Tagged: Batgirl

Chris’ Comics: Batgirl Annual 3

IMG_0099Batgirl Annual 3

Cameron Stewart, Brenden Fletcher, Bengal, David Lafuente, Ming Doyle, Mingjue Helen Chen

DC $4.99

Originally, I wanted to talk about Batgirl Annual 3 in the same review as Batgirl 42, BUTTTTT when your double sized issue has 4 artists attached to it, maybe you give it a separate review.

Batgirl Annual 3 is part art jam issue, part team up comic. Over in Batgirl proper, we’ve rarely seen her interact with anyone in the Bat-family outside of her dad. Here, Babs runs into the newly revived Spoiler, the recently cancelled Batwoman, the adorable leads from Gotham Academy AND as the cover shows, her former…something, Dick Grayson and his boss Helena Bertinelli. Drawing this issue is a murder row’s of artists; Bengal, fresh from the Batgirl Endgame one shot, Gotham Academy alternate artist Mingjue Helen Chen, and making their Bat family debuts, David Lafuente and Ming Doyle, who handle the Spoiler and Batwoman chapters respectively. The annual is written by series regulars Brenden Fletcher and Cameron Stewart, who don’t produce the deepest of plots, but a fun one none the less, invoking silver age team up books like the Brave and the Bold and Marvel Two in One. For five bucks, you can do a lot worst out there, especially when you factor in how good this book looks.

BatgirlBengal’s Grayson chapter starts the book off, and Stewart and Fletcher NAIL the voices of Dick and Helena perfectly. It’s a amusing story where our 3 heroes have to stop a group of terrorists in Gotham, and Dick has to avoid being seen by Babs at all costs. Bengal’s manga meets David Lapham art style is perfect for this high action story, and the writers perfectly capture the tone and style of Grayson, including incorporating the series’ key running gag.  As someone who really likes the Dick and Barbara relationship, this story work for me on a number of levels.

From there it’s Spoiler and David Lafuente. As someone who wasn’t a fan of Lafuente’s Ultimate Spider-Man run, I can honestly say that his work on this story is incredible. Lafuente’s style has grown since his Marvel days, channeling some Todd Nauck and the late and great  Mike Wieringo in his pages. It’s some very kinetic and expressive stuff, and if I have any complaints, it’s that I wanted another 15 pages, or at least for Lafuente to draw theses characters again in the future. After that it’s tumblr_ns99dbFSik1rrp531o1_250Ming Doyle’s Batwoman story, which has a cool pulp vibe to it, and reminds me a lot of the good ol Greg Rucka and JH Williams era for Kate Kane. Also, there’s a pretty sweet Wicker Man reference in the story, and I for one always appreciate shout outs to movies remade by Nicholas Cage.

Finally the books ends on Batgirl teaming up with Olivia and Maps from Gotham Academy. While it feels like pure fluff (Fletcher co-writes GA, so their appearance make sense to a degree), Mingjue Helen Chen draws the hell out of this story. It’s so charming that you can forgive it, especially when you get to the final page of the story But this story, like every other one except the Batwoman story, all have the same problem. The villains are pretty forgettable and kind of generic. Like I have no idea if they’re an established threat in the DCU, something brought back for their first New 52/DC You appearance, or created for this book. And ultimately, I don’t care.

Batgirl-Annual-5-600x923Batgirl Annual 3 is something you don’t need to pick up if you think it’s going to tie into the current Batgirl on-going someway. BUT, if you want to see a bunch of great Bat family character interact with Babs while being drawn by some fantastic artists, then yeah, you should buy it.

 

 

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Chris’ Comics: Batgirl #42 & Sex Criminals #11

STK674518Sex Criminals #11

Matt Fraction & Chip Zdarsky

Image, $3.99 (or $4.69 for the XXX variant, which you should not open in public or your place of work.)

 

After a number of crazy delays, Sex Criminals returns to the stands, and we are richer for the experience. Fraction and Zdarsky give us a new character in this issue, and said character seem like a nice new person who loves their mother a bunch. Oh and they also have freaky sex powers, what a world. Issue 11 also changes the location for the book, which is revealed in a hilarious montage one would expect from the genius of Chip Zdarsky. And while we’ve seen plenty of quality Chippage as a late from both Kaptara and Howard the Duck during the Sex Crimz hiatus, having a comic he drew just feels right. Mostly because he’s co-created some incredible endurable characters I’ve missed, but also because NO ONE does sight gags and easter eggs as well as him. It’s incredible how much humor he can pack into the background of these books, never overcrowding them and distracting readers from what we’re suppose to be focusing on with the narrative.

