Tagged: Greg Rucka

Graphic Spotlight – Wonder Woman Vol. 2: Year One

We Could All Use Some Wonder In Our Lives…

Wonder Woman has been balancing two stories since it began in this DC Rebirth era. While writer Greg Rucka worked in Wonder Woman’s present-day with artist Liam Sharp over in Wonder Woman Vol. 1: Lies, he’s been telling the story of Diana Prince’s past with Nicola Scott in this tall tale, Year One.

On the one hand it’s brilliant strategy, keeping the artists fresh and the pacing even across the series. On the other hand, it’s a challenge to divide the readers’ attention with two stories told simultaneously. That’s a bit more than one might want to keep track of. Fortunately, with Wonder Woman Vol. 2: Year One, we can finally see the big picture that Mr. Rucka and Mrs. Scott have been making for us.

Wonder Woman’s origin story has been told and retold and told again for seeming ever. We’re all set to see a movie depicting it in theaters everywhere next month. Why does ever creator want a crack at the beginning of Diana Prince’s path to becoming Wonder Woman? Because it’s a great story that allows for writers and artists to make it their own. It’s a tale of hope and inspiration, empowerment through the embracing of one’s journey into adulthood, facing down fear to move forward in finding one’s place in the greater world. We know some of the gist from the versions that’ve come before this one: Diana Prince’s people, the Amazons, living in seclusion in Paradise, are rudely intruded upon by a crashing pilot named Steve Trevor. Trevor’s arrival is the end of their isolation as the Amazons must choose a champion of their own…one willing to sacrifice her home among her sisters to save a world she’s only ever heard of. She will be Wonder Woman and this is her first year as the world’s greatest protector.

Collects WONDER WOMAN #2, 4, 6, 8, 10, 12 and 14.

Post to Twitter

“The Truth” Shall Set Her Free in WONDER WOMAN #15

WW15cover_CMYK

This week we put the spotlight on DC Comics’ reigning and defending Amazonian Princess!

WONDER WOMAN has been an unstoppably great series since Greg Rucka, Nicola Scott, and Liam Sharp took over the direction of the character for her Rebirth. This week in WONDER WOMAN #15 the next arc and best jumping on point for new readers hits our shelves with “THE TRUTH” part one.

After the events of  “THE LIES” Diana has finally seen the full scope of how her life and history have been transformed…unfortunately, the knowledge has fractured her mentally and emotionally, leaving the character ripe for rebuilding to be more badass than ever. Like Frank Miller executed with Daredevil in “BORN AGAIN” and Jeff Lemire with Green Arrow in “THE KILL MACHINE”, sometimes the best way to take your hero to new heights is to bring them to their lowest point first. Diana certainly seems like she’s at rock bottom.

All of us at Forbidden Planet cannot wait to see how she climbs her way out as Rucka’s long-game takes a grander and more epic shape this week. If for some reason you haven’t fallen down the Amazonian rabbit hole, then by the goddess now’s the perfect time to jump in for only $2.99!

Post to Twitter

Chris’ Comics: Star Wars: Shattered Empire TPB

Shattered_Empire_1_CoverStar Wars: Shattered Empire

Greg Rucka, Marco Checchetto,Emilio Laiso, Angel Unzueta, Andres Mossa

Marvel $16.99

I’m sure I’m not the only person who watched The Force Awakens was thought to themselves to check out the Star Wars comics Marvel has been putting out over the past year afterwards. It’s the type of thought process all comics marketing folk hope readers have, which is why there’s always some sort of post-blockbuster movie tie in comic on the shelves.

Marvel has been really good with the Star Wars licenses, putting a murder’s row of talent on the various books. Assigning Greg Rucka and Marco Checchetto to a Star Wars comic that bridges the gap between Return of the Jedi and The Force Awakens continues that trend, and the collaboration results in a tie-in comic that’s pretty good, not great.

