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Chris’ Comics: Jonesy #2

Jonesy_002_A_Main-1Jonesy #2

Sam Humphries, Caitlin Rose Boyle, Mickey Quinn

Boom! Box $3.99

If there was any justice in the world, someone at Cartoon Network or Disney would be writing a big ol’ check to Sam Humphries and Caitlin Rose Boyle for the animated series rights for Jonesy. The way the book is structured and reads is perfect for that Bee & Puppycat/Gravity Falls/Steven Universe demograph, and it manages to be in the same vein of those properties while still being its own thing.

Jonesy #2 sees our lead slacking off on the job so that she can indulge her fandoms and hang out with a friend. Obviously there’s some shenanigans as a result of said slacking, which is good, because it would be a fairly boring comic otherwise. We the readers get a comic that seems deceptively simple at first look, but does so many small things right that Jonesy_002_panel-600x661it’s far more impressive than one would think. First off , I can’t remember any comics aside from maybe the new Marvel Moon Girl and Devil Dinosaur series that features multiple females persons of color as the focus of the story, especially ones aimed at a younger audience. Representation is important, and it’s nice to see the creators be diverse without getting to heavy handed at any given time. It’s also great to see a character admit they have a crush on another character of the same sex without making a big deal out of the fact that they’re queer. It’s something that doesn’t surprise me given that BOOM! Box also publishes the hit LQBT+ friendly comic Lumberjanes, but it’s nice to see none the less.

I love, LOVE, Caitlin Rose Boyle’s art. The Bryan Lee O’ Malley meets Rebecca Sugar style is so expressive and charismatic, it’s hard to not get lost in the book’s art. Aside from her hyper stylized characters, Boyle does a great job of cramming all sorts of things into the background, giving the readers plenty of incentive to study each panel. Mickey Quinn‘s colors continue to amaze, to the point where I want to stop reading this book in print and see how sharp it looks on my iPad screen. And Corey Breen‘s letters definitely deserve some mention, as the various black bold fonts contrast nicely with the bright colors used by Quinn.

Writer Sam Humphries has done some wonderful things with the 2nd issues dialogue. The 2nd issue seems to confirm how the book will play out (1st starts off with Jonesy, declaring Jonesy_002_PRESS-6something sucks, 2 act ends with Jonesy using her powers and making the scenario worst, third part is the resolution), and that’s fine. Again this book needs to appeals to all ages, and Humphries’ jokes, banter and plotting do so in a way that works for most older readers. As I’ve said in the past, it’s definitely not for everyone, but if your over 18 and wants something lighter in tone (especially compared to what Image offers), Jonesy is the book for you.

Jonesy #2 is a deceptively clever book that feels relevant and fun. A shame it’s only going to be a 4 issue mini series, because I would love to see what else these creators could do with more issues. That being said, the book’s nearly flawless as it, so Jonesy may benefit from less sometimes being more.

 

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Chris’ Comics: Jonesy #1 & Gotham Academy #15

Gotham Academy 015-000Jonsey #1

Sam Humphries, Caitlin Rose Boyle, Mickey Quinn

BOOM! BOX $3.99

Sam Humphries is a creator who’s worked I’ve certainly enjoyed these last few years, but I never had him pegged as an all-ages type of creator. Oh sure The Legendary Star-Lord and the other work he’s done for Marvel are comics #TEENS could enjoy, but I can’t say the same for his very adults only Our Love is Real or his current creator owned title Citizen Jack. However, Humphries is out to prove people like me wrong with Jonesy, a BOOM BOX title aimed at young audiences.

First and foremost, I have to admit it’s kind of refreshing to have a lead teenager female character who’s kind of a jerk. In a world full of Ms. Marvels and Gotham Academys, Jonesy being bitter, selfish and self absorbed makes her a little more believable and very enjoyable, especially when compared to some of her peers. She’s very likable none the less, as Humphries does an excellent job making her very 3 dimensional real fast.

Second, I LOVE Caitlin Rose Boyle’s art. It’s very much in the vein of Bryan Lee O’ Mally (who supplied a variant cover for this book.) and is it the perfect fit for this script. It also reminds me off the art style Rebecca Sugar developed for her hit animated series Steven Universe, which makes a ton of sense for a book that’s suppose to appeal to that fan base. Her art is bold, expressive and a tad bit trippy, mixing manga influence with indie-comic sensibilities. While Humphries name got my attention, Boyle’s art, along with Mickey Quinn‘s coloring kept me interested.

Jonesy #1 is a delightful debut to a fun all ages mini-series. Readers who dig other BOOM! BOX titles like Lumberjanes and Giant Days will probably feel at home with Jonesy, as will anyone who dug Scott Pilgrim but want something a little lighter and shorter to enjoy.

Gotham Academy 015-000Gotham Academy #14

Brenden Fletcher, Adam Archer, Sandra Hope, Zac Gorman, Rafael Albuqerque and others.

