Tagged: Ryan Kelly

TRY SOMETHING NEW Chapter 15: Princess Leia Races Home Aboard Her Starship.

Ok, big week here at TRY SOMETHING NEW. It seems a ton of you have been reading my column and taking my advice. Obama released the sales charts for comics last week and it turns out REPTILE MUSEUM by Cody Pickrodt was the best selling comic in the country, selling a whopping 1,288,000 copies in one week. That’s a lot of folding and stapling. Thanks loyal readers. I hope you all enjoyed reading the book as much as I did. I am sure Cody would thank you too if he wasn’t busy orbiting the earth in a newly purchased Soviet space shuttle. Hopefully there is stuff in this weeks column that you can be equally as excited about.

Of course every silver lining comes with a sad old cloud inside it. I am putting this issue of the Weekly Planet together myself for the first time. Turns out it’s not so hard. This is shaved ape territory. That’s not the sad part though. No living person has seen dear sweet Tech Wizard/Milk Carton Model Tyler in over a week. This is hard to talk about but Tyler was getting into weird stuff recently. Stuff you wouldn’t want your parents to see, stuff you would deny to your friends. Comics with no narrative, comics that were just made up of shapes, comics that took place inside large animals, comics about comics even. MoCCA stuff. Real sicko $#!%. Sadly no one at Forbidden Planet heard his cry for help enough to just hand him a copy of Hawkman and slap him in the face once. We have all seen it before. Kid moves to the big city from… I don’t, Canada? Texas? Where the hell was Tyler from? And the big city shows him things he has never imagined. Blexbolex things. Deforge things. Marra things. The first time he saw Pillow Fight it was like watching a puppy come to understand string theory. Soon he is shaving his head, hanging out in offices with british dudes, and … Sorry again. I don’t really know what Tyler does other than edit this steaming pile of journalism. Either way, if you see Tyler out there tell him someone at Forbidden Planet loves him. Tell him to come home before this world ruins him. He had so much to give. I can already feel this is too little too late. Oh well.

Image came out swinging pretty hard in 2012, firmly staking their claim as the innovative mainstream publisher. Books like Saga, Manhattan Projects, Fatale, Mind The Gap, Prophet, and King City were among the best books to come out last year. Well Image is feeling the pressure to top all that clearly. Books like End Times, Nowhere Men, Sex, and Great Pacific are all causing a lot of buzz and are well worth your time. But no book has generated the buzz or the praise of FIVE GHOSTS #1. The Five Ghosts team (Team 5G is what no one is calling them) is signing/signed at Forbidden Planet this Wednesday, (and what a fine looking and charming group of young men) depending on when you read this. A great classic pulp adventure with big ideas and breathtaking art, FIVE GHOSTS feels just like what you imagined all comics should be like when you were 10. An Indiana Jones type meets the great literary characters of the past 200 years in a supernatural thriller as drawn by a cross between Milo Manara and Wally Wood. That was probably too nice, but still, really fun book. Make sure to grab a copy so you can see what everyone else is already talking about.

While we are on the subject of Image and the signing on Wednesday, I would be remiss if I didn’t mention that MAXIMUM MINIMUM WAGE comes out this week and Bob Fingerman will/was also signing on Wednesday. If you aren’t familiar with Minimum Wage then you should probably stop reading this and just buy the book right now, which is a fully remastered collection of the old stuff with new bonus material. Bob Fingerman is a true classic cartoonist in every sense of the word. He has had work in everything from Cracked to Screw, High Times to Heavy Metal. He has done children’s comics (the excellent Recess Pieces), and porno comics (the also excellent Skinheads In Love), and turtle comics (Teenage Mutant Ninja Turtles). But for many of his fans and admirers his pseudo autobiographical comic Minimum Wage is his true crowning achievement. Underemployed twenty-something characters try to find their places, get by, and fill their days in this book that in many ways feels like the sibling to books like Love & Rockets and American Splendor. Slice of life storytelling that is character driven and vital, while never losing sight of what makes indie comics fun.

Another of my favorite books of the last year finally lands in collected format this week, Brian Wood‘s brilliant environmentalist post apocalyptic drama, THE MASSIVE. Part insane naval action thriller, part end of the world disaster story, all framed around a disappeared freighter. Wood does his usual great job of making simple ideas seem thrilling and fresh, and then populating them with great characters. In many ways The Massive is the spiritual successor if not actual sequel to his amazing NYC modern civil war series DMZ. With a story that jumps smartly and easily from one mind blowing locale to another, The Massive doesn’t read like anything else on shelves. I don’t know if Wood is great at research or the best bull$#!% artist in comics but it doesn’t matter. His work feels authentic and topical, while never getting bogged down in stupid stuff like “science” and “facts.” While never quite overt, it is nice to see a major comic address climate change and environmentalism in a serious and smart way. This and Joe Harris’ Great Pacific are working hard to bring important issues back to mainstream comics and that is a very good thing. Mr. Wood’s whole career is filled with work from some of the most exciting artists working. From his old books with amazing talents like Becky Cloonan, Ryan Kelly, and Toby Cypress, to more recent fair where he has introduced the masses to artistic geniuses like Riccardo Burchielli, Fiona Staples, Shawn Martinbrough, and Nathan Fox, Wood may have the best taste of any writer in comics. He hasn’t slowed down at all in recent years, doing books with folks like James Harren and Ming Doyle, and now Garry Brown on The Massive. Garry Brown’s art makes The Massive a book that should be in every single smart person’s read list. I have known Garry’s work for a while and been counting the days until he became a superstar. I have a feeling that this time is now. There aren’t a lot of people in comics who can make 2 page spreads of the ocean seem beautiful, scary, or even worth looking at, but Garry does it effortlessly issue after issue. In short, a smart, exciting, and refreshing book that is also beautiful. Stop spending money on the stupid stuff you spend money on and give this book a chance.

