Tagged: Deadpool

Graphic Spotlight – Deadpool: Bad Blood

Daddy’s home…

Deadpool: Bad Blood is the Merc With A Mouth’s very first original graphic novel! After taking Hollywood by storm last year it’s time for everybody’s favorite crazy, fourth-wall breaking, healing factored, assassin with a heart of gold to takeover this new territory. Who better than to break this new ground than Deadpool’s co-creator Rob Liefeld. Yup, that’s not a typo and I’ll repeat it just to be on the safe side: Deadpool’s co-creator Rob Liefeld is back to do pencils and inks on this brand new Wade Wilson whacky ride.

Some said it would never happen to have Rob Liefeld back on a big project like this at the House of Ideas. However, the saying of “never say never” becomes truer with every day and every new announcement from the Big 2. Yes, he’s back, weird looking feet and massive muscles and all! Get ready for a bloody nostalgia trip as Liefeld and writers Chris Sims and Chad Bower take you through what looks to be a callback to the classic crazy shenanigans of everyone’s favorite overexposed mutant.

The plot? Does it matter? Fine, we’ll cover it. It seems to revolve around a new enemy named Thumper who keeps showing up and beating the retcons out of Deadpool. What is Deadpool’s connection to this new deadly enemy? Why does he keep getting his butt beaten like he owes Thumper two weeks worth of lunch money? What role will Domino, Cable, and Shatterstar have to play in all of this? Will Ryan Reynolds provide the voiceover for Audible when the time comes and what amazing viral message will he undoubtedly produce us to enjoy? We’ll find out this week as Marvel’s deadliest assassin (self-proclaimed of course) gets the OGN treatment.

Post to Twitter

Chris’ Comics: Spider-Man/Deadpool #8

Spider-Man_Deadpool_Vol_1_8_TextlessSpider-Man/Deadpool #8

Joe Kelly, Ed McGuinness, Mark Morales, Livesay, Jason Keith

Marvel $3.99

After a 2 month break, the team of Joe Kelly and Ed McGuinness return to Spider-Man/Deadpool to wrap up their first arc. Truth be told I had no idea that the “Bromance” arc had another chapter left in it, but I’m not complaining. This issue sees our dynamic duo going after the person who put a hit on Peter Parker, something Spidey hasn’t gotten over yet. To be fair, Deadpool did kill him twice.

10000 years ago when Joe Kelly was writing Deadpool, the usually comedic book had the tendency to dip into some dark territory, which made sense given the fact that Wade Wilson killed people for money. This issue of Spidey/Deadpool is very much like those comics, only with a darker, angrier Spider-Man playing the role of the brooding lead. At first glance that MAY sound terrible, but Kelly does enough to with the concept to make it work, via suggesting that a high-end villian may be messing with our boys. Also angry-pants Spidey makes the usually sassy spideydp-8-3-193708and violent Deadpool the straight man in this pairing (well as straight as a pansexual character can get), which is humorous for it’s own set of reasons. Joe Kelly makes sure that Spider-Man’s morals are never compromised, so he doesn’t stray too far from the character’s M.O..  So while it’s a darker issue than what we’ve been use to, but not to the point where it’s ever too overbearing.

Ed McGuiness is once again incredible on this book. Not only does he design a slick new suit for Spider-Man, but he does some fantastic work designing a trio of grotesque monsters for the issues. There’s also a bitty Wolverine, which is somehow cuter than it sounds. I love what the new suit does for McGuiness’ Spidey, who looks more menacing and sleeker during the book extended fight scene. A lot of it is done via his body language, and which paired with the more sinister colors by Jason Keith help make Spidey look more aggressive and blood thirsty. Those are words usually not associated with the web-help, but it works because it’s so off model, not to mention just looks cool. I also dig that the monsters McGuinness cooks up definitely pay homage to video games and horror manga, but still end up looking unique that you can’t quite place where you’ve seen these beasts before. spideydp-8-5-193710Inking Mcguinness this month are Mark Morales and Livesay, who do a bang up job of keeping this book clean looking.

Spider-Man/Deadpool remains a title that reads as great as it looks. Allowing the creative team to take a break between arcs was a good call, and I’m glad they’re rested and back producing a great looking book. Issue #8 is comic that will definitely surprise readers, possibly shock them, but not in a way that will alienate them. I’m really curious as to what the next arc will bring, and what the relationship our heroes have with the mysterious Patient Zero. Super Hero Team up books are RARELY this good, so I cannot recommend this title enough.

