Jason Aaron‘s mini-series following Odinson’s quest for Ultimate Thor‘s hammer reaches its finale this week! Odinson has battled off all who stood in his way including the Collector and Black Swan. With the help of his old friend, Beta Ray Bill, he has at last reached the location of the weapon that will make him the Mighty Thor once more. Will he be found worthy and wield a hammer fit for Thor again? One more challenger stands in his way who plans to pick up the weapon before Odison can: Thanos, the Mad Titan.
The final battle is here between two figures in the Marvel Universe who’ve undergone major trials and tribulations over the last couple years of comics. Who will lay the ultimate smacketh down? To say Jason Aaron’s been building up his Odinson saga with the greatest touch of craft and care is a bit of an understatement at this point. With art from Pascal Alixe and Aaron Kim Jacinto the final chapter of this book of Thor should be astounding.
At long last we’ve been promised to know what Nick Fury said to Thor Odinson during Original Sin that made him unworthy. The question we’ve been waiting an answer for since 2014 is at hand. Undoubtedly, all the answers we finally get will also pose a few more questions. Whatever happens next, it’s one of those rare moments in superhero comics where the old lyric, “times, they are a’changin'” feels appropriate.
With the “Clone Conspiracy” now a thing of the past, officially at least, it’s time for Peter Parker’s next chapter to begin afresh from writer Dan Slott and incoming superstar artist Stuart Immonen. To celebrate, the folks at Marvel are attempting to go a couple extra miles by making this issue FORTY pages. Mr. Slott has been crafting one of the most significant runs in all of Spidey’s history and there’re no signs of him slowing down. It’s time for Mr. Slott to bring forth the epic confrontation that all Spider-Man fans know you can count on like death and taxes: Spidey vs The Green Goblin! Well, maybe…This time, Peter Parker’s on the hunt for Norman Osborn. The big twist? This is an Osborn without the goblin serum pumping through his veins that makes him an insane super-villain who revels in killing the people Parker loves and Spider-Man gets close to. How will this next phase of the webslinger’s adventures pan out? There’s only one place to look and that’s in this week’s The Amazing Spider-Man #25.
But wait: THERE’S MORE! I mentioned this was Stuart Immonen’s debut as the ongoing artist for the series? Well, he’s not the only one that’s coming aboard the Spider-Man train. There’s a backup feature written by Mr. Slott with art by Giuseppe Camuncoli. AND Hannah Blumenreich writes and draws a flashback tale to Spidey’s more formative years. AND Christos Gage pens a new tale featuring the classic villain (you know he is) Clash. AND that’s not all but I’m running low on web fluid.
Want to know more? Don’t ask me, ask Dan Slott himself who will be at Forbidden Planet signing the same day The Amazing Spider-Man #25 comes out. Official start time is 6pm. Don’t miss out, or you’ll be missing out.
Welcome to a Creative Conversation with creator Ibrahim Moustafa. Here we give you a chance to get inside the mind, learn some in depth background, and discuss the creative process of some of comics’ best writers and artists. In our first Creative Conversation I had the opportunity to speak with the artist behind Vertigo’s smashingly good new series, “Savage Things.” If the Bourne franchise went down the horror route, you have an inkling of what’s in store for you with this book. Ibrahim gives a better sum up a little further down. We talked about first comics, must reads, stories that stick with us as young comic fans, how this new series came about and who would be on Ibrahim’s own personal Mount Rushmore of comic book artists. Agree? Disagree? Find out!
MK: So let’s start with a little background because in all our conversations I’m not sure I know this: How did your journey lead you to working in comics?
IM: I was always drawing as a kid, and some of my earliest memories are of watching the Christopher Reeve “Superman” movies. Not long after that I discovered the Ninja Turtlesand Batman 66 TV shows, and was obsessed with them all. I had and read a few comics as a kid and was always drawing the aforementioned. I got much more into collecting and reading comics when I discovered the X-Men cartoon in the early 90s, and I would hoard those Fleer Ultra 93 and 94 X-Men cards sets as a kid.
I fell out of comics for a long time as I got into sports a bit. And then in high school I was heavily into drawing graffiti art and breakdancing. When I was a Junior, “Smallville” had come out and rekindled my love of Superman. Someone gave me a book called “The Complete History Of Superman” and it had a few Alex Ross paintings in it, which completely blew my mind. I had no idea you could do *that* with superheroes.
