Tagged: James Tynion IV

Chris’ Comics: Gotham Academy #16

5088873-gothac_cv16_dsGotham Academy #16

Brenden Fletcher, Adam Archer, Sandra Hope, James Tynion IV, Christain Wildgoose, Serge Lapointe,  Ken Nimura

DC $2.99

 

It’s a good week for fans of I Kill Giants, as not only is Joe Kelly killing it on Spider-Man/Deadpool, but co-creator/artist Ken Nimura swings by Gotham Academy for a fun story that he draws/writers/letters by himself.

Before vomiting words of praise for Nimura’s contributions to this little, let’s check in on who else contributes to this issue. James Tynion IV, Christian Wildgoose, and Serge Lapointe tell the other guest story which is good, not great, and not exactly something worth writing home about. It’s cool seeing Maps drawn less stylized and more 5088875-gothac_16_2like an actual human teenager, but it only being 4 pages long give the team much to do. Which is a shame, because it gives Tynion a chance to focus on some less dramatic teen characters than the ones he’s used to in the Eternal books. He’s a good fit for the world of Gotham Academy, and takes to the lighter, more Batman the Animated Series inflenced world quite well. And the art is clean, bold and expressive, which I like, even though it’s a in a more traditional DC  Comics style.  Its delightful fluff, and something that may leave you wanting more from Tyion and Wildgoose.

The bridging story from Brenden Fletcher, Adam Archer, and Sandra Hope moves the story of Maps’ faux yearbook in an interesting direction, and I hope it’s capitalized upon for next month’s finale. I still don’t like how Archer draws a particular character, which I won’t get into due to spoilers, but it’s easy enough to overlook since their time on page is relatively short. His work on the main cast has been steadily improving, which I appreciate, and I hope to see him continue to grow as an artist.

Doing away with the 3 stories and 1 bridging story method for a longer second story, Ken Nimura’s “Boring Sundays” tale is DELIGHTFUL, and a great reason to give DC $3 this Gotham-Academy-16-Panel-2week. While Nimura doesn’t give us the deepest narrative, there’s a ton of charm injected into this tale, mostly via some fantastic art. His style, a mixture of Charles Schutz and manga, makes for an interesting visual take on the Gotham Academy. Also I am now realizing I should have just used  Chris Eliopoulos as a better example of something the art is similar to, as you can see during Matt Fraction’s Hawkeye run (take a shot). Nimura really manages to strip down these characters to their esstenials, and manages to tell a adorable story in about 14 pages. It may very well be the best story to appear in the Yearbook arc to date.

Gotham Academy #16 is a fantastic installment of a very creative and fun arc. I love the talent that’s been assemble for this issue, and can’t wait to see who swings by next month for the finale. There hasn’t been a bad story in this storyline yet, and it’s hard to believe that’s going to change next month, especially after a issue as great as this one.

 

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Review: Batman Volume 6: Graveyard Shift

51hNXab4FEL._SY344_BO1,204,203,200_Batman Volume 6: Graveyard Shift

Scott Snyder/Greg Capullo/ Marguerite Bennett/Andy Kubert/James Tynion IV/Alex Maleev/Andy Clarke/Dustin Nguyen/ Wes Craig/Matteo Scalera/Gerry Duggan

DC Comics, $24.99

With the first 5 volumes of the Scott Snyder/Greg Capullo run on Batman, we the reader got a series of cohesive and quite excellent stories by the same team of creators. Those who have been reading the book monthly have had a different experience, as there has been several issues that have interrupted this run with some guest creative teams. Volume 6 is a collection of those issues, which range back to as far back as 2012 and as recent as 2014. Needless to say, this book is a bit disjointed,  with some of the material dated already.

One of the biggest things to occur during the Snyder/Capullo era was the death of Damian Wayne, which occurred over in the Grant Morrison/Chris Burnham Batman Inc. title. With it not happening in Batman proper, trade waiters now finally get to see that event addressed by Snyder and several other creators in a few different stories. The downside of that is that Damian was already revived earlier this year (with an ongoing set to debut soon), so said stories kind of lose their impact. It’s even worse if you’ve only been reading this incarnation in trade, as there’s zero explanation as to how Damian passed. There are also 2 Year Zero-era tales included, which is odd for several reasons. The biggest one being that Year Zero was already collected in Volumes 4 & 5, and would have made more sense being included there than in this volume. Finally, the last story collected is tied into the recently concluded Batman: Eternal, which I feel would have been suited for one of those trades more so than this one.