 

Post to Twitter

Chris’ Comics: Spider-Man/Deadpool #3

Spider-Man_Deadpool_Vol_1_3_TextlessSpider-Man/Deadpool #3

Joe Kelly,Ed McGuinnes, Mark Morales, Jason Keith, Joe Sabino

Marvel $3.99

I’ve been reading Deadpool comics since Fabian Niceza and Joe Madureira were working on them, and it’s interesting to see how the character has developed over the last few decades. Wade Wilson has gone from a one note character to one that could support several books, one in particular that’s chock full of queer subtext, and both geopolitical and white privilege commentary. Fandom is a weird, yet wonderful thing at times, and it really feels like Deadpool as a character under editor Jordan D White is aware of what Tumblr users think of Wade, and have incorporated those elements into the character. It also helps that Joe Kelly, a man who helped make Deadpool a more three dimensional character all those years ago is the one doing this, mixing his take on the character with the incarnation that Gerry Duggan has been writing over the last 4 years.

d18b1878-cbf9-4908-9605-8df72c1ca522Spider-Man/Deadpool #3 is a comic that sounds simple enough (Spider-Man agrees to hang out with Deadpool for a day) but turns out to be a lot deeper read than one would expect. Oh sure there’s a lengthy fight scene involving a ton of forgotten 90s Marvel characters, but there’s also a shocking amount of emotion involved. Also jokes. The humor in this issue is fantastic, ranging from Looney Tune-esque violence you would expect from these characters, to some more mature and smart stuff. Kelly manages to do a lot in this 20 pages, never overloading readers with dialogue, and knowing when to let the art do the heavy lifting. He’s the perfect writer for this book, and nothing against Dan Slott or Duggan, but he’s probably the guy best sorted for these characters, given his history with them both.

I have never not loved Ed McGuiness’ art, and obviously this issue of Spider-Man/Deadpool isn’t going to change that fact. Spidey, Deadpool and his team of mercenaries head overseas for a job in this issue, and McGuiness, along w/ inker Mark Morales and Jason Keith, 54yk9bwproduce some fantastic art. We get to see Ed get to draw a plethora of characters featuring different body times, and it’s just so kinetic and fun. The whole thing looks like highlights from a top tier fighting game tournament, which is referenced at the end of the fight in those most Scott Pilgrim of manners. Which by, props to letterer Joe Sabino, who has to deal with a ton of dialogue due to who’s starring in this book. Also the inker and colorist are a big reason while the final big scene in this comic works, perfectly playing light off of the darkness to help make the emotional impact of Spider-Man meeting a very important person in Pool’s life work as well as it does.

A book like Spider-Man/Deadpool could be a success just by the popularity of the title characters alone. But editors Jordan D White and Nick Lowe really went above & beyond, getting Joe Kelly and Ed McGuiness to come back to their most famous collaboration, which is resulting is a phenomenal comic. There’s a layer of depth and emotions one wouldn’t expect from a book starring two of Marvel’s biggest IPs that surprisingly, but not in a way that clashes with the appeal of the characters. It also happens to be a fun super hero book, thanks to Kelly’s wonderful quips and McGuiness’ larger than life art. Spider-Man/Deadpool #3 is a terrific comic, and something Marvel should be extremely proud to be publishing.

 

Post to Twitter

Chris’ Comics: Spider-Man/Deadpool #2

Spider-Man_Deadpool_Vol_1_2_TextlessSpider-Man/Deadpool #2

Joe Kelly, Ed McGuiness, Mark Morales, Jason Keith

Marvel $3.99

With the new Deadpool movie currently breaking all sorts of box offices records, it would make sense for me to capitalize on that and talk about a Deadpool comic. As fate would have it, Spider-Man/Deadpool #2 dropped this past week, and is an exceptional comics.

The premise for the “Bromance” arc isn’t exactly high concept, but it is a ton of fun. Someone’s put a hit out on Peter Parker, and Deadpool is  the guy they want to do the job. While Wade doesn’t know that Spider-Man is Peter Parker, he’s still torn on the matter as he’s sort of a an Avenger now, and his idol Spider-Man “works” for Peter. Spidey has no idea this is all going down, and his focused on the launch of his new Apple Watch-like device. Obviously this is an issue where a lot of shenanigans go down, especially when you add Miles Morales and a Green Goblin Army to the mix.

As I said in the last review, it’s been a hot minute since we’ve seen the likes of Joe Kelly spider-man-deadpool-2-shirt-ruinedand Ed McGuiness work on a project together for Marvel. But 2 issues into this series and it’s like they never left the characters. Joe Kelly manages to keep on top of the status quo of 2 of Marvel biggest characters and manages to tell a story that is a ridiculous amount  of fun. His Deadpool isn’t as pop culture obsessed or 4th Wall breaking as one would expect, but he’s hilarious none the less. This issue isn’t as dick joke heavy as the last one, but there is one gag I’m amazed Marvel let slide into a comic where Spider-Man shows up. He also manages to put some real depth into the character, which isn’t exactly a surprise as it’s something he’s famous for, but it’s also something incredibly welcomed. While I’m hoping his Spider-Man lightens up soon, I definitely enjoyed the dark turn the book takes in it’s final pages.

Ed McGuinness is so so good on this book. Every character he draws in this comics looks so iconic and timeless, be it the classic silver age villains that show up, to some of the OvLASVunewer characters who’ve only been around for a few years. His Miles Morales is particularity striking, and way more sleek and agile looking than his Peter Parker, which is a nice contrast and visual. I’m constantly impressed with how much detail and expression McGuiness can pack into his panels. Additionally Mark Morales and Jason Keith do a bang up job with the inks and colors, making it one of the few Marvel books that looks are good in print as it does in digital.

