What happens when the world’s greatest heroes are trapped on a farm?
Okay, so that seems like a bit of a crazy setup, right? Well, it is and it isn’t. The first collection of writer Jeff Lemire (Royal City, Descender, Bloodshot Reborn), artist Dean Ormston (The Sandman), and colorist Dave Stewart (Hellboy), brilliant new series, Black Hammer, has at last arrived. Here’s your choice to get to know the mysterious past of the heroes of Spiral City. In these first six issues you’ll learn more about Abraham Slam, Golden Gail, Colonel Weird, Madame Dragonfly, and Barbalien! Get glimpses of what happened ten years ago that forced them into seclusion on a timeless farming town where they lead simple lives including dinner parties the likes of which you’ll never forget. As they attempt to free themselves from this pastoral limbo, a new outsider will force them back into one heroic action, perhaps, for the last time.
The creators will take you on a whirlwind tour-de-force of character-driven storytelling. There’s so much love for superheroes in this series while at the same time Lemire, Ormston, and Stewart are fearless in offering twists on all the familiar tropes. Your expectations about who these heroes are and were will be exploded and rewarded. The plotting is structured in such a way as to keep you guessing but without feeling as though anything is unearned. Everything you love about heroes is in here and everything you’ve come to be weary about the genre is addressed. There’s almost nothing you can’t enjoy about this series.
Evoking classic tales of 1950’s superheroics and still presenting a “family” of compelling characters, this may be the best new superhero universe in years. If you’re looking for a book to rekindle your love of what superhero comics are capable of, then read Black Hammer. ‘Nuff said.
No corner of the DC Universe hasn’t been touched by the events of Rebirth. For most all of DC’s titles it’s been an incredible fresh slate, not a reboot, but a new point to jump on and take the characters towards stories that feel earned, logical, self-contained without being disconnected, and delivering some the strongest stories from the publisher in a long time and on time. DC’s promise of a new direction for its characters in a way that doesn’t discount the last five years while still providing a new jumping on point for new or casual fans continues in the first collection of Batgirl’s newest adventures, Batgirl Vol. 1: Beyond Burnside.
Barbara Gordon’s return to the cape and cowl was met with great trepidation back in the old days (you know, 2011). Gail Simone wrote a three year story of healing, both physically and emotionally, grounding Barbara in overcoming the trauma that put her in a wheelchair for years of her life. It was a tricky line to walk and Simone began with a good jumping off point that grew into one of the best books DC was publishing. Then came the pop-tastic makeover by Cameron Stewart, Brenden Fletcher, and artist Babs Tarr.
Barbara was given a neighborhood of Gotham to call her own, the eponymous Burnside. It was a fresh new take on Babs and her world, where she was a brilliant student and a superhero establishing her own independence from the Bat-family.
Now, New York Times best-selling creators Hope Larson (A Wrinkle in Time) and Rafael Albuquerque (American Vampire) will take Batgirl on a journey to elevate her skills. The trek will include stops in hotspots like Okinawa, Singapore, Seoul, and even Shanghai. Everywhere she goes, Batgirl’s life will be threatened by lethal warriors who all bear a mysterious mark indicating “The Student.” Which, of course, baits the question that if there are students, Batgirl will need to track down their teacher…
As Batgirl goes on her own international hunt for the leader of this mysterious group of fighters, she’ll improve her own skills and cross paths with legendary heroes. If you’ve been waiting for Barbara Gordon to ascend into the grander scale of the superhero community then the wait is over.
Jason Aaron‘s mini-series following Odinson’s quest for Ultimate Thor‘s hammer reaches its finale this week! Odinson has battled off all who stood in his way including the Collector and Black Swan. With the help of his old friend, Beta Ray Bill, he has at last reached the location of the weapon that will make him the Mighty Thor once more. Will he be found worthy and wield a hammer fit for Thor again? One more challenger stands in his way who plans to pick up the weapon before Odison can: Thanos, the Mad Titan.
The final battle is here between two figures in the Marvel Universe who’ve undergone major trials and tribulations over the last couple years of comics. Who will lay the ultimate smacketh down? To say Jason Aaron’s been building up his Odinson saga with the greatest touch of craft and care is a bit of an understatement at this point. With art from Pascal Alixe and Aaron Kim Jacinto the final chapter of this book of Thor should be astounding.