148jd2I say pretty good only because it’s a bit of a bait and switch on Marvel’s end. This mini is marketed as being drawn by Checchetto, but in reality, he’s assisted by Angel Unzueta and Emili Laiso, 2 artists who are serviceable, but not as experienced as Marco. Their styles are in the same vein as Checcheto’s but lack the same amount of detail, energy and experimental panel angles that Checchetto brings to this. Luckily colorist Andres Mossa manages to make the artist switch ups not too jarring thanks to his excellent choice in colors.

The pages that Marco draw are fairly dope, as he excels at capturing the established characters actor’s licenses without coming off looking too photo realistic/light boxed. And I adore the way Checchetto draws that various ships and tech in this comic, giving the story as fantastic imagery. I think I would have enjoyed the book more had he drawn the entire mini.

dfdjg-2Greg Rucka handling the writing duties for the mini makes a ton of sense. Rucka is a great talent, and he already has experience writing Star Wars material thanks to the Smuggler’s Run Han Solo novel that dropped this past September. It’s a shame that this book is only 4 issues, because Rucka introduces at least 5 new characters in this mini that I would love to learn more about. 2 of which include the parents of new fan favorite character Poe Dameron, who Rucka handles like a very PG and less complicated versions of Marko and Alana from Saga. He also does a terrific job of writing the original, established and much beloved characters from episodes 4-6 as well, including a fantastic Princess Leia, much to the surprise of no one thanks to the incredible work he did writing badass females characters like Batwoman and Renee Montoya for DC.

In addition to the 4 issues of the Shattered Empire mini series, we get a copy of Mark Waid and the DodsonsPrincess Leia #1, and a recolored version of the original Star Wars #1 Marvel put out in 1977. I’m obviously not a fan of the new modern colors on the book, but it’s interesting to see how Marvel started with this license. The Waid/Dodsons Leia comic is very rad, and I can’t recommend picking up that mini-series enough.

Overall Shattered Empire is a fun read, but sadly suffers from some inconsistent art, and being a little too brief, thanks rush to get the trade out by the time The Force Awakens in theaters. I would love to see these creators revisit these characters again in the near future, and would recommend this trade for someone who wanted to dip their toes in Star Wars comics, but didn’t want to commit to an ongoing book like Darth Vader or Star Wars proper.

Post to Twitter

Petrie @ The Planet: Wonder Woman and Women in Comics

wonderwomanbolland

Wonder Woman saved my life. When I was young (I was not little, weighing in, at my lightest, about 30 pounds heavier than I am now) I was an adopted, multi-racial, overweight child. I was also, not to be politically incorrect, really gay. I thought there was something terribly wrong with me that I didn’t want to play sports or go fishing, but instead wanted to hang out with the girls, play with dolls and read.

Then along came a metal spinner rack at our local convenience store. There was a woman in a red, white, blue and yellow costume holding back a lightning bolt with a rope (“Hera help me stop this lighting before it splits this building in two!”).

I have no idea what drew me to her but, there she was, right in front of me. Back then comics cost .25 cents (Yes, .25 cents!! I’m showing my age, but no more than the crows feet) and fortunately she was there on Saturday mornings with her friends. Her Super Friends.

Then came Lynda Carter. I’ve made no secret of my love affair with Stephen Amell and the passion he and I share, but Lynda was my first crush. I had her poster. I had her puzzle. I had her doll. More importantly as I got a bit older and began to realize why there was a gulf between myself and other boys my age, I also began to realize that Wonder Woman was different as well.

Wonder Woman was a woman in a field of men. She wasn’t a girlfriend or a damsel in dstress. She did the rescuing. She wasn’t the same as me, but she knew what it was like to be different and I always got the feeling she was okay with it. I knew she’d say to me, “It’s okay to be different and I like you BECAUSE of that.”

Unlike Superman or Batman or, even, Captain America who I thought would like me “even though” I was different. To my six or seven year old self, the space between ‘because of’ and ‘in spite of’ meant the world to me. It meant I would have a friend who would help me through the teasing and bad times.

