Tagged: Greg Capullo

New and Recommended – New Comic Book Day September 16th 2015

Here’s a a simple listing of personally recommended or otherwise notable new stuff available at Forbidden Planet NYC in-store and online for the week of 9/16/15.

DC-Collectibles-Arkham-Knight-761941326788

 

Batman Arkham Knight Action Figure – DC Collectibles

After a long delay (the other figures from this first wave of Arkham Knight figures have been out for months) we finally receive the game’s big big baddie. Don’t blow his identity to me- I haven’t played it yet!

Scott Snyder Joker Endgame Batman Death

Batman HC Vol 07 Endgame – Scott Snyder (w), Greg Capullo (a)

The Joker is back in these stories from BATMAN #35-40! For years, The Joker has regarded Batman with a sick, twisted love. But now, the Clown Prince of Crime is done playing. He’s going to kill Batman. And he’s going to do it using those whom Batman loves the most: the Justice League. The Joker returns to Gotham City with a deadlier agenda than ever before, using every tool at his disposal to finally kill the Dark Knight. That includes turning Batman’s allies against him in the bloodiest brawl that he’s ever had to survive.

One of the most anticipated, exciting and buzzed-about Bat-storylines in years.

Continue reading

Post to Twitter

Review: Batman Volume 6: Graveyard Shift

51hNXab4FEL._SY344_BO1,204,203,200_Batman Volume 6: Graveyard Shift

Scott Snyder/Greg Capullo/ Marguerite Bennett/Andy Kubert/James Tynion IV/Alex Maleev/Andy Clarke/Dustin Nguyen/ Wes Craig/Matteo Scalera/Gerry Duggan

DC Comics, $24.99

With the first 5 volumes of the Scott Snyder/Greg Capullo run on Batman, we the reader got a series of cohesive and quite excellent stories by the same team of creators. Those who have been reading the book monthly have had a different experience, as there has been several issues that have interrupted this run with some guest creative teams. Volume 6 is a collection of those issues, which range back to as far back as 2012 and as recent as 2014. Needless to say, this book is a bit disjointed,  with some of the material dated already.

One of the biggest things to occur during the Snyder/Capullo era was the death of Damian Wayne, which occurred over in the Grant Morrison/Chris Burnham Batman Inc. title. With it not happening in Batman proper, trade waiters now finally get to see that event addressed by Snyder and several other creators in a few different stories. The downside of that is that Damian was already revived earlier this year (with an ongoing set to debut soon), so said stories kind of lose their impact. It’s even worse if you’ve only been reading this incarnation in trade, as there’s zero explanation as to how Damian passed. There are also 2 Year Zero-era tales included, which is odd for several reasons. The biggest one being that Year Zero was already collected in Volumes 4 & 5, and would have made more sense being included there than in this volume. Finally, the last story collected is tied into the recently concluded Batman: Eternal, which I feel would have been suited for one of those trades more so than this one.

BM_19_300-005_HD.480x480-75So while this book feels scatterbrained and uneven, it also looks fairly sharp. Greg Capullo is joined by a ton of talented artists. Andy Kubert, Dustin Nguyen, Alex Maleev, Andy Clarke and Matteo Scalera are some of the more notable contributors and while their styles are all wildly different, they all bring their A game. It’s a little jarring to see different artists tackle the Gotham envisioned by Greg Capullo at first, but these veteran artists contributions are great none the less. It helps that Scott Snyder oversees if not straight up writes a lot of the guest stories, so the tone feels consistent throughout the collection.

Joining Snyder on writing duties are two of his former students, James Tynion IV and Marguerite Bennett. The Snyder penned material is obviously the strongest, and Tylion and Bennet aren’t exactly slouches either. Similar to Snyder, both writers mix horror and action scenes well, although none of their dialogue ever hits as hard as Synder’s does. It’s almost a bit of a unfair comparison, as neither of those two have Greg Capullo to work with. The story written by Gerry Duggan is antiquate: not the best Batman story in this volume, but nothing wrong with it, and it looks great. Matteo Scalera was a perfect fit to draw a Batman story, and his stylistic take on the character is fantastic.

Batman Volume 6: The Graveyard Shift is a weird anthology of sorts. The Snyder/Capullo issues are great, and anyone who’s dug their work in the past won’t be disappointed. The other issues require some knowledge of the going-ons in other DC comics, but are enjoyable none the less. It’s not the best collection of Bat-Material in this run, but it’s a fun little collection of stories that will hold you over until Endgame is reprinted. A shame it’s not as accessible as the past collections have, but that’s not really on the creators as it is on whoever decide to collect the book like this.