At long last we’ve been promised to know what Nick Fury said to Thor Odinson during Original Sin that made him unworthy. The question we’ve been waiting an answer for since 2014 is at hand. Undoubtedly, all the answers we finally get will also pose a few more questions. Whatever happens next, it’s one of those rare moments in superhero comics where the old lyric, “times, they are a’changin'” feels appropriate.
Do you like Seven to Eternity and Old Man Logan? Congratulations, the book you didn’t realize you’ve been waiting for is hitting shelves this week from one of the most critically acclaimed publishers in all of comics. From the mad genius of Matt Kindt (Grass Kings, Dept. H, Rai) and featuring the stunning art of Tomas Giorello, comes a new sci-fi western war epic that will enthrall you.
This is a master class in character-driven storytelling and world building. You owe it to yourself to follow the bloody rise of Aric of Dacia, on a world far from Earth, where he will rise up the ranks in a war he doesn’t want to fight in but will escalate with a weapon he swore to never use again.
Aric of Dacia fought against the brutal Roman Empire and became a warrior prince. He and his people were captured by a cruel alien race, made their slaves for what they thought was close to three years. Aric led his people home by bonding with a weapon of mass destruction sacred to his captors: the X-O Manowar armor. When they arrived home, his people discovered themselves trapped in the present, refugees of a forgotten civilization. He grew into a hero for the planet Earth. That was then…
Far from Earth on a new and primitive word, Aric is living a quiet life as a farmer. He’s distanced himself from his violent past and the power of the X-O Manowar armor. But this new world he has exiled himself to has one thing he cannot escape from: War. Conscripted into an army, he will be forced to fight once more and he will give show this world war unlike any they’d imagined…by bonding once again with the armor that made him an unstoppable force. Follow his journey as he begins as the soldier, topples armies to become a general, “unites” warring civilizations to become their emperor, and ignites an interplanetary conflict.
Neil Gaiman’s seminal 2001 novel gets its comic adaptation this week!
Why wait for the show on Starz? Sure, Bryan Fuller’s bringing a television series based on Neil Gaiman‘s Hugo, Nebula, Bram Stoker, and Locus award-winning novel, American Gods. Before it airs though, Dark Horse Comics is beating the pay-channel to the punch with this gorgeous looking comic adaptation of one of Gaiman’s most beloved stories in American Gods: Shadows #1.
Past collaborators P. Craig Russell and Scott Hampton will bring the story of Shadow Moon to the page for your eyes’ and soul’s benefit. Shadow Moon is set to be released from prison after spending years behind bars for an aggravated assault and battery charge. Shadow’s luck has turned though, just not necessarily for the better. He’s getting out early…because of his wife’s death. Hitting bottom, Shadow meets and becomes the bodyguard for a certain Mr. Wednesday. Except this is no normal body to guard. Shadow becomes entrenched in a world of the supernatural and a war between Gods of different eras. No one is who they seem and nothing they say they want can be trusted. How will Shadow navigate this new world and survive the impending war? You can begin to find out how (if) this New Comic Book Day!
Without any budgetary or imaginative constraints, there’s a lot to be excited for the lush visuals that have been released in preview pages thus far. Now, when are we going to get the Good Omens adaptation we’ve all been waiting for? Or am I the only one? Who’s with me?
With the “Clone Conspiracy” now a thing of the past, officially at least, it’s time for Peter Parker’s next chapter to begin afresh from writer Dan Slott and incoming superstar artist Stuart Immonen. To celebrate, the folks at Marvel are attempting to go a couple extra miles by making this issue FORTY pages. Mr. Slott has been crafting one of the most significant runs in all of Spidey’s history and there’re no signs of him slowing down. It’s time for Mr. Slott to bring forth the epic confrontation that all Spider-Man fans know you can count on like death and taxes: Spidey vs The Green Goblin! Well, maybe…This time, Peter Parker’s on the hunt for Norman Osborn. The big twist? This is an Osborn without the goblin serum pumping through his veins that makes him an insane super-villain who revels in killing the people Parker loves and Spider-Man gets close to. How will this next phase of the webslinger’s adventures pan out? There’s only one place to look and that’s in this week’s The Amazing Spider-Man #25.