As someone who’s met and talked to Chip and writer Matt Fraction a number of times over the past year and a half ( no restraining order yet, whooo), it’s freaky how much this books feels like an extension of their friendship. There’s a bit where Fraction breaks the forth wall and explains why there text there instead of dialogue (due to Chip’s talents ironically), and it feels like something he would be screaming about during a panel. It’s hilarious and it shows how confident and comfortable these two creators are with each other. Fraction’s words as still sharp as ever, blending pop culture jabs and jokes with engaging dialogue. His characters read very realistic, despite you know, the whole freezing time thing.

Sex Criminals‘ return is a mostly talking heads issue which pushes the plot forward a bit. The biggest reveal is hilarious, and it’s nice to see the book return hitting the floor running. This book being as good as it is surprises no one, and I’m glad to have it back.

BG_Cv42 Batgirl #42

Babs Tarr/Brenden Fletcher/Cameron Stewart/Serge Lapointe

DC $2.99

 Batgirl #42 sees artists Jake Wyatt & Michel LaCombe helping Babs Tarr with breakdowns. On one hand this is good, because Wyatt’s style is a little tighter than Tarr’s giving the book a look similar to when Cameron Stewart was assisting Babs. However, it loses some of the energy she brought to the book last issue with her dynamic layouts. Oh sure, we only got an issue with her working alone on the book, but I really like the results, and was hoping for more. The book still looks great though, so don’t expect any sort of dip in quality on the art end. There’s still a lot of energy to these pages, and Serge Lapointe‘s bright colors are fantastic. And Tarr’s Burnside is great, full of energy and sexy and confident Batgirl dealing with a new Batman and the new 52 incarnation of Livewire.

Batgirl #42 is a comic I dug a lot. The premise is neat: An experiencde Batgirl teaming up with a inexperienced Batman who’s also her dad is something new, and a fun exploration of the daughter/father superhero dynamic. Writers Cameron Stewart and Brendan Fletcher having Babs take point in their battle against Livewire makes a ton of sense given how she’s slightly more experience with dealing with super-crazies directly than her dad it, and it does so without making the Jim Gordon Batman look inept. The pacing is great, and the balance between time spend on Barbara as a grad student and as Batgirl is appreciated. Plus the team brings back a great supporting character from the Gail Simone run of this book, and ends the book on happy little cliffhanger. Batgirl remains a refreshing and fun book, with great visuals and a pleasant blend of drama and action.

 

 

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Chris’ Comics: Welcome Back Babs (A Batgirl #41 review)

Batgirl_Vol_4-41_Cover-1_TeaserBatgirl #41

Cameron Stewart/Brenden Fletcher/Babs Tarr/Joel Gomez/Serge Lapointe

DC $2.99

So Batgirl’s back, and things are a little different this time around . Yes I’m well aware things have been very different since issue #36, but we have a few more changes on our hands. First and foremost, co-writer Cameron Stewart is no longer handling layout duties, as he’s busy drawing a thing I’m not supposed to talk about. What this means is that Babs Tarr is drawing this book by herself, a first for the book and her career, which is immediately noticeable. Her style is more expressive and looser than Stewart’s, giving the book a more over the top manga-style look in terms of character language and layout. It’s a little jarring at first, but it also give the more its own visual identity unlike anything else out there on the stands, and let’s Tarr experiment with her storytelling. With Babs (the artist, not the Batgirl) handling the bulk of the art now, she has Joel Gomez assisting her on backgrounds, something I wouldn’t have noticed with the proper crediting.

batgirl-41-robo-batThe book also has a new colorist in Serge Lapointe, who does a lot of neat things with the color. The book’s color has more of a softer feel to it, sometime giving it that pencils to color look to it depending on the panel. Another cool trick Lapointe does is giving some backgrounds a neat spray paint look, which stands out a bunch when slapped against white canvas-esque negative space. I definitely do miss Stewart’s visual contributions to the book, as well as Wicks coloring, but Tarr, Gomez and Lapointe are so talented it’s hard not to mind the slight changes all that much.