Even though we’re only two issues in, it’s easy for me to say that Spider-Man/Deadpool is my favorite book coming out from Marvel. While it may not be as deep or medium defying as some of other books coming out from the publisher, it is hilarious and a ton of fun, which means it goes on top of my pull list. Kelly and McGuinness prove that you can go home again, and the results are fantastic for the fans.

Post to Twitter

Chris’ Comics: Spider-Man & Deadpool #1

Spider-Man_Deadpool_Vol_1_1_TextlessSpider-Man & Deadpool #1

Joe Kelly, Ed McGuiness, Mark Morales, Jason Keith

Marvel $3.99

Coming into this review, you dear reader may expect some annoyance and snark from me regarding Marvel putting out yet another Deadpool title.  That’s fair assumption, given the books I like can make me come across as a bit of a comic snob. But it’s also totally wrong in this instance, haha, way to blow it nerd . Now let me tell you about why Phonogram is amazing…

No wait, let me actually get back on topic. CHRIS FACT: Joe Kelly and Ed McGuiness’ Deadpool book from the late 90s kept me in cape comics. It’s a run that I really enjoyed, was my favorite book for a long time, and having them reunite on a Deadpool book warrants an instabuy from me. The fact that Spider-Man is involved too is nice, as I really enjoyed Joe Kelly’s all too brief run on Amazing Spider-Man, especially since it result in  THE BEST Spider-Man/Deadpool interaction of all time. That is not an opinion by the way, that is fact, how dare you imply otherwise.

spider-man-deadpool-1-interior-590x900Spider-Man and Deadpool #1 is a fantastic read. It’s also the gayest Marvel comic I’ve read since Angela, and that’s something I mean in the best way. Marvel has been not so great with LGBT representation in leading roles as of late, and giving a pan-sexual character like Deadpool another amazing creative team is nice to see, especially when it results in some of the most creative genital jokes I’ve seen in a Marvel comic. It’s also really funny, which is important given these two characters personalities, and looks stunning, thanks to the team of McGuiness, Mark Morales and Jason Keith. It also does a nice job of fitting into the status quo of both these heroes, which props to Joe Kelly and the editorial team, without having to sacrifice much of the charm Kelly brought to Deadpool and Spider-Man way back when.

The visuals created by Ed McGuiness and Mark Morales are top notch, even though I wish Ed would draw Spidey not as jacked as he does. I prefer my Spider-Man/Men drawn sleek, not like he’s dropping passing for the Jets. But that’s a minor nitpick, as his stylistic, Capcom fighting games meets John Romita Sr. style looks fantastic overall, especially in the case of Deadpool. He gets a lot of emotion from these character’s body language, which is very impressive, and his action scenes look great. Mark Morales’ inks are bold and clean, resulting in some crisp art that is colored superbly by Jason Keith. The art team comes together to create beautiful art that really captures the fun tone you would expect from a Spider-Man & Deadpool book.

GreyPouponIt’s been quite some time since Joe Kelly and McGuiness have collaborated on a Marvel book, although you couldn’t tell from Spider-Man and Deadpool #1. Both creators create a comic that feels like they’ve never stopped working together since the mid-90s, making for a great read for old and new readers alike. It’s a super accessible book that looks great and has a number of quality jokes, making it another fine addition to the relatively solid catalog of action/humor titles Marvel has been putting out as of late. The book may not convert any haters into fans, but anyone longing for more Deadpool in the style of one of his greatest runs is in for a real treat, with no fear of sudden cancellation.

Post to Twitter

Chris’ Comics: Marvel Holiday Special

Gwenpool-Holiday-Special-001-(2016)-(Digital)-(Nahga-Empire)-001Marvel Holiday Special

Charles Soule, Langdon Foss, Megan Wilson, Margaret Stohl, Juan Gedeon, Gerry Dugan, Danilo D. Beyruth, Christopher Hasting, Gurihru and more

Marvel $5.99

While I’ve stated plenty of times that I do not paying more than $4 for a comic book, occasionally there’s an exception. Gwenpool, a character who’s presence has jacked up the cost of Howard the Duck to $5, is not one of those reasons. HOWEVER, if she happens to be in a book that also give me a follow up to the excellent Deadpool Vs Hawkeye  mini series, it certainly does work in the character’s favorite. It also helps that I’m a sucker for Holiday Specials, especially ones involving a bunch of my favorite Marvel characters.

The Gwenpool Marvel Holiday Special gives the readers 4 different stories, and all of them are excellent. There’s a 20 page She-Hulk story by Charles Soule and Langdon Foss that puts a nice little bow on that creative’s team run on the recently concluded series, and serves as as the center of the story. It’s not a must read for anyone who’s not previously a fan of the series, but if you enjoyed Soule and company’s run on the book, you’ll love this tumblr_nz58qsaHqu1sqep2mo1_1280story. Joining that story is a Ms Marvel story by Maraget Stohl and Juan Gedeon, which I think is the first time Kamala has been written in a solo story by someone other than co-creator G Willow Wilson!