But wait: THERE’S MORE! I mentioned this was Stuart Immonen’s debut as the ongoing artist for the series? Well, he’s not the only one that’s coming aboard the Spider-Man train. There’s a backup feature written by Mr. Slott with art by Giuseppe Camuncoli. AND Hannah Blumenreich writes and draws a flashback tale to Spidey’s more formative years. AND Christos Gage pens a new tale featuring the classic villain (you know he is) Clash. AND that’s not all but I’m running low on web fluid.
Want to know more? Don’t ask me, ask Dan Slott himself who will be at Forbidden Planet signing the same day The Amazing Spider-Man #25 comes out. Official start time is 6pm. Don’t miss out, or you’ll be missing out.
Welcome to a Creative Conversation with creator Ibrahim Moustafa. Here we give you a chance to get inside the mind, learn some in depth background, and discuss the creative process of some of comics’ best writers and artists. In our first Creative Conversation I had the opportunity to speak with the artist behind Vertigo’s smashingly good new series, “Savage Things.” If the Bourne franchise went down the horror route, you have an inkling of what’s in store for you with this book. Ibrahim gives a better sum up a little further down. We talked about first comics, must reads, stories that stick with us as young comic fans, how this new series came about and who would be on Ibrahim’s own personal Mount Rushmore of comic book artists. Agree? Disagree? Find out!
MK: So let’s start with a little background because in all our conversations I’m not sure I know this: How did your journey lead you to working in comics?
IM: I was always drawing as a kid, and some of my earliest memories are of watching the Christopher Reeve “Superman” movies. Not long after that I discovered the Ninja Turtlesand Batman 66 TV shows, and was obsessed with them all. I had and read a few comics as a kid and was always drawing the aforementioned. I got much more into collecting and reading comics when I discovered the X-Men cartoon in the early 90s, and I would hoard those Fleer Ultra 93 and 94 X-Men cards sets as a kid.
I fell out of comics for a long time as I got into sports a bit. And then in high school I was heavily into drawing graffiti art and breakdancing. When I was a Junior, “Smallville” had come out and rekindled my love of Superman. Someone gave me a book called “The Complete History Of Superman” and it had a few Alex Ross paintings in it, which completely blew my mind. I had no idea you could do *that* with superheroes.
That sent me down the rabbit hole of “Who is this guy? How is he doing this? What is he painting with? What else has he done?” From there I found “Kingdome Come” and started going to the comic shop, and that ignited my interest in drawing superheroes again. After a short while I realized that people were drawing comics for a living, and I began a very disciplined, regimented plan to make that my reality as well.
It worked (laughs)!
MK: That’s epic! What was your local comic shop when you were getting heavily into it?
IM:The first one I wandered into was a small one-off called Hidden Treasures or something to that effect, but they closed down shortly after. Then a friend that I worked with told me that there was a place called Things From Another World that was literally blocks away from our job. And they became my regular supplier in the formative era of my comics addiction, haha.
MK:They’re a great operation out in the Portland area. Other than Alex Ross, who were some other artists that got you jazzed into drawing superheroes and comics again?
IM: There have been SO many, but the ones that have stayed an influence/inspiration regardless of my changing interests are probably Stuart Immonen, David Mazzucchelli, and Lee Bermejo. As I’ve burrowed deeper into comics and it’s artistic masters, I’d say my Mount Rushmore consists Alex Ross, Stuart Immonen, Alex Toth, and Jorge Zaffino.
MK: That’s an eclectic looking Mount Rushmore.
IM: It is!
MK:I dig it. Before we go too far off topic: Favorite X-Men character?
IM: Cyclops (I know), Wolverine is a close second, though. You?
MK: I feel like Wolverine is everybody’s top one or two but personally, especially since Grant Morrison brought her into the mix I’m an Emma Frost man. Which doesn’t make me a “real” X-Men fan in most folks’ eyes but it is what it is. What is it about Cyclops for you?
IM: 1) You can like whichever X-Person you want and damn anyone who tells you otherwise!
MK: Thank you!
IM: 2) Honestly, I think Cyclops was the most like Superman, aesthetically, and that really appealed to seven year-old me when I discovered the show; he was the do-good leader, he had red blasts from his eyes, and he wore all blue with yellow and red (laughs).