The other big change is the fact that Batgirl is now a little in-line with other non-Fletcher written Batbook’s continuity, which puts Babs (The Batgirl, not the artist) in a difficult position thanks to the events of Endgame. Her dad Jim Gordon is the new Batman (spoilers?), who’s under orders to get rid of the other vigilantes of Gotham .  This is obviously a problem for Batgirl, but for the reader, it’s an interesting story to bear witness too, as it adds a cool twist to the usually stable Jim & Barbara Gordon relationship. In addition to all that Bat-family drama, we get the new 52 premiere of a cult favorite villain, allowing Babs Tarr to get her Bruce Timm on, all while some seeds are planted for another Bat-character to make an appearance down the line.

sdsd-740x431The Brenden Fletcher/Stewart/Tarr team hit their sophomore arc of Batgirl at full speed. While there’s some changes on the visual side, Fletcher and Stewart’s dialogue is just as good as it’s was pre-crossover break. There’s some really cute humor here, as well as some character relations that feel honest and genuine. The book feels fresh and relevant to the times, but never goes overboard with the time-sensitive references. It’s a fun little read that looks fantastic, and you can sense the team is having a blast work on the book.

Batgirl continues to be a book that shows DC is willing to change to ensure it’s brand survives in a world where Marvel dominates the charts and box offices (Jurassic World being the exception.). It’s success is obviously the reason why we even got this DC You initiative to begin with, and I’m happy to say it’s as good of a comic as it is important to the company and the marketplace.

 

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Troy’s Toys But With Comics: #BatgirlofBurnside Edition

So in case haven’t sold a large  small portion of your humanity to the internet like I have, you may have missed this week’s Batgirl controversy. The Outhouse has a good summary of the insanity if you care to catch up on it, and I agree with DC‘s  decision to recall the cover. Sadly, there’s a loud internet minority that doesn’t agree with me, but I really don’t give a toss about their whacks opinions.

As fate would have it (“or maybe it’s a CONSPIRACY?!” says that one guy on Facebook no one really likes), not only did this month’s issue of Batgirl drop this week, but the Batgirl: Endgame tie-in issue dropped as well. Since Barbara is once again in the spotlight, I’d figured I’d cover both issues in the column, because it makes or better narrative or something.

batgirlendgame1BG40cover-copy_5488f03771edf2.26063680Batgirl: Endgame #1

Cameron Stewart/Brenden Fletcher/Bengal

Batgirl #40

Cameron Stewart/Brenden Fletcher/Babs Tarr/Maris Wicks 

DC $2.99

Batgirl Endgame wasn’t what I expecting, but delightful none the less. Taking place before the events of Batman #40, but after Batgirl #40, the one shot sees Babs helping out with some evacuating while dealing with the ( HERE LIES SPOILERS) The Joker plague that infected Gotham.

The comic is impressive on 2 major levels. It’s a silent issue of sorts, which ever since G.I. Joe #21, is nothing new, but still an hard feet to pull off. What separate this silent issue from past ones is the clear use of Emojis, thus making it the MOST 2015 of comics. The other things that wow me was the art of Bengal, who has the not easy task of being the first artist to draw something related the series since Babs Tarr. This France-based artist delivers some gorgeous and really expressive art, and successfully manages to tell a emotional story without the use of any dialogue.

The story, by series regulars Brenden Fletcher and Cameron Stewart, itself is fairly straight forward, and a tad on the fluff side, but let’s be real, there’s only so much you can do with a editorial mandated tie in. Upside, it’s a simple one-shot (unlike the Death of the Story arc from a few years back), the gets to see Batgirl be a creative and triumphant hero, which is nice when dealing with Joker related stuff. It’s a solid alternative to the pretty grim stuff that’s been going with Batman proper, and shows that Barbara can be triumphant and stay true to her character even in the darkest of situations.

With Batgirl #40 we have a story in a very modern setting with a some retro plot elements. The previous issue gave us the reveal of the first arc’s big bad, and we get it’s origin with this issue. It’s a bit disappointing in my opinion, as SPOILERS a rogue AI based on Batgirl’s brain patterns is something  straight out of Wargames. I do appreciate it being  an analogy for the Batgirl’s ongoing struggle with her identity, but I thought it was a little ham fisted. That being said, I REALLY dug the last few pages of the issue, and I’m hyped to see what June will bring for this title and the upcoming Black Canary title.

 

Even though I wasn’t exactly the biggest fan of the book’s plot, Cameron Stewart, Babs Tarr and Marius Wicks’ visuals are still gorgeous. Tarr’s facial expressions, beautiful character designs & outfits and brutal yet clean fights scenes combined with Wicks’ crisp colors palette are still the main reason to buy this book. And while Stewart and Brenden Fletcher’s script wasn’t as strong as i’ts been in the past, they do drop some interesting hints about the possible future of some of the cast members.

