I Am Groot #1 is as close to a cheat as Marvel can get. I mean, come on, it’s Baby Freakin’ Groot. Have you seen Guardians of the Galaxy Vol. 2? Based on the box office receipts, the odds are you have. So, yeah, you get the idea and you know how stupidly cute this little guy is. And you’ve got a kid or niece or nephew or little cousin that you’re going to want this for. Does the story even matter? Is anyone going to do more than stare at the images of the baby sprite that constantly refers to himself in the third person? Probably not. But hey, here’s a little something for you to claim to care about…
It’s a case of lost in translation for the teensy weensy heavy hitter of the Guardians of the Galaxy. When the team gets caught in a wormhole, their cutest and most difficult to communicate member gets stranded on an unfamiliar planet. Separated billions of light-years away, Baby Groot has found himself among strange creatures and societies who can’t understand his, unique, way of speaking. Without his friends or a way to effectively figure out what he needs to do to be reunited with them, Baby Groot will need to find a way to get to the center of this world if there’s to be any hope. It’s sure to be an adorable action adventure story with everyone’s favorite Guardian. Don’t believe me? You stopped reading after the headline. Seriously, I could say anything right now and you wouldn’t even know it. For example, CENSORED died in CENSORED #2. See, nothing…Darn it, I’m buying three copies. I mean look at him, he’s too cute. Stupid Marvel…
Another week, another X-Men title launches as part of the Resurrxion initiative from Marvel. We’ve seen classic line-ups in X-Men Blue, a Kitty Pryde veteran A-Team in X-Men Gold, and a wholly chaotic elite killing squad come together in Weapon X. Now, we get the next grouping of Marvel’s Merry Mutants lead by former Gen-Xer turned vampire mom Jubilee in Generation X #1.
While the jocks and all-stars are out fighting sentinels and new takes on familiar foes over in those aforementioned titles, there’s still a group of mutants at the Xavier Institute for Mutant Education and Outreach that are left out of the glory. These are the misfits akin to some of the characters in Grant Morrison’s New X-Men run. These the mutants who maybe shouldn’t be seen trying to tackle on world threats or simply aren’t up to it yet. This is the remedial class that Jubilee is one of the instructors for and it’s her job to help them navigate a world that hates and fears them.
With a line-up like Quentin Quire, Eye-Boy, Benjamin Deeds, Bling, Nature Girl and new character named Nathanial Carver, this isn’t so much of an underdog story but more of a Runaways meets Breakfast Club type of chronicle. Writer Christina Strain has made it clear that these lovable losers won’t need to venture far off campus, away from Central Park, or even outside of New York City for trouble to find them. The trouble is sometimes just surviving from one day to the next.
If you’re looking for outcasts who don’t belong and want a story that’s determined to be a bit more self-contained, less ambitious in plot but shooting for the moon in character building, then this is your team.
Writer Cullen Bunn is no stranger to crafting stories of horror and the occult. There’s classic occultism and supernatural terror in Harrow County. Before that he began with his epic western zombie saga in The Sixth Gun, which you should absolutely read if you haven’t yet. In Regression #1 out this week, Mr. Bunn, along with his cohorts Danny Luckert and Marie Enger, will introduce us to a man whose waking life is challenged by his nightmares.
To be scared kicks up your adrenaline. And the key to scaring someone else to play on elemental fears and finding something universal to frighten with. In Regression #1, we are presented with the concept of our nightmares. Everyone has them. Everyone has had moments in a nightmare where you aren’t quite sure if you’re still asleep. In Regression #1, we find Adrian, a man who sets out to resolve the torture of his nightmares through a special type of hypnotherapy: He’s going to be regressed (hence the title), to experience his past lives and see if the psychological trauma that’s threatening his life is actually from before he was born.