That sent me down the rabbit hole of “Who is this guy? How is he doing this? What is he painting with? What else has he done?” From there I found “Kingdome Come” and started going to the comic shop, and that ignited my interest in drawing superheroes again. After a short while I realized that people were drawing comics for a living, and I began a very disciplined, regimented plan to make that my reality as well.
It worked (laughs)!
MK: That’s epic! What was your local comic shop when you were getting heavily into it?
IM:The first one I wandered into was a small one-off called Hidden Treasures or something to that effect, but they closed down shortly after. Then a friend that I worked with told me that there was a place called Things From Another World that was literally blocks away from our job. And they became my regular supplier in the formative era of my comics addiction, haha.
MK:They’re a great operation out in the Portland area. Other than Alex Ross, who were some other artists that got you jazzed into drawing superheroes and comics again?
IM: There have been SO many, but the ones that have stayed an influence/inspiration regardless of my changing interests are probably Stuart Immonen, David Mazzucchelli, and Lee Bermejo. As I’ve burrowed deeper into comics and it’s artistic masters, I’d say my Mount Rushmore consists Alex Ross, Stuart Immonen, Alex Toth, and Jorge Zaffino.
MK: That’s an eclectic looking Mount Rushmore.
IM: It is!
MK:I dig it. Before we go too far off topic: Favorite X-Men character?
IM: Cyclops (I know), Wolverine is a close second, though. You?
MK: I feel like Wolverine is everybody’s top one or two but personally, especially since Grant Morrison brought her into the mix I’m an Emma Frost man. Which doesn’t make me a “real” X-Men fan in most folks’ eyes but it is what it is. What is it about Cyclops for you?
IM: 1) You can like whichever X-Person you want and damn anyone who tells you otherwise!
MK: Thank you!
IM: 2) Honestly, I think Cyclops was the most like Superman, aesthetically, and that really appealed to seven year-old me when I discovered the show; he was the do-good leader, he had red blasts from his eyes, and he wore all blue with yellow and red (laughs).
But there was something about the idea that he was encumbered by his power that really hit me as a kid. The fact that this thing he could do made him an outcast and made his life difficult, but he used it to help people anyway…That always got me.
Also, his mutation didn’t cause him to have a drastically different outward appearance, but it was enough to make him an other. And growing up half-Egyptian, I experienced a lot of cultural differences from the kids around me. Questions like, “Why can’t you eat pork?” are a lot like, “Why are you always wearing sunglasses?” So, I think that appealed to me about Cyclops as well.
MK: Take that Cyclops haters! That’s really inspiring how you were able to have that relation to Cyclops. For you, do you think comics has a special place as far as storytelling in a way that movies, TV, theatre, or other mediums don’t quite?
IM: I do, absolutely. I think that there are more opportunities to play with the passage of time visually on a comics page than with other mediums. In comics, for example, you can have a splash page of a scene that is split into four different panels across a single image of say, a park. And each panel can represent the four seasons in a year.
Comics also allow for opportunities to echo imagery from one page or one sequence to another. So let’s say you have a page where a character is a child, and they’re playing, and they fall down and scrape up their knee. Then, you cut to them as an adult in a few chapters and they’re in a completely different scenario, but they go through a similar accident, and you’re establishing that they’re prone to this kind of thing in their life.
In comics, seeing all of those panels in one page as a whole creates a different experience than film or TV where you would see that happen one shot at a time. You’re taking in the gestalt of the moment on a page rather than the disparate parts that make the whole. Symbolism, the efficiency afforded by narration paired with a parallel image to the text, the pacing of a page-turn into a splash. There are tons of cool ways to deliver a moment in a comics page that are unique to the medium, and that’s probably what I love about it the most.
MK: That’s an amazing answer. Thank you for that. To switch gears a little, let’s talk about your new series out which I think definitely displays some of those elements you’ve so eloquently discussed. “Savage Things” which you draw, and is written by the one and only Justin Jordan, hit shelves on March 1st. Did you and Justin know each other much prior to working on the book? Was it an arranged marriage by Vertigo? How did your collaboration come about?
IM: Justin and I had met here in Portland back in 2012 or so at a great indy comics show we used to have here called Stumptown. We’ve bumped into each other a few times since then on Twitter, and I’ve been a fan of his work since I first read “Luthor Strode” but when our editor Jamie S. Rich reached out to me to draw the book he facilitated a wonderful reunion for the two of us. So, pretty much an arranged marriage and the dowry was a super-dope book that I get to draw
MK: I love it when an arranged marriage blossoms into true love and kick ass action sequences.