Now, not to be more maudlin, I say none of this to make anyone feel sorry for me. I say this as a lead in to why I love women in comics. From Wonder Woman (I call her Diana. Yeah, we’re on a first name basis. I’m that cool now.) I was lead to Batgirl, Hawkgirl, Wonder Girl, The Wasp, Scarlet Witch (She and Diana and I had coffee the other day. She’s not crazy about how she’s been written recently, but mostly, she’s NOT CRAZY.)

I love that comic book women are more than one trait.  I know in my heart of hearts that Natasha is the toughest Avenger out there, but she’s dying for human connection. Black Canary could take down Batman if needed but she loves life so much she’ll never be a dark knight. Helena Bertinelli is an angry, vengeful creation, but she never gives up trying to make Gotham and herself better. The Wasp is silly, and flighty and the best field leader the Avengers ever had, keeping an arrogant Hercules in check and giving orders to Thor and Iron Man.

I love that comic book women are bad-ass. Diana will give you her hand in peace, but she’ll make it a fist and take you out if you want to cause trouble. I cannot overstate how much you should read the Brian Azzarello/Cliff Chiang Wonder Woman. It’s an epic masterpiece, blessedly free of continuity. Azzarello makes Diana powerful and compassionate, two qualities which people seem to forget are NOT mutually exclusive. (Editor’s note: the Greg Rucka run is worth a look, too, if you can get your hands on it.)

I love that comic book women teach me how to have fun. Paul Dini’s BLACK CANARY/ZATANNA: BLOODSPORT graphic novel came out early last year and it’s fantastic! Two women who wear fishnets better than anyone on the planet (except our co-worker, Dany) and are friends. It’s a comic full of joy. And fisticuffs.

I love that comic book women teach me about the world. G. Willow Wilson’s MS. MARVEL is a revelation. This book is an addictive read. A teenage, Muslim fan-girl gets superpowers and succeeds in becoming like her idols. I look forward to this book every month. It’s fun and touching and beautifully written. It will make the hurt of losing SHE-HULK slightly less. I’m not sure how Charles Soule pitched SHe-Hulk. “She’s a big, green, super hero lawyer! We’ll make her as awesome as Gina Torres in ‘SUITS!’ And we’ll throw in Patsy Walker and a monkey named Hei Hei!!”  There is no way this book should work, but I fell in love with it. As has everyone else. Shulkie, we hope to see you soon.

You should know how awesome Kelly Sue DeConnick is, but in case you haven’t read her books yet, she’s simply an amazing writer who deserves the heaps of praise she’s gotten. If you want trippy, read PRETTY DEADLY. It’s drawn by Emma Rios and despite what some people say it’s not over-hyped. It’s Death’s Daughter as John Wayne in ROOSTER COGBURN written by H.P. Lovecraft. I’ll let that sink in. If you want a more super-hero piece, you’ve got CAPTAIN MARVEL. Whatever she’s writing, Kelly Sue hits it out of the park. If you haven’t read BITCH PLANET, please do. (Editor’s Note: Her run on GHOST is a solid, oft unsung winner, too.)

If I could have dinner with any working comic creators, I think it’d be Gail Simone and Nicola Scott. If you haven’t read EARTH 2, you should. James Robinson builds a world, and Nicola brings it to life. She not only draws beautiful pictures, she tells a story. and when she and Gail did the SECRET SIX? Well, it’s magic. Twisted, creepy, sick magic. And I loved every last second of it.

Babs Tarr on BATGIRL is genius. She does amazing things with this book, not the least of which she manages to dress a super heroine in casual clothes that a woman would actually wear. Gather around and listen to your new gay best friend, straight guys: when picking out clothes for your girlfriend as a present, stay away from using comics as a guideline; I guarantee, you’ll be wrong.

Marguerite Bennett is another writer that you should take notice of. If you didn’t read her recent spy series BUTTERFLY, then run back to the store and get the few autographed copies we have left. She’s about to start co-writing A-FORCE, an all female Avengers squad and the rumors are true, I did a little dance when I heard about this series.