The journey of his consciousness through his past lives unearth horrific visions that only worsen his situation upon being brought back to his current lifetime. The solution only made the problem worse. Unable to unsee what he’s witnessed, Adrian is drawn into a darker world of debauchery, insanity, mystery, and conspiracy. When Adrian came back from his journey through his past lives, he didn’t come home alone. What if there is no escape from your nightmares? What if the only thing you can do is fall deeper into the horror?
A Bat-family reunion across continuity in Batman #22
We’re halfway there. “The Button” has kicked into the next gear after the events of Flash #21 last week. What began in one Batcave has traveled to another’s via cosmic treadmill. The murder of Eobard Thawne, the Reverse-Flash, is taking the two greatest detectives in the DC Universe back to the timeline that kicked off the New 52 in the first place. Yup, it’s not Groundhog’s Day, it’s just Flashpoint. You’d think Barry Allen would have learned to quit tempting fate by traveling through time. You’d be have thought WRONG. Now, with Batman and Batman and Flash coming face to face to face, what secrets will be unveiled after the tantalizing final line of last week’s Flash #21?
The endgame isn’t anywhere close to clear yet. However, the journey’s been entertaining so far and we’re definitely on pace for a well executed next step as the world of Watchmen inches closer to the DC Universe. There’s no question that fans’ expectations have been high and rightfully so. There’s also little doubt that this story still has a lot in store for us, dear readers. The idea’s always been a fun one to play with since the possibilities of tying the two worlds together were inextricably linked back in DC Universe: Rebirth #1. The question is: What will Batman #22 have in store for us to keep the faith that DC’s grand plan is one we can continue to trust in? There’re no shortages of stories that promise consequences across shared universes but are we truly on the edge of such a tale? There’s really only one right way to find out: Keep reading.
Last week, DC’s follow up to their DC Universe: Rebirth #1 special kicked off in Batman #21 with the first installment of the four-parter titled, “The Button.” The titular button came out of the speed force and lodged itself into a Batcave wall. You might recognize this button as belonging to the Comedian from Alan Moore’s seminal Watchmen. It’s rather fitting, and in no way coincidental, that it’s the murder of the Comedian that kicked off the Hugo Award-winning series decades ago and another murder is what sets this adventure by DC’s two greatest detective in motion.
Yes, they killed SPOILER. After a flash of blue lightning, SPOILER, made a final claim that could have fallen deaf on the Dark Knight’s unconscious bat-ears or perhaps it will be the “Rosebud” of this entire tale. We’ll see soon enough. Of course, SPOILER wasn’t the only pre-New 52 character that showed up last week, SPOILER also made a brief cameo and you can bet SPOILER will end up being a major player in this plot as it kicks into the next gear.
One chapter and epic lenticular cover is in the books, this week we’re going to be treated to another. Will Batman and Flash be able to figure out the multiple mysteries before them? Is SPOILER dead for keeps? Will we ever get more answers than questions in a damn comic book? Jump right in, the rumoring waters are white hot.
Yeah, I’m avoiding the names, sue me. You want to know what happened? Get the comic!
Adam Gorham is a rising star in comics. Don’t believe me? What else would you call someone who’s being shot straight to the stars by drawing one of Marvel’s highest profile characters with a movie coming out? Plus, the fact it’s a cosmic character with space crime overtones. Adam Gorham’s a model of work ethic and determination, not to mention humility. He gives us a rough outline of his journey thus far, what we can expect from the upcoming Rocket #1 out on May 10th and offers sage advice to artists drawing their own path in the industry.
MK: Adam, thank you so much for having a Creative Conversation with me today. One of the questions I always like to start with is, do you remember the first comic you owned or the first one that made an impression on you?
AG: the pleasure is mine! I’m excited to talk about Rocket with my pal Matt Klein!
MK: Nice rhyme.
AG: Totally unintentional. I amaze myself (laughs). The first comic I owned and really cherished, and has left an impact on me to this day, is Batman: The Cult, the graphic novel. My father got it for me, probably without even looking inside of it. This was when comics were at their height in the 90’s and the local newspaper and cigar shop sold comics. Bernie Wrightson’s work was my first major influence.
