Tagged: Pretty Deadly

Image X Einsers 3: Pretty Deadly

MARVELCoverTemp copy.indtPretty Deadly

Kelly Sue Deconnick/Emma Rios/Jordie Bellaire/Clayton Cowles

Image, $9.99

 

I’m the type of guy who traditionally does not enjoy westerns. I don’t hate them per say, but I don’t go out of my watch to read, watch, or in the case of Red Dead Redemption, play them. There’s not any one specific reason why, it’s just that they don’t traditionally grab me.

That being said, Kelly Sue Deconnick (Captain Marvel, Avengers Assemble) is one of my favorite people working in comics today and Emma Rios is a tremendous artist that I feel no one but David Brothers has been talking about. So when Pretty Deadly was announced, I was more than willing to put my personal biases aside and drop the $3.50 to give it a shot. It kind of hard to pass up the opportunity to read about the story of the daughter of Death, as told by dead bunny to a butterfly (You can thank Kelly Sue’s son Henry Leo for that imagery by the way).

MARVELCoverTemp copy.indtPretty Deadly is a comic that the reader really benefits from when read collected in trade. KSD said it herself ( I think it may have been on a Nerdist’s podcast, or on Tumblr), and after several re-reads, I agree. The first two issues are….vague to say the least. It takes about 2 issues for the majority of the cast to be introduced, and a lot of the key plot elements aren’t brought up until the middle and end of the story. It’s far from a bad comic, especially when you factor in the amount of ass kicking that goes down (Issue 2 is the first example of what a fully unrated Emma Rios and Jordie Bellaire fight scene looks likes), but I felt a little more confused than I usually like when reading comics. As I said earlier, it’s a type of comic that benefits from multiple re-reads.

587488848While I had some issues with the narrative, I have to give praise where it’s due in the visual department. Emma Rios, expertly colored by the great Jordie Bellaire, comes out swinging in this series. Her art is nothing short of fantastic, and I encourage anyone who‘s reading this article to Google the cover gallery. The amount of detail in everything from animal’s fur, feathers and wings to the folds in the human characters clothes is breathtaking. The interior art is as equally impressive, with some very fluid and kinetic scenes set in non-traditional panel layouts. The ultra violent fight scenes mentioned earlier, are a great example of this, as they’re very well choreographed, and when an attacked lands/hits, it’s so intense that you can practically feel it. Bellaire’s colors are equally important, helping both sell the more realistic as well as fantasy elements in the book. Both the western landscapes and the spirits worlds seem to have their own special set of colors assigned to them, and the end result is some stunning looking art. And Clayton Cowles‘ lettering is great, and helps tells the tale without interfering with the penciled and colored art.

prettydeadly01_p5Despite it not being my favorite Kelly Sue Deconnick penned book, Pretty Deadly is the type of book worthy of the praise it’s received from other. Deconnick and Rios are not the first pair of creators with a solid supernatural western series to hit the market in recent years (the EXCELLENT Sixth Gun series from Oni comes to mind), but the combined talents of its creative team make it stand on its own and for fans to take notice. It’s always good to have more books out there with female leads by female creators, especially when they’re as good as this. Pretty Deadly is definitely worth your time, and Emma Rios, Kelly Sue Deconnick and Jordie Bellaire’s Eisner nominations are well deserved.

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I’ll never be successful because I’m not crazy

Jodorowsky’s Dune finally came to Seattle this weekend, and I was painfully inspired by this doc. You basically get an animated Moebius film, in between beautiful H.G. Giger art, and topped with an amazing soundtrack that really feels essentially Dune. I can’t say enough good things about this film. For sci-fi, comic, film fans alike.
I followed the painful inspiration with a weekend of day drinking, nail painting, and reading. My magnum opus won’t be built in a day.