There are a lot of books I want to tell you about with women who are strong and powerful and sexy and all those things in between, but mostly I want to tell you about women who are written as fully fleshed out characters. Grab Mark Waid’s SUPERMAN: BIRTHRIGHT and you’ll know in an instant why Supes fell in love with Lois Lane. Pick up some Marv Wolfman/George Perez NEW TEEN TITANS and you get the fiery Starfire, the reserved Raven and the glorious Donna Troy, or, as I call her, Julia’s wife and eternal love. Get Kurt Busiek’s ASTRO CITY: VICTORY to have the best comic book study of feminism and heroism, where Winged Victory fights to remain the inspiration she is. Grab some BIRDS OF PREY (honesty time: read any pre-New 52 BOP, but post-New 52, stop after the first trade. The first collection is an awesome take on modern-day paranoia in the information age, after that the book gets, well, not as great.)

Read HAWKEYE for Kate Bishop’s attitude. Read HARK A VAGRANT! for Kate Beaton’s humor. Read anything by Greg Rucka for a male writer who simply writes great characters regardless of gender. Read Ed Brubaker’s CATWOMAN for some moral ambiguity.

More than anything else though, I beg and implore and plead with modern dance for you to read some WONDER WOMAN. She’s a multitude of things but, more important than whether she’s a warrior or a diplomat or anything else, she’s the personification of love. And, more than anything else in the world, don’t we need more love? And that’s why I read comics by and about women. Love.

Post to Twitter

Troy’s Toys but with Trades!

Those invested in this blog’s continuity (WHY?!?) , you may have recalled that I only reviewed one single issue this past week.

That being said, Image, a publisher I have not shut up about at all this year, has released a number of super impressive hardcovers this past week (and a trade I’m tossing in there because I can). So I’m going to spotlight them here, because they’re all good reads that may or may not be under your radar, or you need some gift ideas for Black Friday.

CasanovaVol1HC_CoverFirst we have The Casanova Complete Edition Volume 1: Luxuria. Casanova is arguably the most Matt Fractiony Matt Fraction book and largely considered to be the book that made him stand out and be notice. It’s the third time this book’s been re-release and the 1st to be released by Image in color and in a fancy hardcover.

The easiest way to describe the book is a multidimensional spy thriller starring Secret Agent Mick Jagger who has some major daddy issues. That probably doesn’t clarify much, but such is the way in Casanova. It’s a book that requires you too devote your entire self to get comprehend, and if you do, you’ll be rewarded with an great read with gorgeous art work. Artists and brothers Gabriel Ba and Fabio Moon channel a lot of Mike Mignola in their art, only trading in scares for trippy sci-fi tech and beautiful people. Having the art increased allows the reader to appreciate how much work they put into their art. While the $30 is a lot to ask for 4 comics, you’ll also get a ton of bonus content. It’s a must for Fraction fans, especially with the long await Volume 4 debuting in January.

 

51DjHOqStyL._SL500_AA300_The other massive re-release of collected material is Brian K Vaughan and Fiona Staples Saga. The deluxe hardcover collects the first 3 trades worth of material ( 18 issues to be precise) plus bonus material that was never put in the bare bones trades. Also a new cover, poking fun of some controversy the book faced by some people with dumb opinions. This Romeo and Juliet meets Star Wars comic is cheaper to buy in single trades ( $40 vs $50), but if you’re new to the book or want to double dip, I can’t recommend going with the hardcover enough. Staples art looks fantastic blown up in this oversized hardcover, and it’s probably the closet we’ll ever get to seeing Saga in the children’s book format that it draws its inspiration from. I know this isn’t much of a review, but I’ve talked about this book A LOT in the pass, so you should know my feelings towards it by now.