DC $2.99

The evolution of Gotham Academy from Harry Potter influence Batman comic to weird alt-comics anthology is something I’ve enjoyed with this “Yearbook” arc. This month Fletcher, Archer and Hope are joined by a quartet of guest creators, including the return of Minjue Helen Chen to the titles. She draws and writes the final chapter of this issue, which is a sweet 3 page story that focuses on Ham, who is a dog. Chen plus cute animals is a good time y’all, and her art is gorgeous.

Zac Gorman‘s comic focuses on the facility of Gotham Academy, and the results are hilarious. The 4 page story wears it’s Batman ’66 influences on it’s sleeve, and the humor is a little more “mature” than what we’re use to from this comic. I loved it, and would pay $3 a month for a spin off comic from Gorman that focuses on Bookworm and Egghead.

The biggest tale of the 2 is a 10 page story co-written and drawn by . Their art styles could’t be any more different (Medeiros is the living incarnate of indie comics, Rafael is much more mainstream cape comics friendly), but the 2 collaborate on a tale that suite both of their styles. It’s a very fun story, that plays with an element of Olive and Map’s relationship in a super fun way.

Bridged together by an tale written by Brenden Fletcher with much improved art from Adam Archer and Sandra Hope is another enjoyable issue in this anthology style arc. It’s been a great job of both introducing me to talents I was completely unfamiliar with, as well as seeing creators I do enjoy work on characters I adore.

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Chris’ Comics: Diesel #1

4741654-diesel_001_main_hesseDiesel #1

Tyson Hesse

Boom/Boom! Box, $3.99

Writer/Artist Tyson Hesse is a creator I’m familiar with from his late webcomic Boxer Hockey, but I was sold on this new mini series, Diesel, the minute the preview art hit the internet. Completely missing out on his run on The Amazing World of Gumball, it’s nice to see Hesse’s art improve so much since the last installment of Boxer Hockey. Diesel #1 is a gorgeous book, just one that’s a little light on content.

Diesel tells the tale of Dee Diesel, who’s apparently the heir to a awesome airship that also doubles as a small mobile community. The book reads like a Miyazaki movie, only less whimsical and more sarcastic and comical. The majority of the book introduces us to the cast of the book, and a hint of backstory, but mostly focuses on Dee. Dee is a fun lead, and a lot of the humor associated with her is solid, but she also reads a lot like the cliche bratty lead who’s got a gift but is also kind of a pain due to her over confidence. Diesel wears a lot of it’s influences on it’s sleeves, and while the premise is near and a lot of the jokes land, it also feels very familiar.

That being said, the book looks great. Tyson Hesse, with help from Mariel Cartwight, create a fun world with characters who are very expressive and animated. The character’s “acting” go a long well to help sell the jokes, and the visuals are very clean and fluid. The art really does a lot for this book, making it an entertaining read.

I understand that first issues are difficult to nail, so I hope this promising start improves with it’s next issue. Diesel is a great looking and funny book, it’s just a little light on the story. With the cast now introduced, I expect great things from future installment. It’s a cool all ages book with some charm, and fan of The Legend of Korra and Japanese role playing video games ought to check it out.

Phonogram_vol3_02-1Phonogram: The Immaterial Girl #3

Kieron Gillen, Jamie McKelvie, Matthew Wilson, Clayton Cowles

Image, $3.99

Jamie McKelvie y’all.

Phonogram: The Immaterial Girl #2 is the comic Jamie McKelvie drew “for real” this past week and my god, it’s gorgeous. Given arguably the MOST Kieron Gillen script in some time, McKelvie not only draws fantastic looking characters with gorgeous outfits, but also pays homages to 2 iconic music videos in this issue and completely nails it. His character’s acting is flawless, perfectly capturing the look and energy the 2 videos he pays homage to, but also puts his own feels to it. It’s incredibly good looking, and impressive how he can change his style mid book and then go back to his default setting with no problem. And as someone who’s read the previous installment of Phonograns, I’m amused of how we get to see David Kohl aged and become more Gillen-esque in appearance with every passing volume.

Helping Jamie set the mood as per usual is colorist Matthew Wilson, who’s also having an amazing week. If killing it on WicDiv wasn’t enough for Mr Wilson, he also changes up his palettes multiple times in this comic, and it all looks terrific in the end. Same with letter Clayton Cowles, who swaps up the fonts to help differentiate the narrators. This may be Kieron Gillen’s semi-autobiographical story about critics, but the artists are clearly having a blast telling this story, having the freedom to experiment with their styles as they see fit.

Phonograms: TIG isn’t any more accessible than the first issue, but you don’t have to be in the loop to appreciate how good this book it. It’s brilliant even if you don’t get the references without the help of glossary, which I am grateful for. Plus the gorgeous back up illustrated by Jamaica Dyer is worth your time and money. It’s certainly not a book for everyone, the the 2nd issue of The Immaterial Girl is a terrific experience for the target audience.