But there was something about the idea that he was encumbered by his power that really hit me as a kid. The fact that this thing he could do made him an outcast and made his life difficult, but he used it to help people anyway…That always got me.
Also, his mutation didn’t cause him to have a drastically different outward appearance, but it was enough to make him an other. And growing up half-Egyptian, I experienced a lot of cultural differences from the kids around me. Questions like, “Why can’t you eat pork?” are a lot like, “Why are you always wearing sunglasses?” So, I think that appealed to me about Cyclops as well.
MK: Take that Cyclops haters! That’s really inspiring how you were able to have that relation to Cyclops. For you, do you think comics has a special place as far as storytelling in a way that movies, TV, theatre, or other mediums don’t quite?
IM: I do, absolutely. I think that there are more opportunities to play with the passage of time visually on a comics page than with other mediums. In comics, for example, you can have a splash page of a scene that is split into four different panels across a single image of say, a park. And each panel can represent the four seasons in a year.
Comics also allow for opportunities to echo imagery from one page or one sequence to another. So let’s say you have a page where a character is a child, and they’re playing, and they fall down and scrape up their knee. Then, you cut to them as an adult in a few chapters and they’re in a completely different scenario, but they go through a similar accident, and you’re establishing that they’re prone to this kind of thing in their life.
In comics, seeing all of those panels in one page as a whole creates a different experience than film or TV where you would see that happen one shot at a time. You’re taking in the gestalt of the moment on a page rather than the disparate parts that make the whole. Symbolism, the efficiency afforded by narration paired with a parallel image to the text, the pacing of a page-turn into a splash. There are tons of cool ways to deliver a moment in a comics page that are unique to the medium, and that’s probably what I love about it the most.
MK: That’s an amazing answer. Thank you for that. To switch gears a little, let’s talk about your new series out which I think definitely displays some of those elements you’ve so eloquently discussed. “Savage Things” which you draw, and is written by the one and only Justin Jordan, hit shelves on March 1st. Did you and Justin know each other much prior to working on the book? Was it an arranged marriage by Vertigo? How did your collaboration come about?
IM: Justin and I had met here in Portland back in 2012 or so at a great indy comics show we used to have here called Stumptown. We’ve bumped into each other a few times since then on Twitter, and I’ve been a fan of his work since I first read “Luthor Strode” but when our editor Jamie S. Rich reached out to me to draw the book he facilitated a wonderful reunion for the two of us. So, pretty much an arranged marriage and the dowry was a super-dope book that I get to draw
MK: I love it when an arranged marriage blossoms into true love and kick ass action sequences.
MK: If someone asks you to describe “Savage Things,” what’s been your favorite answer to give?
IM: “Savage Things” is what you get when a bunch of Dexters are kidnapped and raised by the government to be Jason Bourne.
MK: That’s maybe the most badass way of summing up a book I’ve ever heard. Here’s a two-parter: What’s been one of the most challenging and what’s been your favorite thing to draw so far for the series?
IM: The book is full of excellent opportunities to create cool action sequences, and I think that’s been my favorite part so far. There have also been a few types of locations I’ve never never drawn before (a hospital, a power plant, a few others) so that’s been a fun challenge.
The most difficult thing has been figuring out how to draw expressive faces on sociopaths (laughs).
MK: That seems like a challenge on several levels (laughs). Can you perhaps tease us about something readers should be super excited to discover in issue two and beyond?
IM: Yes! The next few issues pitt our lead character, Abel, against six of the other sociopathic, trained murderers that he grew up with. So as you can imagine, issue one was just a tease at some of the brutality that these guys are capable of, especially toward each other. By the end of issue three, we pull back the lens and broaden the scope of the battle quite a bit. I’m very excited!
MK: Man, I can’t wait to see how you and Justin up the ante! Final two questions before our time’s up:
1) For someone new to comics, what are five essential must reads you’d recommend?
2) For all things Ibrahim Moustafa, “Savage Things,” and your ridiculously amazing James Bond posters, where can fans keep up with you on social media and the web? (Seriously, his James Bond posters kind of cray cray. Don’t believe me, click here!)
IM: 1) This is a tough one! These are certainly slanted toward things that I love, so your mileage may certainly vary.