BM_19_300-005_HD.480x480-75So while this book feels scatterbrained and uneven, it also looks fairly sharp. Greg Capullo is joined by a ton of talented artists. Andy Kubert, Dustin Nguyen, Alex Maleev, Andy Clarke and Matteo Scalera are some of the more notable contributors and while their styles are all wildly different, they all bring their A game. It’s a little jarring to see different artists tackle the Gotham envisioned by Greg Capullo at first, but these veteran artists contributions are great none the less. It helps that Scott Snyder oversees if not straight up writes a lot of the guest stories, so the tone feels consistent throughout the collection.

Joining Snyder on writing duties are two of his former students, James Tynion IV and Marguerite Bennett. The Snyder penned material is obviously the strongest, and Tylion and Bennet aren’t exactly slouches either. Similar to Snyder, both writers mix horror and action scenes well, although none of their dialogue ever hits as hard as Synder’s does. It’s almost a bit of a unfair comparison, as neither of those two have Greg Capullo to work with. The story written by Gerry Duggan is antiquate: not the best Batman story in this volume, but nothing wrong with it, and it looks great. Matteo Scalera was a perfect fit to draw a Batman story, and his stylistic take on the character is fantastic.

Batman Volume 6: The Graveyard Shift is a weird anthology of sorts. The Snyder/Capullo issues are great, and anyone who’s dug their work in the past won’t be disappointed. The other issues require some knowledge of the going-ons in other DC comics, but are enjoyable none the less. It’s not the best collection of Bat-Material in this run, but it’s a fun little collection of stories that will hold you over until Endgame is reprinted. A shame it’s not as accessible as the past collections have, but that’s not really on the creators as it is on whoever decide to collect the book like this.

 

 

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Troy’s Toys But with Comics: ALL HAIL THE HYPNO SLOTH!

Hey FPNYC faithful, before we go into this week’s round of reviews, I just wanted to point out that The Wicked + The Divine #5 also dropped this past Wednesday and it is super great. I’ll probably go back a look at the first five issues as a whole once the trade drops next month, so y’all can look forward to that I guess.

 

portrait_incredibleSecret Avengers #9

Ales Kot, Micahel Walsh, Matthew Wilson

Marvel $3.99

This issue has Hawkeye and Deadpool fight an Eco-Terrorist version of the Ultimate Warrior and an All Star Superman parody featuring MODOK. It’s a Nextwave appearance short of being everything I want from a Marvel comic.

 

Secret Avengers continues to be a weird sci-fi spy comic who’s jokes aren’t afraid to punch up. It takes some weird chances, not giving the reader a dumbed down product, and it’s all the better for it. Weird things happen for a reason, and while the answers to certain questions always doesn’t come immediately, when they are addressed it’s a win for readers. Ales Kot is a smart dude who balances a ton of different type of storytelling elements well, & Michael Walsh and Matthew Wilson continue to amaze on visuals, especially with the last few pages, mixing some serious strangeness with some great character work and expressions. Not to mention doing some cool David Aja-esque panel breakdowns revolving around Hawkeye shooting off some arrows.

There’s also no less than 3 pin up pages in this book, something unusual for Secret Avengers. As someone who’s read comics in the 90s, it’s really hard for me to be impressed by that sort of thing, but seeing how they’ve been used so sparingly before in SA, the get the desired effect in issue #9. They’re all bold, mostly dialogue free, and contain really striking imagery. Props to the creative team for doing that sort of thing right.

Secret Avengers is basically more of the same. The same being a smart, engaging, weird and hilarious book that has Tradd Moore  and Wilson  some fantastic work on the covers every month. It’s also worth nothing that the first 6 issues are now available in trade, so if you wanted to jump on the book, now’s the time to do so.

 

 memetic1Memetic #1

James Tynion IV/Eryk Donovan

BOOM! Studios/ $4.99

A few months back, (possibly around San Diego Comic Con time) Boom send out an image of the Good Times Sloth, with little to no context. I remember being excited to find out what the deal was with said GT sloth, and then promptly forgot about it because that is how I roll.

 

However, a recent interview with the creative team on Comics Alliance reminded me of said sloth and learned me good of it’s origins (bad grammar was intentional BTW), and I was instantly hook on it’s origins and the book it would be appearing it. The book is called Memetic, and holy hell, is the a really good horror book.