Thanks for reading and good night. And sleep well sweet Tyler. Wherever you find yourself tonight.

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TRY SOMETHING NEW Chapter 3: In A Galaxy Far, Far Away…

Third column. I am coming out of my sophomoric slump with an all star one this week. The only problem is that the comic industry basically takes the last week of December off meaning that there are less than 10 mainstream comics releasing. I’m not going to resort to recommending comics that I don’t believe in 100% (actually like 80% but you get the point) just to fill space so I’m going to resort to recommending books that don’t really fit the “TRY SOMETHING NEW” criteria. That’s called integrity folks. It’s not just a great metal band from Cleveland.

Before I move on to books that need your attention I would like to give a nod to Dan Slott and the Spider-Man team for wrapping up Amazing Spider-Man this week in an interesting and different direction. Mr. Slott and the Spider-Man crew have put out a really great book for a few years, consistently among the best superhero books on the shelf. Every time they try and push the story forward, evolve the character, or even just do something compelling they meet with a great deal of resistance from folks who want their superhero books to be a never changing constant in their lives. I am not sure what drives a person to want to read the same thing year in and year out, but my thanks to the Spider-Man team for not giving in to them. These are stories not security blankets. The curtain goes up, we meet a character, the curtain goes down and that character is somehow different. That is how stortytelling is supposed to work. Anyway, buy SPIDER-MAN #700 and celebrate the end of an era.

Of the handful of new titles this week, the only thing that really caught my eye as “try something new” material is Brian Wood & Ming Doyle’s MARA #1 from Image. Brian Wood has long been a favorite of mine for, at worst doing interesting and unique books (COURIERS, NEW YORK 4), and at his best being among the top writers in comics (DMZ, NORTHLANDERS, LOCAL). With his new series from Dark Horse, THE MASSIVE, easily making the best books of the year list, and his work on ULTIMATE X-MEN quickly becoming one of the best runs that book has ever had, I was very excited for MARA. Mr. Wood is good for nothing if not keeping you guessing, and MARA certainly does that in spades. A dystopian tale about the world’s most famous female volleyball player. I don’t think I need to really say anything else. Either that interests you or it doesn’t. Personally I love reading something I have never read before and this easily falls into that category. In a year of weird premised comic books, a 20+ year old story by Alan Moore takes the cake (FASHION BEAST) but MARA certainly gave it a run for it’s money. RIYL: Brian Wood’s more “out there” dystopian work, the volleyball scenes in Top Gun, or sci-fi that doesn’t “feel” sci-fi.

On to things that didn’t come out this week but you should pick up. Anders Nilsen is one of the great indie comic creators to emerge in the last decade. Everything he touches has a deeply personal and intimate feel and this allows the stories he choose to tell to be both wildly unique and relatable. His epic BIG QUESTIONS is a must read for the “lit” comics set and deserves it’s place on shelves alongside other modern classics that start with “B” like BLANKETS, BLACK HOLE, BUILDING STORIES, and BORING, DAVID. But Mr. Nilsen’s most personal work has also been the one that was the hardest to get for years, DON’T GO WHERE I CAN’T FOLLOW. Finally back in print, DGWICF is bar none one of the most beautiful and heartbreaking stories I have ever read. Using journal entries, photos, postcards, and comics, Mr. Nilsen recounts the love he shared with his fiancee, Cheryl Weaver. You follow their tale through vacations and young love, her getting sick with cancer, her hospitalization, and, heartbreakingly, through her memorial. This book is an amazing tribute to the love shared between two people and the fragility of the human experience. RIYL: Crying.

SAUCER COUNTRY is the new ongoing series by a couple of the more interesting creators in comics from one of the best publishers. Paul Cornell (Dr. Who tv show, BATMAN & ROBIN, CAPTAIN BRITAIN & MI-13, etc)), Ryan Kelly (BOOKS OF MAGIC, DMZ, etc) have put together a great political alien abduction series that is as smart as it is fun. Equal parts X-Files, EX MACHINA, and The Manchurian Candidate, this book is worth picking up if you are a fan of any of that stuff. RIYL: All the stuff I just mentioned. Come on, pay attention.

My final recommendation of recent stuff that is worth grabbing is MARK TWAIN WAS RIGHT. The always excellent Microcosm Publishing releases this collection of comic journalism about the 2001 Cincinnati riots. Dan P. Moore recounts through personal experience and interviews the days leading up to and after the police shooting of Timothy Thomas, an unarmed black teenager. MTWR tells the story of the riots and civil disobedience from a perspective we are rarely are offered, the community itself. The Cincinnati riots are a major moment in recent American history and the roots and causes of the anger and sadness that took over that city for days deserve your attention as much as anything on a comic store shelf. It’s one of those rare instances where comics aren’t just telling this important story better than other media, comics is the only one telling it. Support a unique voice, support a worthwhile book, and get yourself a great book all at the same time. RIYL: Comics journalism by folks like Joe Sacco, Ted Rall, or Guy Delisle.

That’s it for my my third column. Can you tell I wrote this one when I was extra tired? I can. As always, thanks for reading. And to those of you who do, thanks for supporting new books and new ideas in comics.

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