Tagged: Mike Mignola

Hellboy Day at Forbidden Planet NYC

To celebrate the twentieth anniversary of Mike Mignola’s signature character this coming Saturday, 3/22/14, is officially Hellboy Day in the comics community and Forbidden Planet NYC will be participating!

Mike Mignola Forbidden Planet

Beginning at 9am we’ll be giving away a few Hellboy themed packages containing comics, posters and other swag as supplies last. We’re also running a sale- 15% OFF all Hellboy/BPRD/Abe Sapien/Lobster Johnson books and comics– through midnight. We’ll also be giving away a copy of Hellboy The First Twenty Years on our Twitter feed.

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TRY SOMETHING NEW Chapter 14: Pursued By The Empire’s Sinister Agents!

Hey lucky readers, I am back from the great state of Seattle in time to phone it in from my apartment. And what a phoning it in this will be. Last week’s column was brutal because I was jetlagged, sleep deprived, and over-comic’d (It’s a real thing. Look it up. Happened to millions of people in the mid-90’s.) This weeks column will be brutal because I am not a great writer and have been coasting on my mediocre sense of humor far too long. One important thing of note; dozens of readers wrote to ask why I didn’t mention Forbidden Planet’s Tech Wizard/Razor Enthusiast, Tyler, last week. Sally from Barrie, Ontario asked if it was because I was in Seattle and he was “Out of sight, out of mind.” It’s a good guess Sally, but no. When I travel I always carry a picture of Tyler in a heart shaped locket I wear around my neck at all times. He is never out of sight or mind. Tragically the reason I didn’t mention Tyler is much more dark and sinister. Tyler is on a journey now and I don’t think I have the strength to save him. Poor Tyler. Anyway folks, let’s find out what is happening in comics, shall we?

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Managed to get an advanced copy of FIVE GHOSTS last week. Issue #1 makes it an easy frontrunner for book of the year. Chris Mooneyham’s art is stunning, Franke Barbiere’s writing never misses a beat. This is a full tilt pulp adventure like comics hasn’t seen in a long time. Think Indiana Jones meets League Of Extraordinary Gentlemen. I almost guarantee this book will be a huge hit and fan favorite for the year, the buzz is crazy and the book surpasses it. Unfortunately for you all the book isn’t out this week but fortunately for you all it comes out very soon. Not just that but Forbidden Planet is hosting a signing for the book on IMAGE COMICS PREMIERE NIGHT, Wednesday, March 20th. Bob Fingerman will also be there signing his brilliant new collection, MAXIMUM MINIMUM WAGE. And there will be awesome special guests. And maybe a cake or something. Probably not. But great comics should make it worth your time. Mark your calenders and set aside some dollars. Not all of them though because you need to buy some books this week too.

BUDDY COPS #1 is actually out this week. Doc Shaner may be the next superstar artist in comics. He has a smart take on the updated retro style of current superstars like David Aja and Chris Samnee. In short, he draws really pretty. Nate Cosby used to edit for Marvel where he focused on the good but under loved all ages books. He has since moved on to doing fun books like Cow Boy and Pigs. Buddy Cops is like Axe Cop if you want to read absurd cops stories but instead of being written by children it is written by childish men. There is a character named Uranus. Either you find that funny or you should buy something else. I like Uranus.

BLADE OF THE IMMORTAL vol 26. My bet is that most of you don’t read manga. That’s cool. I was dumb once too. Here’s the thing, don’t dismiss the cultural output of an entire nation, especially when the nation loves comics as much as Japan does. And especially especially when they make such good comics. Blade Of The Immortal is one of the craziest and most badass things humans have ever made. A shamed samurai cursed with immortality must kill 1,000 evil men in order to be allowed to age and die. Awesome, right? Well volume 26 is probably not the one I would start with, but that’s the one that’s out this week. Go read volume 1 and see if you like it. If you like reading about dudes getting dismembered, bloodworms, and really detailed portraits of feudal Japan as much as I do then you should love it. Come for the bloodworms, stay for the guilt.

Mike Mignola and John Arcudi make awesome comics like Hellboy, BPRD, and Lobster Johnson. (Fun Fact: John Arcudi used to work at Forbidden Planet. The store probably still owes him like 2000 hours of overtime from like 25 years ago. Good luck getting that John, we’re pulling for ya.) Every book Mignola and Arcudi have worked on has been, at worst, well worth your time. When these guys are off they are still better than 99% of the field. (Fun Fact: I met Mike Mignola recently and acted like a big idiot. He was pretty cool though. Firm handshake.) Now they have teamed up with the great Jason Latour to introduce SLEDGEHAMMER 44. A man in a giant metal suits who fights nazis. That’s pretty much all you should need to know. (Fun Fact: umm… I don’t have any fun Jason Latour facts. umm… Latour is French for “The Tour.” Useful info.)

