Tagged: Osamu Tezuka

Creative Conversation With Matthew Rosenberg

Matthew Rosenberg has been a steadily rising star in comics for the last few years. After acclaimed run for his work on the gorgeous We Can Never Go Home, he broke down more doors over at Marvel with his Civil War II: Kingpin mini-series. The reception of which lead to the ongoing Kingpin series he’s currently got the fourth issue of coming out. He’s a creator who’s worked on almost every side of comics. He’s as versatile and knowledgeable a comics creator as there is and with the debuting Secret Warriors #1 coming out next week, Matthew Rosenberg will shock the world with his first team book amidst the turmoil of Secret Empire.

A former Forbidden Planet comics slinger like yours truly, we talk about the series he learned to read from, when he knew comics was going to be his way in the world, and what to expect from the mix of characters he’s getting to write in Secret Warriors!

MK: Welcome to another Creative Conversation. I am joined today by THE Matthew Rosenberg. Thanks for coming in and talking with me today, sir.

MR: Thanks for having me

MK: One of the questions that’s always fun to jump in with is, do you recall the first comic or run that stuck with you?

MR: Well the first comic I remember ever holding was an issue of Fantastic Four that my brother had. I remember carrying it around with me and just staring at the art, but having no idea what was actually going on. The first run I ever read was [Chris] Claremont’s X-Men. I basically learned to read with those books.

MK: Did you ever figure out what issue of Fantastic Four it was?

MR: No, actually. I’ve gone back and tried, but once I learned to read I was a big Fantastic Four fan, so all those blurred together in my adolescent brain.

MK: I’m in a similar boat with an issue of John Ostrander‘s Suicide Squad.

MR: Yeah. I am 99% sure it was John Byrne stuff. But who can say for sure.

MK: Well, no one can say it wasn’t John Byrne (laughs). You talked about Claremont’s X-Men run as what you learned to read on, is it safe to say that run is one that’s influenced you as a comics creator?

MR: Yeah. I think it’s safe to say that it heavily influenced me as a person. I feel like every issue I read of that book exposed me to new ideas and ways of thinking. A lot of my core beliefs go back to that run. And, obviously, my love of comics comes from there as well.

MK: That’s amazing to have that connection so early on. Did you have any other runs early on that helped you fall deeper in love with the medium?

MR: The Marvel Star Wars and GI Joe books were really important to me. I still have complete runs of both. The Mike Zeck Punisher stuff was major for me. Claremont and [Frank] Miller‘s Wolverine stuff felt insane to me in the best way. And the original TMNT was really mind blowing for me.

MK: Tell me you’ve been begging Marvel to work on a Star Wars book.

MR: Begging is a strong word. But yes. I am begging.

MK: I’d love to see you on a Boba Fett or Han Solo series.

MR: Those books have been amazing though, Jordan and Heather who edit the Marvel Star Wars line do a great job of curating it. They aren’t just letting any old riff-raff in the door, which hurts me as a creator, but makes me so happy as a fan. Yeah. There is so much I want to see. I always joke about how much I want to do a podracing comic with Daniel Warren Johnson on art. But I really want to do a podracing comic with Daniel Warren Johnson on art.

MK: I’d read it! Do you remember when you decided that you weren’t just going to be a fan anymore but that working in comics was what you wanted to do? And was writing always the path you saw for yourself?

MR: Yeah. I was working in music for a while and was just getting really burned out. I love music and hate the industry. At that point in my life, the only other thing I was really passionate about besides music was comics. They were a constant for me for almost my whole life.  So when I just couldn’t take doing music stuff anymore I started thinking more about making comics. I knew I couldn’t draw, but I wanted to be creative. My whole family are writers. My mom, my dad, my uncle, my brother. So, as much as it’s possible, writing is in my DNA. And I just sort of dove in from there, with no real idea what I was doing.

MK: You jumped in though! I mean one of the coolest things about your journey, knowing you as long as I do, is that you’ve seen a lot of different sides of comics that not every creator is familiar with. Can you talk a little bit about how you found your way in and the different aspects you’ve gotten to work on?