The Ms Marvel story is also a hoot; Juan Gedeon‘s art isn’t the most eye popping, but he manages to capture all the proper emotions beats, making it more than serviceable. Stohl’s dialogue is terrific, leading a fun little story that casts Ms. Marvel as a Scrooge of sorts. Overall I’m a fan of the story, and glad to see the creative team do the character justice. From there it’s the 10 pages story I was most excited for, which reunites Hawkeyes Clint and Kate with their pal Deadpool. While reading the aforementioned mini series definitely makes the story more enjoyable, it’s not necessary. Much like Ms Marvel, it’s another fun holiday themed story, with that special brand of wacky only a character like Deadpool can bring. It’s also incredibly heart-warming, as Gerry Duggan blends emotions and humor quite while, while Danilo S. Beyruth absolutely kills it on the visuals. It’s obviously my favorite part of the book.

As for the Gwenpool story, it’s a tad tricky to get into. I sure as hell love the creative team involved, but not having read the 2 chapters in Howard the Duck take make the story tumblr_nz47iymTQI1sqep2mo1_1280crafted by Christopher Hasting and Gurihru a tad confusing. It also have very little to do with the holidays, so I’m not entirely sure why it was added to begin with, abd suspect that Marvel is just hoping that Gwenpool can carry a book much like how Spider-Gwen has. But it’s still a neat  story than ends on an incredibly cute note.

The weird little Gwenpool misstep aside, the Marvel Holiday Special is a fun little anthology that offers the reader a lot for 50 pages of content. Granted I am super bias towards this book for the Hawkeye related content, I still found the rest of the book enjoyable, and encourage you to pick it up if you already aren’t for  Hawk or Gwen-related reasons.

Post to Twitter

Highlighted New Releases for NCBD September 9th 2015

I’m gonna try to get back to regular posting on this blog. Here’s my first shot at it- a simple listing of personally recommended or otherwise notable new stuff available at Forbidden Planet NYC in-store and online for the week of 9/9/15. Here we go…

9781632154262

Descender TP Volume 1 – Jeff Lemire (w), Dustin Nguyen (a)

One young robot’s struggle to stay alive in a universe where all androids have been outlawed and bounty hunters lurk on every planet. A rip-roaring and heart-felt cosmic odyssey that pits humanity against machine, and world against world, to create a sprawling space opera from the creators of Trillium, Sweet Tooth, and Little Gotham.

Collects DESCENDER #1-6.

Continue reading

Post to Twitter

Chris’ Comics: Spider-Woman #10 & X-men ’92 #3

Spider-Woman_Vol_5_10Spider-Woman #10

Dennis Hopeless/ Natasha Bustos/Vero Gandini

Marvel $3.99

Going into this issue knowing regular series artist Javier Rodriguez would not be drawing it, I was expecting myself to enjoying this issue of Spider-Woman a little less than usual. Nothing against guest artist Natacha Bustos, but the shadow Rodriguez casts on this book is MASSIVE, and it’s a hard to follow.

However, most of my issues with #10 aren’t with Bustos. She kills it with this issue, channeling Rodriguez while giving the book a softer, more manga-influenced look. Natacha never gives us any crazy, hyperactive layouts we’ve gotten in the past, but she does a fine enough job with the issue. It’s a shame that Vero Gandinis color pallet is so pale, otherwise I would have zero complaints with the art. Sadly, aside from his beautiful night skies,  his use of light colors irk me, making the final product look cheaper. I was willing to chalk it up to a printing error, but after looking at the digital copy, it’s definitely the shade. The day scenes are well lite enough, but it takes away from the night time scene.

CNWcZSSW8AAR1_CMy other issue with this comic was it being forced into being a Secret Wars: Last Days tie-in. 1/4 of the book is spent setting up Jessica’s appearance in Secret War #1, and it feels so forced, with an overly aggressive Black Widow that’s incredibly unlikable. It’s rare to see writer Dennis Hopeless slip up like this, but given how poor the Spider-Verse stuff was handled, it doesn’t come as a surprise. The book is at it’s best when it’s dealing with the A plot, which involves such greatness as HULK CATTLE and the Porcupine going full O.M.A.C. (Happy birthday Jack Kirby!), and could have used five more pages of that then lining up the events of a 4 month old comic.

