Tagged: Claire Roe

Get Ready For Diana’s Close-Up With The Wonder Woman Annual #1

Behold the Wonders in Wonder Woman Annual #1

Just in time for the release of her own solo big screen adventure comes an oversized annual issue for Diana of Themyscira. In tribute to the might Amazon princess, DC is giving us a helping of not one, not two, not three, but four stories from various creative teams including Greg Rucka and Nicola Scott, who’ve been working on the “Year One” storyline since DC Rebirth began. Here’s a rundown of the wondrous tales we’ll be getting…

First up, the aforementioned Greg Ruck and Nicola Scott, who’ve been crafting Diana’s early days for the DC Rebirth era have a follow to their seminal Year One storyline. It’s the Rebirth of the DC Trinity! That’s right, the first time Batman and Superman meet Wonder Woman. Hopefully neither the Big Blue Boy Scout or the Billionaire Playboy utters the line, “I thought she was with you.”

Next up, Diana goes on a mission of mercy to the nation of Markovia. It reads like a straightforward and classic moral conundrum that’s right up Wonder Woman’s alley. King Shark is about to be executed for a crime that he’s innocent of (one of the few, one imagines). Former Forbidden Planeteer Vita Ayala pens and artist Claire Roe brings the visual badassery.

In the third story, an old ally of Steve Trevor’s has summoned Wonder Woman to his village to save it from his cursed monster form. This story written by Michael Moreci with art by Stephanie Hans is going to be monstrous, in a good way!

Then in the finale, Wonder Woman must aide A.R.G.U.S. in taking down a Kaiju monster that’s coming to America. Wonder Woman vs Godzilla? Not quite so cut and dry. Once she comes into contact with the creature, Wonder Woman may be tempted to switch sides. This potential smackdown comes from writers Collin Kelly and Jackson with art by superstar David Lafuente.

Get ready to bow down before you plunk down your hard earned dollars for a ticket to, just maybe, the most talked about movie of the summer (sorry, Webhead but you’ve had like five movies in ten years).

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Chris’ Comics: Batgirl & the Birds of Prey #1

tumblr_o4ysvnCGRp1rm4afao1_1280Batgirl and the Birds of Prey Rebirth

Julie and Shawna Benson, Claire Roe, Allen Passalaqua

DC $2.99

It’s been a hot minute since I’ve enjoyed a Birds of Prey comic. The Chuck Dixon and 1st Gail Simone runs on the title are some of my favorite DC comics, starring a bunch of my favorites like Barbara Gordon and the Huntress. The less said about the live action TV series it’s inspired however, the better.

DC Rebirth has lead to the revival of the title, re-teaming Batgirl & Black Canary with Huntress, again, for the first time. This isn’t the first time we’ve seen DC flirt with BoP as a title since the new 52 debut, but it is the first time we’ve seen the iconic line up together since 2011.

Speaking of the CW and BoP, while I didn’t bother reading the New 52 incarnation of BoP, I have been watching The 100 over the last few years. Julie and Shawna Benson are writers on that show, and are now writing this title. There I have explained the segue, let’s continue with this . Their dialogue tends to lend on the dramatic side, but it’s still solid enough. They do a good job of tying together events from the past and upcoming Batgirl run, Black Canary’s recent series, and the events the unfolded during Grayson/Nightwing Rebirth. They also give Babs an New 52/Rebirth origin for Oracle, which sadly undoes the 5330745-bgbopreb_1_4attempts to write out The Killing Joke. The Bensons do a good job of setting up their arc in 20 pages,  with this book working at break neck speed. Hopefully the can tone down the dramatic dialogue in future installments, as I found myself saying “No one speaks like that” several times.

On the art we have Claire Roe and Allen Passalaqua. Clare Roe isn’t a bad artist, and the potential for her to be a great fit for this title is there. Her body language and layouts are pretty strong, it’s that she struggles a bit with the faces. Batgirl is the biggest victim of this, as occasionally her eyes or teeth are too big for my liking. Allen Passalaqua’s colors are good, especially in the scene introducing Huntress in this issue. Also I’m not sure who designed Hunteress’ new gear, but man it looks great. It’s a good art team, and I’m sure the more familiar Roe gets with this cast, the better it will be.

Batgirl and the Birds of Prey is your all purpose set up issue, and it’s a perfectly fine one at that. The Bensons do a fine job of introducing these characters to new, lapse or returning readers, and do fine job of giving each Bird their own distinctive voice and motive. Impressive work for their comics debut. And again, while Roe’s art didn’t really do much for me with this debut, the potential for improvement is definitely there. I do think that it it’s pretty cool that we have an all-female writer and artist team on this book, which is the first time it’s happen since the Simone/Nicola Scott days. Batgirl and the BoP is off to a good enough start, and the book is interesting enough to have me coming back next month.

 

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