TheWickedAndDivine_vol1-1And while not in a snazzy hardcover, Kieron Gillen and Jamie McKelvie’s The Wicked + The Divine also gets its first trade paperback. This is the newest of the 3 Image collections to hit the stands, and tells of the tale of a fan obsessed with pop icons who are actually reincarnated gods, and looking super pretty while dealing with their moralities. Not exactly the cheeriest of books I know, but I’m a fan of Team Gillen/McKelvie/ Matthew Wilson, and cannot recommend the trade enough if you’ve dug any of their past works. The trade collects issues 1-5 of the hit series, but a cover gallery. Well worth the $10 price tag, especially given the level of quality in the book.

 

These three, along with the excellent delux edition of Lazarus by Greg Rucka and Michael Lark are all excellent introductions to some of the best books available today. I recommend picking up all of them, or having someone do so for you as soon as possible.

Post to Twitter

Troy’s toys, but with Comics: Strong Debuts, Conquering Queens

Another strong week for comics, with 2 great debuts. I’m excited to talk to y’all about these books, so let’s get to it!

52fcf9c2867f1Cyclops #1

Greg Rucka/Russell Dauterman/Chris Sotomayer

Marvel $3.99

So, a lot of people have been making the same joke on twitter that Cyclops is a bold new concept for Marvel, as it features a positive (and living) father figure in it. I am the MOST jealous of not being the first to make that joke.

As much as I complained about the announcement of this book spoiling “The Trail of Jean Grey”, I absolutely loved this first issue. It’s a cute premise, as the time traveling young Cyclops (or Fryclops if you’re down with Futurama) gets to hang out with his space pirate dad Corsair and his merry band of space pirates. Does this probably put the time-space continuity as risk? Oh definitely, but it’s fun, and it allows Corsair to hang out with a son he never got to meet until he was older, so who cares (Oh right, “our” Cyclops, that was addressed in last week’s Uncanny. Duh.)

Let’s talk creative team yes? So we all know that Greg Rucka is an amazing writer yes? So it comes as no surprise that the writing in this issue is strong. Rucka draws from his own experience as of father, and the result is a more realistic and earnest script, despite the present of aliens and mutants. It makes for a good read in the end, and I’m glad Rucka is handling it.

Art Wise, I have no prior experience with SPACE ARTIST Russell Dauterman (What, that’s his title on the credits page credits him as), But I dig his stuff. It reminds me a lot of Chris Burnham but a little more controlled. His teenage Cyclops looks like an actual teenager, which is nice, because this book stresses that Scott’s 16 a lot. Also his space pirates are all various degrees of sexy, even Final Fantasy knock off Korvus.

An excellent, endearing, character driven comic, the first issue of Cyclops is delight. I really didn’t expect to end up liking it as much as I did, even with my permi-Scott boner, but I’m certainly glad this book is as good as it is.

TheWoods1cvrThe Woods #1

Jame Tynion IV/Michael Dialynas

Boom! $3.99

This is the 2nd comic I’ve read in the last month where teenagers ( #TEENS) end up in a SPOOKY FOREST that’s been published but Boom. But much like “The Lumberjanes”, this is an excellent debut. Unlike the ‘Janes, this is not an all aged affair.

And much like Cyclops’ artist, I have no experience with the creators involved in “The Woods” what sold me on it was the concept. A Milwaukee high school is teleported (for a lack of better words) to a spooky forest, and things go south from there. I don’t want to say much more than that, but it’s creepy and weird, and I love it.

One of the things I really like about James Tynion IV’s script is the fact that the teenagers (who make up most of the cast) actually sound like teenagers, not small adults. A lot of comics don’t get that right, and it takes me out of the narrative a bit. Here, everyone sounds natural, and it totally works, even when the crazier elements of the plots are introduced.

Michael Dialynas is a great fit for the book. He’s very Faith Erin Hicks/Guy Davis-esque, and can sell both the humor and horror elements. Balancing that sort of thing can be tricky, but Dialynas pulls it off well. Jason Gonzalez’s colors also help a lot too, really helping Tynion and Dialynas set the scene for their tale of cosmic horror. There’s some really cool atmosphere in this book, and the use of purples and blues in the 2nd half of the book is great.