Spider-Woman #10 is the uneven conclusion to a pretty great run of Spider-Woman comics. The book will be back in November with the Javier Rodriguez, and Natcha Bustos will be off drawing the All New Devil Dinosaur series. I’m excited for both titles, and I hope this next volume of Spider-Woman will be free of crossovers. Hopeless and Jessica are best when they’re left to their own devices, despite the chance of boosted sales thanks to being a major event tie in

X-Men_'92_Vol_1_3_TextlessX-men ’92 #3

Chad Bowers/Chris Sims/ Scott Koblish 

Marvel $4.99

Nothing says 90s X-men like X-Force. The New Mutants went from being the 2nd X-men book to being a sales juggernauts, launching the careers of both Rob Liefield and Greg Capullo, and introducing Marvel icons like Cable and Deadpool. It comes as no surprise that Sims and Bowers decided to use these characters for this title, and the results of pretty great.

X-Men ’92 #3 collects the 5th and 6th installments of the digital version of X-Men ’92, which are both the best and worst chapters of this series so far. The first half of this book sees X-Force off to save the captive X-men, all while Casanova Nova finds herself struggling against the combined might of Cyclops and Jean Grey. The 2nd of the half explains Casanova’s end game, ties the book back to Secret Wars, and is kind of all over the place. You can tell writers Chad Bowers and Chris Sims are having a blast with this book when their focusing on the characters, which is where is when the book really shines. It’s an extremely fun fiction of sorts, and I wish these two could continue to have their fun instead of having to wrap this thing up so the 616 X-men can pal around with the Inhumans or whatever.

004085411ce2dfd3afbf59c707e7fe85Sadly the artist Scott Koblish‘s art isn’t as solid this time around. While he manages to draw some ridiculous guns and pouches this issue, some of the pages feel rush, and the art feels less parody and more cheap 90s licensed merchandise at times.

The good more than out weight the bad in X-men ’92 #3. Its an incredibly fun and exciting read that hits a few snags, but is worth the cover price. It’s been a while since we’ve had a light-hearted X-men book on the stands, and hopefully these creators will have a chance to work their magic again after Secret Wars.

 

Post to Twitter

Troy’s Toys but with Comics: Big week was big part1

Oh snap, it’s a two part review article for this week! I pulled a whopping 5 books , as well as a few trades, so expect ALL COMICS ALL THE TIME articles for the next 2 weeks. Yeah I know, that’s kind of business as usual for me, but I’m choosing to do that over word- vomiting over the release of TWO new Cyclops action figures, so pretend it’s special this time around.

I’ve divided the books up as the following: Comics that cost $5 and comics that don’t cost $5. We’ll be looking at the $5 books first (which unsurprisingly are both Marvel books), because…well because I said so dammit.

detail Hawkeye vs Deadpool #0

Gerry Duggan/Matteo Lolli/Cristiane Peter

Marvel $4.99

I’ll be honest, this  book was a tough sell for me when it was initially announced. I haven’t bought a straight-up Deadpool book in years, and I tend to be very weary of books starring Hawkeye not written by Matt Fraction or Ales Kot. The $5 price tag certainly did help things either, and I figured that is it was good, trade waiting it would be a valid option.

HOWEVER, after flipping through the first issue of said at the shop, I ended up liking what I saw and decided to take a chance on it. And you know what, I’m glad it did, but this book hit me in all the right ways. Gerry Duggan has proven he can tell a good Deadpool story plenty of times in the proper Deadpool series, and while Matteo Lolli is no David Aja, his art definitely works for this story.

 

4063285-hawkvsdp2014000_int2-page-002The plot summary is as following: it’s Halloween night, and Deadpool and some folk familiar to both books are out trick or treating in a certain Avenger’s building. One of Hawkguy’s tenants has got himself in some trouble, so now Wade and Clint have some super heroing to do. The only problem is that don’t necessary want to work together as bro,s bros.

That by the way, brings me to my sole issue with this comic. We’ve seen Deadpool and Hawkeye work together in the past, last year in A+X, and currently in Secret Avengers. I may be playing the role of TURBO NERD here, but there’s material currently being published ( Thunderbolts, Hawkeye, the just mentioned Secret Avengers) thatclashes with this book. Maybe it with all make sense once those stories are all told, but only time will tell.

Continuity-nerd-issues aside, the book itself is fun. Both Lolli and Duggan obviously have some experience with Deadpool with past works, so it’s no surprise that the Deadpool stuff is handled really well. A little head’s up though, this book is DEEP into the current events of the main Deadpool series, so you may be a little confused about a thing or two if you’re not caught up on it.

That being said,  the big surprise is how well the Hawkeye side of things are managed is handled. There are a lot of clever nods to Fraction/Aja’s run, including 2 double spreads that parody the 2 most celebrated issues of Hawkeye.

Obviously any encounter between Hawkeye and Deadpool should be humorous, and the jokes do not disappoint. Duggan knows how to handle mixing humor and action well, and the laughs land more than miss. Visually,  Lolli and color artist Cristiane Peter are great, giving the book a clean, bright look that reminds me a lot of the late and great Mike Wieringo’s work.

 

Ultimately, this book isn’t going to win any awards or redefine the medium, but it’s a fun read for fans of the characters. If you’ve been enjoying Hawkeye and/or Deadpool, you’re sure to enjoy this double sized debut. If you want this to be your entry book to both characters though, you may want to look elsewhere.