Adventure Time Annual 2014– The thing I love about annuals is that they come out once a year. They’re also bigger. They feature a new creative team. And sometimes they’re Adventure Time. Lucky for us, this one hits all those sweet spots. Joining the already extra special AT Team is husband-wife comic duo, Becky and Frank! They write and draw the super adorable webcomic, Tiny Kitten Teeth (that is hand painted, I might add). If you have diabetes you might want to keep a candy bar on hand for this one, because it not only features the sugary cuteness of their typical art style, but the story follows little Fionna and BABY CAKE! The sweetness is in the name! Just thinking about it gets me a little light headed. The two get into all sorts of magical trouble, but who could ever stay mad at a baby Fionna and Cake?!

Buddy Buys a Dump TPB

bagge3
Continuing the Buddy Bradley series from the collected books of Buddy Does Jersey, and Buddy Does Seattle, comes the first collection we’ve seen from Peter Bagge’s iconic Hate Annual series in seven years! But this newest collected version will also feature new pages created by Bagge; a major contribution to the renaissance Seattle is having right now of its alternative comics scene. Life for the junky, 1990’s famous anti-hero, Buddy Bradley has changed significantly. We find him now in his 30’s, with a wife, son, owning a junkyard, and wearing an eye patch. Pretty normal for Buddy I’d say. This conclusion to his most recent arc will be marked by the 25th anniversary of Hate Comix in 2015. I’d say that time has flown by, and something nostalgic like “I remember when these comics blah blah blah”, but I’ll be honest, Hate came out the year I was born. So I’ve had A LOT of catching up to do.(If you’re interested in the current work of underground Seattle cartoonists, look up the work of Ben Horak, Gnartoons, and Tom Van Deusen in their monthly publication, The Intruder)

Unlovable Vol 3 HC– Grotesquely hilarious, in only the way an illustrated journal of a teenage girl from 1989 can be. Unlovable, by Esther Pearl Watson, is what all of us were at some point in our adolescence, but wishing we never were. Summer is here for Tammy Pierce, and she’s ready to party, flirt with all the boys, and wear waaaaay too much mascara. This is a must read for all Tina Belcher fans. This is also a must read for anyone who likes fun!

Southern Bastards #1– Jason Aaron just made the South real dirty. Dirty with rednecks, piss, and dogs. Craw County is home to all of the above; it’s also home to the meanest sheriff the town has ever seen, and his brutality is the stuff of legend. But it’s very real to his son who has come back to town for the first time in years. His dad is dead, but his brutality lives on in the town, through a new boss who has this football town in his fist, and people running from his terror. While this may not be a welcome home for Earl Tugg, for fans of Aaron’s work on books like Scalped, this feels like we’ve been greeted with open arms. Originally from Alabama himself, this feels really down home Southern. Artist and co-creator, Jason Latour also hails from North Carolina, and these two don’t miss a beat when it comes to creating an atmosphere that’s soiled with too many memories, and too much power.

Judge Dredd Mega-City Two #4– When you combine the most serious man in crime fighting, with two cute animal tour guides to Crimeland that sing rhyming tunes, you get only a piece of the wacky ride that is Judge Dredd Mega City Two. Dredd takes care of some old fashioned boss’s in the amusement park that caters to showing old-fashioned street crime! Sounds like a good time for Dredd and his film crew, until they run into a rogue Judge who turns their world upside down by giving up the law…to help the people. The art is out of control on this issue, and the contrast between the hyper detail of the city and landscape, combined with the cartoonish auxiliary characters gives this book a distinguishing flavor from anything that’s on the shelves today. And this issue definitely satisfies my need for some form of musical theatre.

Pretty Deadly Vol 1 TPB– Prolific author Gabriel Garcia Marquez may have left us, but this world is no less full of magical realism as long as Pretty Deadly is still around. DeConnick and Rios have left a sizeable dent in the comics’ world, following the release of their spaghetti western meets kung-fu epic. If you’re one of the poor souls wandering this wasteland of a planet lost and alone because you haven’t picked this book up yet, now is your chance to feel the swift righteous blade of death’s daughter, Ginny. Her origin is the stuff of legend; a tale that bards sing around a fire. But the wronged always know where to find her.