MK: If someone asks you to describe “Savage Things,” what’s been your favorite answer to give?
IM: “Savage Things” is what you get when a bunch of Dexters are kidnapped and raised by the government to be Jason Bourne.
MK: That’s maybe the most badass way of summing up a book I’ve ever heard. Here’s a two-parter: What’s been one of the most challenging and what’s been your favorite thing to draw so far for the series?
IM: The book is full of excellent opportunities to create cool action sequences, and I think that’s been my favorite part so far. There have also been a few types of locations I’ve never never drawn before (a hospital, a power plant, a few others) so that’s been a fun challenge.
The most difficult thing has been figuring out how to draw expressive faces on sociopaths (laughs).
MK: That seems like a challenge on several levels (laughs). Can you perhaps tease us about something readers should be super excited to discover in issue two and beyond?
IM: Yes! The next few issues pitt our lead character, Abel, against six of the other sociopathic, trained murderers that he grew up with. So as you can imagine, issue one was just a tease at some of the brutality that these guys are capable of, especially toward each other. By the end of issue three, we pull back the lens and broaden the scope of the battle quite a bit. I’m very excited!
MK: Man, I can’t wait to see how you and Justin up the ante! Final two questions before our time’s up:
1) For someone new to comics, what are five essential must reads you’d recommend?
2) For all things Ibrahim Moustafa, “Savage Things,” and your ridiculously amazing James Bond posters, where can fans keep up with you on social media and the web? (Seriously, his James Bond posters kind of cray cray. Don’t believe me, click here!)
IM: 1) This is a tough one! These are certainly slanted toward things that I love, so your mileage may certainly vary.
“Scalped” is my favorite book of all-time. It’s a crime drama a la “Breaking Bad” or “The Wire.” Anyone can dive right into it.
“Kingdom Come”: I read this pretty early on and loved it. There are a ton of references and characters in it, but as long as you know who Superman, Wonder Woman, Batman, Shazaam are, the rest falls into place.
“The Losers” is a great book if you love action movies with fun characters, a cool story/lots of intrigue.
“Old Man Logan” is almost a companion piece to “Kingdom Come” in that it’s a look at a possible future, full of cool stuff and references but mainly if you know the X-Men and the Avengers, you’re solid.
“Batman: Year One.” One of the greatest comics ever made and a perfect primer for Batman fans looking to give the comics a try.
MK: Ibrahim, you’re a class act, thank you for being so generous and gracious with your time in joining me in our first Creative Conversation.
Check out “Savage Things #1” now and get ready for “Savage Things #2,” on shelves Wednesday, April 5th, 2017. Stay tuned for our next…Creative Conversation.
Please send love/hate messages to Matthew via Twitter @matthewklein316 and on Instagram. Matthew loves all things Batman, Valiant, and pro-wrestling related. He’s also pretty sure that it’s not recommended to spend more waking hours watching reruns of “Chuck” than sleeping but hasn’t been able to prove this theory.
The White Queen vs The Queen of the Inhumans! Only one will win. Can both survive?
When it was first announced there seemed to be a communal skepticism about Inhumans vs X-Men. It was an event series between two segments of the Marvel Universe that had been having a pretty rough track record as far as readers were concerned. Plus, with the new push for the X-Men in ResurrXion this whole event seemed poised to be just a means to a most certain end. We should have all had more faith in Jeff Lemire and Charles Soule. Now the cataclysmic conclusion has arrived to what has been a far superior series than Civil War IIand, I daresay, Avengers Vs. X-Men. It will boil down to one last showdown on the snowy sleeps between Emma Frost and Crystal, the White Queen and the Queen of the Inhumans, in a war where it’s tough to call either side truly good or obviously evil.
The strength of this event has been the evenhanded approach to both sides of the conflict. The mutants want to avoid extinction and several of the Inhumans have switched sides to make that happy ending possible without the deaths of so many of both groups. While the adults have been resigned to slug it out for the “greater good” it’s been younger characters like Moon Girl and Cyclops that have tried to outthink the violent approach of their elders. But no matter how sympathetic both sides may be, there has to be a winner and a loser, right? I mean, at the end of the day one side’s going to lose a little less or gain a little more out of it. This is the part where we find out who will pay what cost for this clash between two groups of characters that Marvel is in need of a giving a good jolt to in 2017.