 

“Great” also sums up The Woods debut. It’s a cool premise with a fantastic excecution. I cannot recommend this first issue enough.

 

RatQueens06-CoverA-285071_321x214Rat Queens #6

Kurtis J Wiebe/Roc Upchurch

Image $3.50

I’ll be honest, I initially was going to skip over Rat Queens #6 because I prefer reading this book in trade. However, after flipping through the first few pages at the shop, I was more than impressed with what I saw and decided that I couldn’t wait for trade. I needed it NOW.

Wiebe and Upchurch really stepped up their game with this issue. Now that the cast has been properly introduced and the first arc is over, we’re introduced to 2 big reveals in this issue, and now I’m DYING to see how they’re going to pay off. Especially with Roc Upchurch handling the visuals, because holy hell, this book looks amazing. The first few pages show how wonderful his panel layouts and body language is, and it’s something that’s constantly great throughout the book.  And Kurtis Wiebe‘s dialogue is doing a fine job of fleshing out the Queens, their supporting cast and the world around them. There’s some extremely touching moments, as well as 2 that are absolutely horrific. This book is flawless overall.

Image’s comic game has been strong for awhile, as I’ve said as much in the past, but I’m impressed on how their books continue and continue to improve. Rat Queens is arguably my favorite non-Matt Fraction penned series on the market, and if you give it a chance, I’m sure it will be your’s as well.

Post to Twitter

NYCC Week FP Event Announcement Numero Dos

The week of New York Comic-Con 2013 (10/7 through 10/11) is shaping up to be a dooooooozy ’round these parts, with signings and other events lined up for EVERY SINGLE NIGHT!!!

Yesterday I let the cat outta the bag about our Adventure Time gig, today I’m pleased to announce that on Monday October 7th at 7pm we’ll be hosting another Image Comics night with guests Greg Rucka (Lazarus… to name one), Ales Kot (Zero) and Frank Barbiere (Five Ghosts)!

Greg Rucka Forbidden Planet signing Ales Kot Frank Barbiere

Bring books to get signed.  Buy books here to get signed.  Meet and chat with some of the most cutting-edge comic writers working today.

See ya then!

Post to Twitter

Once again I have bought some comics, let me tell you about them.

The BEST comics weeks are the ones that you walk into the shop and realize that you can’t possibly afford to buy all the books you want. Or you could, but  you shouldn’t. It usually a sign that the industry is doing something right, or that you need a better job, or the comics industry’s shipping schedule needs to do a better job of meeting my very specific needs. Why yes, I am a diva. So a special shout-out to Young Avengers, Fatale and the Wake, 3 books that I really dig, but that not being bought in trade, not unlike “Wolverine and the X-men“. So where does that leave us?

Let’s start off with a pair of Brian Bendis penned X-books, All-New X-men and Uncanny X-men. First and foremost these books look great. Stuart Immonen and friends keep All-New looking fresh and expressive, giving Bendis plenty to work with. And you really can’t do any better than Frazer Irving for an artist on Uncanny when you’re telling an story involving Limbo and demons. Believe it or not it actually helps to good when it comes to a medium like comics (SHOCKING REVEAL), and these X-books very much succeed on that level here.

However, they couldn’t be any different on a script level. All-New’s is great. Fun read, choke full of characters with unique voices and Bendis has GREAT moment with Kitty Pryde reacting to something that happened in Uncanny Avengers not too long ago. Well worth the $4. Uncanny X-men…kinda mediocre. The book feels lost, as big reveals and twists don’t carry the omph they need thanks to some not so great dialogue choices made by Bendis. If you’re torn on the two, go with All-New, and hope Uncanny reads better in trade.