 

 

Post to Twitter

Troy’s Toys But with Comics: Batman #40

Happy May Forbidden Planet Faithful! Hopefully you had a fine Free Comic Book Day, and found Avengers: Age of Ultron enjoyable as I did. I’m going to do something different this week, as 2 stories that I’ve dug wrapped up, and I’m dedicating an article each to them. First off, let’s take a look at arguably the biggest release of the week, DC Comics’ Batman #40!

Batman_Vol_2_40_ComboBatman #40

Scott Snyder/Greg Capullo/Danny Miki/FCO Plascencia

DC, $4.99

Here we have me being made in to a liar. The type of liar who was willing to drop $5 on a comic, which I’m sure also makes me a double liar of sorts.

As stated here and here, I am not a dude who reads Batman monthly. I am a dude who trade waits it, because it’s very good and reads extremely well collected. HOWEVER, the hype for this issue was insane, the leaks/spoilers for the next arc are as equally crazy, and it was a slow release week. Also I’m bad with money, so I figured why not spend 5 bucks on a comic that is the ending to an arc I’ve only read 1 chapter and two tie in.

Even with putting myself at a disadvantage, I still found myself really loving Batman #40. Scott Snyder, Greg Capullo, Danny Miki and FCO Plascencia are in the middle of a legendary run, and this final issue is a brutal emotional experience that really rewards those who’ve been with the book for a while. The Endgame arc has been building up since issue one of the series, with the creative team revealing their hand , showing exactly what from what arcs lead to these events.

For those out of the loop, here’s the general premise of Endgame (also, here be spoilers): The Joker did not take the events of 2012’s Death of the Family too well and has decided to end his beef with Batman once and for all. What this means is turning his infamous laughing gas into a biological weapon, Jokerizing most of Gotham, and the Justice League. Batman managed to stop the JLA, taking them off the playing field for a week, but now has to face a city turned against him while looking into the revelation that the Joker may be some sort of immortal boogeyman. With the odds stacked against him, Batman #40 see the Dark Knight being  forced to make several strange alliances while working with some of his more traditional allies, or risk losing everything.

Scott Snyder holds nothing back with this issue, dropping bombshell after bombshell without giving the reader a chance to recover from any of them. There’s several callbacks his own work on the characters, as those who became before him, including a delightful twist that had me quite pleased. It’s smart and engaging script, which is nothing new for Snyder, but is appreciated none the less, as he does “dark” comics right. They feel important with the stakes raised, but never soul crushing (at least without a good reason).

But ultimately, this comic is Greg Capullo, Danny Miki and FCO Plascenica’s finest hour, as their combined efforts make for an incredible visual experience. Capullo’s panels pack a real punch to them, as his brutal, chaotic and stylized pencils will make you cringe from the violence, yet respect the talent and skill involved. And the way he draws character’s body language and expression helps conveys the emotions so well, it’s like he reading Snyder’s script to you in person.  Danny Miki‘s inks are equally impressive, with his use of heavy black ink giving this book a creepy, yet slick look. And Plascenica really brings everything together, with his palette giving this book an emotional weight it needs to convey the story it’s telling properly.

With 30 something issues under their belts (there’s been a few guests artists and writers), it’s impressive how good this creative team has been on this title. There’s a reason why Batman is the flagship DC book, and it’s nice to see this team tell the type of stories they want to tell with little to no editorial interference. Endgame is yet another triumph for Snyder, Capullo and friends, and it’s exciting to see what they’ll do next come June.

Post to Twitter

A Slice of Pye: John Pye talks Snyder’s Batman

Morning light breaks over the great old city and they’re all out there; clawing at the doors, peering through the windows, begging to get in to satisfy their insatiable need. They’re all calling his name:

BATMAN!

No, it’s not the blood-thirsty, Jokerized victims of Gotham City I’m referring to, but the Bat-Crazed fans who can’t get enough of artist, Greg Capullo, and writer, Scott Snyder’s modern legends of the Dark Knight.

But how did we get here? As Batman puts it in issue 38 of Snyder’s New 52 run, “let’s talk history.”