“Scalped” is my favorite book of all-time. It’s a crime drama a la “Breaking Bad” or “The Wire.” Anyone can dive right into it.
“Kingdom Come”: I read this pretty early on and loved it. There are a ton of references and characters in it, but as long as you know who Superman, Wonder Woman, Batman, Shazaam are, the rest falls into place.
“The Losers” is a great book if you love action movies with fun characters, a cool story/lots of intrigue.
“Old Man Logan” is almost a companion piece to “Kingdom Come” in that it’s a look at a possible future, full of cool stuff and references but mainly if you know the X-Men and the Avengers, you’re solid.
“Batman: Year One.” One of the greatest comics ever made and a perfect primer for Batman fans looking to give the comics a try.
MK: Ibrahim, you’re a class act, thank you for being so generous and gracious with your time in joining me in our first Creative Conversation.
Check out “Savage Things #1” now and get ready for “Savage Things #2,” on shelves Wednesday, April 5th, 2017. Stay tuned for our next…Creative Conversation.
Please send love/hate messages to Matthew via Twitter @matthewklein316 and on Instagram. Matthew loves all things Batman, Valiant, and pro-wrestling related. He’s also pretty sure that it’s not recommended to spend more waking hours watching reruns of “Chuck” than sleeping but hasn’t been able to prove this theory.
Deathstroke‘s rebirth will be his most personal and deadliest yet!
Deathstroke has been a character whose stock has risen in the last few years with exposure on the Arrowverse of shows on television. However, while his profile has spiked that hasn’t always been the case for the quality of his comic book adventures. Fortunately, amidst the plethora of improvements to DC Comics’ line in its Rebirth phase, you can be sure to count Deathstroke as one of those who has benefitted from this breath of creative fresh air.
Finally, the first collection will allow those who’ve trade waited, for whatever reason, to dive in and devour some of the best Deathstroke in too long of a time. Deathstroke the Terminator returns and this time his assassin’s eye is set on saving his daughter Rose a.k.a Ravager.
Slade Wilson will need all of the genetically enhanced strength, reflexes, healing, and intellect after a long thought dead ally resurfaces while on a mission in a war-torn African country. Why is this ally still alive? Why, to provide our anti-hero/ruthless villain/contract killer with a code with the news that his greatest vulnerability, his daughter, is in danger. Now, one of the most feared man on the entire planet will have to break his self-imposed rules of killing, betray those he’s considered trustworthy, piss off his most powerful enemy, and battle against his addiction to violence.
Will Deathstroke be able to conquer the most challenging gauntlet of his life and come through the other side with his daughter and honor having avoided being shattered?
The White Queen vs The Queen of the Inhumans! Only one will win. Can both survive?
When it was first announced there seemed to be a communal skepticism about Inhumans vs X-Men. It was an event series between two segments of the Marvel Universe that had been having a pretty rough track record as far as readers were concerned. Plus, with the new push for the X-Men in ResurrXion this whole event seemed poised to be just a means to a most certain end. We should have all had more faith in Jeff Lemire and Charles Soule. Now the cataclysmic conclusion has arrived to what has been a far superior series than Civil War IIand, I daresay, Avengers Vs. X-Men. It will boil down to one last showdown on the snowy sleeps between Emma Frost and Crystal, the White Queen and the Queen of the Inhumans, in a war where it’s tough to call either side truly good or obviously evil.
The strength of this event has been the evenhanded approach to both sides of the conflict. The mutants want to avoid extinction and several of the Inhumans have switched sides to make that happy ending possible without the deaths of so many of both groups. While the adults have been resigned to slug it out for the “greater good” it’s been younger characters like Moon Girl and Cyclops that have tried to outthink the violent approach of their elders. But no matter how sympathetic both sides may be, there has to be a winner and a loser, right? I mean, at the end of the day one side’s going to lose a little less or gain a little more out of it. This is the part where we find out who will pay what cost for this clash between two groups of characters that Marvel is in need of a giving a good jolt to in 2017.
See how this chapter ends and maybe a tease of how the next one begins inside the oversized conclusion to the Inhumans Vs. X-Men event!
A new twist on crime and high stakes at a high court from visionary creator Matt Kindt!