MK: I freaking love that book. I mean, Jim Starlin and Bernie Wrightson, it’s a gem. In talking with people in shops that’s an often undiscovered gem. You mentioned Bernie Wrightson as your first major influence, who were some others at different points in your journey to today?
AG: Well, I loved comics as a kid, but rarely read them. I liked them for the art and would draw what I saw. All the mythos and lore I got loosely from 90’s cartoons like [Batman: TAS], Spider-Man, X-Men, etc. so without knowing many names at the time, I was certainly informed by the heavyweights of the 90’s. However, I fell out of comics around ten or so, about the time when kids let go of their “kids stuff”. I didn’t get back into loving comic artwork until eleventh grade, and that was after discovering Alex Ross, particularly Kingdom Come.
MK: So good!
AG: It was a revelation for me. Ross’ work was the first time for me that comic art felt like classic works of art that could be hung somewhere. When I started getting back into it, I was in love with what Bryan Hitch was doing on The Ultimates. In fact, I really liked Ultimate Marvel at the time. Leinil Yu was another favorite.
MK: There was a ton of top talent working on Marvel’s Ultimate Universe at that point. Do you have a favorite Ultimate Universe run or story?
AG: Well I really liked the Ultimate X-Men stuff for a while. The first arc was epic. I enjoyed most of Return to Weapon X. Ultimates 2 probably stands apart though as the height of those titles.it took FOREVER for it to come out, but in the end it was pretty satisfying
MK: Great art can be worth the wait. How did you come to the decision that working in comics was what you wanted to do?
AG: I drew all my life. That’s not saying much. Most kids love to draw. However, I was always applauded for how well I drew for my age, so I grew up with drawing as “my thing.” And for a long time that was enough. I didn’t have a direct application or career in mind for it, but I excelled at drawing superheroes, so comics seemed an obvious choice. The only thing is, I was a terrible student with no ambition. Drawing comics as a career was an easy thing to talk about, but pursuing it was murky and not always tangible. I did go to art school and flamed out because, as I say, terrible student. Ultimately, after a few years of working one dirty job or another, my partner dragged me to my first comic convention and really opened up my eyes to this world I’d previously only known through Wizard magazines and comic shops. I was working in a grocery warehouse. Things with my significant other were getting serious. We wanted to start a new chapter in our lives and it became clear I needed a new goal in life. Or a goal in life. So when I left the warehouse job, I went for broke and looked for a job illustrating. I found one off Craigslist (laughs).
MK: What was the job?
AG: My first ever gig drawing comics was a 128-page graphic novel, written by a Canadian film director who wanted to adapt his indie vampire movie into a comic. Before that I had drawn a few scant pages for my own ideas. And once I started there was no looking back.
MK: That sounds a bit like you jumped into the deep end with a 128 page project right off the bat!
AG: Totally. It was the first opportunity I found and I seized it. I didn’t know how or where else to find work. In the past I had sent submissions to publishers, back when most publishers still took open submissions. I have a polite and informative rejection letter from Marvel, actually.
MK: That’s freaking awesome though! You talked about going to a convention kind of blew open your mind about comics and the industry. As an artist, how do you like conventions now being on the other side of the table? because I remember that’s how we met and i bugged you for a sketch that i recently proudly showed off to io9.
AG: Going as a fan and going as part of your job are two very different experiences. Pros and cons to each side. When I went as fan all I could think about was getting comics signed and saying, “Hi” to people I admired. I put myself through crazy lines and jumped through hoops to meet creators like Alex Ross, Brian Bolland and so on. It was fun but exhausting. You really invested a part of yourself. As soon as I started tabling, that was out the window. It’s not like I made a conscious decision to regard conventions differently. It’s just that creating a book and taking it to market changes your priorities.
MK: it’s part of your business. you’re a brand now with obligations.
MK: Do you have any memorable requests from fans at conventions? Or any favorite sketches you’ve done?