 

Batgirl #40 is a bit uneven, and Batgirl Endgame is a bit of light read, but I wouldn’t call either comics bad. They’re fun books, with visuals that aren’t afraid to try new things. They both feel fresh, which is appreciated and welcomed, as I rather see comic try and fail then stick to  a proven but tired formula. Batgirl is a book that embraces the changing comic book medium, and that makes it a must read.

 

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Forbidden Planet NYC Sponsoring This Week’s Geek Girl Brunch

IMG_2285Lotsa free comics, a special coupon, and some random neat-o surprises (for example, one attendee’s going home with a 1:100 Grant Morrison variant to Multiversity #1, someone’s got a copy of Frank Quitely’s DC art book coming to them… etc.). The event’s booked solid with a waiting list, but be sure to get in touch with them if you’d like to be involved in their future gigs.

Check out this Batgirl piece Cameron Stewart drummed up to celebrate the party!

Cameron Stewart Batgirl Geek Girl BrunchUPDATE 1/23/15: We’re also providing a Batman Cookie Jar for the GGB crew to giveaway via raffle!

Entertainment Earth Batman Cookie Jar

 

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Troy’s Troys But With Comics: Everything is OKAY edition

PREVIOUSLY ON TTBwC: You may remember some of my recent reviews for DC’s Grayson and Batgirl have been either slightly negative, or concern about some of the content. This month, said books are released on the same week, and man I am no longer concerned about either title’s quality.

GRAY_Cv6_543db3662f95c5.33622396Grayson #6

Tim Seeley/Tom King/Mikel Janin/Jeromy Cox

DC $2.99

After 6 issues, 1 Annual and one Editorial Mandatory Tie in Issue, Grayson gets an issues that isn’t a done in one. And man, the cliffhanger is everything I love about this book.

Grayson #6 is a return to form for the creative team, as Dick and the Midnighter final get to throwing down mano y spanish word for hand. Well technically this is like the 3rd time they’ve fought in this series, but this one takes up the bulk of the issue for a change. We also get some new insight on the SPYRAL organization and the people who run it, and the reveal of a new big bad, as well as some jokes. Great jokes at that, including at least 2 laugh out loud bits of dialogue.

There are a few deep cuts to both Pre and New 52 comics continuity in this issue, as Tom King and Tim Seeley really come through with this issue. It’s a smart fight book, that perfectly blends weird sciences with a great fight scene, complete with some superb dialogue. And artists Mikel Janin and Jeromy Cox continue to amaze, which some really kinetic line work and some outstanding coloring. This book looks as good as it reads, if not better, especially with some of color choice’s Cox uses to really make the fight scenes pop. Especially with the throwdown’s location, the almost psychedelic color pallet has this book almost out Jim Sterankos your average issue of Secret Avengers.

Grayson #6 comes damn close to being a perfect comic. The creative team starts 2015 off on the right foot, and I’m eager to see what a full year of Grayson will bring us.

tumblr_ne60quQzFV1qfd9cso1_1280Batgirl #38

Cameron Stewart/Brenden Fletcher/Babs Tarr/Maris Wicks

DC $2.99

Speaking of A+ plus coloring, Maris Wicks does some really neat stuff with this month’s issue of Batgirl. Wicks has been doing some dynamite work since this creative team took over the title, but the color in this issue really stands out. There’s several scenes, ranging from a confrontation in a alley way to a high speed motorcycle race that really pop thanks to Wicks’ skills.

Great coloring aside, Batgirl #38 finally raises the stakes with the plot, and moves the story in an interesting direction. Batgirl’s new boyfriend doesn’t approve of the vigilante in town, Black Canary doesn’t approve of her heavy social media presence or her behavior, and there’s still a large helping of jerk-ass white boys making Burnside not so great at times. Granted some of these elements may not seem like the boldest and most original, they’re blended together well enough to seem fresh and entertaining, especially given how well Cameron Stewart and Brenden Fletcher write dialogue. Batgirl is very much a book that reads like it takes place in 2015.

Babs Tarr (with Cameron Stewart on breakdowns) is a beast with this issue. She crams pages with a numerous amount of panels (her average is about 7 in this book, where your usual comics is 5-6 at most), which a frightening amount of detail and expression. It’s impressive to see her talents grow with every issue, especially when she’s this new to the medium.

