Tagged: Michael Dialynas

Chris’ Comics: Gotham Academy #17

Gotham_Academy_Vol_1-17_Cover-1_TeaserGotham Academy #17

Brenden Fletcher, Adam Archer, Sandra Hope, Annie Wu, Michael Dialynas,, David Peterson, Serge Lapointe

DC $2.99

 

One of the best things about the Yearbook arc is the variety in tone and genre the stories in each issue are. I knew nothing about the creators contributing to Gotham Academy #19, originally thinking it was the conclusion of this storyline. This month I was pleasantly surprised to see the issue kick off with a story that more or less crosses over Black Canary for example, another title that Brenden Fletcher writes.

We get a lot of content from issue #19, which see the girls set out to get their scrapbook from returning guest star Robin (Damian Wanye). It acts as the bridge between the other 3 tales, and again, not a bad bit of storytelling, I just get a little irked everything artist Adam Archer draws Olivia and company’s heads too large or too lumpy. I’m also not a fan of 2how it looks like Damian’s costume is too big for him.

The Annie Wu drawn crossover story sees the GA kids run into Heathcliff, who first showed up in this book and then started showing up as a supporting character in Black Canary. This is probably my favorite story of the bunch, as it looks great, and I really like the way Fletcher handles the reunion between Heathcliff and Pomeline. Wu is colored by Serge Lapointe, who’s washed out and neon color palette is perfect for a story involving relationships and music.

From there we get Michael Dialynas, who’s worked on The Woods for Boom Studios, telling the story of that one time Maps and Olivia ran into a demon cat on campus. This 6 page story starts off with a cool horror vibe to it, but then gets a little cuter once we find out who’s responsible for said cat. It’s the story has a Batman: The Animated series vibe to it, and I love how Dialynas can manage to pull off horror and adorable with his art.

By assembling so many different on this title the last few months,Gotham Academy has exposed me to a variety of creators I occasionally have little to no prior experience with. That statement is especially true come the end of this comic, where Mouse Guard creator David Peterson tells a story set in Gotham Academy’s past. He creates a quartet of 4 new GOTHAC_17_3characters, and the story revolves around the oft-mentioned “Sorcery & Spells” game that Maps loves so much. Aside from being absolutely gorgeous to look at, I love how it’s inspired by the 1980s Dungeon and Dragons panic, in which the game was believed to have some sort of Satanic ties. Also, the way Peterson tackled the project is super impressive, and I encourage you all to go visit his site and read up on how he approached this story.

“Yearbook” has been a incredible arc for Gotham Academy, and no issue proves that more than this one. The range of talent involved in every issue is insane, and it’s impressive how much mileage each creator can get from a book that only had a dozen or so issues under it’s belt before this arc started. Brenden Fletcher, along with Karl Keschel and Becky Cloonan have created a fantastic playground for this guest creators, and seeing the character celebrated like this month after month has been great.

 

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The Woods/Batman/Paladin Super Signing October 7th at 6pm

October-7th-GifOn October 6th at 7 o’clock, Forbidden Planet is going to have a whole slew of amazing creators in-store. Writer James Tynion IV (The Woods, Batman Eternal) and artist Michael Dialynas ( The Woods) will be here as well as writer Marguerite Bennett (Batgirl, Batman), writer Chris Antzoulis (Paladin) and artist Fabio Valle (Paladin) will all be here to sign copies of their respective books. Woo.

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Troy’s Toys, but With Comics: Rocket Reviews

 

000_4318.jpeg.square-true_maxheight-285_size-285 STK644226Legendary Star Lord/Rocket Raccoon #1

Sam Humphries/Paco Diaz (LSL)/ Skottie Young (RR)

Marvel $3.99 each

In case you somehow missed it, or are still in denial (which yo, I GET), Marvel/Disney has a Guardians of the Galaxy movie coming out next month. This usually results in a title reboot, but since the proper GOTG book is only 2 years old, Marvel has decided to go the always questionable spin off route, and give both Peter Quill & Rocket Raccoon books. And given the fact that Rocket Racoon’s preorder numbers were somewhere in the 300k range (100k from Loot Crate), that was an incredible smart move by Marvel.

And what’s the most surprisingly about these titles is how great they are while being so incredibly different. The Legendary Starlord is easily the best Han Solo comic on the market, (sorry not sorry Firefly) until Marvel puts out a proper Han Solo book next year, and Rocket is space adventure under a Chuck Jones filter, (if Daffy Duck was a raccoon that murdered people). Both are great debuts, which is no surprise given the talent involved.

Skottie Young, who’s finally on everyone’s radar thanks to those Young aka Baby Variants that Marvel’s been putting out over the last 2.5 years, is a fantastic fit for Rocket Raccoon. The script is fun, and it’s nice to see Young get a chance to flex his writing muscles for a chance, as the results are very much what I wanted. It’s a super-cartoony looking book, which only proves how diverse and wonderful Marvel’s current crop of artists are, as Rocket #1 ends up being a species swapped Scott Pilgrim of sorts. It’s very loosely tied into the current events of GOTG, making it perfect for new readers not reading Bendis’ book. As far as debuts go,  Rocket’s up there with Ms Marvel with Marvel’s most accessible and fun book launched in 2014.

The Legendary Starlord, by the talented team of Sam Humphries and Paco Diaz, is a little more  rooted in current Marvel continuity, and looks more like a traditional Marvel book, but isn’t any less enjoyable. Humphries’ dialogue is slick, and he balances action, humor and Quill’s tragic past quite nicely. Diaz’s art is slick and clean, making it look a gorgeous looking book. Hopefully Sam and Paco will stick around on this title for awhile, because this take on Starlord is off to a great start.

 

Both Rocket and Starlord are super fun books that are accessible and worth checking out if you’re looking for some fun books to add to your pull list.