AG: I’ve never had a bizarre request. Everything I’ve been asked to draw has been pretty fun, although I think I’ve only recently started drawing well at conventions. The past couple years I’ve improved, whereas drawing at a table was an uncomfortable experience. I got the hang of it though. So anything beyond a year or two ago I look back on and cringe. Your Man-Bat is a favorite of mine. I did a Frank Miller Dark Knight at NYCC that was very nice.
MK: if you could go back some years, what advice would you give yourself about being a comic book artist?
AG: With hindsight there’s so much I would impart. My problems starting out was, I thought I knew just how much work was involved with making comics. I would go back and tell myself “Nope. Work harder.” One thing I tell others is not to feel beholden to any one thing they’ve drawn. Draftsmanship is so very important. teaching yourself to draw things over and over, refining, and not being precious about something because you spend an hour on it. Your ideas and skill will always improve with every pass if you put in the effort, so it’s crazy to me to draw something once and thinking, “Well, I can see this is off, this other thing is wonky, but I just spent two hours drawing it, so good enough.” I’ve redrawn entire pages because a better idea struck me while I was driving home or at the store or on a walk.
MK: How many hours a day do you draw?
AG: I draw every day. Working constantly. Some days I work eight hours and others twelve or sixteen. Depends on where I’m at. I have two kids that, once they’re home, I can’t do anything else until they’re in bed. So I don’t always draw as much as I want to in a work day. But I try to make up with time later
MK: That’s incredibly intimidating and inspiring at the same time (laughs). Let’s pivot real quick to your ridiculously exciting new series coming up. So, congratulations on being the artist on the upcoming Rocket #1 with Al Ewing. It seems like a pretty awesome moment to be working on this character with Guardians of the Galaxy Vol. 2 coming out so close to the release of the series. When you got the gig, how was the book described to you?
AG: It was a thrilling experience for me because of the sheer amount of suspense involved.
AG: I was worried what I’d move on to. Like, I had some options, and I had some ideas of what step to take next. I was gutted, to be honest, because i wanted The Violent to carry on. Ed [Brisson] had this great idea for the next chapter and I was ready for it. So, I was sweating it a little. Then later one afternoon while I was at the supermarket Ii got an email from Marvel asking if I was interested in working for them. That alone was very exciting, but it could’ve meant anything from a cover to a tie-in or whatever
AG: But naturally I said yes. they told me they’d have some information in a couple days. For two days my mind went WILD with possibilities
MK: Was Rocket Raccoon on that list of possibilities?
AG: Ha! No. I figured since I had just done a street level crime comic, something like Punisher or whatever would be the obvious route. I met with a good friend of mine, Michael Walsh, who was doing Rocket and Groot at the time. We were giddy over what it could be, no matter how small. When Marvel offered me a new #1 ongoing, I was intoxicated. Like, it wasn’t even that it was Rocket. At the time, we were calling it something else. The change of name was also in the cards. But the fact I’d be coming on with such a great opportunity was unreal. Anyway, when we finally got talking about what the book would be, my place as an artist began to make sense.
MK: How so? And this is an interesting pattern here, your first comic is a 128 page book, your first gig at Marvel is an ongoing for one of the most publicly recognized characters! You’re really seizing these opportunities that not everybody gets. It’s inspiring.
AG: I forget who exactly gave me the lowdown, but they said the vision for this book would be Rocket in his element pulling heists in space. In conversation we compared it to Parker graphic novels. Al [Ewing] had this idea to use prose, reinforcing the theme of a hard-boiled thriller. So right away we talked about how pages would be structured to accommodate Al’s prose. and how Rocket’s default outfit in this series would be a suit, open collar, no tie. Parker, even Daniel Ocean make good comparisons, but our Rocket has a broken heart that reminds me more of George Clooney’s Jack Foley from “Out of Sight.”
MK: You just named one of my top 10 favorite films of all time!