MR: Yeah. I’m sort of obsessive about stuff. I like to know how things work. So, I studied all aspects of comics I could. I was reading coloring guides and watching lettering tutorials, tracking down interviews with editors. But then I really wanted to know about things more hands on. I quit my day job and took a job at Forbidden Planet so I could really see how books were bought and sold. It’s so crucial for comic creators to understand their readers and their partners in retail. And it was eye opening. From there, I took a job at a few small publishers just doing whatever I could. Retail outreach. Publicity. Social media. Pre-production. Editing. I don’t ever like asking someone to do something for me, without really knowing what I am asking of them. So all of that was incredibly helpful. And it also helped me build relationships and open doors when I was ready to be making publishable work. Or semi-publishable work.

MK: I’d argue it’s all damn publishable! I mean you’ve been hitting home runs with characters like Kingpin and Rocket Raccoon, and now you’re getting your own team book in Secret Warriors, out on shelves May 10th! You’re really building a home at Marvel it feels like. How did this series come about? Did you go to Marvel with the idea for this team or was it a little more of meeting in the middle?

MR: Well thanks. I hope Marvel fans like what I’m doing. As for Secret Warriors, it’s a bit of a funny story. Wil Moss, who was my original editor on my Kingpin mini-series got put in charge of the Inhumans. I am a big Inhumans fan but a huge fan of Quake. I immediately emailed Wil to say that I had an idea for Quake that I wanted to pitch. I sent in the pitch and Wil was really enthusiastic, but he came back and said, “What if Quake was part of a team? We need a new team book.” And from there it all came together in bits and pieces. I feel really lucky because I love our cast. Ms. Marvel is bar none one of the best books at Marvel right now. Moon Girl & Devil Dinosaur has been a favorite of mine since it began. Inferno is a great part of Charles Soule‘s Inhumans run. And obviously Karnak is one of the great Marvel characters. So getting all of these wildly different together it just felt like we had a chance to do something really different and not what folks expect. I’m pretty proud of it.

MK: It’s a very cool mix of characters. What are you excited and hope readers will take away from the first issue on May 10th and from the rest of the first arc?

MR: I really hope people like what we do with the characters. I tried to be really faithful to who they are and what they are about, but we are putting some of them in very new and tough situations. I love them all, and really believe in them, but I want to see them tested. And I hope fans do, too. This book is a little darker and crazier than I think people are expecting. Things are really scary in the Marvel Universe right now, and our Secret Warriors are figuring out the best way to fight back. And that’s not always easy.

MK: Team books like this are always so compelling because of the relationships between teammates. Who do you think would butt heads the most, who might be the wild card, what makes these characters the best fit for this team? If they are.

MR: Well the first part is easy. Quake and Ms. Marvel butt heads the most. Ms. Marvel is a hero through and through. She wants to inspire. She wants to lead by example. And Quake was a spy and a weapon trained by Nick Fury. She knows that sometimes you have to do things that don’t sit right with you because they have to get done. I think Moon Girl is a real wild card. She’s not a team player, per se. She’s smarter than everyone else. And she is really just a kid. As for why they are each the best fit for the team? They aren’t. That’s sort of a real point in the book. They are six characters who are thrust together because of awful circumstances. They each have their own reasons for being there, their own agendas, and their own way of doing things. It’s a stretch to call them a team.

MK: That’s awesome.That’s just juicy to think about and see how they can coexist, if they can.

MR: Yeah. I think people will be surprised at where things end up. Or not.

MK: I love you bringing up Quake being Nick Fury’s apprentice. I remember it was you in fact who got me to read Jonathan Hickman‘s run on Secret Warriors where that relationship developed.

MR: Yeah. Hickman’s Secret Warriors is one of my all-time favorite comics. The way he has Quake and Fury working together, this troubled family dynamic, is so beautiful and heartbreaking.

MK: Totally agree and now she’s kind of in the Nick Fury role herself.

MR: It is something we are going to go into as the series goes on. Fury is gone and Quake is still very new to all of this. She’s tough and capable, but she never had the chance to grow into it. Fury dropped her in the deep end.