I feel like a moron telling you to read HAWKEYE Vol. 1: MY LIFE AS A WEAPON. It’s one of the best books Marvel has done in years. Beautiful, funny, exciting, and innovative. It is David Aja and Matt Fraction doing the work of their respective careers. HAWKEYE is a line in the sand. You can either buy it or be the reason we don’t get to have nice things.

I remember reading Ben Katchor‘s brilliant JULIUS KNIPL strips that ran in The New York Press in the early ’90s I think. I bet you thought I was much younger than that, huh? I just write with childlike whimsy and grammar. Always bizarre, his oddly compelling characters made it less of a favorite read and more of a compulsion. Mr. Katchor always puts forward interesting and thought provoking work. HAND-DRYING IN AMERICA is his latest, a meditation on place, property, and possessions. His insights and wit offset the pervasive feeling of wrongness that he illuminates so eerily well. This is a book for those who notice they feel out of place or out of touch with their world.

Maybe the best book you aren’t reading this year is THE END TIMES OF BRAM & BEN by Rem Broo, Jim Festante, and James Asmus. The perfect mix of Chew‘s dark humor and Preacher‘s tongue in cheek religious and cultural satire, TETOB&B is both clever social commentary and laugh out loud absurdity. TETOB&B #3 comes out this week (with a brilliant cover by Juan Doe), but you should be able to track down issues 1 & 2 pretty easily. Image puts out a lot of new books every months, but few have the heart and personality of this one.

That about does it for me. I’m going to go listen to Lungfish and read BULLETPROOF COFFIN until I pass out. Make sure to come to the FP/IMAGE party next Wednesday and wear something nice. Maybe bring cupcakes. I am sure we will forget.

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TRY SOMETHING NEW Chapter 10: To The Empire’s Ultimate Weapon!

Sometimes people in positions of power royally #@$% things up. I’ve never had the amazing opportunity to do this before, but this new year has been all about new experiences for me. After 9 brutal weeks of spending 20 minutes a week writing semi-nonsense about new comics in this column I think we can all agree I now wield a remarkably frightening amount of power in this world. And what did I do with my power? With great power comes human trafficking. I offered up Forbidden Planet’s poor basement dweller/demerit collector Ben to you all like he was some sort of man-shaped cookie… Which he sort of is. Poor, sweet Ben. 9 “lucky” contest winners got to take Ben on a date this past week. Poor, sweet, gentle Ben. And what did you, the loyal readers of TRY SOMETHING NEW, do? I legally can’t go into all the details but suffice it to say that Ben will never be the same. Good job readers. My power and your depravity royally #@$% this up. No more contests for at least 2 weeks. Poor, sweet, gentle, exsanguinated Ben needs to rest and regenerate around 4 pints of blood… and an eye. How long does that take?

These double digit columns are rough. Now I’m onto my second apology/retraction of the week. Last week I suggested you pick up Mr. Diggle & Mr. Jock‘s Snapshot #1 from Image. I just wrote “Mr. Jock.” Huh. Anyway, I pointed out that is was a newly colored update of the UK version. Well if you bought the book you might have noticed that the colors they used are both the color black and the color white. There aren’t even ink washes. And if you didn’t buy the book, what the hell? Buy the stuff I recommend. C’mon. I went back and edited that part out of last weeks blog post because this is the 21st century and information is supposed to be fluid and temporary. But for those of you who read the newsletter, you Guttenberg-ites, you are all stuck with what we used to refer to as “mistakes” but what we now refer to as “artifacts of non verified information.” I would feel bad for lying to all of you print readers but in a way I feel like it’s social Darwinism. You get bad information, it slows you down, and a lion eats you. The comic reading herd begins to move faster and make better choices. Malthus smiles from his grave. Sucks to be you. So anyway, yeah I sort of $#!% the bed on that one. You see I don’t get sent many preview versions of books (You hear that marketing/pr folks? Sort your stuff out.) so I go off what I can. What I saw was the black & white stuff and I was told the great colorist Lee Loughridge was going to be adding more colors beyond black & white. Mr. Loughridge is a great colorist and I met him at a party once and we talked about hardcore bands for 5 minutes so he’s basically the coolest guy working in comics right now. Either way, he didn’t color the book. Don’t know what happened. Like most reputable news outlets I get my news from various disreputable news outlets. They said it would be colored. It wasn’t. So there you have it. Either way the book is really good and worth your time. Stop being such a prude and read black & white comics. It’s better for your eyes. (No. It probably isn’t.)