AG: IT’S SO GOOD! Fun story about that movie. When I was a kid I was grounded. I forget why, but I know I earned it. My parents left to get groceries one saturday afternoon. While they were out my friends called asking if I’d go to the movies with them. Somehow I thought I could sneak out, see a two hour movie, and bus it home before they ever got home. The only thing playing at the theatre was “Out of Sight” which I had seen ads for but wasn’t the type of movie I was rushing to see at the time. Man, oh man, it was the coolest thing I ever saw at that point.
MK: Uh, yeah! Seriously, anybody reading this who hasn’t seen “Out of Sight” needs to immediately go watch it!
AG: And I felt like such a smooth operator for sneaking out to see this slick flick. I was like, twelve or thirteen at the time. I can’t recall. But I walked out of the theatre like, “Look at me now, world!”
MK: Did you get busted?
AG: Oh, of course! My parents were out of the house for maybe an hour, discovered I took off, and had three hours to sit and plan my punishment. I walked into verbal cannon fire.
MK: That’s epic. Okay, we’re in the home stretch here. If someone’s been living in a bubble for the last few years and has no idea who Rocket is, how would you describe your new series to them?
AG: First off, congratulations on leaving your bubble. Let me introduce you to Rocket: he’s a scruffy outlaw, a lost soul, a space raccoonoid looking for his place in the galaxy when he’s not saving it with the Guardians. That place usually ends up being a dangerous one, where he’s risking it for, surprisingly, a chance at love lost. If that doesn’t work out, then cold revenge.
MK: Who is on your Mount Rushmore of comics?
AG: I forget how many heads are on Rushmore, but let’s say four, and my Rushmore of Comics is comprised of: Frank Quitely, Alex Ross, Bernie Wrightson, and Moebius.
MK: That’s an eclectic looking Mount Rushmore!
AG: Rushmore is really weird, when you think about it.
MK: Last but not least: If you meet someone that’s never read a comic before, what 5 reads would you tell them to pick up?
DC’s two greatest detectives come together in Batman #21 as the mystery of “The Button” begins!
A good slow build is something we comic book readers don’t always appreciate nowadays. We’re becoming a culture of bingers who want the whole story on demand. It has to be on our time and oftentimes that means publishers rush through the journey. With “The Button” storyline that will take place across Batman and Flash over the next four weeks, DC Comics is looking to prove that sometimes the best things are ones we can endure waiting for.
At last, the next major step forward from the revelations of DC Universe: Rebirth #1 about the iconic smiley face button that appears in the Batcave will be explored! Will it bring the DCU that much closer to confronting the world of Alan Moore’s Watchmen? Well, we’ve been marching there all along haven’t we?
Rooted from last FCBD’s DC Rebirth story, then continuing with continuity-threatening revelations from DC Universe: Rebirth #1, this story has been building across several titles in DC for a year. Think about it, Mr. Oz and the events of the recent Superman Reborn storyline, the implications about Eobawd Thawne and Flashpoint-Batman, Thomas Wayne in Flash #19, the importance of Psycho-Pirate’s ability to remember all previous DC continuities throughout Tom King’s current run on Batman, it’s all building to this next major turning point.
Thawne, Thomas Wayne, and Psycho Pirate will be part of the mystery that Batman and Flash will be investigating. Time altering implications have been promised. This is the next major step forward in the two year epic that DC’s said will carry on across their entire publishing line. It’s no secret that after this story, Batman will realize that war is imminent. But war with who or what?
A kudos to DC, it’s not easy anymore to make us wait for all the answers but based on the quality of the breadcrumbs they’ve been leaving us, it definitely feels like the answers we’re about to get could be very satisfying. Of course, everything won’t be revealed over the next four weeks. After all, where’s the fun in that? Hey, maybe I’m wrong though, maybe what a Comedian once said is true, “This is a joke. This is all a joke.” If it is, will we be laughing or cringing when it’s done?