Batgirl #38 is another delightful issue from the creative team, with a cool mystery, fantastic character interaction and slicks visuals. It’s exactly what this book needed after some of the more controversial material from the previous issue.

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What I dug in 2014: DC Comics edition

It’s the end of 2014, which means it’s time for everyone to drop “Best Of” lists. Truth be told, there’s been a ton of acclaimed comics I didn’t read this year, so me complying one is kind of whack. HOWEVER, I’ve read a bunch of good comics this year, so I’m going to make 3 articles dedicated to some of my favorites from the past year. A solid cop-out if you ask me, #biased.

2012/2013 saw me drop a number of DC Comics titles, mostly due to the lack of interest in the direction DC editorial was heading. 2014 changed that, as  editor Mark Doyle came aboard the Bat-line and shook things up a lot, assigning some top notch creators to old and new titles. It’s resulted in me getting interested back in Dc’s catalog for the first time in a while, with the exception of one book I never really stopped reading.

Batman_Vol_2_31_Textless-1That exception is Scott Snyder and Greg Capullo‘s amazing run on Batman. This book has been constantly excellent since the beginning of the new 52, and this year saw the conclusion to the incredible Year Zero story line, as well as the fantastic Endgame arc. Snyder’s Batman has been a more human take of the character, way different from the Bat-god we’ve seen from Grant Morrison‘s run, and has been the most relatable take on the character in some time. Greg Capullo, inked masterfully by Danny Miki with amazing colors by FCO Plascencia, is doing some next level stuff with this book. His villains are grotesque, his Batman is a mix of iconic and pulp hero, and his Gotham varies from modern metropolis to nightmare-fuel garbagetown depending on the scene.

4008079-grayson01But Snyder and Capullo kicking ass isn’t anything new. What is new is Grayson, the spy thriller that saw Nightwing go from vigilante to spy who refuses to kill. Which is problematic given his new profession. Written by Tim Seeley and former actual spy Tom King, with  Mikel Janin and Jeromy Cox, it’s been the most compelling Dick Grayson has been since he was Batman, and is a fun book that incorporates espionage with some weirder elements of the Batverse. While the book suffers the occasional misstep, it’s also incredibly smart and sexy when the book (in a non-insulting/offensive way) delivers. The Future’s End tie-in was easily one of the best editorial mandated tie-in book to an event I don’t read this past year, and would be the best single issue for the series if we didn’t have a surprisingly sweet issue involving a Manty Raid.

STK652755586cfd30a87203654de3e206e1093d7dI also can’t overlook the trio of female lead books set in the Batverse. Gotham Academy, but Brendan Fletcher, Becky Cloonan, Karl Kerschl and and a trio of amazing colorists ( Geyser, Dave McCaig and John Rauch) is Batman meets Harry Potter, and is a slick looking book I didn’t know I wanted, but now am incredibly happy we have. It reminds me of Jason Aaron‘s insanely charming run of Wolverine and the X-men, only with less mutants and more #Teens. Harley Quinn, by Jimmy Palmiotti, Amanda Conner, Chad Hardin and Alex Sinclair, has became a massive hit for DC Comics, and while the book is pretty hit or miss to me, it’s hard to overlook it’s importance. It’s the closest DC has an book that truley appeals to the Deadpool audience, and when the book is good, it’s good. And finally there’s Batgirl, DC’s arguably most hyped book of the year. The book, seeing Fletcher joined by Cameron Stewart, Babs Tarr and Maris Wick, set the internet aflame when it was announced, and has delivered ever since they creative team’s debut in October. It’s a much needed book that does some interesting things with Barbara Gordon, and much like Gotham Academy, it’s gorgeous and incredibly fun.

 

So yes, while DC has put out some incredibly bad books this past year (Forever Evil and the current run of Wonder Woman spring to mind), it seems they’ve finally found some books that match some of the gems Marvel has been offering as of late. I’m hoping this trend continues well into 2015.

 

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Troy’s Toys, but with Comics: Purple is the new Black

MISSING: Intro. Last scene: When I didn’t have a lot of words about comics to vomit upon my computer.

