Tagged: longshot saves the marvel universe

Troy Toy’s But With Comics: Very fill in. Such Rush. Wow.

This is the last big release week in 2013, and man, it ended on kind of a downer comics-wise. 4 out of the 5 Marvel books I pulled had more than 1 artist attached to them, and the one with the correctly solicited team still involved a guest artist. Also Saga was kind of brutal. I suppose some explanations are needed.

dd34Daredevil #34

Mark Waid/Javier Rodriguez/Alvardo Lopez

Marvel, $2.99, 20 pages.

Javier Rodriguez came out swinging this week, which is exactly what Daredevil needed after the less than stellar art from last issue. He was a more than adequate fill-in for regular series artist Chris Samnee last time around, but man, Javier really stepped up his game since then  and it leads to some very strong framing sequences and panels in this issue. It’s a very Marcus Martin meets Annie Wu style, especially when it comes to facial expressions and body language. Add strong inks from Alvardo Lopez, with Javier coloring himself, you get a very strong final product. Mark Waid, remains flawless when it comes to dialogue, which surprises no one. This current arc of Daredevil has been impressive, mixing current headlines with obscure Marvel horror, and it’s hard to think who else but Waid could have pulled it off. This was easily the best book Marvel released this week, although it did some strong competition.

marvel-avengers-assemble-issue-22inhAvengers Assemble 22.INH

Kelly Sue Deconnick/Warren Ellis/Matteo Buffagni/Paco Diaz/Nolan Woodward

Marvel, $3.99, 20 pages

You can tell Warren Ellis has come aboard a title when the books starts off with “There are thing of yours I would very much like inside of me.”

That’s not a complaint mind you. Ellis works well with series regular Kelly Sue Deconnick, although the book feels a little more snarky and adult than usual. It’s still a delightful read, as it’s easiest the most fun and humorous Avengers book on the market. This Inhumanity tie-in arc started off on a great foot and the addition of Ellis has only made things better, especially since this story calls back to previous

The only downside to this issue is that Paco Diaz, the other artist attached to this title does not mesh well with Mattero Buffangi. I like Diaz a lot from his work on Daniel Way’s Deadpool, put his pages stick out like a sore thumb, despite Nolan Woodward’s excellent work on the colors. Still not a bad issue, it’s just stinks that some lesser art takes away from the final product. Speaking of which…

ANXMEN2012020-DC11-LR-e6953_latest_photosAll New X-men #20

Brian Michael Bendis, Mahmud Asrar,Brandon Peterson, Israel Silva, Marte Gracia

Marvel, $3.99, 20 pages

See above? Repeat that, but replace the names. Asrar and Peterson are both fine artists, but their styles could not be anymore different. And it doesn’t help that some of Asrar’s pages look extremely rushed, and both artists have their own separate colorists. It’s not a bad comic, but it’s certainly not as good as the book has been. Also ignore that cover, nothing like that even comes close to happening. Again, another good comic ruined by rushed art, something Marvel has excelled at this past week.

::: Also see Longshot saves the Marvel Universe #4 sadly 🙁 :::

saga-17-web-72Saga #17

Brian K Vaughn, Fiona Staples

Image, $2.99, 20 pages

This is Saga’s Red Wedding issue. Or it’s Walking Dead midseason finale if that first reference doesn’t make sense to you. It’s the type of issue that has people screaming about their feels on Tumblr, because oh god, it hurts, and chances are it’s not going to get better next issue.

BKV and Staples has been carefully crafting this moment since the 3rd volume began. It’s been pretty light on the action, focusing on building characters and relationships, all while the volume 2 cliffhanger remained mostly ignored, not falling into place until the last 2 issues. And then previous issues’ cliffhanger drops, and it turns out to be a massive swerve and GUH, THIS BOOK IS SO GOOD Y’ALL, ALTHOUGH IT’S ALL FOR THE WRONG REASONS, GAH!

So yeah, Saga’s still great, but MANNNNNNN, it hurts y’all. It hurts.