Atomic Robo TP VOL 07 Flying She-Devils of the Pacific

Onto the parade of new books. When Mike Mignola created Hellboy in 19XX (too lazy to google that) there was a weird byproduct that I don’t think anyone could have predicted. The “monster/freak as adventurer/government agent” genre is certainly weirdly specific and probably only exists in western comics. You got the Hellboy spinoff monster cops book B.P.R.D., and new series like Yeti cop book Proof, monster cop book Frankenstein: Agent Of S.H.A.D.E., other Yeti cop book Footprints, and robot adventurer (cop) book Atomic Robo. The weird thing is that all of these books are pretty good. It is a premise that lends itself well to big exciting stories. Personally I have a real soft spot for Atomic Robo and was really glad to see ATOMIC ROBO vol 7.: ATOMIC ROBO AND THE FLYING SHE-DEVILS OF THE SOUTH PACIFIC out this week. Atomic Robo manages to differentiate itself from the crowd by maintaining a serious amount of fun at all times. If Hollywood people were smarter Atomic Robo would be a successful film or cartoon franchise already. (Do they make cartoons in Hollywood?) Equal parts Hellboy and Indiana Jones, Atomic Robo is one of the few ongoing (pretty much) all ages books of any real worth and is a real treasure. Before you pass over the book because it is kid friendly let me remind you that you are reading the newsletter/blog of a comic shop. You are, by definition, at least 60% manchild or womanchild depending on your genitals. Stop being pretentious and read something fun.

You remember 2007? I don’t really. I looked online and it seems almost nothing really happened that year. Some Marvel character probably died. The Loch Ness monster was caught. George Clinton was president. That Battles record that came out was really good. I discovered basketball shorts. 7/11 perfected making “chicken” nuggets out of Loch Ness Monster meat. The U.S. became the first country to use giant robots in actual combat. I meant to see Michael Clayton. Forbidden Planet’s Executive Director of Web Development, Halal food, & Mini-Comics, Tyler, was born. I had my first milkshake with pieces of cake in it and I refused to believe it was as gross as it actually is. Crazy all the stuff you can find out on the internet, huh? All of that stuff was ok but the one really interesting thing the whole year was that Vasilis Lolos released his super weirdo comic Last Call. Did you miss it? Well it’s about… I don’t really know what it’s about. Some dudes get on a train that is magical or demonic or metaphorical. Not sure. Then lots of weird stuff happens. Well now it’s 2013. Cake shakes ARE gross, basketball shorts are out in favor of smart ties and v-neck sweaters, I probably still won’t watch Michael Clayton, and Tyler is 5 years old and makes more money than me. Also, Mr. Lolos has released LAST CALL vol. 2. There is a lot of killing, some playing with relativity, and lots of “train as metaphor for _____”. In short, the book is pretty awesome. Another of the up and comers making western comics with strong Manga influence, LAST CALL vol. 2 feels like the freaky offspring of Scott Pilgrim, Prophet, and Orc Stain. If you have been digging the work of people like Giannis Milogiannis (some folks just have dope names), James Harren, Brandon Graham, or James Stokoe, this book should be a no-brainer for you. Remember; if you just read vol. 2 and don’t bother to track down vol. 1 first you haven’t earned your sense of confusion.

