Sorry I wasn’t around last week…I took the week off in order to save up enough money to buy this week’s TOP TWO NOT TO BE MISSED HITS!
In 1988, a few years after they published The Dark Knight Returns and a year after Watchmen, DC released another grim and gritty comic steeped in the flavor of the times called Batman The Cult. Penned by Jim Starlin (who had garnered attention at Marvel through his work on Adam Warlock and Captain Marvel) and drawn by the legendary Bernie Wrightson, Batman The Cult also featured Bill Wray (creator of Hellboy Jr. and notorious Ren & Stimpy background artist) on colors.
Batman The Cult almost reads as an Elseworlds story, as it is based on a premise slightly unsavory to Batfans: What if a foe psychologically broke Bats? This theme of ultimate defeat reappears from time to time, most notable in Knightfall and Batman R.I.P., though The Cult tells it tough and stark.
Batman is kidnapped, starved, beaten, drugged and abused to the point where his brain gets woozy enough to break. This torture is administrated at the hands of a mystic in the guise of a slum preacher named Deacon BlackFire. Blackfire then uses Batman as a killing machine against his enemies…yes Batman kills. With Guns, TOO!
In this story Batman uses guns (loaded with both bullets and tranquilizers), drives a monster truck version of the Batmobile, and features Jason Todd in one of his best pre-death appearances. Does Batman save the day and overcome all obstacles? Not without scars, he doesn’t!
The Cult is…an interesting story. Batman is after all a man. Men do fail. Batmen must also Bat-Fail. The Cult is a well rounded look at Batman’s mental frailty, far subtler than Arkham Asylum and WAY subtler than Batman R.I.P.
Curious? Check it out. But not this week. THIS was all a preamble for this week’s recommendation: Continue reading
As reported by Deadline, Marvel Studios has commissioned Thomas Donnelly and Joshua Oppenheimer, writing team behind 2011’s CONAN, to write a Dr. Strange film.
Marvel Studios has hired Conan scribes Thomas Donnelly and Joshua Oppenheimer to write Dr. Strange, marking forward progress on a long-gestating superhero property which will likely be among the first Marvel films generated under the Disney banner.
If green-lighted further down the chain (and there’s no guarantees there, as Stephen Strange’s possible big-screen adventures have been in development hell for nigh on two decades) this may be one of the first, if not the first, Marvel Studios films produced under the Disney banner.
Why should Dr. Strange fans be excited and/or scared?
Excited because Messrs. Donnelly and Oppenheimer are two very very “IT” genre screenwriters right now, their stars ascendant with not only CONAN looming, but also the forthcoming DYLAN DOG (starring Brandon Routh), and credits on an UNCHARTED film and an early draft of COWBOYS & ALIENS.
Scared because Dr. Strange seems a strange choice (pun intended) for a feature film in this era. Iron Man and Hulk and Thor and Captain America and The Avengers have all the whizzbang action and ‘splosions the folks pony up twelve bucks to see these days. Dr. Strange’s adventures are ethereal and mind-bendingly psychedelic- not exactly typical fare for the target popcorn crowd . However, CG effects and the now-ever-present possibility of 3D make such a film an intriguing film if well-written.
Scared also because the writing team have screenplay credit on SAHARA, one of the worst films of the 21st Century.