Pretty-Deadly-hed

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Troy’s Toys But With Comics 1/22/14 edition

So we’re all on board for killing the winter/the snow yes? Because we need to.

hawkeye16658Hawkeye #16

Matt Fraction/Annie Wu/Matt Hollingsworth

Marvel, $2.99, 20 pages

Hawkeye‘s back this week! Sorta….David Aja still needed time to finish up issue #15, so we’re jumping ahead to #16 for another Kate Bishop adventure, which I’m of 2 minds about.

Kate’s new status quo in the book leads to another fun done and one, which sees Lady Hawkguy dealing with a pair of aged dueling pop stars.Matt Fraction’s channeling some of his Casanova work here with this premise, only there’s more way more humor and less trans-dimensional jumping, and arguably the best “Champions”-related joke in years. And we get to see more of Kate’s LA supporting cast, which is great is you’re a fan of world building.

IMG_00382My problem with this issue is that it’s very…disjointed at the end. There’s a solid gag or 2, but the pacing feels rushed, so the landing doesn’t stick. Again, far from a bad issue, it’s just stink that the issue kind of falls apart at the end.

What does work is the team of Annie Wu and Matt Hollingsworth. Their Los Angeles is bright, fill with various shades of blues and purples and is a stark contrast from Clint Barton and David Aja’s New York. And Wu’s Kate Bishop is awesome. Very expressive, trendy and fluid. She looks like a believable 18 year old vigilante.

Again, Hawkeye #16 is a good comic. I’m just spoiled by it being a GREAT comic for months.

MARVELCoverTemp copy.indtPretty Deadly #4

Kelly Sue Deconnick/Emma Rios/Jordie Bellaire

Image, 20 pages, #3.50

Damn this book is brutal.

Team Pretty Deadly continues to deliver the most intense fight scenes in comics since the 2nd issue, which doesn’t come as a complete surprise given how talented Emma Rios is. And paired with Jordie Bellaire’s amazing colors, the damage these characters take looks extra vicious, but never too grotesque. It earns it’s M for Mature rating.

Kelly Sue Deconnick and Team Pretty Deadly are crafting quite the tale. After a slow and vague start, this series has really ramped up in terms of progression, fleshing out the characters, building the world and answering questions. There’s still some weirdness to it, but it’s welcomed, as it’s very much the type of weird one would find in Sandman, rather than being weird for weirdness sake.

What started off as something as a revenge-driven  narrative  has definitely shown that there’s more life in this story, even with the first arc wrapping up next month. Pretty Deadly has been on fire for months, and much like it’s publisher.

backgroundAll New X-men 22.Now

Brian Bendis/Stuart Immonen/Wade Von Grawbadger/Marte Gracia

Marvel, $3.99, 20 pages

Stuart Immonen’s return aside, my expectations for this issue were pretty low. 22.NOW is the lead in for yet another crossover (SIGH), this time with Bendis’ Guardians of the Galaxy book. It’s worth noting that both of these books have movies coming out this summer, so the writings on the wall as to why, at least from an editorial stand point.

The books starts of with 6 pages of X-drama, and the remainder of the book is all action all the time. Immonen and friends pull no punches with their return on the art , as the book looks great. You’ll be surprised how much detail is crammed into a salad of all things! And Marte Gracia’s are great, as the book really pops on a visual level. Bendis, meanwhile delivers a solid script,  and his RUN D.M.C. love is noted.

While I’m still a little fatigued from Battle of the Atom, I’m definitely intrigued by the opening chapter of The Trial of Jean Grey. It only being 6 chapters definitely keeps my hopes up, and the artists attached to it certainly have me excited. Hopefully this one ends as well as it starts.

 

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Troy Toy’s But With Comics: Very fill in. Such Rush. Wow.