Few people bend the genres of crime, suspense, sci-fi, and can play on the line between drama and comedy quite like Matt Kindt. He has a mind for storytelling that is rare to find in any medium. His escalating espionage saga of Mind Mgmtwill go down as one of the more gripping and most unique approaches to the spy story in the last two decades, if not longer. His sci-fi epic in the pages of Raiis a mix of Alan Moore and Phillip K. Dick that is not read nearly enough. Now comes a new take on a classic story: the challenge and potential fall of royalty in Grass Kings #1.
Is the kingdom at risk some great vast historical land? Psh, nothing so overdone. This time, Mr. Kindt and artist Tyler Jenkins, from the critically beloved but criminally under appreciated Peter Panzerfaust, brings forth a land filled with the hopeless and lost, of paupers seeking an opportunity in what they hope is a promised land. It just so happens that this promised land, the fiefdom is a trailer park kingdom. And this kingdom has not one but three rulers, three brothers who lay claim to the throne(s).
It begins with a lonely king and a damsel. Eldest brother Robert is a tragic figure despite his standing. He’s the father to a daughter that was killed in a brutal accident. He’s the husband to a wife that has disappeared and whom he presumes will never return. In the midst of this misfortunate life he encounters an enigmatic young woman named Maria. She’s fleeing from her own troubles and seeking shelter, a place to be safe and secure. Robert makes the fateful decision to take Maria in. No decisions come without risk or consequence though. Will Robert’s act of kindness lead to the ruin of the Kingdom?
Welcome to the pastoral mystery that is sure to intrigue fans of Scalped, Southern Bastards, and The Goddamned. Basically, anything Jason Aaron or “True Detective,” season one (it’s better to forget season two). Pick up this oversized debut in its beautiful prestige format on Wednesday.
The story is centered around a secret government organization who kidnaps and trains children they believe have the markings to become serial killers. Instead of just ignoring these potential threats to society, they decide to train them to be chaos agents. As agents of chaos they were sent in to certain hotspots to engage and execute enemies of the state with extreme prejudice. When the monsters they created became too tough to control, the organization decided to eliminate their kill squad. The result: Epic fail.
Now a rogue group of these savage killers has begun to cut a swath of terror all over the United States threatening to expose secrets the organization will do anything to keep from being revealed. Their solution? His code name is Abel and he’s perfectly happy with getting his hands bloody. Put it this way, Jason Bourne ain’t got $@&% on Abel.
Don’t miss this exciting first chapter of an eight-issue limited series that has all the potential to be at the top of your pull-list.
Overdue. That’s probably the best way fans of America Chavez would describe the new America #1, on shelves this New Comic Book Day. The displaced powerhouse has been part of an ensemble in books like Young Avengers and has become one of the preeminent butt-kickers as the leader of Marvel’s latest incarnation of the Ultimates. Except that’s just America Chavez the hero, who saves the world from aliens and super villains on the weekend. Where’s a super-powered teenager going to discover more of what life and the world has to offer? America goes to college!
Helmed by YA novelist Gabby Rivera (Juliet Takes A Breath), the new issue gets right to the point and establishes the larger framework that America #1 will be exploring. America #1 makes no bones that it’s going to connect its eponymous character with the country she’s named for. From the beginning this series will beg the questions: Who is America and what does she stand for?
To help explore the answers while she lays the smackdown on a couple interdimensional monsters and tries to shutdown an alien cult who’ve begun worshipping her adventures, Marvel’s brought onboard some all-stars.Joe Quinones (Howard The Duck) brings the heat and the heart with his inks while father-son slam dunk duo Joe and Paolo Rivera delve into the depths of America’s journey with their colors. This collaboration will bring the high-octane solo adventures of America Chavez into what we can only hope will be a bright and riveting future.
There may not be a more important new series from Marvel in 2017 than America #1. Pick up your copy. Come together and show your support. Be bold. Be brave. Be…an American.
Do you like Thor? Northlanders? Red Sonja or Conan? Do you want to see kick ass warriors? Maybe you’re a proponent for strong female lead characters in comics? Are you burned out on superheroes and want some good old fashioned demon battles and talking horses? Here’s the new series to scratch all of your itches but careful, this self-proclaimed heathen might draw a little blood.