 

For all of you not in the know, Memetic’s plot is as such: The Good Time Sloth image goes viral on the internet, setting all sorts of records and becomes a global phenomenon. Oh and then drives anyone who looks at it insane, and brings about the apocalypse. The book starts off 3 days into the end of times, and then jumps back to the beginning of the outbreak, just as the meme go viral and shit goes down.

It’s the type of high concept horror that made me a fan of James Tylon IV’s work earlier this year. His work on The Woods, Tylon’s OTHER BOOM horror book, was my proper introduction to his creator owned work, and Memetic’s double sized review is as good, if not better than that book. The concept is unique and fresh, the world building and character development is believable, and the social commentary is smart, but not pandering.

In addition to the a great script, Memetic looks fantastic. Erik Donovan style is sketchy and exaggerated, but considering the story revolves around a meme bringing about the end of the world, it makes sense. It actually reminds me a lot of Axe Cop’s creator Ethan Nicolle’sstyle, just a little bit looser. Adam Guzowski‘s colors are also great, as they can shift from dark to bright with no problem.

This 3 issue mini series does look like it’s going to end well, and I’m thrilled to be able to read it. Between this and Wytches, it’s been a great month for horror comics from non big-2 publishers.

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The Woods/Batman/Paladin Super Signing October 7th at 6pm

October-7th-GifOn October 6th at 7 o’clock, Forbidden Planet is going to have a whole slew of amazing creators in-store. Writer James Tynion IV (The Woods, Batman Eternal) and artist Michael Dialynas ( The Woods) will be here as well as writer Marguerite Bennett (Batgirl, Batman), writer Chris Antzoulis (Paladin) and artist Fabio Valle (Paladin) will all be here to sign copies of their respective books. Woo.

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Troy’s Toys, but With Comics: Rocket Reviews

 

000_4318.jpeg.square-true_maxheight-285_size-285 STK644226Legendary Star Lord/Rocket Raccoon #1

Sam Humphries/Paco Diaz (LSL)/ Skottie Young (RR)

Marvel $3.99 each

In case you somehow missed it, or are still in denial (which yo, I GET), Marvel/Disney has a Guardians of the Galaxy movie coming out next month. This usually results in a title reboot, but since the proper GOTG book is only 2 years old, Marvel has decided to go the always questionable spin off route, and give both Peter Quill & Rocket Raccoon books. And given the fact that Rocket Racoon’s preorder numbers were somewhere in the 300k range (100k from Loot Crate), that was an incredible smart move by Marvel.

And what’s the most surprisingly about these titles is how great they are while being so incredibly different. The Legendary Starlord is easily the best Han Solo comic on the market, (sorry not sorry Firefly) until Marvel puts out a proper Han Solo book next year, and Rocket is space adventure under a Chuck Jones filter, (if Daffy Duck was a raccoon that murdered people). Both are great debuts, which is no surprise given the talent involved.

Skottie Young, who’s finally on everyone’s radar thanks to those Young aka Baby Variants that Marvel’s been putting out over the last 2.5 years, is a fantastic fit for Rocket Raccoon. The script is fun, and it’s nice to see Young get a chance to flex his writing muscles for a chance, as the results are very much what I wanted. It’s a super-cartoony looking book, which only proves how diverse and wonderful Marvel’s current crop of artists are, as Rocket #1 ends up being a species swapped Scott Pilgrim of sorts. It’s very loosely tied into the current events of GOTG, making it perfect for new readers not reading Bendis’ book. As far as debuts go,  Rocket’s up there with Ms Marvel with Marvel’s most accessible and fun book launched in 2014.

The Legendary Starlord, by the talented team of Sam Humphries and Paco Diaz, is a little more  rooted in current Marvel continuity, and looks more like a traditional Marvel book, but isn’t any less enjoyable. Humphries’ dialogue is slick, and he balances action, humor and Quill’s tragic past quite nicely. Diaz’s art is slick and clean, making it look a gorgeous looking book. Hopefully Sam and Paco will stick around on this title for awhile, because this take on Starlord is off to a great start.

 

Both Rocket and Starlord are super fun books that are accessible and worth checking out if you’re looking for some fun books to add to your pull list.

 

Woods_003_coverA-620x400The Woods #3

James Tynion IV/ Michael Dialynas

Boom!, $3.99

If case you missed it, I really liked the second issue of the Woods, but found it heavy on the tropes. Luckily, that’s not the case for issue 2.