MK: To bring things back around a little as we head into the home stretch. you talked about how your whole family are writers. Why write comics? What is about comics versus say film or T.V. or the stage that sets it apart for you as a creator?

MR: I love all types of writing. People in my family have written novels, essays, movies, T.V. shows, plays, you name it. But for me, comics has always been my love. Everything about it from the worlds and characters, to the the tactile feel of a comic, to comic shops and culture. I find it all energizing and inspiring. That’s what attracted me.

MK: Thank you for that. If you could go back, what advice would you give the Matthew Rosenberg who was just starting out?

MR: Save more money. Sell more of your stuff you don’t need

MK: Fair. Totally fair. Which creators are on your personal Mount Rushmore of Comics?

MR: Oh man. Okay. Brian Michael Bendis. Frank Miller. Brian K. Vaughan, Chris Claremont. The Hernandez Bros., Osamu Tezuka, Charles Schulz. My Mount Rushmore is bigger than the other one. Wait! I want to change my answer

MK: Do you need a lifeline?

MR: I’d put Bill Watterson over Schulz. It’s blasphemy, I know

MK: I don’t know if it’s blasphemy. Calvin & Hobbes can be read at eight and twenty-eight and fifty-eight and mean something incredibly important and different at each age.

MR: True. I think Peanuts works on that level, too, in some ways. But Calvin & Hobbes always felt more like a narrative to me. Peanuts was much more of just moments in time. Oh, and Alan Moore. I’m bad at this

MK: You’re not bad at this, you just need a bigger mountain And last but not least, if you were working in  a shop and someone came up to you saying, “I’ve never read comics before, what should I read first?” What five books would you tell them to pick up?

MR: Y: The Last Man. V For Vendetta. American Splendor. Powers. Love & Rockets.

MK: It’s a good list…It’s a good list.  Well thank you, sir, for taking the time to talk with me today. I can’t wait to read the first issue of Secret Warriors!

MR: Thanks so much for having me.

Make sure you pick up your copy of Secret Warriors #1 coming out next Wednesday, May 10th!

 

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TRY SOMETHING NEW Chapter 24: There’ll Be No Escape For The Princess This Time!

There’s a lot of good comics this week. I know you want to buy the same old ones you always buy because they feel safe and comfortable. I get that. I’m not gonna tell you to not buy the stuff you like. I’m not a jerk. But I do need you to do me a favor. You can do that, right? Sell your kidneys, sell your kids, agree to do illegal stuff for unsavory men, sell your fillings, rob a bank. It’s time to try some new comics. I made a list of which ones you will need to buy if we want this to work out between us. You want this to work, right? You care about me, right? I care about you a lot. You are my favorite reader. I only write this for you. Want me to prove it? I make Tyler put in pretty pictures like this one to make you happy-

OCCUPY COMICS #1 is out this week.  This issue  features political and socially charged short stories by folks like Alan Moore, Mike Allred, David Lloyd, JM DeMatteis, Art Spiegelman, Ben Templesmith, Dean Haspiel, Ales Kot, Ron Wimberly, Molly Crabapple, Charlie Adlard, and a ton more. The book is a benefit for Occupy related initiatives like Occupy Sandy and Strike Debt (google them). Regardless of your personal politics this is a series well worth reading. It offers a ton of interesting viewpoints on a lot of different issues, smart social commentary that cuts across party lines and political aisles. Add to that some stunning artwork and storytelling, and some of the best and brightest in comics doing their best to say something beyond the usual “man punching another man” stories, and this is definitely something everyone who cares about the medium should be buying. Not a lot of comics are going to entertain you this much, inform you this much, and maybe help someone keep their home. Think about that when you choose to buy Red Lanterns instead and wonder why you feel like a husk of a person.