There’s going to be a big question developing an answer over the next few months: Are you Team Gold or Team Blue? This week we get our first taste of the former as the Resurrxion of the X-Men franchise looks to build off of last week’s status quo establishing one-shot, X-Men Prime #1. This week? X-Men Gold #1 hits shelves. Who’s leading? Who’s following? Is this truly a return to the great X-Men stories of lore?
Coming out of the Inhumans Vs. X-Men, Kitty Pryde will take on the role of team leader for a squad of what Marvel’s billing as the most iconic X-Men. Let’s take a look at the roster and see if you agree: Storm (true). Colossus (pretty true?). Nightcrawler (true). Old Man Logan (kind of true). Prestige (Rachel Grey re-branded). Not an uninteresting line-up. Right now things look rough for mutantkind (when hasn’t it?). But Kitty Pryde’s X-Men are set with a mission and a purpose: to be heroes and defend even those who fear them. There’s no easy path to go down, and time will be needed to see if the X-Men can win back all the hearts and minds of those who distrust them, but you’ve got to start somewhere.
Can X-Men Gold #1 help build a place again in your heart and on your pull lists for the merry mutants?
“FINALLY, DK III #8has come back, to Forbidden Planet!”
Or at least that’s what I imagine The Rock would say if he came into the shop this New Comic Book Day (Mr. Johnson, if you somehow are reading this and will be in downtown NYC on March 29th, please do stop by we’d love to smark out in front of you).
The main thrust of it is that Frank Millerand Brian Azzarello‘s latest installment in the seemingly never-ending Dark Knight saga is here. At last. Thank Rao. After the crazy cliffhanger of the last issue there’s a lot we readers need answers to. One thing’s for certain, Baal’s Kryptonian army is planning to bring the pain to the Amazons. Themsyscira is squarely in the Kryptonians’ sights and all Hades is busting to break loose at the smackdown of mythic proportions coming our way.
Okay, now that we in-the-know folks have a little bit of privacy let’s discuss that major cliffhanger for a second. Bruce Wayne’s back to the prime of his youth! Remember how Frank Miller originally crafted a story about an aging Batman with a death wish? Yeah, this series isn’t about that anymore. Plus, with Mr. Miller’s statements about wanting to write further Dark Knight series and spin-offs, this appears (and I cannot stress that word enough) to be the new status quo moving forward. But Bruce just took a dunk in a Lazarus Pit. We all know that means a small piece of a person’s left behind as a price to pay for renewed youth. What part of Bruce is gone? How bat-crazy is he right now? What are he and Superman going to do in the face of the battle on Themyscira?
We all thought this was the end but clearly with a crazy massive climax coming, it’s no wonder we’re going to get an extra issue to this mini-series that’s taking it to the max. All together now: Duh-nuh-nuh-nuh-nuh-nuh-nuh-nuh, Batman!
Okay, that didn’t quite have the ring of Professor X’s iconic rallying cry. However, that looks to be the new mutant status quo that Marvel is setting up after the eventful events of Inhumans Vs. X-Men. There’s no question that that dark chapter in X-Men history has left the merry band of mutants in a very difficult and not necessarily popular place. However, for longtime fans awaiting the return to prominence for this franchise, it was the springboard into what will be a slew of new X-titles. It all begins here with X-Men Prime #1 (no relation to the one-shot of similar name after the original “Age of Apocalypse”saga).
Kitty Pryde is one of the most beloved X-Men characters of all-time. She’s for the most part been able to stay squeakier and cleaner than many of the other X-Men in the past few years. Since Kitty missed all the hubbub with that pesky war of Emma Frost’s recently, Kitty is visited by Storm and is asked to lead the X-Men back into good graces of the world. It’s a tall order. It’s a nice bit of coming full circle and suddenly the new X-Men status quo is going to resemble a little of what the Ultimate Universe’s version was for a little while there after the awful happenings of Ultimatum. Kitty will be charged with leading the mutant cause in a world that fears them and many enemies (new, old, you name ’em) will be amping up.
