Tagged: Joelle Jones

Chris’ Comics: Lady Killer TPB

2015-01-05-ladykillerLady Killer

Joelle Jones, Jamie S. Rich, Laura Allred

Dark Horse, $17.99

Confession: I love it when artists are credited before writers on comics. Don’t get me wrong, there are a lot of books I buy currently because I love the writer/writers involved, so I’m not saying this out of spite. But more times than not, an artist is the reason a why I’ll check out a book I’m totally unfamiliar with, and are the deciding factor as to if I will stay with it or not.

On paper, the premise of Lady Killer doesn’t appeal to me much, which is why I initally passed over it. A housewife who’s secretly a hired killer set in the 50s really doesn’t do much for me, either though I’m a fan of books with female leads. But the book was getting some solid buzz, and I eventually reconsidered my stance seeing how good the art was. So yeah, Dark Horse crediting Joelle Jones first on the cover of the Lady Killer trade was a smart move. Jones is an artist I had zero familiarity with coming into this series, but offers a lot to like once you see her work. The best way to describe her art style is Annie Wu (Hawkeye, Black Canary) mashed up with EC Horror comics, as her art on this book is gorgeous, but also extremely gory. Lady Killer is not for those with low tolerances for the ultra violence, so if if the cover disturbs you, you should stay away.

4263831-1+ldyklr+#1+pg+01Those who don’t mind watching  fictional people die violent deaths are in for a treat. Aside from some gorgeous line art from Jones, Laura Allred colors the hell out of this book. Allred goes faux-retro by keeping her palette monotone, which mixes nicely with the splattered inks from Jones, giving the book a gritty, dirty look. I also like the specific shade of red Allred went with (no pun intended), as it’s bold to the point where it’s noticeable, stressing the importance of that color in the book. It’s a very cool visual trick that I dug a lot, and given her past work on such books on FF!, Silver Surfer and iZombie, made her a perfect fit for this book. The artists also deserve credit for keeping the outfits, settings and color scheme very period accurate, going a long well to sell the book’s premise.

I haven’t talked much about Jamie S. Rich, the book’s co-creator and writer. Rich is another creator I’m unfamiliar with, but his work on Lady Killer is  pretty solid. The dialogue is pretty straight forward, feeling slightly restricted, and making the book come off as quiet as time. It feels like he held back on filling the books with character talking in order to let Jones win the audience over with her art. It’s a smart move, as her work is ldyklr2p4stunning, and it makes the dialogue seem all the more important when the characters do speak. I’m also a fan of some of the humor injected into the book, granted it’s pretty dark, the black humor is totally fitting for a book like this. Less is more with Lady Killer, and Rich does hint at some intriguing concepts throughout the book, leaving me wanting to know more about the world, but still satisfied with what I got.

Lady Killer isn’t the most original book you’ll read this year, as several plot points and themes will feel familiar to anyone who’s familiar with Ed Brubaker or Greg Rucka‘s works. But it’s a visually stunning ultra violent ride with a fun, sexy vibe to it as well. It’s a fun mini that tells a complete story, and is definitely worth your time if you want something heavy on the action.

 

 

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TRY SOMETHING NEW Chapter 13: To Destroy An Entire Planet!

I am in Seattle for Emerald City Comic Con as I write this. ECCC is the beginning of the 9 months the comics industry affectionately refers to as “Con Season.” 9 month seasons. Not so bright. Comics Industry- ok at making comics, less ok at everything else. Anyway, I flew in on the Forbidden Planet jet on Thursday night. Not the nicest private jet I have ever been on but that’s alright. I was just happy the doors closed all the way and the heat worked.

So after 4 days of intensive comics immersion in the form of announcements, chatting, gossip, snooping, and spying, what have I found out for you all? Comics people really like donuts and beer. I tried to find out other stuff but that’s all anyone really talks about. There was some cool stuff though. I saw a guy cosplay as Leeloo Multipass and that made me question my sexuality and vomit in my mouth at the same time. I saw a a bar fight where one man choked another man for 2 minutes and then both walked away like nothing happened. James Robinson called me Patrick for no discernible reason. I found out if you put Adventure Time on stuff you can probably take Scrooge McDuck style money baths. Someone who clearly doesn’t have parents or friends thought it was a good idea to cosplay as Geordi LaForge in blackface. I guess maybe some of the comic writers and artists are doing new books or redoing old books or something. I wasn’t paying attention to that. I am pretty sure there are comics planned through at least June of this year. After that, who knows?

But let’s talk about this week. Since I’ve been around a ton of comics all weekend and I’ve decided I really like ’em I am going to TRY SOMETHING NEW. In an attempt to trick you into buying more stuff and save me the effort of thinking up more jokes, we are going to do this rapid fire style. I am going to call out some books than usual that are good, write a sentence or two, and you are going to buy them. Simple and elegant. GO!