Along with Batman, we fought our way through a hellish labyrinth set to instill paranoia and despair (Batman Vol. 1 THE COURT OF OWLS  and Vol. 2 THE CITY OF OWLS). The, we faced off against our inner-most fears while a long-kept secret, finally revealed, tore the bonds of family apart (Batman Vol. 3 DEATH OF THE FAMILY). We battled for the soul of a darkened city within the grip of hopelessness and riddled with puzzles (Batman Vol. 4 ZERO YEAR – SECRET CITY and Vol. 5 ZERO YEAR – DARK CITY).

Through Batman’s eyes we’ve done all this, but the fight is still far from over. Bad news for Batman; great news for us.

“Ever dance with the devil in the pale moonlight?” Those words once delivered by Jack Nicholson’s Joker 26 years ago would coincidently be a fitting title to the Joker’s goodbye that takes its form in the ENDGAME story arc.

Scott Snyder has often-times compared his Joker to the devil himself. He’s the kind of devil that thrives off our misery as a mirror to the worst in us. He’s the kind of demon that whispers what we fear most into our ears – what we’re afraid to have exposed, to lose, or even to gain through means unforgivable.

It’s been said many times that the Joker is Batman’s mirror. And as Bruce gazes into that mirror, he is forced to come to grips with something he has always feared: uncertainty. Batman has uncertainty over who the Joker truly is and, more importantly, what Batman might have to do to ultimately bring the Clown Prince of Crime down.

Ironically, uncertainty is also what we, the die-hard readers of Batman, face as Snyder and Capullo near their contractual end with DC Comics on. There’s a sense of anxiety knowing that not only may Batman or the Joker be coming to their end, but the creative team may be as well.

It remains uncertain whether Capullo and Snyder will stay on the title beyond issue 50, but I assume that I can speak for everyone (or at least the thousands of us who fought alongside Batman for the last four years) when I say thank you for continuing to inspire us. Thank you for putting Batman through hell for the last four years. It has reminded and reinforced why we love the character as much we all do. We wish you success on whichever road you decide to take. We can only hope you allow your hearts to guide you on that road. We can only hope your hearts lead you back to Gotham.

Post to Twitter

What I dug in 2014: DC Comics edition

It’s the end of 2014, which means it’s time for everyone to drop “Best Of” lists. Truth be told, there’s been a ton of acclaimed comics I didn’t read this year, so me complying one is kind of whack. HOWEVER, I’ve read a bunch of good comics this year, so I’m going to make 3 articles dedicated to some of my favorites from the past year. A solid cop-out if you ask me, #biased.

2012/2013 saw me drop a number of DC Comics titles, mostly due to the lack of interest in the direction DC editorial was heading. 2014 changed that, as  editor Mark Doyle came aboard the Bat-line and shook things up a lot, assigning some top notch creators to old and new titles. It’s resulted in me getting interested back in Dc’s catalog for the first time in a while, with the exception of one book I never really stopped reading.

Batman_Vol_2_31_Textless-1That exception is Scott Snyder and Greg Capullo‘s amazing run on Batman. This book has been constantly excellent since the beginning of the new 52, and this year saw the conclusion to the incredible Year Zero story line, as well as the fantastic Endgame arc. Snyder’s Batman has been a more human take of the character, way different from the Bat-god we’ve seen from Grant Morrison‘s run, and has been the most relatable take on the character in some time. Greg Capullo, inked masterfully by Danny Miki with amazing colors by FCO Plascencia, is doing some next level stuff with this book. His villains are grotesque, his Batman is a mix of iconic and pulp hero, and his Gotham varies from modern metropolis to nightmare-fuel garbagetown depending on the scene.

4008079-grayson01But Snyder and Capullo kicking ass isn’t anything new. What is new is Grayson, the spy thriller that saw Nightwing go from vigilante to spy who refuses to kill. Which is problematic given his new profession. Written by Tim Seeley and former actual spy Tom King, with  Mikel Janin and Jeromy Cox, it’s been the most compelling Dick Grayson has been since he was Batman, and is a fun book that incorporates espionage with some weirder elements of the Batverse. While the book suffers the occasional misstep, it’s also incredibly smart and sexy when the book (in a non-insulting/offensive way) delivers. The Future’s End tie-in was easily one of the best editorial mandated tie-in book to an event I don’t read this past year, and would be the best single issue for the series if we didn’t have a surprisingly sweet issue involving a Manty Raid.