This is the last big release week in 2013, and man, it ended on kind of a downer comics-wise. 4 out of the 5 Marvel books I pulled had more than 1 artist attached to them, and the one with the correctly solicited team still involved a guest artist. Also Saga was kind of brutal. I suppose some explanations are needed.

dd34Daredevil #34

Mark Waid/Javier Rodriguez/Alvardo Lopez

Marvel, $2.99, 20 pages.

Javier Rodriguez came out swinging this week, which is exactly what Daredevil needed after the less than stellar art from last issue. He was a more than adequate fill-in for regular series artist Chris Samnee last time around, but man, Javier really stepped up his game since then  and it leads to some very strong framing sequences and panels in this issue. It’s a very Marcus Martin meets Annie Wu style, especially when it comes to facial expressions and body language. Add strong inks from Alvardo Lopez, with Javier coloring himself, you get a very strong final product. Mark Waid, remains flawless when it comes to dialogue, which surprises no one. This current arc of Daredevil has been impressive, mixing current headlines with obscure Marvel horror, and it’s hard to think who else but Waid could have pulled it off. This was easily the best book Marvel released this week, although it did some strong competition.

marvel-avengers-assemble-issue-22inhAvengers Assemble 22.INH

Kelly Sue Deconnick/Warren Ellis/Matteo Buffagni/Paco Diaz/Nolan Woodward

Marvel, $3.99, 20 pages

You can tell Warren Ellis has come aboard a title when the books starts off with “There are thing of yours I would very much like inside of me.”

That’s not a complaint mind you. Ellis works well with series regular Kelly Sue Deconnick, although the book feels a little more snarky and adult than usual. It’s still a delightful read, as it’s easiest the most fun and humorous Avengers book on the market. This Inhumanity tie-in arc started off on a great foot and the addition of Ellis has only made things better, especially since this story calls back to previous

The only downside to this issue is that Paco Diaz, the other artist attached to this title does not mesh well with Mattero Buffangi. I like Diaz a lot from his work on Daniel Way’s Deadpool, put his pages stick out like a sore thumb, despite Nolan Woodward’s excellent work on the colors. Still not a bad issue, it’s just stinks that some lesser art takes away from the final product. Speaking of which…

ANXMEN2012020-DC11-LR-e6953_latest_photosAll New X-men #20

Brian Michael Bendis, Mahmud Asrar,Brandon Peterson, Israel Silva, Marte Gracia

Marvel, $3.99, 20 pages

See above? Repeat that, but replace the names. Asrar and Peterson are both fine artists, but their styles could not be anymore different. And it doesn’t help that some of Asrar’s pages look extremely rushed, and both artists have their own separate colorists. It’s not a bad comic, but it’s certainly not as good as the book has been. Also ignore that cover, nothing like that even comes close to happening. Again, another good comic ruined by rushed art, something Marvel has excelled at this past week.

::: Also see Longshot saves the Marvel Universe #4 sadly 🙁 :::

saga-17-web-72Saga #17

Brian K Vaughn, Fiona Staples

Image, $2.99, 20 pages

This is Saga’s Red Wedding issue. Or it’s Walking Dead midseason finale if that first reference doesn’t make sense to you. It’s the type of issue that has people screaming about their feels on Tumblr, because oh god, it hurts, and chances are it’s not going to get better next issue.

BKV and Staples has been carefully crafting this moment since the 3rd volume began. It’s been pretty light on the action, focusing on building characters and relationships, all while the volume 2 cliffhanger remained mostly ignored, not falling into place until the last 2 issues. And then previous issues’ cliffhanger drops, and it turns out to be a massive swerve and GUH, THIS BOOK IS SO GOOD Y’ALL, ALTHOUGH IT’S ALL FOR THE WRONG REASONS, GAH!

So yeah, Saga’s still great, but MANNNNNNN, it hurts y’all. It hurts.

I still need to read Pretty Deadly #3, but what I saw I liked. So it’s fairly safe to seem it’s pull-worthy. And with that, that wraps up my 2013 pulls. The next 2 weeks are extremely light on comics, so I have something else in store. Plus maybe I’ll look at some new toys. Who knows, but happy holidays regardless FPNYC Faithful.

