Tagged: Cable

History Has Its Eyes on Cable #1

Well, well, well, look what the timestream dragged in in Cable #1.

There’s a bit of 90’s nostalgia happening in the X-Men corner of the universe lately at Marvel. I mean, Rob Liefeld came back to work on one of his most iconic creations with the graphic novel Deadpool: Bad Blood. The original fab five X-Men are embarking on classic-tinged adventures in X-Men Blue. Jubilee is leading a new Generation X. The A-list mutants are galavanting around in new takes on Chris Claremont inspired romps in X-Men Gold. And now one of the greatest, most 90’s characters of the 90’s is getting his own solo series again in Cable #1.

It’s been a few years since Deadpool’s straight man and the former leader of X-Force had his own series all to himself. This time it looks to be something of a Whovian mission wherein Cable will be hopping all over different eras of time to tackle a new threat to the timestream. It’s a high-speed, history-spanning chase to save all of reality. We’ve been promised by Marvel in solicits that he’ll be visiting prehistory (Cable vs. Velociraptors?), modern day (Cable and Deadpool Reunion Tour ’17?), maybe a six-gun duel at high noon (Cable as Kurt Russell in “Tombstone”?), and even teases of a high-tech sword fight in an ancient land (he’s got enough pockets, surely one of them has a high-tech sword for all occasions).

Can cable stop time from unraveling? Well, he’s done it before, surely he can do it again! Will we get some cool cameos and crazy “What If” scenarios? For issue one I think you’ll want to saddle up and get ready to knock over some saloon doors. Cable’s fixing to get medieval on somebody in the Old West. Let’s ride!

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TRY SOMETHING NEW CHAPTER 6: Have Won Their First Victory.

So one of my co-workers today told me that they have no idea what it means when I write “RIYL” in my column. I guess I just thought that was something everyone knew. Seems not to be the case. This is like when I try and talk to my friends about… most of the things I try and talk to my friends about really. Blank stares. A sea of blank stares. An endless, bottomless, oppressive ocean of blank stares. Now I put my actual readership of this column at about 8 people split between the blog and the newsletter. One of those people is my dad for some reason. One is Forbidden Planet’s tech-wizard/dancing machine Tyler, who gently informed me “I only read it because I have to.” Then he thoughtfully added, “Stop mentioning me in your column.” No. Anyway, I now wonder if any of my 6 other readers have understood why every book recommendation ends with a series of letters and a list of other books. Is my writing that disjointed that when I lapse into code and nonsense nobody bats an eye? Either way RIYL stands for “Recommended If You Like.” It’s an acronym. TRY SOMETHING NEW has just taken it’s first step towards becoming educationalish.

Fun Fact: The word “acronym” is, in fact, an acronym. What is a.c.r.o.n.y.m. an a.c.r.o.n.y.m. for? Well you will have to use g.o.o.g.l.e. to find out the answer to that one. On with the show!

Bionic Man Vs Bionic Woman #1

BIONIC MAN VS. BIONIC WOMAN #1. I don’t know anything about this book. Didn’t read it. Didn’t read the BIONIC WOMAN comics that came before it. Didn’t read the BIONIC MAN comics that came before it. Never watched the TV shows those comics are based on. So why am I recommending this book? It was written by a man named Keith Champagne. That is the best, most badass name in all of comics. This guy must get invited to every party in the world. People probably offer him money to sleep with them. I bet Keith Champagne could kill a man on live tv and never be arrested. I bet he owns a submarine. He probably wouldn’t need a spacesuit on the moon. I feel like I got pregnant just talking about him. You know, I used to think Dennis Hopeless was the best name in comics. Boy was I wrong. Go buy Keith Champagne’s book so he gets more writing gigs and we can talk about him more.

R.I.Y.L: I have no idea. Running in slow motion? Track suits? People with robot parts? Men and women fighting each other? No. Recommended if you like Keith Champagne. R.I.Y.L.K.C.