 

123px-Uncanny_X-Men_Vol_3_25_TextlessUncanny X-men #25

Brian Michael Bendis/Chris Bachalo/ Several Inkers

Marvel $4.99

I’ll be honest, this book can be summed up as a double sized issue where the X-men stand around and react to a retcon. That may not be your cup of tea, especially when you factor in that it’s $5 and there’s still a chapter in this arc to go.

That being said, if you don’t mind that sort of thing, it’s a compelling as hell issue. Chris Bachalo returns to draw the hell out of this issue, despite him not knowing how Kitty’s Pryde modern costume works at times, or Cyclops mask reappearing at random.

Uncanny_X-Men_25_Preview_2Those minor issues aside, the book looks great. The army of inkers complement Bachalo’s pencils and colors well, giving the book a crisp, bold, cohesive look. Cohesive and GREAT mind you, as Bachalo delivers some really powerfully scene, both emotionally and action wise. Also the way he colors Iceman is great, as it looks like actual ice.

 

Brian Michael Bendis isn’t a slouch either mind you, but your opinion on the script may be different from mine. I’m a fan of the retcons he’s introducing, but it’s bringing Xavier into some scorched earth territory. If you’re an Charles Xavier fan, you may have a bone or two to pick with these reveals, but I’m strictly on Team Cyclops Was Right, and am digging Bendis doing some new stuff here.

Again, at $5, this issue of Uncanny X-men comes down to a matter of taste. If you’ve been a fan Uncanny’s direction since the Bendis relaunch, you’ll probably like issue 25. If you’re only thinking of jumping aboard because Original Sin is on the cover, you can skip it.

 

 

Post to Twitter

August 6th at FP there is going to be…just read the post…

deadpoolArtist Reilly Brown will be with us at Forbidden Planet on August 6th at 6pm to sign copies of his new book Deadpool: Dracula’s Gauntlet. All you Deadpoo fans out there are losing your Deadpoo right now, we know, so make sure to get down here or “insert quippy Deadpool joke about him doing something hyper violent to you if you are not in attendance.” You’re welcome.

Khary-RandolphWEBOh yeah, and if that wasn’t enough we’re also going to have Khary Randolph here as well. Who doesn’t love Tech Jacket?
Satans-PrepWEBMOREMOREMORE! We will also have writer Gabe Guarente and artist Dave Fox in the Planet to sign copies of their new graphic novel Satan’s Prep as well. Okay, now you’re welcome.

 

Post to Twitter

New toys, outdated references.

REAL TALK (note how real that is with the use of capitalization, caps-lock AND italics): Forbidden Planet NYC tends to get a lot of stuff in on a weekly basis. Some of this stuff isn’t even Batman-related. And some of it sells out before I take notice. Or I don’t notice it at all, as I usually just beeline to the new comics upon entering the store.

Case in point: Maybe you wanted a statue that wasn’t an anime take on a character you like. Maybe you wanted it to be just a head instead. A head that could double as pen cup as well. GOOD NEWS, WE HAVE THAT VAGUELY SPECIFIC REQUEST COVERED! Marvel and Gentle Giant have teamed up to make a series of desk accessories and have started with everyone’s favorite overexposed Merc-with-a-Mouth, Deadpool! The Deadpool Pen cup will definitely result in a trip to H.R., but will be totally worth it! IT LOOKS GREAT! IT, UM, HOLDS STUFF! YOU CAN USE THE NINJA STARS EMBEDDED IN HIS  HEAD AS ERASERS ( No I’m serious, you can). AND THE ARROW IS A FLETCHING CAP TO MAKE IT LOOK LIKE YOUR PEN/PENCIL IS AN ARROW, HOW CRAZY IS THAT??! It retails for about $106, which for a polystone statue/conversation starters/co-worker keeper-awayer is well worth it.

Okay so maybe you don’t want a Deadpool pen cup because you’re crazy or something. But let’s say you do want to throw your money at something Marvel related that’s not a comic and still totally Canadian related, but not Deadpool or Wolverine. WHAT IS UP WITH YOUR WEIRD REQUESTS?  Questionable tastes aside, Marvel and Art Asylum/Diamond Select has released 2 different Alpha Flight Minimate sets! Set 1 includes Guardian (dead!), Marrina (dead!), Puck (X-Force-d) and Northstar (happily married X-man). And set 3 includes Aurora (Alive), Shaman (dead!), Snowbird (Alive?…) and Sasquatch (????). Each sets retails for about $20 and is definitely the only time you’ll be able to buy a full Alpha Flight roster in plastic anytime soon.

