumb drawing the Muppets!”

Now this smarmy SOB tried to take it all back, saying he was talking about “The Lord, our Prophet,” and not Image’s Prophet at all. Pfff. Like THAT’S a comic book at all.

By this time these two yutzes up at the roster where getting really pushy, and I noticed a crowd had gathered in the pews to watch the fight. First they just chased me, grabbing my shirt to try and pin me to the floor, but I escaped by wriggling out of what clothes I had left. HA! Grab THAT, Mr. Funny-Hat. Continue reading

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It’s Like Some Wonderful Dream

A few books that were, cosmically speaking, never supposed to see print will be released in the next couple of weeks, giving everybody a chance to get lucky with some amazing reads. While we’re at it, NOW would be a good time to buy a lottery ticket, apply for a job you aren’t, strictly, qualified for and confess your love to a distant crush.

If these comics are finally being released then GOD must have decided to cut all of us a break. Time to push our luck!

SHARKNIFE VOL 1 & Vol 2, Corey “Rey” Lewis, Oni Press

The 2005 first edition of Oni Press’s head turning manga, Sharknife, has an ad in the back promising that Sharknife Vol. 2 would be out in the fall of that year.

It is finally being released this week, as well as a reprint of the first volume. What is this book, why was it so delayed and why should you care?

Corey Lewis is an annoyingly cute cartoonist with a fantastic, frantic style amped up to 11 on energy drinks and pixie sticks. His work is so hip it has to wear a MuuMuu to be comfortable. He’s done some work here and there, most noticeably in UDON’s Street Fighter and Rival Schools titles. He had a fun graphic novel out many moons ago called Peng, about (and remember I did warn you about the hipsterness) a winner-take-all kung-fu ninja Kick-ball tournament.

He lives in Seattle and freely admits that he dropped the ball.

Sharknife was an impressive debut book for the then 22 year old Lewis. Followers of Scott Pilgrim would find the tone and material familiar…Lewis and Pilgrim’s creator Bryan Lee O’Malley were good buddies and positively influenced each other’s work. Lewis stated that, after his debut, he let down his productivity because he thought he had his foot in the door…only to realize that the job was about sustaining momentum, NOT breaking in.

The book focuses on a busboy at a funky Chinese food restaurant constantly under attack from video game monsters. The protagonist can transform into Sharknife, the spikey elbowed brawler who beats these beasties back to win the love of the Owner’s daughter.

It is LESS romantic than Scott Pilgrim, with FAR less angst. It does come off as more fun and genuine. If you like romance, video games, fighting, noodles, monsters slick cartooning than Sharknife is a must read. Continue reading

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Summer Comics Romance

Yes you love comics, but do you like comics about love? Do you LIKE like them, you know, more than as a friend?

Comic books are usually about punching crime in the gonads, or being a warrior mouse who lives in a medieval mouse kingdom. Some comics, however, are about real people and feelings. Difficult to imagine, I know.

Here are a few great and historical relationship books with a few weirdies thrown in to shake things up! There may be some dating pointers in there; mostly of the “What not to do” kind. To make this column smoother I’ve arranged the titles from the most kid friendly books to the least kid friendly.

Need I mention that almost all of these books can be picked up at the amazing, stupendous, and diverse comic book repository known as the Forbidden Planet Non? Bon Appetit, Bon Amie! Continue reading

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Short Packed: Old and new arrivals at FPNYC!

By Chris Troy

Happy delicious candy-season at your local Rite Aid/Walgreens/CVS/Duane Reed FPNYC faithful! As yet another commercialized holiday approaches, let it be known that Forbidden Planet has received a ton of new toys and collectibles over the last 2 weeks, so instead of week old Peeps, why not get someone (or yourself) something a little more memorial for their Easter basket?

Coming in this past week were 2 figures based on Oni Press comic series turned beloved-but-underperformed movie Scott Pilgrim! And because no one wants a Michael Cera figures (NO ONE!), Mezco Toys decided to base the 2 figures on the graphic novel’s art style instead. These 6″ figures have limited articulation, yes, but seeing how there’s a severe lack of evil exes to interact with for the time being, it’s safe to say that the 8 points of articulation they sport will get the job done for display purposes. Final Battle Scott comes with his Love Katana (not an innuendo I swear), while Rock Showdown Scott comes with his bass. I’m fairly certain those aren’t the real names of the figures, but hey, it’s like 11:35pm, I’m tired, cut me some slack. Google’s failed me twice. Continue reading

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SDCC: Eisner Award Winners 2010

The Eisner Awards were presented Friday evening in concurrence with Comic-Con International at the Hilton San Diego Bayfront.  Onstage guests included the cast of the imminent Scott Pilgrim film, Thomas Jane, Ben Garant (Reno 911), voice actor Phil Lamarr (Futurama, Samurai Jack). The event was MC’d by Maurice LaMarche (“The Brain,” from Pinky & The Brain and notable veteran of many other cartoons).

There were also some real life comic creators there, presenting awards to their  peers, the likes of which included Chris Claremont, Milo Manara(!), James Robinson, Berkeley Breathed, Peter Bagge, James Sturm, and Jillian Tamaki.

The works below are linked to either the item on the FPNYC webstore or the winner’s homepage where applicable.