Did I mention that I like DARK HORSE PRESENTS a lot? I do. Issue 24 comes out this week. Congrats on 2 years of putting out the best book no one reads Dark Horse. Among the many great shorts in there, this issue sees the premiere of a new superhero character Blackout. Dark Horse has been doing a great job of getting exciting talent to launch new superhero books that are a fun alternative for those who feel tired of Marvel and DC’s usual fare. X, Ghost, and Black Beetle are among the best superhero books on shelves right now and hopefully Blackout will be joining their ranks. Written by up-and-comer Frank Barbiere, Blackout doesn’t feel like it’s reinventing the wheel, it doesn’t need to. It’s just really good. Barbiere has a knack for playing in genre and doing it better than most and this launch shows him doing that again with ease. Hopefully by this time next year I will be telling you “I told you so” about one of your favorite new series.

Speak of the devil. Mr. Barbiere has clearly been pretty busy. This week also sees the FIVE GHOSTS #3 out. I could write a whole bunch of snarky $#!% about Five Ghosts but I want to give Mr. Barbiere a nice quote for ads and whatnot. Five Ghosts #3 raises the stakes on this already great series in every way. Smart, tense, and beautiful, the best book of the year keeps getting better. Buy Five Ghosts or admit you are fake. Your welcome Frank.

Do you like pretty stuff? Read GODZILLA: HALF-CENTURY WAR. James Stokoe (pronounced “Stew-Coo-Ooo-Whoa-Eee”) is one of the best artists working in comics right now. Like the beautiful bastard child of Paul Pope, Geof Darrow, and Osamu Tezuka, Stokoe has earned a rabid fanbase by quality of work but not quantity of work. I am pretty sure I will never see a year with 12 issues of his work on the stands. With that understanding you should all view the arrival of a whole trade of his work as a sort of holiday. Skip work, buy some diapers and a lot of chocolate milk, get yourself a massage, and rent a new couch because it’s about to get awesome for you. In case the title didn’t make it clear, this book is Stokoe drawing a giant Japanese (Can they claim ownership of him? Should they?) dragon monster thing while it wrecks stuff. Yeah. It’s awesome.

THE PROPERTY is the new graphic novel from Rutu Modan, author of the brilliant Exit Wounds. If you have never read any of Ms. Modan’s work, her stuff reads like Tintin if Tintin was full of powerfully quiet human drama instead of, ya know, racism. It is economical in both art and storytelling, but the story never feels rushed or shortchanged. This is as elegant as comics get. The Property tells the story of 2 generations of Polish women returning to their homeland to reclaim property seized in the holocaust. As the story progresses both the cause and the meaning of this pilgrimage begin to change for the women and what results is a very touching and humorous story about peoples relationships to each other, their history, and the larger world around them.

It is that time of the week when I tell you to buy some new Image comic #1. This weeks obligatory #1 is THE BOUNCE. Joe Casey has written just about every major superhero worth writing and a lot that aren’t. He always makes books that manage to feel smarter and more fun than his contemporaries. Well now he launches The Bounce which is essentially a stoner version of Spider-Man. If there is one thing you should trust Mr. Casey to do it is both examine and deconstruct superheroes in really intelligent ways all while not letting you realize that is happening. He hides the smart storytelling in the fun. That’s smart. I’m tired. Buy this book.

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New Manga Releases: OMG Stuff!

By Mat K.

Welcome otaku boys and girls, and I’m dry on article titles for now. Moving forward, this week isn’t very tremendous in terms of quantity of new books coming out, despite it being the first week of December, but there are definitely some desired or at least intriguing books coming in. I’ll start with some small mentions. TokyoPop puts out Lagoon Engine Volume 7 this week, a record 3 years after volume 6, (that’s right, six came out in 2007 folks), but I ranted enough about that last week. They also put out NG Life volume 7. From the Del Rey side of things, they’re continuing their omnibus editions playing catch up with their titles with Papillon Volume 5 and 6 together, and Psycho Busters volumes 6 and 7 together. I still think these are pretty neat, except you lose the art for the covers of the inside volumes. Also, Inukami Omnibus and Inubaka Crazy For Dogs volume 17 show up this week, and we are listing them as new because even though they were supposed to arrive a couple weeks ago, due to mix ups they did not, but are here now.