And maybe you’re a jerk/tired of my crappy jokes and you’re trying to drive me insane by forcing me to talk about Batman toys again. Congrads, Square-Enix has you covered, because apparently Batman is their plastic Final Fantasy. The first line of their Dark Knight Trilogy Play Art Kai Black (:: takes a breath::) is out and it’s a doozey of a line up. There’s the DKT Batman, because yo, how are you not going to start off a new Batman toy line without the Bat, and Bane, because ::: mumbles something in a terrible Bane impersonation :::. And we all know the drill by now; top of the line sculpts, solid multiple points of articulation, variant hands, etc. In terms of specific accessories, Batman comes with a selection of militarized (THANKS NOLAN) toys and Bane comes with a broken Bat-cowl, WHICH YOU BETTER NOT THINK GIVES YOU POWER ( ::: high fives self :::) ! These suckers go for $75 a pop, and you’ll want them now before the Catwoman and Joker figures drop in a few months.

Oh, what’s that? You just wanted something Adventure Time related? Cool, the latest wave of Pop Vinyl figures is Adventure Time themed. At $12 a pop you can choose from Finn, Jake, Lumpy Space Princess, Marceline or the Ice King. I would say their “Mathematical” or some such, but I pretty much blew my reference wad on Batman.

Post to Twitter

AN APPETIZER OF APOLOGY

Age of Ultron continues to improve, though it had little room to get worse. Issue six was very good, and shows what this series could be. I have to print a mild retraction: I gave issue four a real shellacking over the (And there will be AoU SPOILERS from here on in) casual death of She-Hulk.

Brian Michael Bendis decided to kill Shulkie by shooting her in the head with a laser, which I found a bit foolish as heroes with less constitution than She-Hulk, such as Hawkeye, Spider-Man and Captain America, have been heroing for years without getting shot in the head from the ever preset barrel of a laser pistol.
Until Age of Ultron #6, where Cap gets killed from a laser to the head. *SIGH. Anyone who wants to argue “Who would win in a fight” now has the answer. “Whoever has a laser.”
That’s Right. Han Solo can kill the entire Marvel Universe!
MAIN CORSE OF COMICS
A great week to be a comics fan! Free Comic Book Day is RIGHT around the corner, and Forbidden Planet will be the place to catch the goods! Till then, may we suggest you pay money?
Adventure Time Originals Vol. 1 Playing with Fire is a brand new graphic novel from the Adventure Time team which focuses on Flame Princess doing some solo adventureing. COULD be great!
Guardians of the Galaxy #1 was well done, and I’ll buy my ticket for #2 this week. I want to see where this ride goes. Also from Marvel is FF Now #6, some X-Books, some Spider-Books and some Avenger’s books…and one more thing.
Powers Bureau #1 and #2 are getting second printings this week…I think I’ll take a nibble. Brian Michael whatshisname is a writer you either love or hate, but credit where credit is due, homeboy writes some nice dialog. Powers was a tight title. Let’s see if Powers Bureau can live up to its predecessor.
DC will be entertaining us all with Aquaman #19 and Justice League Dark #19, among others. Aquaman’s going to fight an Ice King! I hope Gunther is in this issue!
Some top third party titles include Image’s Invincible #102 (YAY!), Dark Horse’s The Massive #11 and IDW’s Teenage Mutant Ninja Turtles #21. This last title gets my money because, once again, Original artist Kevin Eastman is making a visit back home for art detail. That man can draw some stealthy Japanese murderous terrapins.
That should be the new title of the book!
AND FOR DESSERT?
As they say in Ratatouille, “How about a little perspective.”
Convention season is firing up, not to mention the oncoming crop of comic book movies, events and Free Comic Book Day. In Short, the Summer is almost here! At the same time, recent world event, whether it be shootings, bombings, earthquakes, fertilizer plant explosions, monster attacks or the Zombie apocalypse can make one feel like a gnat at a Nascar race.
One of the things that makes comics and geek culture so great is its ability to take us away from the pain and tragedy of the real world. It’s called “Escapism.” That doesn’t mean the badness goes away. How do we take bad our society from the crazies, global warming, destruction and Yetis?
We have a s much fun as we possibly can and try to make sure everybody else is doing the same!
Let’s make this Summer the best Summer in recent memory! Share your comics! Bring friends to the movies! Celebrate everything that makes life worth living, and share that passion with those around you. LET the Summer of FUN begin!

Post to Twitter

HAM FISTED

The other day I was about to eat a ham sandwich when I suddenly realized I wasn’t hungry. No sooner had I put the thing down that it started to talk, telling me how it was a magical sandwich, that it was the prince of Hamsandwichia and how thankful it was that I spared its life and yadda yadda yadda.

Long story short: I’m now the king of the magical land of Ham Sandwiches. This realm is its own, separate reality. I have no idea how to get back to our time, and the absolute worst part of it all is there are NO comic books in Hamsandwichia.  