Best Short Story
“Urgent Request,” by Gene Luen Yang and Derek Kirk Kim, in The Eternal Smile (First Second)

Best Single Issue (or One-Shot)
Captain America #601: “Red, White, and Blue-Blood,” by Ed Brubaker and Gene Colan (Marvel)

Best Continuing Series
The Walking Dead, by Robert Kirkman and Charles Adlard (Image)

Best Limited Series or Story Arc
The Wonderful Wizard of Oz, by Eric Shanower and Skottie Young (Marvel)

Best New Series
Chew, by John Layman and Rob Guillory (Image)

Best Publication for Kids
The Wonderful Wizard of Oz hardcover, by L. Frank Baum, Eric Shanower and Skottie Young (Marvel)

Beasts of Burden, winner Best Painter, Best Publication for Teens
Beasts of Burden, winner Best Painter, Best Publication for Teens

Best Publication for Teens
Beasts of Burden, by Evan Dorkin and Jill Thompson (Dark Horse)

Best Humor Publication
Scott Pilgrim, Vol. 5: Scott Pilgrim vs. the Universe, by Bryan Lee O’Malley (Oni Press)

Best Anthology
Popgun, Vol. 3, edited by Mark Andrew Smith, D. J. Kirkbride and Joe Keatinge (Image)

Best Digital Comic
Sin Titulo, by Cameron Stewart

DCD390415
A Drifting Life, winner Best Reality-Based Work, Best U.S. Edition of Foreign Material (Asia)

Best Reality-Based Work
A Drifting Life, by Yoshihiro Tatsumi (Drawn & Quarterly)

Best Adaptation from Another Work
Richard Stark’s Parker: The Hunter, adapted by Darwyn Cooke (IDW Publishing)

Best Graphic Album — New
Asterios Polyp, by David Mazzucchelli (Pantheon)

Best Graphic Album — Reprint
Absolute Justice, by Alex Ross, Jim Krueger and Doug Braithewaite (DC Comics)

Best Archival Collection/Project — Strips
Bloom County: The Complete Library, Vol. 1, by Berkeley Breathed, edited by Scott Dunbier (IDW Publishing)

Best Archival Collection/Project — Comic Books
The Rocketeer: The Complete Adventures deluxe edition, by Dave Stevens, edited by Scott Dunbier (IDW Publishing)

Best U.S. Edition of International Material
The Photographer, by Emmanuel Guibert, Didier Lefèvre and Frédéric Lemerier (First Second)

Best U.S. Edition of International Material — Asia
A Drifting Life, by Yoshihiro Tatsumi (Drawn & Quarterly)

Best Writer
Ed Brubaker, Captain America, Daredevil, Marvels Project (Marvel) Criminal, Incognito (Icon)

asterios_polyp
Asterios Polyp, winner Best Writer/Artist, Best Graphic Album, Best Lettering

Best Writer/Artist
David Mazzucchelli, Asterios Polyp (Pantheon)

Best Writer/Artist–Nonfiction
Joe Sacco, Footnotes in Gaza (Metropolitan/Holt)

Best Penciller/Inker or Penciller/Inker Team
J. H. Williams III, Detective Comics (DC Comics)

Best Painter/Multimedia Artist (interior art)
Jill Thompson, Beasts of Burden (Dark Horse); Magic Trixie and the Dragon (HarperCollins Children’s Books)

Best Cover Artist
J. H. Williams III, Detective Comics (DC Comics)

Best Coloring
Dave Stewart, Abe Sapien, B.P.R.D., The Goon, Hellboy, Solomon Kane, Umbrella Academy, Zero Killer (Dark Horse); Detective Comics (DC Comics); Luna Park (Vertigo)

Best Lettering
David Mazzucchelli, Asterios Polyp (Pantheon)

Best Comics-Related Periodical/Journalism
The Comics Reporter, produced by Tom Spurgeon

Best Comics-Related Book
The Art of Harvey Kurtzman: The Mad Genius of Comics, by Denis Kitchen and Paul Buhle (Abrams ComicArts)

Absoloute Justice, winner Best Graphic Album (reprint), Best Publication Design
Absoloute Justice, winner Best Graphic Album (reprint), Best Publication Design

Best Publication Design
Absolute Justice, designed by Curtis King and Josh Beatman (DC Comics)

Will Eisner Spirit of Comics Retailer Award
Vault of Midnight, Ann Arbor, Michigan

Hall of Fame
• Burne Hogarth
• Bob Montana
• Steve Gerber
• Dick Giordano
• Michael Kaluta
• Mort Weisinger

Bob Clampett Humanitarian Award
Jeannie Schulz

Bill Finger Award for Achievement in Comic Book Writing
Otto Binder, Gary Friedrich

Russ Manning Most Promising Newcomer Award
Marian Churchland (Beast)

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Scott Pilgrim Vs. the World Trailer

The Scott Pilgrim trailer debuted today to much fanfare.  If you haven’t checked it out yet here ya go:

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Directed by Edgar Wright ( Hot Fuzz, Shaun of the Dead) and starring Michael Cera, the film (adapted from Bryan Lee O’Malley’s graphic novel series from Oni) is slated to release on August 13th, 2010.

Any thoughts?

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Behind the scenes of the “Scott Pilgrim vs the World” movie.

Besides “Iron Man 2,” I personally can’t wait for the film version of Bryan Lee O’Malley’s “Scott Pilgrim” to come out.  Directed by Edgar Wright, the movie stars Michael Cera as our lovable loser Scott Pilgrim, Mary Elizabeth Winstead as Ramona Flowers, and every other 20-something up-and-coming actor in Hollywood.

Wright, director of “Shaun of the Dead”, I must say: has been doing a commendable job teasing us Fanboy and Fangirls by posting daily photos from the set to his Flickr feed.

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What you see here is a picture from that feed displaying how close he is paying attention to the work, because I know that’s something all of us nerds want to hear.

As well as posting behind the scenes photos, he’s already up to eight video blog posts on the Scott Pilgrim movie website.  From what I can see this certainly looks like its going to be a movie chock full of fun.

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