Now for some big ones. The sweet new premier this week is Osamu Tezuka’s Ayako, coming to us from Vertical Publishing. Ayako defies the conventions of Tezuka’s previous mangas by utilizing a completely original cast and relying solely on historical drama to drive the plot. Set in the aftermath of World War II, Ayako focuses its attention on the Tenge clan, a once powerful family of landowners living in a rural community in northern Japan. The war and American occupation have begun to erode the fabric that binds them all together. And when the family seems to have completely fallen apart, they decide to turn their collective rage on what they believe to be the source of their troubles, the newest member of the Tenge family, the youngest sister Ayako. Continue reading

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New Manga Releases: Enter The Fray

By Mat K.

Well, as I’m sure everyone in the city has experienced this week, it has been Satan’s armpit in New York City, hot and humid as all hell. Fortunately, as a small consolation, there is a few bits of awesome coming out. And what is most odd about this week, it isn’t dominated by any one publisher for once. It usually seems like they give each other space and a chance once a month to put out as much as they can, but relatively speaking, everyone is entering the fray. There is even a new book coming out from Vertical (the guys who bring you most of Osamu Tezuka‘s books these days).

Chi’s Sweet Home is the new Vertical book by Kanata Konami. And yes, this is a cute one, though also full of adventure and drama. How could a book about a lost kitten not be? That’s right, Chi is a mischievous new born kitten who, while on a leisurely stroll with her family, finds herself lost. Separated from the warmth and protection of her mother, the confused kitten becomes distraught. When Chi feels all hope is lost, she is found in a park by a young boy named Yohei. The little kitty is soon under the protection and care of Yohei’s family – the Yamadas. And kitty isn’t the only one with a little bit of a problem. The Yamadas have taken in a cat when their lease explicitly states pets are not allowed in their building! Continue reading

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The End Of Pluto: New Manga Releases from Osamu Tezuka

By Mat K.

I know it’s a gloomy week so far, and no one really wants to go out in this weather, but if there was ever an excuse to get your feet damp and squishy I believe good books are it, and this week we have some good books. Let’s start with the 8th and final volume of Pluto, the Urasawa X Tezuka collaboration event. When we last left off in Volume 7 Photon just got obliterated, and his hands survived just long enough to protect the child Wassily and the guard-bot from the explosive force. And then Atom finally wakes up, but with 6 billlion personalities flowing through his brain, will he be the same awesome robot from before he was torn to shreds? THE SUSPENSE IS KILLING ME! I’m just glad that I waited for the first 7 books to come out before I started reading it, because I couldn’t imagine having to wait all that time between each release. PS: If you haven’t started reading Pluto already, what is wrong with you?

Also coming out this week is Osamu Tezuka‘s Black Jack Volume 10. In this volume there’s a mummy, a bike race, a dolphin, and then Black Jack hits a bar. But after all that, who wouldn’t? For anyone still unfamiliar with this classic Black Jack is a mysterious and charismatic young genius surgeon who travels the world performing amazing and impossible medical feats. Though a trained physician, he refuses to accept a medical license. This leads Black Jack to occasional run-ins with the authorities, as well as from gangsters and criminals who approach him for illegal operations. Because he keeps his true motives secret, his ethics are perceived as questionable and he is considered a selfish, uncaring devil. Continue reading

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March On Viz

By Mat K.

Welcome boys and girls to the first release week of March, and it all belongs to Viz. The Shonen Jump and Shojo Beat go flying this week and I’m sure you’ll be getting a little giddy. First on my “things I’ve been waiting for” list is Tegami Bachi Volume 2. It’s a little annoying that it’s going to be taking so long to release the indiviudal volumes, but that’s the price we pay when a series is also being run in Shonen Jump magazine. WaqWaq and Tegami Bachi both released they’re first volumes at the same time. And while WaqWaq itself has not been entirely punctual, as much as I love it, at least it has made it as far as the third book already. Now we finally get to see the second book of Tegami Bachi, and I’m ready for more of it’s twilight watercolor style, (that’s twilight as in the time between sun and moon). Continue reading

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