Tim Seeley, Javier Fernandez, Chris Sotomayor, Carlos M. Mangual
When we last left that Dick Grayson (all of a week ago, double shipping!), he was currently getting his well chiseled butt handed to him by his new Court of Owls appointed chum Raptor. Nightwing #2 deals with the fallout of that issue, as the duo go on their first mission together, and is a pretty solid improvement over last week’s (in my opinion) slightly disappointing installment.
Writer Tim Seeley doesn’t mess around this issue, which drops the flashbacks and focuses solely on Dick and Raptor’s new relationship. This issue does wonders for the new character, who’s very much being developed as a broken mirror image of Dick. Considering Grayson is in desperate need of a rogue gallery of his own, he’s a welcomed addition, and I like how the character manages to be fun, but also a violent murder-man with some bad intentions. Raptor’s interactions with Dick are not unlike the Wally West and Grayson friendship, with Dick in the straight man role, something we rarely see him in. In addition to fun times with Raptor and his bird bros, we get more Dick and Barbara interactions, and any appearance of Kobra. I’m a full believer that any comic can be improved with the appearance of Batgirl and or Death Cults that dress as giant snakes.
Last review I voiced my concerns about Nightwing re-trending ground already covered by Seeley in Grayson. Issue 2 does away with that, but ramping things up to 11, and raising the question of who’s playing who. Unlike Spyral, Seeley lets us know that Dick’s in over his head in no time, constantly keeping him off of his game and having both the character and the reader questioning his methods and motives. So yes there’s definitely some familiarity if you’ve read Grayson, but there’s also a lot of new elements to ensure that the comic feels fresh. Also Seeley manages to end this book on several gut punches that hurt, but that are also very very good.
Javier’s Fernandez’s art is much tights this much. Granted he’s still struggling with mask/emblem thickness, he gets to channel Sean Murphy and get some action-horror stuff this issue, and it looks great. His art really shines when it comes to scenery chewing action scenes, as well as the spooky snake-monsters he creates, and I’m glad to see the book’s visuals improved this dramatically. I do wish Fernandez did has someone else inking him though, because there’s a panel or two that feel a bit rushed. Chris Sotomayor’s colors are still superb, and I really like how his choice in blue and orange ensure that our eyes are drawn to Raptor and Nightwing immediately. It’s proof that a good colorist is extremely important to the creative process.
The Second Chapter of Better than Batman is a step in the right direction. I have a few qualms with the art, but the coloring and the writing do an excellent job of making this book a compelling read. It’s a fun and weird blend of genres, despite it’s initial super hero appearance. But most importantly it makes Dick Grayson feel like a unique character, not just an interchangeable member of the Bat-Family. We’re just a slight art improvement away from this book being a great title, not just a good one.
Christopher Troy is a freelance writer/editor/snarky jerk on the internet. He can be found here weekly, on Twitter@TheAnarCHris, and is the co-creator/writer the webcomic “In The Name of Thy Mother”. He’s also not really a fan of Death Cults, aside from the several he leads.