Issue 3 is very much more in the vein of the 1st issue, which makes for a happy Chris. There’s some horrifying visuals, one involving a weird growth that has more or less confirmed my belief that nature is evil. There’s more character growth that’s shown by actions and not spelled out for the reader which I appreciate. Oh and more Space Bears, which is VERY important to me.

It’s the type of horror comic I want to be reading at the moment, which is a credit to Tynion, Dialynas and BOOM!. The cast is likeable (well most of them at least), the hook is solid, and it looks and reads great. There’s some brutal stuff in it, but nothing that turns me off from reading it. And some really weird things that make sense, given how gonzo the premise is. The Woods is the type of book I expect from Image, but am glad to see a company like BOOM put out. More awesome creator owned books by different publishers is always good for comics.

 

 

 

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Review: Batman Volume 4: Zero Year-Secret City

9781401245085_p0_v2_s260x420Batman Volume 4: Zero Year-Secret City

Scott Snyder/Greg Capullo/Danny Miki/FCO Plascencia

DC Comics/$24.99

Ah yes, the revamped origin story. :: adjusts monocle, clears throat :: A risky venture, especially when a character like Batman already has a good one in “Year One” and an extremely terrible one in “Earth One”. And dedicating an entire year to tell said origin risks decompression/being drawn out.

That being said, the homies Scott Snyder and Greg Capullo aren’t in the business of telling bad Batman stories. Arguably the best book to come out of the New 52, Snyder and Capullo have been on a hot streak with this title, telling new types of stories that appeal to old and new readers alike, which incredible visuals and spectacular set pieces. What Synder and Capullo set out to do is bold -revamp Batman for a new generation of readers, while celebrating the character’s rich history.

GalleryComics_1900x900_20140507_BM_v4-zero-yearCv_533ddde98ab981.56092043I’m not kidding when I say this book covers the characters 75 years of existence. There’s nods from everything from the Bill Finger and real life super villain (shout out to Chris Sims) Bob Kane golden age material, to things like Batman ’66, Batman ’89 and The Killing Joke. Some of the references are only visual Easter eggs, while some other elements are woven into the narrative. But it’s done insanely well, which is the important thing.

3106400-5The Secret City arc (aka Volume 1) covers young Bruce Wayne, fresh from his training all around the world/Liam Neelson, and his one man war with the Red Hood Gang. It’s a different Bruce we’re used to, as this Bruce is a brash jerk what yells at Alfred, and gets a John Cena-style haircut.  We’re also introduced to Bruce’s Uncle Philip and his assistant, who may or may not end up being a major Bat-Villain (spoilers: He totally does). And most importantly, this whole thing starts off which Batman with a crossbow on a dirt bike, which is easily in the top 5 coolest things I’ve seen in comics this year.

batman24_4By now you can probably tell I’m a fan of this story. Which in my defense, anyone who reads it should be, because it’s great. While it definitely pays some respect to the Chris Nolan “Batman Begins” film, it’s very much the opposite as well: loud, vibrant and explosive. With the aforementioned cameos, along with some incredibly well crafted action pieces, Synder, Capullo, inker Danny Miki and colorist FCO Plascencia take full advantage of the genre. The story fully embraces the fact that it’s a comic book and doesn’t have to worry about things like budget and what not.

bat-zero-yearAnd again, the coloring. I’ve been a fan of FCO Plascencia‘s work when I first discovered his work on Invincible and it’s nice to see him working on such a popular and beloved character like Batman. Unlike Year One, Year Zero uses brighter colors like yellow, orange, red and purple. The introduction pages use some really sharp green and blue for the environments and it’s really breathtaking.

It’s also worth noting that Greg Capullo and Scott Synder aren’t the only artist/writer team attached to this collection. Working with Synder, writer James Tynion IV and artist Rafael Albuquerque (Snyder’s collaborator on American Vampire) tell stories set in young Bruce’s training days, as well as the set up for the next arc. They’re all solid stories, and Albuquerque’s art is perfect for Batman.

climbAs someone’s who’s not the biggest Batman fan, I really liked this opening arc. It’s a fun over the top Batman story that actually does a lot of things different for a Batman Origin story. It’s not afraid to try something new, which is more or less the point of the New 52 (At least in my opinion). If you have any interest in Batman or DC Comics, I can’t recommend it enough.

 

 

 

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Troy’s toys, but with Comics: Strong Debuts, Conquering Queens

Another strong week for comics, with 2 great debuts. I’m excited to talk to y’all about these books, so let’s get to it!

