Fan-favorite creators Gail Simone and Cat Staggs are bringing you a new creator-owned series from Image Comics. It’s a deadly body swapping story involving a Chicago hitman and a Seatlle housewife. It sounds like an eighties sitcom put through the Cinemax lens (you never watched Banshee or Strike Back? Get to it!). There’re some high hopes that this will be a mind-bending hit from the home of the most critically acclaimed creators looking for some more editorial control over their content. For fans of sci-fi crime and mistaken identity stories that Hitchcock would have salivated over, this might be the new read you didn’t know you were missing.
The kind of story Crosswind is offering hinges on execution. In general, the best chance we have of figuring out if the execution will be excellent are the preview pages and the creators. It’s no secret that there are about five hundred comics that come out every month. That’s a lot of paper competing for the credits in your wallet. There has to be something to entice you that this series above a lot of others is going to be worth what you’ve worked hard for and will be a treat for that effort.
Gail Simone last hit us with Clean Room. It was a rather dark turn from a writer known for giving levity in even the most dire circumstances her characters go through. It was a critical home run for Vertigo, a publisher that was in need of a few of those at the time. Cat Staggs has been a cover hitmaker for a few years and has been growing more confident in her interior work. Her covers for the Wonder Woman ’77 story made Lynda Carter fans squeal and her Orphan Black work was the best part of the series. She’s been a highlight for every project she’s touched thus far. There’s a real chance of a new dynamic duo on the creator-owned scene.
Crosswind has a familiar hook, two intriguing respected creators, and the fact that they’re about to unleash their vision as they see fit on our shelves. Could be a fun ride filled with a lot of barrel rolls.
Star Wars Darth Vader #1 marks the return of an ongoing series featuring, one can argue, for the baddest ass character that was, a long time ago in a galaxy far far away . After Kieron Gillen‘s fantastic series depicting Darth Vader’s journey between Episode Four and Episode Five, Charles Soule is taking us back to the beginning of Darth Vader’s journey. Many of us fans are hoping that when we look back on it, we’ll be able to refer to this series unofficially as Darth Vader: Year One.
The Clone Wars are over. The Jedi are dead. Palpatine has become Emperor, able to mold the galaxy to his vision with the ways of the dark side. Anakin Skywalker was seduced by the dark side of the Force and is to become Palpatine’s apprentice after betraying the Jedi in order to save his wife. But his deal was for nought as he discovers her fate upon waking after being left for dead by his former mentor, Obi-Wan Kenobi. Now, more machine than man, he is confronted with a new path, the way of Darth Sidious, and en route to becoming the most fearsome villain of all time.
If you’ve seen any of the preview pages that have been released you know that the comic will open right where Episode Three leaves off. Actually, it’s going to open with one of the most iconic, if not one of the most controversial, moments of the enitre prequel trilogy. Will the journey to becoming Darth Vader be as riveting as we hope? Will there be any former Star Wars EU elements brought back into the new Marvel overseen continuity? What surprises does Charles Soule and Giuseppe Camuncoli have in store for us? Only one way to find out. Fortunately, we can start the discovery process this week in Star Wars Darth Vader #1.
Not only is it May and it’s 45 degrees outside and raining in New York (shivers of excitement in anticipation of cozy/anxious Twin Peaks watching later), the weather has met in complete conjunction with how it will be on the day that this new book releases at the Brooklyn Book Fest in September…shivers of anticipation and sweaty palms….