See how this chapter ends and maybe a tease of how the next one begins inside the oversized conclusion to the Inhumans Vs. X-Men event!
A fun new take on the end of the world. Pets welcome!
Marguerite Bennett is stacking up quite the bibliography and buzz. With all the hubbub around her new Batwomansolo series, it’d be easy but unforgivable to forget the first collection of her series at Aftershock Comics: Animosity.
Bennett and artist Rafael de Latorre (Superzero) craft a really fun apocalyptic concept. We human beings should all be terrified if the animals of the world we’ve constructed gain the capacity to reason and communicate as we do. We cage them. We domesticate them. We experiment on them. What happens when the rats decide to break down the walls? What are consequences when your pet iguana can tell you what he really thinks of the things you do behind closed doors? How will you get to work if the birds decide to start making kamikaze dives through your car windshields? Get ready to find out!
The animals can talk, think, and they’ve decided to begin taking their revenge. How? That’s an answer you’ll have to search for in the book. One thing’s certain, they’re bringing chaos and the creators are self-aware of the possibilities of this concept. There’s definitely some fun to be found with the newfound form of consciousness and reasoning that the animals gain. And then the story finds its focus on Jesse, an eleven year-old girl, and her dog, Sandor, who proves that dogs may be mankind’s best friend. Sandor is devoted to Jesse and swears to protect her even as many of his species are drooling at the prospect of bloodying their jowls with their owners. One year after this awakening, Jesse and Sandor begin one of the craziest road trips since Preacher and Y: The Last Man to find Jesse’s half-brother, Adam, who is living in San Francisco and who could be the last bastion of safety for the duo.
Collecting the first four issues of the best-selling series, plus the special one-shot issue Animosity: The Rise. Read the book that, as the solicits from the publisher say, “EVERYONE is talking about.”
The story is centered around a secret government organization who kidnaps and trains children they believe have the markings to become serial killers. Instead of just ignoring these potential threats to society, they decide to train them to be chaos agents. As agents of chaos they were sent in to certain hotspots to engage and execute enemies of the state with extreme prejudice. When the monsters they created became too tough to control, the organization decided to eliminate their kill squad. The result: Epic fail.
Now a rogue group of these savage killers has begun to cut a swath of terror all over the United States threatening to expose secrets the organization will do anything to keep from being revealed. Their solution? His code name is Abel and he’s perfectly happy with getting his hands bloody. Put it this way, Jason Bourne ain’t got $@&% on Abel.
Don’t miss this exciting first chapter of an eight-issue limited series that has all the potential to be at the top of your pull-list.
Finally, the next chapter of this Gods among us epic is here!
In case you missed it (if you did, go get a copy of God Country #1 immediately), one of the best new series has its next issue coming out this New Comic Book Day. It’s rare when a book this good comes along. Do you like Southern Bastards? Thor? Epic mythological tales with heartbreaking family drama? Then you’ve no excuse not picking up God Country #2 this week.
Donny Cates (Buzzkill, The Ghost Fleet)might just be making a cult favorite. In the first issue we learned some of the deep and mythology busting secrets of Emmett Quinlan and his family. Having returned home to take care of his aging and mentally deteriorating father, Emmett was putting his wife and child through the ringer. His wife had had enough of Emmett’s dad’s cruelty and Emmett’s stubbornness to put his father in a home where he could be cared for properly. For some reason, still to be further explored, Emmett couldn’t bare to “give up” on his dad. Meanwhile, a twister was getting set to touch down. Little did we know this was no ordinary tornado and that it carried within it the key to unlocking mysteries of Emmett and his father.
After the amazing reveal at the end of the first issue, Emmett will continue to attempt to rebuild his family in the wake of the storm that broke them. Meanwhile, something otherworldly screams through the sky under a banner of war. The Gods have touched down in Texas and they are not going to leave empty handed. Why are you still reading?!?Buy your copy and get in on this at the ground floor.
Not sure if you can make it Wednesday? Sign up for a subscription box and put it on your pull list! This is one journey you don’t want to be left behind for.
