Tagged: Mahmud Asrar

Chris’ Comics: Uncanny X-men #600

UNCX2013600COVUncanny X-men #600

Brian Michael Bendis, Sara Pichelli, Mahmud Asrar, Stuart Immone, Kris Anka, Chris Bachalo, David Marquez, and Frazer Irving.

Marvel $5.99

If you want to know if Uncanny X-men is worth the $6, but also want a spoiler free review, then I’ll save you some time; it totally is. Granted it’s a tad pricey ( SIX BUCKS!!), the issue is well worth the money  if you are a fan of writer Brian Michael Bendis’ take on the X-men and want some closure from the last 3 years of X-comics.

If you want exact reasons as to why this book is worth your time, then I’ll give them to you, but beware, here lies spoilers.

The conclusion of the  long-running Revolution plot line in Uncanny X-men is brilliantly executed, as 2 long time creators says goodbye to one of Marvel’s most iconic franchises. Bendis and artist Chris Bachalo having Cyclops organizing a non-violent Million Mutant protest in Washington DC was a thing no one probably saw coming, and such an important moment for mainstream comics. Writers like Ryan North have been experimenting with non-violent methods to resolve super hero conflicts as of late, and it’s nice to see creators of this caliber follow suit. l. This may be the last issue of Uncanny X-men I’ll read after buying the book religiously for half a decade, so this relatively sweet moment made for a perfect ending of a run I’ve enjoyed for the most part.

1504366566587496519 That’s not to say the rest of the book isn’t brilliant. No, no, while the Bachalo and Bendis chapter is clearly my favorite, the rest of this comic is just as superb. Sara Pichelli kicks this issue off and tells a story that run  throughout the book, in which the X-men confront Beast about some of the reality-threatening nonsense he’s been pulling as of late. I love how diverse Pichelli’s X-Men look, especially the female characters, giving each X-Man a distinct look that most artists don’t consider that they draw them. It’s mostly talking head stuff, but the amount of emotion she gets from the character’s facial expressions is fantastic, and does and excellent job of selling Bendis’ dialogue. From there we have Kris Anka‘s , who pages are clean and sharp, making him a perfect fit for the comparatively light hearted story of reunion. Stuart Immonen‘s pages aren’t his best work, but it nice to see him come back to the All New X-men kids for a brief visit. which sets up the upcoming soft relaunch of the title. Mahmud Asrar‘s art is a tad uneven, but he manages to deliver on the anticipated Iceman sexuality story, making a a satisfying conclusion to that tale. I like how Bendis deals with Bobby coming out, giving it a bit of realistic edge. It’s far from perfect, uncannyxmen_600_pg15-x750but still really handled well, at least in my opinion. I feel bad about not discussing that segment more, but I feel there’s already enough said by people more qualified to. David Marquez swings by to help with the Beast confrontation and Frazier Irving wraps the issue up with some pages that are perfectly fine. But again, the biggest draw for me is  Bachalo’s final X-Men pages for the time being. Bachalo’s stuff is superb, cramming the pages with an army of mutants that he’s been associated with for the last few years.

Also worth nothing the inclusion of a old, I’m assuming rare solo Iceman story by Mary Jo Duffy and Georgr Perez. I’m not sure if it’s suppose to tie into the previously mentioned above Iceman tale, or just pad out the page count for this comic. Seeing Perez’s art is always welcomed though, and it’s a nice additional to the modern talents represented in this issue.

Uncanny X-Men 600 isn’t my favorite finale published this year, but it’s a strong ending to a pretty solid run of X-Men comics. Bendis gives the future creators plenty to work with, all while wrapping up his plot lines in a satisfying manner. Comics history should he kind to Bendis- he added a bunch of cool new toys to X-Men comics, touched upon some social commentary, and pulled off some Chris Claremont in his prime moments with a brilliant collection of amazing artists. I’ll be sad to see him go, and appreciate everything he’s done for Marvel’s mighty mutants.

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Troy’s Toys, but with Comics: C2lateagain

Hey, sorry for the delay (again) folks, but I just got back from c2e2 in Chicago, aka, NYCC’s Midwestern sister convention! I had a delightful time watching Chip Zdarsky hug/tackle people and scored some neat swag, but have very little to report aside from thinking that title for that 3rd Frank Miller Dark Knight book is a BAD idea. I do have plentiful comics to review though, so you can settle for that and what typos are in said reviews.

portrait_incredibleAll New X-Men #40

Brian Michael Bendis/Mahmud Asrar/Rain Beredo

Marvel $3.99

Even with the c2e2 delay, there’s very little chance I’ll be spoiling anything for anyone with this issue of All New X-men. Everyone from your racist high school friend on Facebook to Playboy has chimed in on the issue, and I’m going to do the same, despite dropping the title several issues ago.

When then leaked pages from this issue first hit the internet, I have to admit, I was slightly concerned about the content. Brian Michael Bendis is a plenty nice guy, but he’s also a straight white guy, and the sort of story requires a certain amount of finesse and maybe even some life experience to pull off correctly. However, once I actual read the comic and saw that the leaked images left out some important pages and panels, I was quite pleased with what had gone down.

All-New-X-Men-40-2-1429646420All New X-men #40 is the story of Jean Grey confronting Bobby Drake about his sexuality, which means 2 teenagers from the 1960s talking about sexual preference in the modern world. While the conversation is a tad problematic, not to mention complicated in that special sort of X-men way, it’s actually fine being so problematic in some aspects. Not everyone coming to terms with their own sexuality is a simple moment in their life, as it can be quite difficult for several reasons, and this comic is a necessary representation of that. Which is great, because even though these 2 characters are time traveling teenagers, it makes the scene and the character feel all the more realistic. It’s representation without a sugar coating, which really show just how good of a writer Brian Michael Bendis is.

anxm40_2Art wise, I’m really not feeling Mamhmud Asrar‘s work this issue. He’s far from bad, but his facial expressions and head shapes don’t work for me. There’s a lot of talking head panels here, and sadly instead of kids, the X-men look more like Mr Potato toys on super heroes bodies, and some odd panel choices kill an attempted joke halfway through the issue.  Asrar also seems to be struggling in body language, and the constant recycling of panels doesn’t help either. Rain Beredo‘s coloring is solid though, giving the book a vibrant look that helps make looking at the dull, lifeless panels less painful. I feel bad ragging on Asrar’s art, and I know following a lengthy run by Stuart Immonen is no easy task, but this is honestly one of the less impressive looking Marvel books I’ve read in quite some time.

All New X-men #40 is a book that succeeds on dialogue alone, and manages to do a lot in 20 pages. The Jean Grey/Bobby Drake conversation is great, some lesser mutant make a welcomed appearance, and apparently Angel has glow wings or something. I guess that was a thing that happened during Apocalypse Siege Per   The Black Vortex or something. Either way, while it may be a tad confusing for those not hype to the events in the last 40 issue of ANXM, it’s still a comic worth looking at just for the Iceman stuff alone. It’s a different take on comics dealing with sexuality, but an important one none the less.

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