At Forbidden Planet we like to root for the underdog. There are publishers big enough to make sure you know every character’s name, origin(s), and costume tweak. Then there are the indie companies who may not have the budget or the name recognition but what they do have are badass books. Heathen #1 is one such book.
Aydis is a on a mission to kill a god. Well, she’s on a mission to end the reign of a tyrant god-king called Odin. Killing him may or may not be possible. Aydis is all the things I mentioned earlier. She’s a viking badass warrior. She’s also an outcast, a heathen, and a friend to talking horses. Except her talking horse has a cool name, Saga (yeah they did). Aydis battles demons. She takes on crazy cool monsters. And yes, she’s a woman. She’s been born at a time where war is prevalent, suffering is universal, and women are treated as less than. This is her story as told by Natasha Alterici. It’s not the beginning but it is where you will join her journey if you give this new series a chance. We heartily recommend that you do.
It’s going to be a hot time in the old town tonight…
Marvel’s been building their own mini-universe within the Daredevilsection of 616. Broadly titled “Running With The Devil” there’s a trio of titles to go along with old hornhead. Earlier this month we previewed the on-target Bullseye #1. We followed it up by highlighting the comeback of Wilson Fisk in Kingpin #1 (written by Forbidden Planet’s former master of the hand sell, Matthew Rosenberg). Now, we cap off this trifecta with Marvel’s deadliest assassin! Odds are this series is going to be killer.
Elektra‘s had quite a past. What with dying a few times, having been the head of the Hand, her epic love story with a certain pointy-headed blind vigilante, and at one point being the highest paid assassin in the world. If you were carrying all that baggage where would you go to get away from it all? Vegas, baby! Surely no one will notice her amidst all the neon and ulterior motives. Of course, can a former ninja assassin really expect to escape all of her history of violence when a new player wants to get in on the game? Welcome to the table: Arcade!
If you wanted some further Marvel Netflix U crossover then boy have you got it with this book. Not only is it a new adventure for the character after her television debut in the second season of Marvel’s Daredevil but it’s written by newcomer Matt Owens. Get it? You don’t get it. Okay, Matt Owens is a television writer who worked on Marvel’s Luke Cage and even had a couple episodes of Marvel’s Agents of S.H.I.E.L.D. This marks Matt Owens’ first foray into comics after a career on the small screen and internships under Cully Hammer and Brian Starfleeze. Plus, it’s got art byJuan Cabal, so Owens has plenty of muscle to tell the first story entitled, “Casino Battle Royale.”
This new comic book day, Elektra’s changing the rules. Wanna play?
This week we put the spotlight on Rick Remender‘s latest sci-fi sensory overload!
Rick Remender is no stranger to crafting amazing science fiction stories. If you haven’t read FEAR AGENT then you’re missing out on the greatest space western of all-time (yeah, I’m looking at you Firefly and Cowboy Bebop). In 2016 Remender brought us a vast amount of genre treasures in SEVEN TO ETERNITY. This week, the first arc of one of 2016’s best series comes out in trade paperback with an accessible price tag of only $9.99!
Do you love space operas like SAGA? BLACK SCIENCE?PROPHET? Do you love characters whose backs are against the proverbial wall pinned down by overwhelming enemies? Are you a fan of crazy ridiculously beautiful artwork that will expand your mind with new worlds? Then get to know the seven who will hold the fate of a world in their hands with what they do, what secrets they keep, and how fast they can do whatever’s necessary.
A paranoia has spread to every part of the kingdom of Zhal. It destroys like a plague of fear whose source is the God of Whispers. His spies hid in ever hall spreading mistrust, fear, and breeding acts of cruelty that destroy communities and even families. Adam Osidis, a dying knight from a disgraced house is put to a dangerous choice: Will he help a band of hopeless and homeless band of magic users in their attempts to free the world of this evil God? Or will Adam give into what his heart most desires, accepting a promise from the God of Whispers himself. Free the world or free yourself?
Writer RICK REMENDER reteams with collaborators JEROME OPEÑA (UNCANNY X-FORCE, FEAR AGENT) and MATT HOLLINGSWORTH (TOKYO GHOST, WYTCHES) take you down a hard read where men have surrendered their freedom to fear and one last free man is left to choose. Collects SEVEN TO ETERNITY #1-4.