REPTILE MUSEUM #1 & #2. Only issue #2 of Reptile Museum just came out, but consulting my trusty comput-o-tron tells me that it is statistically impossible that you read issue #1 so I will review both right now. Published by Ray Ray Books which, for all I know, is either a dude in his parents basement or a division of Newscorp, Reptile Museum is what we call an indie, mini, or self-published comic. This is annoying because technically everything but Marvel and DC are “indie” so that word is meaningless. Sometimes minis are huge so that word is meaningless. And like I said before, I have no idea if Cody Pickrodt published this or Rupert Murdoch, so self-published is a difficult label to use. Either way, Reptile Museum is great. A clever post apocalyptic story that answers questions and creates them at an equal rate. Two issues in and I have no real grasp of the world at all and I love that. A unique dystopian tale, Reptile Museum spends much more time on it’s characters than it does explaining it’s world. We follow as a character reenters the folds of a mysterious organization and shows himself to be a true badass. That’s really it. But it’s great. This is a huge story scaled down and made small and personal. Mysterious and exciting, this book is well worth your support. Buy it now because you may not easily get another chance.

ALL-STAR WESTERN vol.2- WAR OF LORDS AND OWLS. DC’s most consistently great book is All-Star Western. Jonah Hex is a brilliant character, Palmiotti & Gray handle him in a way that makes it almost impossible not to love and loathe him. Someone at editorial decided to make a book that takes place in the 1880’s cross over with Batman and it isn’t horrible and stupid, it’s actually quite fun. The art is great. It’s one of 3 westerns on store shelves. Go buy it.

SLEEPER Omnibus. Ed Brubaker does superhero crime noir comics. A deep cover superhero begins to lose his identity. Do you like stuff like The Departed, Infernal Affairs, or Donnie Brasco? Well this is better. $75 gets you 2 volumes of Sleeper, the Point Blank prequel, and a ton of bonus stuff. There isn’t much more that I can say other than fans of crime, superhero, great writing, or beautiful art must own these books.

Grant Morrison writes 50% crazy nonsense that is almost impenetrable. Then he writes 50% next level brilliance that is untouchable, fun and smart. Sean Murphy is one of the best artists in comics today. They teemed up on JOE THE BARBARIAN to tell the story of a little boy getting lost in his own fantastical mind. It is the best thing either of them has done in many years. These are the best guys in the business doing their best work. Buy the paperback version out this week and lock yourself in a room so you can read though it a few times.

I don’t care about the Rocketeer. Jennifer Connelly isn’t in the comics so 12 year old me doesn’t make adult me buy them. But then Mark Waid goes and does his thing of taking old things, getting rid of the excess, and making them fun again. Then Chris Samnee comes in and does his thing of making comics that are so pretty they make everything else seem like ugly, busy, squiggles. Both men make ROCKETEER: CARGO OF DOOM a must own book for fans of pulp stuff or inventive ways to make action heroes feel fresh and familiar at the same time.

I just want to run the copy for LOST VEGAS #1 because either they have my sense of humor exactly and the notes to the editor are brilliantly funny OR someone really didn’t do their job. Either way Jim McCann and Janet Lee made RETURN OF THE DAPPER MEN which is probably the most brilliant kids book in recent memory. Lost Vegas isn’t a kids book but it looks like it might be as brilliant. So, without further ado, the weird solicitation text for LOST VEGAS #1- The EISNER AWARD-WINNING team of JIM McCANN?& JANET LEE reunite to create a universe filled with intrigue as one gambler-turned-slave has 24 hours to go all in and pull off the greatest heist the universe has seen. (in this next section, can it be like a brochure, like a different font? If not, italics is cool) WELCOME TO LOST VEGAS! Aboard this luxurious casino-filled traveling space-station you will find the highest stakes games from every corner of every planet, unheard-of winnings, and the greatest attractions anywhere!* (Can the below section be a smaller font size?)*the fine print- those who bet it all and lose must work it off as indentured servants to the casino. Escape is not possible. No one is exempt from these rules.

Joe Casey is a great writer. He can do almost anything with style, heart, and humor. None of that matters because his new Image series is called SEX. He wins. SEX #1 is on shelves now. Buying any other comic instead of SEX makes you look stupid.

Cullen Bunn may be getting famous for his work over at Marvel but if there were any justice in the world he would already have been famous for his brilliant western series SIXTH GUN. He returns with a new series called HELHEIM launching this week. Vikings, the undead, gods, and monsters come together in what may be the most fun book of the year. I was lucky enough to see Joëlle Jones art for HELHEIM #1 this weekend and it is quite clear that Ms. Jones has just launched herself into the top tier of comic artists working today. With an art style that falls somewhere between Luther Strode‘s Tradd Moore and B.P.R.D.’s Tyler Crook but feels completely fresh at the same time, this book is painfully beautiful, which is what you want when you are dealing with swordsfights and beheadings.

I seem to do it every week so here I go to do it again. ARCHER & ARMSTRONG Vol 1 MICHAELANGELO CODE is out now. The Valiant relaunch books are great. Archer & Armstrong is buddy cop stuff done pitch perfect. A “struggling with his faith” teenager and a perpetual screw-up immortal are forced to work together to save the world from a problem that is both somewhat their doing. This isn’t life changing stuff, but it is the kind of comic you might fall in love with. This is super hero stuff that feels fresh. This trade is $9.99. If you read superhero books and someone as smart as me tells you that some of the best new ones are only $9.99 for volume #1 you really should buy it. Valiant are leaving cash on the table in order to offer books like this at “TRY ME!” prices. They believe in their books that much, and that should be enough for you.

OK, I wrote the last 2 paragraphs while snoring. I am going to go to sleep and regret not cosplaying as Spoonman or Niles Crane.

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