STK652755586cfd30a87203654de3e206e1093d7dI also can’t overlook the trio of female lead books set in the Batverse. Gotham Academy, but Brendan Fletcher, Becky Cloonan, Karl Kerschl and and a trio of amazing colorists ( Geyser, Dave McCaig and John Rauch) is Batman meets Harry Potter, and is a slick looking book I didn’t know I wanted, but now am incredibly happy we have. It reminds me of Jason Aaron‘s insanely charming run of Wolverine and the X-men, only with less mutants and more #Teens. Harley Quinn, by Jimmy Palmiotti, Amanda Conner, Chad Hardin and Alex Sinclair, has became a massive hit for DC Comics, and while the book is pretty hit or miss to me, it’s hard to overlook it’s importance. It’s the closest DC has an book that truley appeals to the Deadpool audience, and when the book is good, it’s good. And finally there’s Batgirl, DC’s arguably most hyped book of the year. The book, seeing Fletcher joined by Cameron Stewart, Babs Tarr and Maris Wick, set the internet aflame when it was announced, and has delivered ever since they creative team’s debut in October. It’s a much needed book that does some interesting things with Barbara Gordon, and much like Gotham Academy, it’s gorgeous and incredibly fun.

 

So yes, while DC has put out some incredibly bad books this past year (Forever Evil and the current run of Wonder Woman spring to mind), it seems they’ve finally found some books that match some of the gems Marvel has been offering as of late. I’m hoping this trend continues well into 2015.

 

Post to Twitter

Troy’s Toys: Actually about Toys this time!

Hey look, I’m taking a break from screaming about comics books to scream about comic book toys! How fortunate for all of you, right?

1395362963_HAS23670Marvel Universe Infinite Figures

Wave 1 & 2

Hasbro, $11.99 each

I’d make a snarky comment that a infinite series of figures contains 5 reissues, but I’d like to think that I’m better than that. I’m not, but I enjoy lying to myself.

I’m not exactly sure why the MU  toyline has been rebranded, but I’m okay with this. Since the Legends line is hella expensive/focused on movie-related properties and character for the most part, I need a toy line decided to 616 stuffs. Which despite the numerous and outdated reissues ( Heroic Age Iron Man and  Steve Rogers haven’t appeared in those uniforms for over 2 years at this point in), the NEWER releases are really cool. The Marvel NOW! Hulk is arguably the best Hulk figure to be released in the 3.75″ scale, and it’s cool to see more female figures with good sculpts with the release of Red She Hulk and the Wasp. And if you want obscure comics-only character, Infinite Waves 1 and 2 give up Hyperion, Grim Reaper, Whirlwind and friggin Death’s Head! Kieron Gillen is a far more powerful mage than I thought. There’s also a  Eric Materson version of Thor, which is a cool little throwback to 80s/90s Marvel Comics.

marvel-avengers-universe-infinite-3-75-inch-action-figure-series-2-set-of-7-pre-order-ships-tbd-2014-6The reissues are as following: the aforementioned Cap and Iron Man, another classic Captain America, Beta Ray Bill, and Yellowjacket. 2 Caps being re-released makes sense in this, the year of the Winter Solider, but it’s nice to see Hasbro go a little more obscure with Bill and Yellowjacket. I’m also just happy that it’s just not another Wolverine figure. And most importantly we have Hank Pym and Janet available in the same scale for the first time in FOREVER.

In terms of quality, these 2 waves are really good looking and as possible as you’d expect MU figures to be. The important thing is that the female faces don’t look like total butt, because that’s what I care about when it comes to action figures apparently. And at least half of the figures come with an accessory of some sort, which is neat. Overall, I’m pleased with this selection, and eagerly await for wave 3, because Cyclops.

San-Diego-Comic-Con-2013-First-Look-DC-Comics-Greg-Capullo-Batman-Designer-Series-Action-Figures-Batman-Nightwing-TalonDC Comics Designer Figures Greg Capullo

Wave 1

DC Collectibles, $24.99

 

I’ll be honest, I could not even begin to tell you how many Batman figures are out there on the shelves today. DC, as well as Mattel, Square Enix, Lego and a few Japanese companies all have the rights to make Bat-merch. So as a result, I’ve lost count of what the fresh hell has been going on with these figures sometime back in early 2013.