Powers Bureau #1

Let’s talk about Powers for a minute. Michael Avon Oeming draws it. It looks like he puts more thought into each panel than most cartoonists put into their careers. That’s cool. Good look, Mike. But I am, in some shameful misuse of the word, a writer. I like words. Words are sexy to me. Words are the things I use to both mock and lie to the people around me, and that gives me most of the joy I get in this world. People who use words well are better than people who don’t in my world. Now let’s talk about Brian Michael Bendis. But let’s talk about him via me. I had a shameful period in my life where I didn’t care about comics more than I care about everything else. I was into other stuff and comics just weren’t doing it for me. The thrill had faded years ago, like the shine on so many foil covers. Artists turned writers had abused me and left me bitter and broken. If I did hard drugs this would be my opium years. I was aimless, vacant, distant bordering on ethereal, and almost always nodding off in the back of that cockfighting place on Mott Street. Then someone came to me and saved me. They handed me POWERS vol. 1: WHO KILLED RETRO GIRL? It was an epiphany. It was a chance to see a world I once loved through virgin eyes again. It would have been cool for the sake of this story if the person who handed me that book was Brian Michael Bendis himself, but it wasn’t. I don’t know him. He probably doesn’t hang out at cockfights (“probably” is a strong word.). It was a creepy Gollum-like man in a comic shop that shall not be named who gave me the book. Anyway, I read it and I felt something. Brian Michael Bendis writes dialogue not like the way people talk, he writes it better. It’s idealized dialogue. It’s conversation, perfected. I can’t explain how important his dialogue and the way it forms his characters is to me. In my love of writing I have stopped and obsessed on folks like David Mamet, Elmore Leonard, Quentin Tarantino, Aaron Sorkin, and Whit Stillman for periods of my life. But here is where I say the crazy thing that gets me hate mail. None of them do for me what Bendis does. Bendis made me realize that comics are supposed to be better than all the other mediums. It is the best of all the worlds.

The Powers premise, police procedural in a superhero world, is so simple yet so perfect. This is the chocolate and peanut butter of comics. And the things Bendis does within the book, they were a revelation at the time and can still give you a jolt if you let them; the talking head panels, the multiple interwoven arcs, the focus on the relationships of characters, and lets not forgot the monkey sex issue (google it). All of this was eye opening for me (and most of the comics industry it would seem). The man brought me out of my smoky backroom cockfighting ring and into the less smoky but equally sketchy comic shop once again. Powers is my moment of clarity. I knew I wanted to give myself wholly to comics after I read it and I knew I would follow Mr. Bendis until the day he writes his final panel description. Sadly, Powers has come to an end. And like Lazarus, frozen yogurt shops in New York, and noisy indie rock, Powers has returned from the dead better than ever. POWERS BUREAU #1 comes out on Wednesday. I would say buy it but I might buy all of them and give them out in Port Authority to lost souls and wayward Aaron Sorkin fans. They have nothing left anymore.

Uncanny X-Men #1 Now

Hey, did you read that last paragraph? Did you like it? Don’t care. This awkward obsessing train rolls on. So… Brian Michael Bendis. I don’t expect all people to like his work. I get that he can be polarizing. He occasionally sacrifices old characterization continuity to serve story and people like their weird old continuity baggage. He pushed the medium forward and there always have to be people who push back. Sometimes his female characters are treated like second class citizens… (I don’t have a funny quip for that one. It’s a bummer.) He is good and most people don’t like good things. I get all that. But for me this new Bendis era of X-Men is about as exciting as comics gets. The X-Men were my childhood obsession, and smart comics are my adult obsession. This week childhood me and adult me meet up for a very excited 22 pages as Brian Michael Bendis begins writing UNCANNY X-MEN #1. His All New X-Men is the standout book of the very excellent Marvel Now! relaunch. Now his “X-Men on the run” team gets their own book, harkening back to the mutants as outlaws origins of the characters. The recent evolution of Cyclops, from preppy milquetoast, to his “heavy is the head that wears the crown” version, to his current radicalization, is one of the best things either of the Big 2 has done with one of their characters ever. This is actual growth and development. This is art. It is sad, hard to read sometimes, and compelling as hell. My guess? When all is said and done Mr. Bendis does the best X-Men book of the last 25 years. Get it now and watch the X-Men take their place once again as the most exciting team in comics.

Well it’s time to go. You have new books to buy and it’s my turn to irrigate Ben’s eye socket and I have to find out if my attorney appealed Mr. Bendis’ restraining order yet. Wish us both luck.

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A Whale of a Con

San Diego Comic Con is THIS WEEK! While all of the top talents booze, schmooze and chanteuse their way through the biggest pop culture festival in America, the publishing industry that started it all will still be turning out great titles.

Join us this week, here in the hallowed halls of The Forbidden Planet, for the amazing, incredible weekly comic book extravaganza known as “New Comics Wednesday,” a.k.a. “Business As Usual Con, 2012,” which is now in it’s 28th week running!

TOWERING TITLES

Titles premiering the week of SDCC can be astonishing! In 2002, Mike Mignola’s Amazing Screw On Head hit the stands on opening week, and in 2006 it was Alan Moore stealing the show’s thunder with a little slip case bound, three volume set of Lost Girls.

This week?