Hawkeye_vs._Deadpool_Vol_1_2_TextlessHawkeye/Deadpool #2

Gerry Duggan/Matteo Lolli/Jacopo Camangi

Marvel $3.99

With the Fraction/Aja’s Hawkeye series continuously hit with delays, I’ve had to turn to the wonderful Secret Avengers and this mini series for my Clint Barton and Kate Bishop fix. As luck would have it, I couldn’t have chosen 2 better books to do so, and oddly enough, book both has a healthy amount of Deadpool in them.

Not that I’ve pointed out Marvel’s lack of original content (KIDDING), I should talk about this comic that I have purchased.  This issue, tying into recent events in both  Deadpool and Amazing Spider-Man,  sees our team try to set a trap for the baddies, and it goes as well as one would an except a Hawkguy conceived plan to go. Also the Hawkeyes learn just exactly how weird and complex Deadpool’s life can get, and video games are played. Other things goes down too, but those are spoilers, so it’s probably bess that I don’t discuss them.

Gerry Duggan, who co-writes Deadpool’s monthly series, draws upon both characters histories, bringing up some more obscure elements of their careers for hilarious results. I was not expecting a reference to the beloved Joe Kelly era Deadpool book, nor a discussion about the fate of Hawkeye’s Sky-Cycle. The book also continues to reference a few visual gags from the Hawkeye on-going, and they continue to remain fun little nods to that book.

Matteo Lolli gets some help from Jacopo Camagni on the art side of things, and it’s certainly something I welcomed. I was a fan of Camangi’s work on last year’s Longshot mini series, and he fits the book well. His Kate Bishop looks like a young woman, and his softer, round faces and exaggerated body language help sell a lot of the book’s humor. The two artists’ styles are similar enough to tell a cohesive story, but you can also appreciate what each brings to the book as well without preferring one to another. And the colors complete the package, making this title long for a Hawkeye/Deadpool animated series that we’ll never get.

For a mini I was willing to write off as a cash grab, I’ve been having a blast reading Hawkeye Vs Deadpool. It’s a fun hero team up/fight book that looks great, is good for a few laughs, and helps fans realize how much growth these two popular characters have gone through thanks to their respected creative teams.

 

Batgirl-36Batgirl #36

Cameron Stewart/Brenden Fletcher/Babs Tarr/Maris Wicks

Dc $2.99

Batgirl’s 2014 soft relaunch continues to impress, with a strong follow up issue to the current creative team’s debut. In this issue, Barbara Gordon’s supporting cast continues to grow, with several new characters introduced, as well as a throw down with a pair of cosplayers turn contract killers on stolen high-tech motorcycles. As someone who loves Barbara Gordon as a character, having her throw down with murderous cosplayers isn’t needed for me to buy your comics, but I appreciate you targeting my tastes.

Judging from what I just wrote, it’s safe to assume that I liked this comic. And I don’t mean to take away from writer Brenden Fletcher, who’s contributions to this book are crucial, but a lot of this book worked for me thanks to the talents of  artists Cameron Stewart, Babs Tarr and colorist Maris Wicks. While Burnside is very much a new part of Gotham, the artists really did an excellent job of fleshing out the city and it’s various locales, making it a very believable place. Tarr using a number of fashion blogs for her character designs also helps sell the city, which definitely looks like part of Brooklyn I’ve been to recently.

Maris Wicks’ colors are fantastic. The book definitely pops out thanks to his bright palette and blends well with Tarr’s kinetic pencils, especially when it comes to the book’s climatic fight scenes. I wouldn’t go as far to say it’s the best looking book on the market, but it definitely sticks out on the shelf, and yes,  looks great. And Fletcher’s dialogue is sharp, smart, and manages to tug at the hear at times. It’s a creative team that meshes together well, giving the reader one hell of comics experience

Batgirl continues to be a title I didn’t know I wanted, but glad I now have. It’s been awhile since I’ve been this invested in Barbara Gordon’s life, and this creative team is already batting (not a pun, I swear) .1000 after 2 strong issues. Batgirl is giving my pull list a run for being my current favorite title, which says a lot given how strong comics have been as whole in 2014.

 

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Troy’s Toys But with Comics: Late, yet again.

Belated post once again, this time due to NYCC. Con was great, and I saw many a fine folk. Last week was also a really great week for comics too, but I’m only going to highlight 2 of them today, because they are arguably the most important. I’m sure Sex Criminals will be fine.