That being said, I’m WELL aware of Greg Capullo‘s art on the ongoing Batman comic, and know that it is very much the business. So DC Collectibles making toys based on his work is a smart-ass move, because Capullo’s art translates into toy form quite well.

dc-comics-designer-series-1-greg-capullo-riddler-action-figure-pre-order-4The first wave (I believe 3 waves in total have been announced so far) consists of Batman, The Riddler, Talon and Nightwing. While the articulation is SLIGHTLY better than post DCC figures, they look a ton better than anything Mattel or Square’s released recently. Capullo’s a fantastic veteran artist, and this figures looked like they popped up from the pages of the comic. And I REALLY like the choice of packaging, as it looks super sharp and clean.

This is easily the best debut for a new line of DC Collectibles in some time. I’m eager to see more of the Capullo stuff get the plastic treatment, as well as other artists getting the spotlight. Hopefully it will expand past Batman titles at some point too.

 

 

 

Post to Twitter

Review: Batman Volume 4: Zero Year-Secret City

9781401245085_p0_v2_s260x420Batman Volume 4: Zero Year-Secret City

Scott Snyder/Greg Capullo/Danny Miki/FCO Plascencia

DC Comics/$24.99

Ah yes, the revamped origin story. :: adjusts monocle, clears throat :: A risky venture, especially when a character like Batman already has a good one in “Year One” and an extremely terrible one in “Earth One”. And dedicating an entire year to tell said origin risks decompression/being drawn out.

That being said, the homies Scott Snyder and Greg Capullo aren’t in the business of telling bad Batman stories. Arguably the best book to come out of the New 52, Snyder and Capullo have been on a hot streak with this title, telling new types of stories that appeal to old and new readers alike, which incredible visuals and spectacular set pieces. What Synder and Capullo set out to do is bold -revamp Batman for a new generation of readers, while celebrating the character’s rich history.

GalleryComics_1900x900_20140507_BM_v4-zero-yearCv_533ddde98ab981.56092043I’m not kidding when I say this book covers the characters 75 years of existence. There’s nods from everything from the Bill Finger and real life super villain (shout out to Chris Sims) Bob Kane golden age material, to things like Batman ’66, Batman ’89 and The Killing Joke. Some of the references are only visual Easter eggs, while some other elements are woven into the narrative. But it’s done insanely well, which is the important thing.

3106400-5The Secret City arc (aka Volume 1) covers young Bruce Wayne, fresh from his training all around the world/Liam Neelson, and his one man war with the Red Hood Gang. It’s a different Bruce we’re used to, as this Bruce is a brash jerk what yells at Alfred, and gets a John Cena-style haircut.  We’re also introduced to Bruce’s Uncle Philip and his assistant, who may or may not end up being a major Bat-Villain (spoilers: He totally does). And most importantly, this whole thing starts off which Batman with a crossbow on a dirt bike, which is easily in the top 5 coolest things I’ve seen in comics this year.

batman24_4By now you can probably tell I’m a fan of this story. Which in my defense, anyone who reads it should be, because it’s great. While it definitely pays some respect to the Chris Nolan “Batman Begins” film, it’s very much the opposite as well: loud, vibrant and explosive. With the aforementioned cameos, along with some incredibly well crafted action pieces, Synder, Capullo, inker Danny Miki and colorist FCO Plascencia take full advantage of the genre. The story fully embraces the fact that it’s a comic book and doesn’t have to worry about things like budget and what not.

bat-zero-yearAnd again, the coloring. I’ve been a fan of FCO Plascencia‘s work when I first discovered his work on Invincible and it’s nice to see him working on such a popular and beloved character like Batman. Unlike Year One, Year Zero uses brighter colors like yellow, orange, red and purple. The introduction pages use some really sharp green and blue for the environments and it’s really breathtaking.

It’s also worth noting that Greg Capullo and Scott Synder aren’t the only artist/writer team attached to this collection. Working with Synder, writer James Tynion IV and artist Rafael Albuquerque (Snyder’s collaborator on American Vampire) tell stories set in young Bruce’s training days, as well as the set up for the next arc. They’re all solid stories, and Albuquerque’s art is perfect for Batman.

climbAs someone’s who’s not the biggest Batman fan, I really liked this opening arc. It’s a fun over the top Batman story that actually does a lot of things different for a Batman Origin story. It’s not afraid to try something new, which is more or less the point of the New 52 (At least in my opinion). If you have any interest in Batman or DC Comics, I can’t recommend it enough.

 

 

 

Post to Twitter