Kate Kane’s been through a lot. She lost her sister and mother as a child. She served in the military to follow in her father’s footsteps. She got kicked out of the army because she refused to betray herself. Then, she returned and took up the mantle of the bat, a symbol to serve a greater cause than one’s own survival made infamous by her cousin, Bruce Wayne AKA Batman! A soldier hardened by war, recovering from experiences fighting a Batman-inspired armed unit known as the Colony that her father created, she made the hardest choice of her life: Locking up the person she counted on the most to support her. Now, her mission is leading Kate away from Gotham but possibly back into the hands of her own demons.
The next era of Batwoman’s adventures start here in this one-shot that’ll get you primed and pumped for her ongoing series. We recently learned that Monster Venom is the hottest new bioweapon on the black market. An organization called “The Many Arms Of Death” is planning to take it global. Batwoman must return to the place where she spent some her (and Kate Kane’s for that matter) darkest hours. Learn where Batwoman comes from and learn where she’s going next as the stage is set for the must-read series you’ll be adding to your pull list.
Cthulu crime stalks the streets of New York in this cosmic horror mini-series!
There’s been a pattern, some might classify it as a plague, of crimes committed in the Big Apple that defy logic. They’re too weird and bizarre for the average detective to unravel without having to believe in the extraordinary. Fortunately, Detective Sebastian Greene isn’t your average detective. He’s fighting against these unspeakable terrors that lurk in the shadows from beyond space and time. The reason he can take on these beings who want to usher in the unimaginable evil, the Old Ones, is because he’s one of them. After all, who better to catch a monster than one of their own?
It’s part cop procedural, part H.P. Lovecraft terror, and completely compelling. If you love mystery, sci-fi, horror, and classic pulp, then this weird tale is just what the coroner ordered. This collection has every issue of the mini-series that brings Fred Van Lente’s penchant for air-tight plots filled with unexpected turns back to darken your book shelves. Just remember this one thing: Buyer beware…
After his comeback in the acclaimed Civil War II: Kingpin mini-series, Wilson Fisk is getting this new ongoing title from Marvel. Be here at the start as Fisk begins building a brand-new empire! Unfortunately, building – or rebuilding – Rome didn’t happen in a day and Fisk has all kinds of roadblocks in his way.
First off, he’s got an image problem. All Fisk wants, so he says, is to be atop an industrial empire that extends its reach worldwide, but when you’re known as a giant in New York’s criminal community you have to change hearts not just break bones. Fortunately, Fisk has a plan in Matthew Rosenberg(Civil War II: Kingpin,Rocket Raccoon, We Can Never Go Home) and Ben Torres’ (Knight Watchmen) new series from Marvel Comics hitting Forbidden Planet’s shelves this week!
Fisk hires Sarah Dewey, a journalist with no other options, as his public relations agent. She expects to have to write the press releases and arrange interviews with the media but creating a paragon of virtue out of a former criminal mastermind will not be as easy as it seems (wait, that doesn’t seem easy at all, does it?). Being drawn into a world of ambition and greed, where the lines blur between right and wrong, where trust is weakness and betrayal is common, what lines will she cross to achieve her own goals?
For fans of shows like House of Cards and Breaking Bad, turn your eyes to Kingpin #1 as the start of Wilson Fisk’s next epic saga begins NOW!
This New Comic Book Day welcome back one of DC’s premiere superhero teams!
A new dawn is rising on the Justice League of America. Spinning out of the events chronicled in Justice LeagueVs. Suicide Squad comes a team under the Justice League banner unlike any other. Don’t think so? Try these names on for size: Batman(makes sense), Black Canary (okay, been on the team before, sure), Killer Frost (what?), the Ray, (What?), Vixen (phew), the Atom (now you’re talking), and…Lobo?!?!?! You thought Lex Luthor put a few wrinkles into the team dynamic during the New 52, see what happens when the Main Man has to play nice with others. Who’s causing all this? Apparently, Batman. What’s he thinking? Find out in this issue as the Dark Knight assembles what DC is proclaiming to be the roughest and toughest Justice League of all-time.
After the events of Justice League Vs. Suicide Squad and four one-shots in January bringing you up to speed on the Atom, the Ray, Vixen, and Killer Frost, Steve Orlando (Midnighter & Apollo) and Ivan Reis (Justice League, Aquaman, Green Lantern) set the stage for this sensational roster. What does the future for this team hold? I have no idea but it’s likely to be anything but boring.