How will Kitty Pryde begin the path of progress and Resurrxion for some of Marvel’s most important characters and properties? You can find out in X-Men Prime #1 . Get to the shop early or else do as Rogue would suggest, “Pull it or lose it, Sugar.”
For more on the upcoming X-Men Resurrxion that Marvel has us salivating for, here’s a trailer from the House of Ideas laying out when all of the new X-Men series will be fighting their way to your shelves:
Jason Aaron‘s mini-series following Odinson’s quest for Ultimate Thor‘s hammer reaches its finale this week! Odinson has battled off all who stood in his way including the Collector and Black Swan. With the help of his old friend, Beta Ray Bill, he has at last reached the location of the weapon that will make him the Mighty Thor once more. Will he be found worthy and wield a hammer fit for Thor again? One more challenger stands in his way who plans to pick up the weapon before Odison can: Thanos, the Mad Titan.
The final battle is here between two figures in the Marvel Universe who’ve undergone major trials and tribulations over the last couple years of comics. Who will lay the ultimate smacketh down? To say Jason Aaron’s been building up his Odinson saga with the greatest touch of craft and care is a bit of an understatement at this point. With art from Pascal Alixe and Aaron Kim Jacinto the final chapter of this book of Thor should be astounding.
At long last we’ve been promised to know what Nick Fury said to Thor Odinson during Original Sin that made him unworthy. The question we’ve been waiting an answer for since 2014 is at hand. Undoubtedly, all the answers we finally get will also pose a few more questions. Whatever happens next, it’s one of those rare moments in superhero comics where the old lyric, “times, they are a’changin'” feels appropriate.
Do you like Seven to Eternity and Old Man Logan? Congratulations, the book you didn’t realize you’ve been waiting for is hitting shelves this week from one of the most critically acclaimed publishers in all of comics. From the mad genius of Matt Kindt (Grass Kings, Dept. H, Rai) and featuring the stunning art of Tomas Giorello, comes a new sci-fi western war epic that will enthrall you.
This is a master class in character-driven storytelling and world building. You owe it to yourself to follow the bloody rise of Aric of Dacia, on a world far from Earth, where he will rise up the ranks in a war he doesn’t want to fight in but will escalate with a weapon he swore to never use again.
Aric of Dacia fought against the brutal Roman Empire and became a warrior prince. He and his people were captured by a cruel alien race, made their slaves for what they thought was close to three years. Aric led his people home by bonding with a weapon of mass destruction sacred to his captors: the X-O Manowar armor. When they arrived home, his people discovered themselves trapped in the present, refugees of a forgotten civilization. He grew into a hero for the planet Earth. That was then…
Far from Earth on a new and primitive word, Aric is living a quiet life as a farmer. He’s distanced himself from his violent past and the power of the X-O Manowar armor. But this new world he has exiled himself to has one thing he cannot escape from: War. Conscripted into an army, he will be forced to fight once more and he will give show this world war unlike any they’d imagined…by bonding once again with the armor that made him an unstoppable force. Follow his journey as he begins as the soldier, topples armies to become a general, “unites” warring civilizations to become their emperor, and ignites an interplanetary conflict.
Neil Gaiman’s seminal 2001 novel gets its comic adaptation this week!
Why wait for the show on Starz? Sure, Bryan Fuller’s bringing a television series based on Neil Gaiman‘s Hugo, Nebula, Bram Stoker, and Locus award-winning novel, American Gods. Before it airs though, Dark Horse Comics is beating the pay-channel to the punch with this gorgeous looking comic adaptation of one of Gaiman’s most beloved stories in American Gods: Shadows #1.
Past collaborators P. Craig Russell and Scott Hampton will bring the story of Shadow Moon to the page for your eyes’ and soul’s benefit. Shadow Moon is set to be released from prison after spending years behind bars for an aggravated assault and battery charge. Shadow’s luck has turned though, just not necessarily for the better. He’s getting out early…because of his wife’s death. Hitting bottom, Shadow meets and becomes the bodyguard for a certain Mr. Wednesday. Except this is no normal body to guard. Shadow becomes entrenched in a world of the supernatural and a war between Gods of different eras. No one is who they seem and nothing they say they want can be trusted. How will Shadow navigate this new world and survive the impending war? You can begin to find out how (if) this New Comic Book Day!