GOOD READS


Great books out this week, and I can’t read a dang one of em’ because I’m the frickin’ “chosen-one” for an entire stupid kingdom of lunchmeat. Have fun finishing up the latest storyline in Adventure Time #14 with out me, everybody. Tell me how it freaking ends if I ever get back to Earth.   Then there’s All New X-Men #9 (new x-costumes!), Deadpool #6 (wrapping up one of the best runs on Deadpool ever) Superior Spider-Man #6 and the premier of X-Termination #1.   X-Termination is a two issue series written by David Lapham where a bunch of alternative X-folks from many divergent X-Futures throw down like dominoes over the survival of their time lines. Too bad I can’t enjoy that.   DC alone has, like, 18 incredible books out which is apropos as the great “New 52” Experiment is up to issue 18. Action Comics, Catwoman and a bunch more all get #18’s, plus the second issue of Justice League of America and the FIRST new issue of Constantine. As speculative numbers go, these are all pretty impressive…though the most impressive numbered book this week belongs to Simpsons Comic #200 from Bongo! Not impressed? Bongo is a third party comic celebrating its #200th issue of a full color monthly title. Not too many publishers outside of Image and Dark Horse have pulled that off.   Sure, it has Simpson’s money behind it…those still aren’t numbers to scoff at.  

HOLD THE RYE-OT

Wait up, crew. The Ham Sandwich equivalent of my Major Domo has approached the throne asking me to sign some edicts. All royal decrees in Hamsandwichia have to be signed in French’s Mustard on white bread with the laws toasted onto them using special techniques. It sounds delicious except A) I hate French’s and B) I’m not allowed to eat any of them. I’m not allowed to eat anything.   I have to secretly sneak out of the palace at night and eat my subjects in their sleep. It’s only a matter of time before they figure it out and try to kill me. I’d be more worried if the toughest weapon in the land weren’t a butter knife, but still…   Constantine #1 is a spiffy title, but I’m more enticed by Star Wars Legacy #1, the new Star Wars book from Dark Horse. Legacy follows the adventures of Han Solo’s great-great-granddaughter as she lasers her way though a familiar, yet hostile, galaxy of betrayal and conflict.   Then there’s Invincible #101 (What the heck is going to happen next?!) as well as an amazing deluxe Hard Cover collection of Bob Fingerman’s impressive working class comedy Maximum Minimum Wage. Funny, sad and worth every penny.  

SANS SANDWICH

I’m hungry, I’m surrounded by idiotic talking sandwiches and I can’t publicly eat a single one. This must be how Edward Cullen feels. Until next week, this is Unkiedev, the King of the magical land of Sandwichia urging you to eat every sandwich you see. The life you save could be your own.

Post to Twitter

THE REVOLVING DOOR OF DEATH

The debut issue of Superior Spider-Man makes it clear that Peter Parker Spider-Man is still swinging around in the mind of his body’s usurper, Dr. Otto Octavious. While we have no idea what crazy comics writer Dan Slott will do next, it is safe to say we shall see Peter Parker back in the driver seat of his own body sooner than later.

Meanwhile, over in the pages of Batman, the Joker has gathered the entire Bat-Family together for an awkward dinner party. Ole’ Strap-face is trying to make the point to Bruce that his emotional dependence to his crime-fighting partners is always going to slow him down.

A point he will surely try to make through death, namely the eponymous Death of the Family. Many will ask “Who will die?” A more jaded person might ask “Who will care?”
We can’t grumble about the short-term deaths of our comic book brothers and sisters. The crazy, never-say-die ups and downs of these fictional people’s lives are half the fun, am I right? I’m really looking forward to Mars Attacks the Transformers this week, and I wouldn’t give one Energon cube’s worth of dang if the Martians won!  In fact, I’m ROOTING for the Martians…they didn’t do so well agains Popeye, the Ghostbusters or Kiss, and I do like me an underdog.
KICK THE BUCKET

DC hits the shelves running, with Justice League #16, Batwoman #16 and Green Lantern #16. Also up is the conclusion to the interesting experiment that was Before Watchmen, namely The Minutemen #6 of 6. Like many stories, some of the books were good, some were less than stellar. The question is, “Was this worth alienating fans and creators over?”
So what is the answer?
The Answer is a brand new book from Dark Horse hitting the shelves this week! Now as to whether squeezing the last blood out of Watchmen was worth it, that all depends on who you are. If you are Warner Brothers, absolutely. You now have a wealth of material you can mine when you want to create a prequel Watchmen movie.
Dark Horse will also be publishing two great books which, financially, will fit my wallet well.  Buffyverse sampler #1 is an incredible bargain; Four issues of the ongoing Buffy spin-off titles under one cover for the low price of $4.99! Take all that money you just saved getting four comics for the price of one and get ready to spend it. Dark Horse is publishing Final Fantasy artist Yoshitaka Amano’s brand new illustrated novel called Deva Zan, and while it is beautiful it sure ain’t cheap.
And then there’s some Marvel books out. You don’t really care about those guys, do you?
JUST KIDDING

Deadpool #4 has Deadpool vs Zombie Lincoln (Ironic hipster “Yawn”) and FF#3 has Mike Allred art! Uncanny X-Force #1 is one of my most anticipated books of 2013, and the wait is over! On the flip side, the relaunch of Young Avengers could be awesome, but could be a terrible cash-grab. No expectations, peoples, lets dive on in!

Post to Twitter