 

Woods_003_coverA-620x400The Woods #3

James Tynion IV/ Michael Dialynas

Boom!, $3.99

If case you missed it, I really liked the second issue of the Woods, but found it heavy on the tropes. Luckily, that’s not the case for issue 2.

Issue 3 is very much more in the vein of the 1st issue, which makes for a happy Chris. There’s some horrifying visuals, one involving a weird growth that has more or less confirmed my belief that nature is evil. There’s more character growth that’s shown by actions and not spelled out for the reader which I appreciate. Oh and more Space Bears, which is VERY important to me.

It’s the type of horror comic I want to be reading at the moment, which is a credit to Tynion, Dialynas and BOOM!. The cast is likeable (well most of them at least), the hook is solid, and it looks and reads great. There’s some brutal stuff in it, but nothing that turns me off from reading it. And some really weird things that make sense, given how gonzo the premise is. The Woods is the type of book I expect from Image, but am glad to see a company like BOOM put out. More awesome creator owned books by different publishers is always good for comics.

 

 

 

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Troy’s toys, but with Comics: Strong Debuts, Conquering Queens

Another strong week for comics, with 2 great debuts. I’m excited to talk to y’all about these books, so let’s get to it!

52fcf9c2867f1Cyclops #1

Greg Rucka/Russell Dauterman/Chris Sotomayer

Marvel $3.99

So, a lot of people have been making the same joke on twitter that Cyclops is a bold new concept for Marvel, as it features a positive (and living) father figure in it. I am the MOST jealous of not being the first to make that joke.

As much as I complained about the announcement of this book spoiling “The Trail of Jean Grey”, I absolutely loved this first issue. It’s a cute premise, as the time traveling young Cyclops (or Fryclops if you’re down with Futurama) gets to hang out with his space pirate dad Corsair and his merry band of space pirates. Does this probably put the time-space continuity as risk? Oh definitely, but it’s fun, and it allows Corsair to hang out with a son he never got to meet until he was older, so who cares (Oh right, “our” Cyclops, that was addressed in last week’s Uncanny. Duh.)

Let’s talk creative team yes? So we all know that Greg Rucka is an amazing writer yes? So it comes as no surprise that the writing in this issue is strong. Rucka draws from his own experience as of father, and the result is a more realistic and earnest script, despite the present of aliens and mutants. It makes for a good read in the end, and I’m glad Rucka is handling it.

Art Wise, I have no prior experience with SPACE ARTIST Russell Dauterman (What, that’s his title on the credits page credits him as), But I dig his stuff. It reminds me a lot of Chris Burnham but a little more controlled. His teenage Cyclops looks like an actual teenager, which is nice, because this book stresses that Scott’s 16 a lot. Also his space pirates are all various degrees of sexy, even Final Fantasy knock off Korvus.

An excellent, endearing, character driven comic, the first issue of Cyclops is delight. I really didn’t expect to end up liking it as much as I did, even with my permi-Scott boner, but I’m certainly glad this book is as good as it is.

TheWoods1cvrThe Woods #1

Jame Tynion IV/Michael Dialynas

Boom! $3.99

This is the 2nd comic I’ve read in the last month where teenagers ( #TEENS) end up in a SPOOKY FOREST that’s been published but Boom. But much like “The Lumberjanes”, this is an excellent debut. Unlike the ‘Janes, this is not an all aged affair.

And much like Cyclops’ artist, I have no experience with the creators involved in “The Woods” what sold me on it was the concept. A Milwaukee high school is teleported (for a lack of better words) to a spooky forest, and things go south from there. I don’t want to say much more than that, but it’s creepy and weird, and I love it.

One of the things I really like about James Tynion IV’s script is the fact that the teenagers (who make up most of the cast) actually sound like teenagers, not small adults. A lot of comics don’t get that right, and it takes me out of the narrative a bit. Here, everyone sounds natural, and it totally works, even when the crazier elements of the plots are introduced.

Michael Dialynas is a great fit for the book. He’s very Faith Erin Hicks/Guy Davis-esque, and can sell both the humor and horror elements. Balancing that sort of thing can be tricky, but Dialynas pulls it off well. Jason Gonzalez’s colors also help a lot too, really helping Tynion and Dialynas set the scene for their tale of cosmic horror. There’s some really cool atmosphere in this book, and the use of purples and blues in the 2nd half of the book is great.

 

“Great” also sums up The Woods debut. It’s a cool premise with a fantastic excecution. I cannot recommend this first issue enough.

 

RatQueens06-CoverA-285071_321x214Rat Queens #6

Kurtis J Wiebe/Roc Upchurch

Image $3.50

I’ll be honest, I initially was going to skip over Rat Queens #6 because I prefer reading this book in trade. However, after flipping through the first few pages at the shop, I was more than impressed with what I saw and decided that I couldn’t wait for trade. I needed it NOW.

Wiebe and Upchurch really stepped up their game with this issue. Now that the cast has been properly introduced and the first arc is over, we’re introduced to 2 big reveals in this issue, and now I’m DYING to see how they’re going to pay off. Especially with Roc Upchurch handling the visuals, because holy hell, this book looks amazing. The first few pages show how wonderful his panel layouts and body language is, and it’s something that’s constantly great throughout the book.  And Kurtis Wiebe‘s dialogue is doing a fine job of fleshing out the Queens, their supporting cast and the world around them. There’s some extremely touching moments, as well as 2 that are absolutely horrific. This book is flawless overall.

Image’s comic game has been strong for awhile, as I’ve said as much in the past, but I’m impressed on how their books continue and continue to improve. Rat Queens is arguably my favorite non-Matt Fraction penned series on the market, and if you give it a chance, I’m sure it will be your’s as well.

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