Black Beetle #1 (of 4)

BLACK BEETLE: NO WAY OUT #1 is out this week. Why are there two different comics with color coded beetles as the main character? Because humans as a species are all really close to running out of ideas. That doesn’t change the fact that Black Beetle is a very fun new series from superstar artist and sometimes writer Francesco Francavilla. With an art style that is most at home doing stylish and action packed noir stores, Mr. Francavilla has written a character that easily plays to his strengths. This pulp detective/superhero character has appeared in a few short stories in DARK HORSE PRESENTS that were collected as BLACK BEETLE #0, but now he heads out on his first longer case. If you have no exposure to this Black Beetle yet No Way Out #1 is a great place to jump on. Keith Champagne would want you to.

RIYL: Pulp stuff like THE SHADOW, THE ROCKETEER, or THE SPIDER, new superheroes who feel like old superheroes.

Harbinger (Ongoing) TP VOL 01 Omega Rising

HARBINGER vol 1. OMEGA RISING. I am a big supporter of Valiant. They took a bunch of dead properties that only a few diehard fans cared about and brought them back to life in a big way last year. Rather than going out and spending a ton of money on big names who would do rush jobs on their properties, Valiant spent wisely. They got not the biggest names, but some of the best names, to thoughtfully and carefully bring their books to life. ARCHER & ARMSTRONG, X-O MANOWAR, & BLOODSHOT were some of the best superhero titles released last year, with writers like Fred Van Lente (HERCULES, COMIC BOOK HISTORY OF COMICS), Robert Venditti (SURROGATES, THE HOMELAND DIRECTIVE), Duane Swierczynski (PUNISHER, CABLE), (if they were smart they would hire Keith Champagne) making a smart and coherent universe for these characters. Fun, nice looking, and a good starting points without alienating old fans, the relaunch was well planned across the board. But the book that got me most excited, the book that shot my interest through the roof, was HARBINGER. Like a dark and cynical, yet compassionate take on the X-Men, Harbinger is the story of a superpowered teen who must learn to control his powers while others seek to use him for their own gains. This idea should be intriguing for any fan of capes comics, but I cared because Valiant went out and hired Joshua Dysart. Far from a household name but he should be, Mr. Dysart is probably best known for his run on SWAMP THING or writing the Neil Young comic that I didn’t read. But Mr. Dysart also wrote my favorite comic of the last 5 years, one of my favorite stories of all time actually, UNKNOWN SOLDIER. If you haven’t read UNKNOWN SOLDIER you are missing out on one of the great graphic narratives of our lifetime. I use a lot of hyperbole in this column but I kind of think that last sentence was true. It is hard for me to put into words how compelling and beautiful UNKNOWN SOLDIER is. HARBINGER, while no UNKNOWN SOLIDER, is however one of the best superhero setups we have seen in a long time and a reason to visit comic shops every month. Valiant are continuing their wonderful commitment to get people excited about their books by making this collection of the first 5 issues only $10. They are challenging you not to read it, daring you to continue to read the same old stuff when there is newer, better, and cheaper. Don’t let Valiant make you look like an idiot. Buy HARBINGER vol. 1 today. Or this week at least.

RIYL: The more personal X-MEN stories, MORNING GLORIES, or RISING STARS.