If you’ve been waiting for the next big thing when it comes to DC’s team books, you might have just found it. And you’ll find it on the shelves at Forbidden Planet for just $2.99 this Wednesday. Justice For All! But seriously, Lobo?!?!?
Deals with the devil rarely go right. See how the web of terror and intrigue ends in one of 2016’s best received series.
Chris came to Iraq after the 2003 American invasion to recruit and train a new generation of post-Saddam police. The murder of a recruit forced the Florida cop turned military consultant into an investigation that tangled the old government, new government, the jihadist network, the criminal underground, and American military machine together in a surefire suicide mission. Fortunately, Chris wasn’t alone chasing down the killer amidst the layers of lies and hidden agendas.
Aided by a Baghdad cop, Nassir, and the politically savvy Sofia, Chris thought he’d found the people responsible for the crime. Now, with Nassir captured, the stakes are ramping up as one man’s murder has dug Chris and everyone around him into a much deeper hole. In the violence’s aftermath, everybody’s lost something and now a debt must be paid even if it’s in blood. They say never trust a deal with the devil. In Baghdad, those kinds of deals can be explosive.
BULLSEYE #1 marks the return of the most feared assassin in the Marvel Universe. With a gritty crime writer penning the direction for this crazy man’s insane new adventures and a Spanish artist who revels in frenetic action handling the images, the pages promise to be intense. If you’ve been looking for your next action fix with a morally absent centerpiece then congratulations this is going to be the comic for you!
Plus, Bulleye’s co-creator and legendary comic scribe Marv Wolfman writes a special back up story with artist Alec Morgan! What does Bullseye want with the mafia’s most sensitive information? How far will he go to get what he wants?
This is a first issue that can be classified as: Can’t Miss! Yeah, I did…
Yikes, there’s a lot of heavy hitters out this week. From old to new. Indie to mainstream. Black and white to two-tone, to hyper-color. There’s something for everyone this month. Stop hating and get with the program!
Ritual Three: Vile Decay- It can seem blasé (read: lazy) to say that someone is an “exciting” artist. What does that really mean? Are they doing something new or different? Does the art itself illicit an excited energy? Are you so excited when you see something new by that artist that you want to vomit? If you’re talking about anything by Malachi Ward, the answer is yes to all of the above. Known for working on the Brandon Graham mega-project, Prophet, and for the notoriety gained from The Scout put out by Study Group Comics (which is seriously one of the best independent publishers in the business. you can read their stuff online for free. do it. you’d be an f’in fool not to). This new stand-alone sci-fi weaves together a grandmother’s recollection to her grandson about how the world simply went bad. Ward’s settings and characters are gracefully drawn, with an element of Charles Burn’s other (but still similar) worldly eeriness. I’m getting a little comics hyphy just thinking of it being in my hands this time next week. And if you’re in the NYC area, he’ll be attending a release party at Bergen Street Comics on June 25th, so you can gush in person!
Judgment Day– Joe Orlando is often lauded as the nicest man in comics. He’s been passed for a while, so I can neither confirm nor deny this praise. But what I can tell you is that his technical skill, editing abilities, breadth of work throughout the industry’s formative years, and the subsequent influence that he left on everyone that ever picked up one of his comics, is true to the core. Anything of his you can find is worth a look, but Fantagraphics has included his EC work, some of the first professional comics stories he did. Most of the stories in this collection are scripted by Al Feldstein, and they highlight Orlando’s most prolific sci-fi stories; including the titular story that spoke out against the racism of the early ‘50s in which these stories were published. Orlando is true comic book history, and his work is legendary.
Amazing World of Gumball #1- Truth time, I’ve never watched Gumball. It’s been on Cartoon Network for about 5 years, and I’ve had no TV for about 6, so there’s that. But it’s new form just had comic book life breathed into it by Frank Gibson (who I’ve written about previously for his work on Baby Fiona and Cake, and Tiny Kitten Teeth), and one of my all time favorite web cartoonists, Tyson Hesse. He does this little thing called Boxer Hockey, and when I started reading it about two years ago I never thought I would get so emotional about a stupid little comic about a group of friends who play a field hockey type game in their underwear, essentially using frogs as pucks. But I did get emotional, and I still read certain panels that make me misty eyed. Whether it’s Nickelodeon studio work, or little cartoons of his poodle on twitter, no one has made cute cartoons that have had as much of an influence on me than Hesse has. Sometimes you follow an artist to whatever project they work on, whatever the story is, and Hesse is one of those artists.