This week was a very good week for Marvel editor Stephen Whacker, as both Daredevil #27 and Hawkeye #11 hit the stands, and were the type of books that wins Eisners. Both Mark Waid and Matt Fraction did great jobs on the words & plot department for these books, but it was their artists, Chris Samnee and David Aja respectively, who really elevated these books above the majority of the titles on the stands. Samnee is a master story teller, as there’s a moment that happens about halfway through that book that kicks of a series of pages that are impossible NOT to get pumped up for. As someone who didn’t even start off as the main artist on this title, Chris has definitely left his mark on it, making it one of the best looking books on the market month after month.

As for Hawkeye…I honestly don’t know what else there’s left to say about the title. I’ve been a fan of the book since it was announced. I’ve sung it’s praises with every issues released. Hell, I even read this issue 3 weeks in advance, and I was still excited for 11. And you know what? It’s honestly the BEST comic to come out this year. Aja tells a murder mystery from a dog’s P.O.V. and it’s great! There’s action, drama, romance, humor and if you’ve been paying attention to this book, the last 3 pages will hit you like a ton of bricks.  For $3, I can’t recommend a better book.

I CAN HOWEVER, OFFER SOMETHING THAT IS PRETTY GREAT AT THE SAME COST! Greg Rucka and Michael Lark, 2 veteran creators who have made many a fine comic over the years, have Lazarus #1 on the stands, and holy butts, is solid as hell. I love debut issues that stand on their own, and if this was a done and one I’d be pleased as punch. HOWEVER IT’S A ON-GOING, SO I’M THRILLED. Without going into details, it’s very much a crime story with a sci-fi background, and also violent as hell. But I’m in. Rucka’s great, Lark is fantastic on both art and letters and Santi Arcas is fantastic on covers. All for $3. Image have been firing on all cylinders when it’s come to fantastic new series, and this book isn’t any different. GET ON IT THIS BOOK NOW, IT IS THE NEW FATAL, IT THE THE NEW SAGA, AND IT WILL PROBABLY BE SOLD OUT BY THE TIME YOU READ THIS, OPPS!

So all in all a great comics. This upcoming week has “Satellite Sam” debuting from Image, and the Fionna and Cake mini-series wrapping up, plus I’ll be spending some time looking at the 5th volume of Wolveirne and the X-men. COMICS FOR EVERYONE Y’ALL!

Post to Twitter

The Weekly Pulse – December 21st, 2011

YouTube Preview Image

Vampires! Fairy Tales! Embattened men! All this and more as Dan Roth guides the trusty ship of Weekly Comics Releases through the stormy seas of the Christmas rush.

Post to Twitter

Brain Candy

By some twerp (Named Dev)

Imagine you were clonked on the head and you had absolute amnesia…maybe that’s too far fetched. Imagine instead that a magical woman in fishnet stockings wiped your mind to cover the fact that she tried to rehabilitate a super-criminal rapist but accidentally erased all your memories. THERE, now that’s something we can all relate too.

Now let’s say you walk into a comic book store.

Removed from actual context and stored memory, the comic book shop is nothing more than a gigantic, multi-colored candy shop of wonder and bizarre flavors! Without the burden of continuity, character arcs and publication history it’s a bunch of pretty pictures and compelling words…

What books would you be interested in without any pre-conceived notions? Continue reading

Post to Twitter

Hyped for Punisher #1

Time to update your pull list… cause a new Punisher #1 drops Wednesday!

Punisher #1 Writer: Greg Rucka Artist: Marco Checchetto

For Frank Castle death comes easy…life is where things gets complicated. As New York City’s body counts continue to rise, the city’s streets are teeming with more methodical criminals than ever and a police force doing it’s best to keep its head above water.

The Punisher has returned to serve his own brand of justice with everything’s he’s got… but can he survive the darkness stored in his own arsenal? Plus bonus pages exploring some of the new personalities in Frank’s life…and how closely intertwined living is with dying.

Post to Twitter

The Hollywood Lot Tour.