Without any budgetary or imaginative constraints, there’s a lot to be excited for the lush visuals that have been released in preview pages thus far. Now, when are we going to get the Good Omens adaptation we’ve all been waiting for? Or am I the only one? Who’s with me?
With the “Clone Conspiracy” now a thing of the past, officially at least, it’s time for Peter Parker’s next chapter to begin afresh from writer Dan Slott and incoming superstar artist Stuart Immonen. To celebrate, the folks at Marvel are attempting to go a couple extra miles by making this issue FORTY pages. Mr. Slott has been crafting one of the most significant runs in all of Spidey’s history and there’re no signs of him slowing down. It’s time for Mr. Slott to bring forth the epic confrontation that all Spider-Man fans know you can count on like death and taxes: Spidey vs The Green Goblin! Well, maybe…This time, Peter Parker’s on the hunt for Norman Osborn. The big twist? This is an Osborn without the goblin serum pumping through his veins that makes him an insane super-villain who revels in killing the people Parker loves and Spider-Man gets close to. How will this next phase of the webslinger’s adventures pan out? There’s only one place to look and that’s in this week’s The Amazing Spider-Man #25.
But wait: THERE’S MORE! I mentioned this was Stuart Immonen’s debut as the ongoing artist for the series? Well, he’s not the only one that’s coming aboard the Spider-Man train. There’s a backup feature written by Mr. Slott with art by Giuseppe Camuncoli. AND Hannah Blumenreich writes and draws a flashback tale to Spidey’s more formative years. AND Christos Gage pens a new tale featuring the classic villain (you know he is) Clash. AND that’s not all but I’m running low on web fluid.
Want to know more? Don’t ask me, ask Dan Slott himself who will be at Forbidden Planet signing the same day The Amazing Spider-Man #25 comes out. Official start time is 6pm. Don’t miss out, or you’ll be missing out.
A new twist on crime and high stakes at a high court from visionary creator Matt Kindt!
Few people bend the genres of crime, suspense, sci-fi, and can play on the line between drama and comedy quite like Matt Kindt. He has a mind for storytelling that is rare to find in any medium. His escalating espionage saga of Mind Mgmtwill go down as one of the more gripping and most unique approaches to the spy story in the last two decades, if not longer. His sci-fi epic in the pages of Raiis a mix of Alan Moore and Phillip K. Dick that is not read nearly enough. Now comes a new take on a classic story: the challenge and potential fall of royalty in Grass Kings #1.
Is the kingdom at risk some great vast historical land? Psh, nothing so overdone. This time, Mr. Kindt and artist Tyler Jenkins, from the critically beloved but criminally under appreciated Peter Panzerfaust, brings forth a land filled with the hopeless and lost, of paupers seeking an opportunity in what they hope is a promised land. It just so happens that this promised land, the fiefdom is a trailer park kingdom. And this kingdom has not one but three rulers, three brothers who lay claim to the throne(s).
It begins with a lonely king and a damsel. Eldest brother Robert is a tragic figure despite his standing. He’s the father to a daughter that was killed in a brutal accident. He’s the husband to a wife that has disappeared and whom he presumes will never return. In the midst of this misfortunate life he encounters an enigmatic young woman named Maria. She’s fleeing from her own troubles and seeking shelter, a place to be safe and secure. Robert makes the fateful decision to take Maria in. No decisions come without risk or consequence though. Will Robert’s act of kindness lead to the ruin of the Kingdom?
Welcome to the pastoral mystery that is sure to intrigue fans of Scalped, Southern Bastards, and The Goddamned. Basically, anything Jason Aaron or “True Detective,” season one (it’s better to forget season two). Pick up this oversized debut in its beautiful prestige format on Wednesday.