Pirates in the Heartland Vol 1: Clay Wilson– If Joe Orlando and his contemporaries set precedence’s for the future of superhero and action comics, S. Clay Wilson is without a doubt a parallel of that mark in the alternative comics world. R. Crumb, who is cited as every other alt cartoonists main influence, lists Wilson himself as his great comix influence and contemporary. Hailing from the middle of nowhere, sometimes called Nebraska, Wilson ended up in San Francisco after an army stint, and quickly unleashed the underground art scene with his wild dreams and nightmares of gore, sex, body parts and general bedlam. This first of three hardcover volumes attempts to catalog his comics that appeared in publications like Zap, Pork, Insect Fear, and Arcade Magazine. Part biography, part retrospective, part collected chronicles of a comic legend, this is a huge undertaking that pays off in every way you could expect, and a million ways you couldn’t. Stay tuned.
New Avengers Annual #1– There’s a lot of simple reasons to pick this book up. Frank Barbiere is writing it. Marco Rudy is doing the art. And it’s all about DR. STRANGE! Everyone’s favorite world-saving, evil magic slaying, sorcerer is staring in his own book. He’s heading back to his Himalayan roots to help some techno-monks (the name of my new hip-hop crew) defeat an evil they summoned that’s beyond their control. It’s oversized Dr. Strange, I think that’s all you really need to know…
Here’s an FP event I’ve been looking forward to for about, oh, seventeen years or so….
On Wednesday, the 18th of June 2014, Forbidden Planet NYC will be hosting a very special signing with PAUL POPE, DEAN HASPIEL, NICK BERTOZZI and CHRIS MISKIEWICZ– all four of whom will be celebrating the release of new comics, graphic novels, and/or editions of their iconic work!
*Paul Pope – Z2 comics is releasing a brand new hardcover edition of Escapo, a long out of print masterpiece, and we’re overjoyed to announce a rare in-store signing with the man himself! DO NOT miss your opportunity to meet one of the world’s most acclaimed comics artists. We’ve been looking forward to presenting you this event since, well… FOREVER.
From the mind of three-time Eisner Award-winner Paul Pope comes Escapo! Like a feverish mash-up of Fellini films, Heavy Metal magazine, and classic Jack Kirby comics, Escapo tells the tale of a circus escape artist extraordinaire, who can escape from any situation – even from Death himself! However, there is one force even more powerful than the Reaper which Escapo must face. A meditation on life, love, and mortality, Escapo is not to be missed! Originally published in 1999 and long out of print, the new Z2 edition of Escapo is fully colored and redesigned in the French BD format, featuring 50+ pages of bonus content. Included here is the rare two-page alternate ending, only seen in the French edition, as well as a new ten-page story and added pin-ups and sketchbook content by Paul Pope.
**Dean Haspiel- Fear My Dear collects Dean’s Billy Dogma stories. “Remastered from the original webcomics series, Billy Dogma is “the last romantic antihero,” a passionate bruiser head-over-heels for his knock-em-dead dame. Created in 1995, Billy Dogma is Dean Haspiel’s ongoing love letter to the insanity of love.”
**Nick Bertozzi- Storytelling wizard and all around swell guy Nick Bertozzi takes us on one of the greatest true-story adventures of all time. Shackleton: Antarctic Odyssey is the follow-up to Nick’s New York Times 2013 best-seller Jerusalem.
**Chris Miskiewicz- We at Forbidden Planet have known Chris for years as (among other things…) one of our most loyal customers, so we’re tickled pink for his debut book. Plus, I promised him in, like, the 90s we’d do a Forbidden Planet event when his first major-publisher comic work came out. Well, Thomas Alsop is the book, and Wednesday the 18th of June 2014’s the day. If you will it, it is no dream,.
*Purchase of Escapo from Forbidden Planet NYC is mandatory to attend the Paul Pope side of our event. Your receipt, and a voucher we will attach to it at checkout, will be your ticket to Paul’s line. We anticipate a large turnout for him, and are limiting additional autographs ONE ITEM per attendee to keep things moving. Please do not bring more than that.
**If you will be here to see Dean, Nick and/or Chris we also encourage purchase of their books (and will have plenty of ’em… they’re well worth it), but there will be no limit to additional autographs.
UPDATE 6/10/14- Bob Fingerman (Minimum Wage) will also be joining us!