I still need to read Pretty Deadly #3, but what I saw I liked. So it’s fairly safe to seem it’s pull-worthy. And with that, that wraps up my 2013 pulls. The next 2 weeks are extremely light on comics, so I have something else in store. Plus maybe I’ll look at some new toys. Who knows, but happy holidays regardless FPNYC Faithful.

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Troy’s Toys, but with Comics: Crimes againist Inhumanity

FPNYC Faithful, I have a sore throat and IT IS THE WORST, PLEASE SEND HELP/A NEW THROAT.

Inhumanity-1-coverInhumanity #1

Matt Fraction/Oliver Coipel/Leinil Yu, Dustin Weaver/ Mark Morales/Laura Martin

Marvel, $3.99, 40 pages

THIS WEEK IN CONFESSIONS: Aside from a few (4) tie-in issues, I pretty much skipped over Infinity these past few months. HOWEVER,  Inhumanity #1 recaps what you need to know quite nicely, so you can enjoy it and still wait for that pricey hardcover to drop in February.

Rumor has it the Inhumans are getting a big push due to FOX having the rights to the X-men movie franchise and Marvel needing something that can be feared and loathed on the big screen for $$$. If that’s the case, Marvel Comics has definitely assembled the right team to get that ball rolling, as Matt Fraction has been on fire for the last year, and his run on the Fantastic Four books has shown that he knows how to write those characters. Pair him with 3 of Marvel strongest artists in the form of Coipel/Yu/Weaver and chances of this book being a hit are good.

And it is! Karnak makes an excellent tragic lead, and Fraction tosses his fan base a nice little bone by throwing in some quality Iron Man and Hawkeye scenes. It’s nice seeing Matt flex some different creative muscles, as this book feels ways different than some of his recent big hits. And Coipel and friends deliver as well, offering some unique visuals and character moments that hit hard. Inhumanity is off to a strong start, and I’m hoping it can keep this level of quality going.

tumblr_mt25ubqonv1qg8i80o1_1280Burn the Orphanage: Born to Lose #2

Sina Grace/Daniel Freedman/John Rauch

Image/ $4.99/32 pages

 

The first issue of BtO:BTL was arguably the best comic of this year that I never asked for. Sina Grace and Daniel Freedman created a nice homage to beat ’em video games and had they ended the series there I would have been pleased. HOWEVER, issue 2 is a homage/parody to fighting games, specifically Mortal Kombat and Street Fighter, and YO, I am quite BOUT that!

Everything about this 2nd issue is a step up from the already impressive debut. Grace’s art is less sketchier this time and feels a lot more finished. The script takes a few unique twists, leading to some great fight pieces, cool locales, and really solid jokes. And the fights this time are a lot more brutal, which says a lot considering the 1st book ended with some dude getting his head kicked off. Except to cringe at least twice when reading this.

However, this 2nd issue drops the ball in two area. $5 for 32 pages seem like a lot, especially since this lacks the free digital copies Marvel and DC usually offer for that price range. And the ending is more abrupt than a cliffhanger. Still a great read though, Burn the Orphanage #2 is worth the cash if you want more good indie comics that pay homage to video games.

 

Longshot_Saves_the_Marvel_Universe_Vol_1_3Longshot saves the Marvel Universe #3

Christopher Hastings/Jacopo Camagni/Victor Calderon-Zurita

Marvel, $2.99, 20 pages

With this third issue, Longshot saves has gone in full Dr McNinja territory. The Marvel Universe finds itself at war with various “What-If” variants of themselves, all while the fabric of reality is threatened. Also Senile Magneto may be the character find of the year.

This month’s (or week’s, I have no idea if this mini is monthly or bi-weekly) issue sees Victor Calderon-Zurita help out on pencils, as seen on the cover. Victor’s pencils are very similar to Cagmani’s, although some characters eyes look too big for their skulls are certain times. Still, the book remains a delightful romp, as Chris Hastings knows how to balance action with comedy perfectly. The humor is this book’s strong point, but there’s some moments of badassery too. With an issue left (I think.), it’s been a very fun little mini that I hope sticks it’s landing.

 

 

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