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Troy’s Toys, but with Comics Late coz of PAX East edition

This review is a little late because I just got back from Boston. Well not just, more like got home, slept for forever, played with my cat and had coffee first, then got to writing. Priorities and such.

PAX East 2014 was awesome by the way, but I’ll get into that when I do my SPECIAL review of a Video Game related comic next around. But for now, comics talks!

REVIEWS:

portrait_incredibleSecret Avengers #2

Ales Kot/Michael Walsh/Matthew Wilson

Marvel $3.99

THE WORST: There was no digital code with this book where there clearly was suppose to be. BURN IT ALL TO THE GROUND, FIGHT THE MAN, ETC!

My lack of digital content aside (HAIL HYDRA!), I really dug the 2nd issue of Secret Avengers. The first issue was a lot of fun, establishing this run of the title may be a little more light-hearted than past incarnations of the title. The use of characters like MODOK, Spider-Woman and Phil Coulson are excellent comedic foils to your typical espionage Marvel characters like Black Widow, Nick Fury and Maria Hill. But not in a slap-slick way mind more, they’re just lighter and upbeat characters in a pretty dark sector of the Marvel Universe. Also Hawkeye’s in this book, and if this blog has taught anyone anything, it’s that I like books with Hawkeye in them.

Aside from being heavy on the action and humor, the book is incredibly clever, both visually and dialogue wise. In two issues the team  of Klot, Walsh and Wilson is assembled and their M.O. is established. Which in this age of multi-arc decompressed event books, having a complete story done in 2 chapters is a god send.

Now that Avengers Assemble is over, Secret Avengers is the Avengers book that you want to read if you’re a fan of the Marvel Cinematic Universe. It’s easy to get into, and veteran Marvel fans will like it for just being a good fun book. It joins Mighty Avengers as solid alternatives for reader who may be turned off by Johnathan Hickman‘s more complex and event driven Avengers books.

Lumberjanes01Lumberjanes #1

Shannon Watter, Grace Ellis, Noelle Stevenson and Brook Allen

$3.99 Boom!/Boom Box

I was sold on this book the minute it was announced. The press release on Comics Alliance stated that Lumberjanes was to be “Buffy the Vampire Slayer” meets “Gravity Falls” and was co-created by one of my favorite artists on Tumblr. If none of that made sense to you, the translation is that I had very hype hopes for the book going into it.

But, did the book actually live up to my exceptions? Did I dig it even though Noelle Stevenson only co-wrote it and did the cover? HOW SWEET IS THAT COVER BRO?! These are some questions you may be asking right now, and I can only tell you the answers are Yes, very much yes, and so sweet! The first issue of Lumberjanes starts off incredibly strong, tossing you straight into the action, which involves our leading ladies hella punching 3-eyed foxes. If there’s nothing in that last sentence that didn’t appeal to you, it’s time to leave, and never return again.

There’s a LOT thrown at the reader in this first issue, which I’m okay with. Where as too many comics tend to guide the reader’s by the hand with boring scene-chewing dialogue and narration boxes,  Stevenson and co-writer Grace Ellis let the cast and their world’s actions speak louder than words. . The art team of Brooke Allen, Maarta Liaho and Aubrey Aiese is fantastic, as this books looks amazing. It’s very expressive and animated, and there’s a lot of stuff crammed into the panels that warrants re-reads. The ‘Janes body language is amazing, and it helps the reader figure out what kind of characters they’re dealing with here.

While Image is currently owning the mature audience creator scene, it’s nice to see BOOM!/Boom! Box put out something fun for all ages, especially with an all-female team. It’s a slick debut, and I’m hungry for more from this world.

All-New_X-Men_Vol_1_25_TextlessAll New X-men #25

Brian Michael Bendis and like 20 something artists

Marvel, $4.99

All New X-men #25 is kind of a weird comic to review. It’s a jam issue, which means a lot of cool artists draw cool things. And that’s no hyperbole, you’re getting artists like Bruce Timm, Art Adams, Skottie Young, Dan Hipp and Jill Thompson contributing to this thing, as well as some new talent like Max Wittert (another familiar face from Tumblr ). But it’s ultimately the issues serves as a giant Eff you to a long time X-man, who’s admittedly had it coming, and less of a monumental 25th issue as advertised.

So it is worth the $5 bucks? Heck yes, it actually is. It’s a solid done in one that touches upon the Battle of Atom event, as well as serves as a slight recap to the series so far. Bendis and company do any excellent job of mixing humor with drama, just like they did early in this series. Only this time around it’s more of an artist showcase. It may not be for everyone, but All New X-men #25 is a step in the right direction, and hopefully will continue to improve now that we’re done with crossovers in this book.

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