Image wants the world to know they’re launching a spin off to the once obscure, now high-profile bizarro crime comic CHEW this week with Chew Secret Agent Poyo #1. Will this be the big, big book of the Con? I dunno’, IDW is launching their own #1 with Battle Beasts #1 and I cannot WAIT to read that sucker and find out how they squeaked a narrative into THAT tiny 80’s toyline.

Dark Horse is keeping in the spirit of BAUC 2012 with the latest issue of Buffy Season 9, as well as the latest issue of their continuously impressive neo-horror comic Creepy (#9).

Creepy has been a sleeper title, a blink and you miss it treat where some of comics best established creators in horror and beyond let their scraggly hair down to have a little fun. Monthly horror stories from all sides of the tracks, with contributing talents such as Bernie Wrightson, Kelly Jones, Steve Niles, Peter Bagge, and more!

Dark Horse is adding another monthly horror book on to your pull list this week with the premier of Eerie #1. Will lightning strike twice? I sure hope so!

THE BIG TWO

Rumors are already spoiling Marvel’s thunder, as many of the big announcements The House of Ideas plans to reveal are already common knowledge online. Rumors such as a wide spread relaunch of several big name titles, such as X-Men and Avengers, with new creators, costumes, and rosters. While not launching at the same time, most of these new books will start over with new #1 numbers on their cover.

Now where did they get that idea, I wonder? Continue reading

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Machine. Unexpectedly, I’d invented a Time

In 1995 director Lars Von Trier, tired of the special effects and genre tropes he felt were ruining cinema, created a list of rules for filmmakers to follow in order to make superior, modern artistic worth. This new style for film-making was called “Dogma 95.”

Rules like “Filming must be done on location,” “No overdubbed background music,” and “All films must feature at least one bear-mauling” make perfect sense when you think about them.

Why do I mention this? Well, I’ve just read Avengers X-Sanction #1. It is, don’t get me wrong, a beautiful book. I’ve liked the team of Loeb and McGuiness since Batman/Superman and I loved them on The Hulk (by the way, trades of these great runs are available here at the Planet!). Loeb keeps his stories simple, fluid, and action packed. McGuiness is the inheritor of Arthur Adams.

BUT. The plot of X-Santion is…iffy. Cable, the time hopping mutant son of Cyclops and Jean Grey’s clone, is going to capture/kill all of the Avengers because somehow they will kill Hope, his time-traveling mutant adopted daughter who is probably a clone of Jean Grey.

And WHY does he think this? I’m sure it will be clarified in future issues, but if we only read this first issue (and again, it is the only one out yet) it is because A) he wakes up in the future after being dead with no explanation of how he got there, B) THIS future (and this is a character that has experienced many) is desolate and destroyed, and C) a time traveling friend of his named Blaquesmith told him that the future was destroyed because “Hope is dead and it’s the Avengers fault.”

GETTING BACK

So about the Dogma Film movement and the new rules for making superior art? I have a rule for comics: NO MORE messed up time travel stories!

Especially in this instance! Blaquesmith could have been speaking metaphorically. “Whoa!” He could say, later on. “You tied Captain America to a chair and shot him in the head because I said Hope was dead? I meant, like, HOPE, ya know? The desire to aspire towards loftier goals and ambitions? You thought I meant your adopted daughter? Way to fly off the handle there, Cable.”

Besides, these future moments take place in “The Far Future.” I should hope that Hope is dead in “The Far Future,” because otherwise she’d be, like, 500-50 thousand years old. As premises go this is like going back in time to kill Mickey Mantle because he didn’t play in the 2011 World Series.

NOT ONLY THAT but Hope is only alive at all because Cable recently fought against a time traveling Bishop who went back to the past to kill her because a potential future he envisioned was destroyed because of her. Continue reading

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Unkiedev’s Amazing Stuff #1

Unkiedev’s Amazing Stuff

Why haven’t I thought of this before? You guys must be super bored of reading my crumble-down, old timey column of words, thoughts, and comic book related highlights. THAT is why the Flash went to an alternative universe and got a glimpse at an ALL NEW, ALL DIFFERENT Unkiedev. A glimpse so startling that we have REBOOTED the entire Unkiedev’s Amazing Stuff universe!

No longer do I live in a smelly cave and constantly get assailed by ghouls, mummies, and woodland creatures! NOW I’m a sexy alien cat burglar who wears purple lingerie and totally makes-out with Batman! That is, when I’m not living in a smelly cave, getting goofed on by mummies and bears and crap.