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Troy’s Toys, but with Comics: Greenest Wednesday

A butt-ton of books dropped this past week, so let’s get down to business, yes?BlackScience_01_Cover_B

Black Science

Rick Remender/Matteo Scalera/Dean White

Image, 20 pages, $3.50

Black Science is a book I was a little concern going into it, as it came across as a spiritual successor to Fear Agent. FA is a personal favorite of mine, so there was a high expectation to be met. So did it you may be asking yourself? For the most part yes, as Matteo Scalera is no Tony Moore/Jerome Opena yet, but his pulpish visuals do Remender’s script well. It also helps that the “painted art” is by Dean White, who served Remender well back on Uncanny X-Force, and continues to do so here. There’s some fantastic use of shades of black, purple, orange, and blue in this book, and I definitely feel the “punk rock forbidden science” hook. That being said, there’s a case of Fridging (killing off a female character to only advance the plot) early on that kind of rubbed me in the wrong way, especially with all the internet rage over in Uncanny Avengers, also written by Remender. The ending, while a tad predictable when dealing with sci-fi, had a Tim Truman vibe to it that I really dug. Like something out of Vertigo in it’s prime, Black Science is definitely a book worth keeping an eye on.

cache_308_479_0__92_saga16_coverSaga #16

Brian K Vaughn/Fiona Staples

Image, 20 pages, $2.99

Saga, perfect Saga, remains the best. As we come closer to the end of act 3, we finally see things established at the end of act 2 come full circle, making me excited to see how this all wraps up before the brief and painful between volume hiatus. It’s more of the same from BKV and Staples, fleshing out some characters new and old, some world building, and a delightful poke at the spandex books and the folks who read em. And several characters find themselves in odd scenarios, which is all good, surprising no one. Staples continues to be an fantastic artist, and BKV is easily one of the best writers in comics right now.  The end product is at it’s worst great, and at it’s best brillant. Either way, the reader are winners in the end.

Hawkeye_Vol_4_14_TextlessHawkeye #14

Matt Fraction/Annie Wu/Matt Hollingsworth

Marvel, 20 pages, $2.99

Whelp, time to start looking at book written by the DeFractions clan. This month in Hawkeye, we return to the West Coast to check in on Katie-Kate Bishop and Lucky the Pizza Dog. Joining Fraction for her first full issue s Annie Wu, who’s off to a strong start. Wu comes from an animation background, which  shows, as the characters are very expressive in issue #14,  something I’m delighted with. Wu also throws Kate in several super-cute outfits, which I am a fan on. Fraction continues to write the hell out of this book, showing how Kate is similar to the OTHER Hawkeye, often for laughs, other times showing why she stuck around with Clint for so long. It’s an incredibly well executed done in one, proving that Kate Bishop could handle her own on-going series (she lets Clint co-star in this one after all). It’s takes a certain caliber of artist to be able to keep up with David Aja, and Wu  has the chops and the skill to do so.

Avengers-Assemble-21-Cover-e1579Avengers Assemble #21

Kelly Sue Deconnick/Matteo Buffagni/Nolan Woodard

Marvel, 20 pages, $3.99

The last time KSD and Buffagni worked on an issue of AA, I had some harsh words about the art. Skip ahead a few months, and Buffagni’s stepped up his game, delivering one of the best-looking issues of the series since Kelly Sue came aboard. The animated style is clean, fluid and bright, making it a perfect fit for the script, which is great itself. We have Spider-Girl swinging by for a nice team up with the other Spider-themed lady Avengers, and there’s laughs and action aplenty. Plus KSD brings in a female villain from her awesome Osbourne mini series from a few years back, and throws in some baddies from A.I.M. as well, while tying this all into Inhumanity. It’s a surprisingly dense read, ensuring you get your $4 worth from the comic. I really hope the title can stay crossover free for a bit, because it really shines when KSD is allowed to do what she wants with Spider-Woman and her teammates. And with Warren Ellis coming aboard next month, things are only looking better for this title, especially with the art now as good as it is.