One Trick Rip Off Deep Cuts HC

ONE TRICK RIP-OFF. Paul Pope is one of those artists who has reached a level of success which means he doesn’t have to put out a lot of work and it only increases peoples excitement. There are a few folks operating in this class now; Geoff Darrow, Ashley Wood, Darwyn Cooke, Charles Burns, folks like that. Paul Pope definitely leads the pack though. Sure they do things here and there from time to time, a shirt, a magazine cover, a short story, but a new book is a cause for serious celebration and excitement. Well Paul Pope has a new book this week. ONE TRICK RIP-OFF. And here’s the thing. It’s not even a new book and I am disturbingly excited. Originally it was published as short stories in DARK HORSE PRESENTS and later collected in the mid 90’s, but this is the first time this story has been printed in color, and the first time it has been available at an affordable price in more than a decade. Containing the whole story, plus over 150 pages of other shorts, art, and rarities from Mr. Pope, this book is a no-brainer for people who want to study the work of one of the pioneers of modern comic visuals. Mr. Pope is a true badass in the comics world today and he rarely sticks his head out long enough for us to get work from him. Also, not as cool a name as Keith Champagne, but Paul Pope is a pretty awesome guy name. Grab this one while you can.

R.I.Y.L: Great art that is also really cool. Cooler than you or me.

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Machine. Unexpectedly, I’d invented a Time

In 1995 director Lars Von Trier, tired of the special effects and genre tropes he felt were ruining cinema, created a list of rules for filmmakers to follow in order to make superior, modern artistic worth. This new style for film-making was called “Dogma 95.”

Rules like “Filming must be done on location,” “No overdubbed background music,” and “All films must feature at least one bear-mauling” make perfect sense when you think about them.

Why do I mention this? Well, I’ve just read Avengers X-Sanction #1. It is, don’t get me wrong, a beautiful book. I’ve liked the team of Loeb and McGuiness since Batman/Superman and I loved them on The Hulk (by the way, trades of these great runs are available here at the Planet!). Loeb keeps his stories simple, fluid, and action packed. McGuiness is the inheritor of Arthur Adams.

BUT. The plot of X-Santion is…iffy. Cable, the time hopping mutant son of Cyclops and Jean Grey’s clone, is going to capture/kill all of the Avengers because somehow they will kill Hope, his time-traveling mutant adopted daughter who is probably a clone of Jean Grey.

And WHY does he think this? I’m sure it will be clarified in future issues, but if we only read this first issue (and again, it is the only one out yet) it is because A) he wakes up in the future after being dead with no explanation of how he got there, B) THIS future (and this is a character that has experienced many) is desolate and destroyed, and C) a time traveling friend of his named Blaquesmith told him that the future was destroyed because “Hope is dead and it’s the Avengers fault.”

GETTING BACK

So about the Dogma Film movement and the new rules for making superior art? I have a rule for comics: NO MORE messed up time travel stories!

Especially in this instance! Blaquesmith could have been speaking metaphorically. “Whoa!” He could say, later on. “You tied Captain America to a chair and shot him in the head because I said Hope was dead? I meant, like, HOPE, ya know? The desire to aspire towards loftier goals and ambitions? You thought I meant your adopted daughter? Way to fly off the handle there, Cable.”

Besides, these future moments take place in “The Far Future.” I should hope that Hope is dead in “The Far Future,” because otherwise she’d be, like, 500-50 thousand years old. As premises go this is like going back in time to kill Mickey Mantle because he didn’t play in the 2011 World Series.

NOT ONLY THAT but Hope is only alive at all because Cable recently fought against a time traveling Bishop who went back to the past to kill her because a potential future he envisioned was destroyed because of her. Continue reading

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Marvel Universe Spring Releases!

By Chris Troy

Alright, so it’s been a while FPNYC faithful (Stupid Internets!), but now we’re back at 100% and willing to give you, the reader, the latest news on FPNYC’s toy and collectibles department! Since we’re all living in a post-Thor world (the movie rocked by the way, for all of you who haven’t seen it yet. Also shame on you for not seeing it), it’s only fair that this week we look at the latest releases from the ultra-popular Marvel Universe line. Back in stock are entries from the previous wave (Spider-Women, Spider-Man 2009, Modern Day Iron Man, and War World Hulk), as well as 5 new entries to the line, all straight from the X-Men side of comics. Two of these characters are new  in forms, so we’ll check those 2 out first before tackling the first time entries! Continue reading

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