THREE’S A CROWD

In fact there’s a bear in my cave now. He’s going on and on about how excited he is about Action Comics #3 and Detective Comics #3. I can see his point…Grant Morrison on Superman is never a book to skip, plus Batman is going to fight a villain who makes dolls out of his victim’s skin. Fun for all ages!

Still, I’m more interested in a number 2 book this week.

SUPERNATURAL #2, Brian Wood (W), Grant Bond (A), DC Comics

NOT part of the 52 that I’m aware of, though DC is pretty creative with its retcons. Supernatural is the DC published comic book based on the TV show of the same name. This is the third miniseries written about the show, all of which are sanctioned by the show’s creators and considered in-continuity stories.

Supernatural is good ole’ fun, the tale of roving monster hunters hanging out in bars, getting into fights with each other and the forces of evil. In this new miniseries, younger brother Sam is off in Scotland entangled in two sticky wickets, these being Monsters and Women.

S’good, fun stuff. Forbidden Planet might just have a few issues of #1 kicking around if you ask nicely. Or they might not. What do I know, I live in a cave! Continue reading

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The Lion and the Unicorn

By Unkiedev

W.I.L.D.C.A.T.S #1 gold foil variant cover
W.I.L.D.C.A.T.S #1 cover

The nineties comic book boom (and subsequent crash) was based on two factors that are still cavorting through the forest of comics today. One is the Unicorn of variant covers, the other is the lion of investor speculation. See how nimbly they prance!

The resale of comic books was viewed as a big business, and the launch of Image comics meant that savvy comic book buyers could get in on the ground floor of a gold mine by purchasing every #1 Image had to publish. Soon, Image and other companies started to publish massive amounts of variant covers to rake in the cash from this wave of speculation.

Since then things have changed…but the Unicorn still dances. Now variant covers are the big marketing tool of the least expected: Marvel and DC. The big two release a theme of variant covers almost weekly to promote upcoming events, movie tie-ins and to spotlight characters.

When Tron was in the theaters Marvel had a wave of TRON themed covers. When they felt like promoting Wolvie a bit more they did variant covers to every single title they had with the chuggin’ canuk on the cover. Do yourself a favor and google “JLApe” if you were too young to remember the time when every DC title had a monkey variant cover. Continue reading

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New Comics Worth the Money

Somebody killed all the good, fun, bright and new ideas in comic books. Is there anyone to save us?

Holy Crap! A New Hellboy book?!

Richard Corben, 70’s Heavy Metal Magazine favorite and erstwhile Hellboy artist is back in the artistic saddle with big daddy Mike Mignola whipping him onward via the written word on a brand new Hellboy double feature appropriately called Hellboy Double Feature of Evil! A truly sensational comic book ready to explode your mind! As of right now we are all at the bottom of a hill of ignorance, and this ten-ton comic book is about to avalanche down on our heads with deadly enlightenment of its weighty worth.

THIS to me is what makes comic books great! Amazing talents taking the time to get it right, crafting stories of worth and skill. It is fine by me that there will be four good Hellboy books this year, as they were all f’ing good! Continue reading

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Hellboy: Oi! Wot’s all this now?

By Devin T. Quin

Maybe you’ve noticed the lavishly designed films by Guillermo del Toro or you’ve glimpsed the iconic red character design by creator Mike Mignola, either way you can’t be a comic book fan without having seen Hellboy.

Here’s a handy “What-What” guide to comicdom’s most celebrated devil.

WHAT IS HE?

Hellboy is an honest to god devil born of a high-ranking Lord in hell and a witch mother from England. He was summoned back to our plane of existence by Rasputin as part of a Nazi occult ritual in the 1940’s to raise the apocalypse beast. Due to poor calculations on the Mad Monk’s part, they DID raise the beast, just in a nearby field occupied by a special paranormal team of allies lead by Trevor Bruttenholm. The hell beast is only a year old. He’s large and red with horns and a tail, as well as a gigantic stone right hand.

A soldier attached to the division nicknames him “Hellboy,” and the name sticks.

Trevor then founds the Bureau of Paranormal Research and Defense, or the B.P.R.D., a government subsidized occult focus group and begins to raise Hellboy as his own son. Through Trevor, Hellboy meets with the greatest minds of the Twentieth Century while being raised on American values (and pancakes). He becomes the greatest monster smasher of them all and soon looks to his teammates at the B.P.R.D. as family.   Got that? He’s a devil turned good guy who punches monsters for Uncle Sam!   Continue reading

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