 

586cfd30a87203654de3e206e1093d7dBatgirl #36

Brenden Fletcher/Cameron Stewart/Babs Tarr

DC $2.99

::: Cut and pastes last week’s Gotham Academy review, changes a few names, call it a day :::

So yeah, despite there being no shortage of dope comics released this year, THIS is the book I wanted more than anything after it was announced. Barbara Gordon is my number 1 with a bullet favorite DC character, and I haven’t been excited for the character in quite some time. No offense Gail Simone, you’re still rad.

But man, that Cameron Stewart/Babs Tarr new costume effect. Stewart’s drawn many a fine comic in his career, and Tarr has been one of my favorite people since I met her at Heroescon this PAST summer. And that new costume is all sorts of dope, which btw if you’re paying attention DC Collectibles, new Babs figure ASAP. A statue is fine as well.

So yeah, I went into this book a little excited. And much like Gotham Academy before it, it exceeded my expectations. Tarr, Stewart and Brenden Fletcher crafted a comic that felt like the sort of book the new 52 should have been in the first place. It’s refreshingly modern, in both tone and style. Burnisde may be a Gotham-stand in for Portland or North Brooklyn but its the plot that really make this book stand out. Not too many mainstream comics are willing to tackle revenge porn and privacy invasion, but team Batgirl 2k14 do so, and kick it straight in the face.

Batgirl is another example of DC actually getting it. Gotham Academy is a great book, but Batgirl is an A list character that non-comics people are familiar. This is the type of book that should be an entry gate to DC Comics/Comics in general, and it’s off to a damn good start.

 

WYTCHES_webWytches #1

Scott Sndyer/Jock

Image $2.99

(Somehow) it is October, which means SPOOKY comics are a plenty this month. Oh and hilariously named donuts like “Boston Screme”. Both are things that I like, but only the former involves the talents of creators Scott Snyder & Jockat least as far as I know.

The pair released Wytches last week, and the hype for that book was nearly comparable to Barbara Gordon’a new look. Snyder may be sitting on top of the comics world due to Batman ( rightfully so mind you), but Wytches serves as a reminder on how well this dude does horror. The first few pages of this book are horrific, which is something I imagine one would want from a spooky-scary comic.

And then there’s Jock. Easily one of the most interesting and talented artists working in comics today, Jock’s art is phenomenal in this debut. Paired with colorist extraordinar Matt Hollingsworth, the pair set the tone of the book perfectly. The book looks great when the characters are suffering the most, which I know makes me sound like a sociopath, but it’s true. It’s a great looking book featuring terrible things happening to questionable people.

I also really like the hook for Wytches. Said Witches are far from the black hat/cat cauldron troupe, and are hardly the worst thing in the book. I refuse to say more due to fear of spoilers, but Snyder/Jock/Hollingsworth have something special going on in this book. Wytches does for witches what The Wake did for mermaids.

Wytches is off to an impressive start, and has me rethinking my pull list in order for me to buy it monthly. It’s a stellar debut, something Image has become notorious for, and it’s great to see one of the industry’s biggest name flex his horror muscles again with a fantastic art team.

 

 

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The Woods/Batman/Paladin Super Signing October 7th at 6pm

October-7th-GifOn October 6th at 7 o’clock, Forbidden Planet is going to have a whole slew of amazing creators in-store. Writer James Tynion IV (The Woods, Batman Eternal) and artist Michael Dialynas ( The Woods) will be here as well as writer Marguerite Bennett (Batgirl, Batman), writer Chris Antzoulis (Paladin) and artist Fabio Valle (Paladin) will all be here to sign copies of their respective books. Woo.

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Creature of Habit

Hey FPNYC Faithful, let’s see what kind of neat stuff we got in this wee-

::: Checks out shelves ::

::: Bangs head against wall repeatedly :::

Don’t get me wrong y’all. I like talking about toys, and letting the 6 of you who read this know what’s new in releases this week, but man, I can only talk about Super Hero toys so much. And as fate would have it, this would be the week where we’re hit with a plethora of super hero toys. One specific one, a character I was talking about literally just last week.

For those not in the know, WB games is releasing “InJustice” this week, which a DC-based fighting game in the vein of Mortal Kombat, only was less violent. Which means tie-in toys. We’ll be seeing some DC made ones in a week or 2, but Mattel struck first by tossing an Injustice Batman figure in the newest wave of DC Unlimited figures. New 52 Superman is also re-released in this wave, which is fine because it’s actually a decent Superman figures, as well as the new 52 Wonder Woman. The newest figures in the line are actually pretty good by the way. It’s been hella fortnight since we’ve seen a Wonder Woman figure from Mattel, and this one (an all new-figure BTW) captures the look designed by Jim Lee/ Cliff Chang quite well. It also does a nice job of covering up the fact that WW’s current on-going is violent (and awesome) as hell. As for Injustice Bats, I’m not crazy about the design, but since it’s original, it forced Mattel to make a new sculpt, which means this figure is also 100% new. It’s also fairly articulate and shiny, which makes me wonder if all Unlimited Batman figures are to be shiny from this point on.