Pretty-Deadly-2-CoverPretty Deadly

Kelly Sue Deconnick/Emma Rios/Jordie Bellaire

Image, 20 pages, $3.50

Pretty Deadly, much like Saga, is mature comics done right. Issue 2 shows the reader exactly why this book is titled as such with one of the most bad ass fight scenes this year. Rios and friends deliver an impressive 12 page action piece which is both brutal and beautiful, almost calling out other action comics (no pun intended) out there in a way. Everything from the page layouts to the coloring is fantastic, and it really shows off the strength of this creative team. Not to say KSD doesn’t pull her weight, because she does as she ensures there’s a plethora of quality content crammed in this book from cover to cover. It’s just that this issue is owned by Rios, who does the coolest thing I’ve ever seen with butterflies in a comic.  A step up from a impressive debut issue, Pretty Deadly is the type of comic I hope get an oversized hard cover some day, so that I can drool over the art is a slightly nicer format.

portrait_incredible (3)All New X-men

Brain Michael Bendis/ Brandon Peterson/ Israel Silva

Marvel, 20 pages, $3.99

My biggest problem with this issue is that Kevin Nowlan is only drawing the cover. It’s also my only problem. Well played Marvel.

Fill-in artist can either make or break a book for me. Sometimes they deliver (Daredevil) and sometimes the artist that swings by has the odds stacked against them and they can’t (again, Daredevil). Brandon Peterson, an artist I was actually kind of dreading filling in, make me a believer real quick with this issue.

Israel Silva, the colorist, is probably the real star of this issue. Kitty, Magik and the O5 X-men are in Miami this issue, and Silva’s colors are definitely faithful to the city.  Obviously Peterson gets props as well for capturing the look of Miami with his art, but Silva’s use of neon colors completes the package. It’s a stick looking book, and Bendis’ script plays to strenght of his co-creators. It’s chock full of action too, making up for a relatively slow previous issue, and the last page reveal is great if you don’t pay attention to solicits. It’s another great issue in a strong week for comics.

 

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Here I have bought some comics. A lot of comics actually.

All heat, no jokes, once again y’all!

Wolverine_and_the_X-Men_Vol_1_37Wolverine and the X-men #37

Jason Aaron/ Giuseppe Camuncoli/ Andrew Currie

Marvel, $3.99, 20 pages

Chapter 9 of the Battle of Atom crossover is such a pain to review on some level. On the script end of things, it’s a fine book, as Aaron delivers on several fronts. If I was discussing this book on the quality of it’s script alone, I’d say it was fantastic. But visually this art in this issue isn’t very good. The book credits Camuncoli as the penciller, and Currie as the finisher. What that means exactly, I don’t know, but it results in some less than great visuals when all is said and done. The art seems very rushed, which is unfortunate, because this event has been fantastic so far in that department, and it seem odd that Camuncoli, a veteran of the 2x a month shipping Spider-books, couldn’t deliver. Because man, this is an ugly book  and it rarely, if ever, matches the standard of Aaron’s script. Hopefully this is more of a mistep than an indication of what the final chapter will be like, because it would suck and blow if the final chapter of this event was as poorly drawn as this one was.

sex-criminals

Sex Criminals #2

Matt Fraction/ Chip Zdarsky

Image, $3.50, 20 pages

When the first issue of #SEXCRIMINALS dropped, I thought it was a very good issue, but it was not at all what I expecting given the contents of the creator’s tweets. It was great, but more 16 Candles than the 40 Year Old Virgin, which I did not see coming. Issue #2 is probably the funniest and vulgar comic I’ve read in years, starting from a page to page recap on the first page to a very candid and HILARIOUS letter page, ending with a picture of Fraction getting a nipple pierce in Toronto sex club. This book is not afraid to be an adult comic, and it’s all the better for it. Fraction writes 2 very human leads with a strange and funny power and Chip Zdarsky’s visual gags are gut-busting. His day job as a Canadian magazine/newspaper (I forget) cartoonish is on full display here, and the product is better for it. This was easily the best book I read this week, and I can’t recommend Sex Criminals enough if you’re A) 17 or older B) Not easily offended C) A little bit of a pervert.