52fcf9c2867f1Cyclops #1

Greg Rucka/Russell Dauterman/Chris Sotomayer

Marvel $3.99

So, a lot of people have been making the same joke on twitter that Cyclops is a bold new concept for Marvel, as it features a positive (and living) father figure in it. I am the MOST jealous of not being the first to make that joke.

As much as I complained about the announcement of this book spoiling “The Trail of Jean Grey”, I absolutely loved this first issue. It’s a cute premise, as the time traveling young Cyclops (or Fryclops if you’re down with Futurama) gets to hang out with his space pirate dad Corsair and his merry band of space pirates. Does this probably put the time-space continuity as risk? Oh definitely, but it’s fun, and it allows Corsair to hang out with a son he never got to meet until he was older, so who cares (Oh right, “our” Cyclops, that was addressed in last week’s Uncanny. Duh.)

Let’s talk creative team yes? So we all know that Greg Rucka is an amazing writer yes? So it comes as no surprise that the writing in this issue is strong. Rucka draws from his own experience as of father, and the result is a more realistic and earnest script, despite the present of aliens and mutants. It makes for a good read in the end, and I’m glad Rucka is handling it.

Art Wise, I have no prior experience with SPACE ARTIST Russell Dauterman (What, that’s his title on the credits page credits him as), But I dig his stuff. It reminds me a lot of Chris Burnham but a little more controlled. His teenage Cyclops looks like an actual teenager, which is nice, because this book stresses that Scott’s 16 a lot. Also his space pirates are all various degrees of sexy, even Final Fantasy knock off Korvus.

An excellent, endearing, character driven comic, the first issue of Cyclops is delight. I really didn’t expect to end up liking it as much as I did, even with my permi-Scott boner, but I’m certainly glad this book is as good as it is.

TheWoods1cvrThe Woods #1

Jame Tynion IV/Michael Dialynas

Boom! $3.99

This is the 2nd comic I’ve read in the last month where teenagers ( #TEENS) end up in a SPOOKY FOREST that’s been published but Boom. But much like “The Lumberjanes”, this is an excellent debut. Unlike the ‘Janes, this is not an all aged affair.

And much like Cyclops’ artist, I have no experience with the creators involved in “The Woods” what sold me on it was the concept. A Milwaukee high school is teleported (for a lack of better words) to a spooky forest, and things go south from there. I don’t want to say much more than that, but it’s creepy and weird, and I love it.

One of the things I really like about James Tynion IV’s script is the fact that the teenagers (who make up most of the cast) actually sound like teenagers, not small adults. A lot of comics don’t get that right, and it takes me out of the narrative a bit. Here, everyone sounds natural, and it totally works, even when the crazier elements of the plots are introduced.

Michael Dialynas is a great fit for the book. He’s very Faith Erin Hicks/Guy Davis-esque, and can sell both the humor and horror elements. Balancing that sort of thing can be tricky, but Dialynas pulls it off well. Jason Gonzalez’s colors also help a lot too, really helping Tynion and Dialynas set the scene for their tale of cosmic horror. There’s some really cool atmosphere in this book, and the use of purples and blues in the 2nd half of the book is great.

 

“Great” also sums up The Woods debut. It’s a cool premise with a fantastic excecution. I cannot recommend this first issue enough.

 

RatQueens06-CoverA-285071_321x214Rat Queens #6

Kurtis J Wiebe/Roc Upchurch

Image $3.50

I’ll be honest, I initially was going to skip over Rat Queens #6 because I prefer reading this book in trade. However, after flipping through the first few pages at the shop, I was more than impressed with what I saw and decided that I couldn’t wait for trade. I needed it NOW.

Wiebe and Upchurch really stepped up their game with this issue. Now that the cast has been properly introduced and the first arc is over, we’re introduced to 2 big reveals in this issue, and now I’m DYING to see how they’re going to pay off. Especially with Roc Upchurch handling the visuals, because holy hell, this book looks amazing. The first few pages show how wonderful his panel layouts and body language is, and it’s something that’s constantly great throughout the book.  And Kurtis Wiebe‘s dialogue is doing a fine job of fleshing out the Queens, their supporting cast and the world around them. There’s some extremely touching moments, as well as 2 that are absolutely horrific. This book is flawless overall.

Image’s comic game has been strong for awhile, as I’ve said as much in the past, but I’m impressed on how their books continue and continue to improve. Rat Queens is arguably my favorite non-Matt Fraction penned series on the market, and if you give it a chance, I’m sure it will be your’s as well.

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