Christoph Waltz

In this week’s edition of the Hollywood Lot tour we have a replacement for Nicolas Cage in The Green Hornet, news on a possible Lobo star, Mark Millar, the awesome Bruce Campbell, and Julian Sands has been cast on Smallville.

  • The brilliant Nazi traitor from Inglourious Basterds Christoph Waltz has replaced Nicolas Cage to play Seth Rogen’s nemesis Chudnofsky in the Green Hornet. Well, that’s a step up certainly.  Previously, Rogen said that the character was meant to be scary, but “not over the top”. Sounds like Waltz is perfect for that angle.
  • The Comedian (Jeffrey Dean Morgan) aka as Katherine Heigl’s dead boyfriend from Grey’s Anatomy wants to play Lobo, according to MTV’s Splash Page.  I think that’s possible, he seems like a guy who could do that. Sure.
  • Lobo creator Keith Giffen couldn’t be more thrilled with Guy Richie directing the Lobo movie. Shockingly, I don’t think I’ve ever read anything Giffen has been ecstatic over. But that’s cool that he digs this idea. Giffen said Lock, Stock and Two Smoking Barrels was one of his favorite movies in ages.
  • Sam Raimi cameo artist Bruce Campbell will have a “major” part in Spider-Man 4, reports Access Hollywood.  From the report it sounds like the Burn Notice star will play a key role in the film. Access went off about him playing Myserio but I laughed loudly and shockingly at this statement to the point that the next door neighbor knocked to make sure I was okay.  Anyway, I love Campbell’s cameos, and more of him in the Spider-Man franchise the better.
  • Michael Ausiello sleuths that Julian Sands will play Jor-El on Smallville.  The Warlock star (wow, way to bust that one out) will make his first appearance as Clark Kent’s biological father in an episode titled “Kandor” and will establish his connection to General Zod (played by Callum Blue). I’m pumped for this season which premieres next Friday, Sept. 25, at 8pm.
  • Mark Millar opened his mouth again about his epic Superman movie trilogy.  He says he thinks he’s too expensive for DC/Warners now with his success in regards to Wanted and Kick-Ass. That’s fine, Mark, they weren’t interested anyway, you just sound really bitter. Regardless, they have no plans for Superman, says newly minted DC Entertainment President Diane Nelson.
  • Chris Evans is likely to not be in the Fantastic Four reboot which is a shame because he was the best part of that series.
  • Finally, the movie adaptation of Greg Rucka and Steve Lieber’s Eisner award winning Whiteout was a flop this weekend.  The Kate Beckinsale staring film only raked in $5.1 million this weekend.  Haven’t  seen it yet, but considering my love for all things Rucka related, I’ll endeavor to make it.

Post to Twitter

When Writers Attack!

by Jeff Ayers

Further proving this writer’s hypothesis that damn near  everyone involved in the pop arts these days wants to be associated with comics & geek culture, an onslaught of prose novelists are releasing comics in the near future, led by this week’s Anita Blake: Guilty Pleasures #1 from Laurell K.Hamilton.  Other recent medium-hoppers of note include espionage/suspense  writers Greg Rucka (52, Whiteout) and Brad Meltzer (Identity Crisis, Justice League), as well as fantasists Raymond E. Feist, Tad Williams, and Orson Scott Card.  Movie and TV personalities are also jumping aboard as director Reggie Huddlin, Lost producer Damon Lindelof, Buffy creator Joss Whedon, and Allan Heinberg of The OC are all writing comics, too.

While this trend is anything but new, the sheer number of projects granted to these fledging comic authors is daunting to say the least.  One wonders if the job pool for established comic writers will soon be shallower by way of  this new wave, regardless of the former’s prior successes, their knowledge of the medium, and their ability to make a deadline.  Indeed, many of these newer ongoing projects from “outside” writers are plagued by release dates not met and rush-jobs churned out on account of the writer’s other, more profitable, obligations.  However, as long as their comics maintain a consistent level of quality and punctuality they are worth note.

Continue reading

Post to Twitter