comics-velvet-1Velvet #1

Ed Brubaker/Steve Epting

Image, $3.50, 20 pages

Before I discuss my problem with Velvet, let start by saying how GREAT this book looks. Steve Epting’s, with Elizabeth Breitweiser on colors, art is some next level stuff, as Velvet is easily one of the best looking comics in an already strong stable of artists over at Image. That being said, the Brubaker-snob in me feels this script is VERY by the books, especially after reading his other excellent creator owned series Fatale, and his modern-classic run on Captain America. While it’s an original concept, it feels a bit like an unused Black Widow script at times.  Of course your enjoyment may vary, because you may not be a Bru-snob like myself. And it’s by no means a bad comic. I’m just a little let down is all, and maybe a  little spoiled by Fatale. It’s definitely work a look if you’re a Brubaker/espionage fan though, even with a ton of great Image books already flooding the market.

dd32_bgDaredevil #32

Mark Waid/ Chris Samnee

Marvel, $2.99, 20 pages

Speaking of books that are hard to review, here’s Daredevil. Is Mark Waid one of the best writer still working in the industry? Yup. Is Chris Samnee somehow doing new things with his art, reaching Bruce Timm’s level of quality in some panels/pages. Hell, even the sound effects are used cleverly (not sure if that’s Samnee or VC’s Joe Carmagna) and are super fun. Again, this is brief, but that’s because this book remains flawless. Unless you hate great comics, y’all need to be reading Daredevil. I’m tired of trying to come up with new ways of trying to say how great this book is.

4pd1logoPretty Deadly #1

Kelly Sue Deconnick/ Emma Rios

Image, $3.50, 20 pages

As anyone whose read this column before can tell you, I’ve never had a problem admitting the fact that I’m a HUGE fan of Kelly Sue Deconnick’s writing. AND DAMN, KSD’s creator owned book’s debut comes out swinging, with Emma Rios’ best work to date, making this book a visual tour-de-force. A fantasy-western with a female lead, Pretty Deadly’s debut may not exactly be the most straightforward read, but it’s the one of the best look books to debut this year. Rios’ work is both dynamic and trippy, and it’s fun just to stare at her panel work and layouts in this book without reading any dialogue. Her character designs are pretty great, and it’s a shame that we don’t see our lead until the final page of this issue, because Ginny’s possibly the coolest new character of 2013 I.M.O, at least on a visual level.

KSD’s script is sharp, even if it’s a little abstract at time. Her work here is VERY different from her Captain Marvel scripts, aside from the fact that both books have some kick ass female leads. But it’s still fantastic, making Pretty Deadly a must read, especially with Jordie Bellaire’s colors completely the package, making this one of the best looking takes on the wild west in some time. In a white-male heavy industry, books like Pretty Deadly are rare , but definitely needed and welcomed. Arguably one of most important launches of the fall, and it delivers. Buy on sight, assuming it’s still in stock.

Tune in next time for…THE END OF BATTLE OF ATOM! SAGA! AND BECAUSE WE ALL DEMANDED IT, THE RETURN OF NEIL GAIMAN’S SANDMAN!

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New Comic Book Day October 23rd 2013

It’s New Comic Book Day(!) and the store is open from 8am to MIDNIGHT.

Here’s some of today’s new single issues.  Our picks of the week include Pretty Deadly #1 by Kelly Sue DeConnick and Emma Rios, Velvet #1 by Ed Brubaker and Steve Epting and Marvel Now What.

Pretty-Deadly-COVEREnjoy your day!

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