Back after a week off during which I dressed up as a pirate, drew silly comics, and tackled a fire in my cave. Some careless animal tried to toast pine cones in my toaster while I was gone and, predictably, they got jammed in the slot. It was probably that jerk, the bullfinch.
Marvel’s Ultimate Spider-Man dream-team of Bendis and Bagley have their own independent out (contractually from Marvel) called Brilliant #1 that is worth the glance. It focuses on college age super genius’s playing god…think “The Social Network” meets “ALPHAS.”
And I will definitely be grabbing Amazing Spider-Man #670, where the dynamic duo of Dan Slott and Humberto Ramos give J. Jonah Jameson Spider-powers and let him loose on New York! Go, J.J.J., Go! Continue reading
Three DC books out this week can sum up where the comic book industry started, where it went and where it is going. To whit: Justice League of America #58, Brightest Day Aftermath #1 of 3, and Flashpoint: Kid Flash #1 of 3.
Superhero comics became the driving genre because they were amazingly ungrounded power plays starring glorious yet identifiable gods and goddesses. Justice League of America #58 has a bunch of highly attractive lads and lasses in skin-tight costumes fighting celestial powers to save the entire universe. Dang! That sure beats reading about Prince Valiant or Mary Worth, now doesn’t it?
Every party has a pooper, and the Silver/Golden age of comics had a big one: repetition. It’s hard to evoke suspense about saving the Universe when you know the comic is solicited for monthly books from now till kingdom come. I think Superman is going to save the day…without a Universe what will they put in the next issue?
Enter Alan Moore, the genius behind Watchmen who figured out that the enemy within is always more compelling than the enemy without, and that truth is ALWAYS stranger than fiction. Continue reading