Jeff Lemire, Ramon Perez, Ian Herring
Following in Hawkeye volume one’s footprints, All New Hawkeye is back after a slight delay. #BURN A reverse of the previous issue sees the bulk of the issue being dedicated to the drawn out Clint and Barney origins, with the final panel of the page being dedicated to the present, with Clint and Kate dealing with the three spooky children the Hawkeyes liberated from Hydra. Much like the previous issue, those panels are mostly dialogue free, and I find them the most interesting, as it feels more in the same vein as the previous volume, and Ramon Perez more simplistic style looks gorgeous. Ian Herring‘s colors perfectly capture the style used by Matt Hollingsworth for these scenes, yet his best stuff is saved for the flashback material. Here we see a lot of interesting uses of purples and blues clashing against a brighter color which clash nicely with the muted art work.
With the origin-story stuff taking the point again for this issue, I find myself slightly less invested with this issue. Don’t get me wrong, it looks great and genuinely do like what Jeff Lemire has set up with the brothers Barton. But ultimately it’s not a story I want to read. Clint’s origin is arguably one of the least interesting aspects of the character, because who wants to read about the circus in 2015 right? I applaud Lemiere and Perez doing something different, but I much prefer Clint and Kate arrowing it up in Brooklyn than I do Hawkeye babies. Especially after 4 issues, or in Lemire’s case, a hunk of his career. Also it really clashes with the promise of more Kate Bishop, who’s barely in this issue.
All New Hawkeye #4 takes some neat artistic risks, but I’m tired of this origin story. The modern stuff is far more compelling, and hopefully there’s more of that after this arc.
Tim Seeley, Tom King, Mikel Janin, Jeromy Cox
Grayson continues to be a god send to the character of Richard “Booty Booty Booty” Grayson. Ol’ Dick (heheheh) has been on bit of quality decline ever since the new 52 started, but his role as a spy has given him a much needed shot in the arm that Dick hasn’t seen since Grant Morrison and friends made him Batman. Grayson #10 is the second installment of the “Nemesis” arc, which finds that boy Grayson amiss of a murder mystery where he is the main suspect. Oh and Lex Luthor shows up, which is big, because Lex is one of the reasons Dick had to fake his death to begin with. It’s compelling stuff, with some really engaging dialogue from Tim Seeley and Tom King and the cliffhanger ending is spectacular.
One of the advantages of turning Dick Grayson into a globe spanning hero is Mikel Janin being able to draw the hell out of a number of exotic locations in a single issue. Two moments that stand out to me visually were the scene in Madrid early in the book, and later when Lex and Dick meet in Corscia. Aside from drawing the prettiest of people, Janin draws some gorgeous scenery, beautifully colored by Jeremy Cox. Cox is also another fantastic artist, managing to mix channel travel brochure quality colors as well as Jim Steranko SHIELD era stuff. Coz is easily one of the most underrated colorists in the business and pairing him with Mikel Janin has produced some incredible looking art. Meanwhile, Seeley and King continue to provide a solid and entertaining script with some really smart and fun dialogue.
Grayson #10 is another fine installment of a book that got me back into DC Comics. It’s spy drama and super heroics at it’s best, and I’m glad to see the team’s first multi-issue storyline going so well.