In addition to the new DC Unlimited line, there’s a new wave of  Batman character only -based Unlimited line of highly articulate figures on our shelves. One with no less than 3 different versions of Bruce Wayne. No, I can’t make this up, especially given the selection of this line.

The new 52 Batman and Batgirl are brought back for this line, and look, another Dark Knight Returns Batman (those animated movies must have really sold well for DC to be pushing tie-in merchandise this hard) being one of the 2 new first time offerings. The other….::: clears throat:: Planet X Batman with Batmite. Aka Batman of Zur-An-Arrh. What’s that mean? Yo, I’ve read Batman R.I.P. (Grant Morrison and Tony Daniel) and I suggest you do the same, because that is the only way any of that would make sense. Anywho, the re-packs are good if you missed them the 1st time around (the new 52 Bats goes great w/ the new 52 Supes and WW), and at least the new offerings are unique to say the very least. Both Unlimited lines are $20 per figure, and given the hype behind Injustice, you may wanna grab the figure before the game drops. Both DC and Mattel are going to be pushing tie-in toys hard these next couple of months, and given Bats popularity, he’s probably going to be one of the harder figures to fine. Not that there’s a shortage of Bat-toys or anything…

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The Weekly Pulse – Drive Your Enemies Before You

Lots to look at today! A couple more number sixes trickled out in the form of Batgirl, Batman and Robin, Frankenstein, and Suicide Squad. Plus more of everyone’s favorite enmouthed Merc and enlobstered Johnson! Most exciting of all, a new Conan book from Becky Cloonan and Brian Wood! Throw is some Dark Matter, Scarlet Spider, Memorial, The Strain, and Thief of Thieves, (editor’s note: currently sold out.  New stock shipping march 14th) and you have a busy week of comics reading!

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The Weekly Pulse – December 14th, 2011

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We’re back, baby! Another week’s recap of the latest in comics and toys with your host Dan Roth and Morgan on camera!

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The new 52 and old figures.

By Chris Troy

It’s been awhile Forbidden Planet Faithful! I’m back after spending some down in Orlando (I rode on Star Tours, YAY!) and now I’m once again ready to tell you what new stuffs FPNYC has gotten in.

And with my return, I’ve brought the NFL with me! That’s right, I’m talking about sports on a comic shop’s blog, but I severely doubt I’m the only dude who’s bought a comic book and follows the Jets on a weekly basis. McFarlane Toys just released their 2nd wave of NFL Elite figures, which is the latest revision of their long-time NFL line of figures. This wave sees 8 releases, including a few returning stars like Tony Romo and Mark “Nacho” Sanchez of my beloved NY Jets, as well as Goth-Wizard & Super Bowl MYP Aaron Rodgers.  These are more mini-statues then action figures, which comes as no surprise to anyone who’s purchased a McFarlane figure over the years. But hey, these are pro-atheletes, they shouldn’t be posing with the Justice League, no matter how good of a game Drew Brees throws. The sculpting is solid though, and the details to the uniforms and helmets are NFL accurate. For about $15-20 a pop, you can’t go wrong with these, unless you’re a Patriots fan, then we need to have some words.

Moving on to a more familiar topic, DC has launched it’s new 52 intiative, and despite a rough start with Justice League, the line has been pretty good so far. From someone who was only reading a handful of DC books per month. I now found myself actually caring about the likes Animal Man, Swamp Thing, and Wonder Woman. The Bat-books have been pretty great as well (Detective Comics, Batman, Batgirl, and Batwoman), Demon Knights is incredible as was Action Comics. I’m super-excited for Peter Milligan’s “Justice League Dark”, but man o’ man, Suicide Squad was bad. Real bad. Especially when you remember that Gail Simone’s excellent “Secret Six” was cancelled for it. Which brings me to the 2nd wave of Batman Legacy figures! WE FINALLY GOT A CATMAN FIGURE PEOPLE! AND IT’S FRIGGIN AWESOME! The line also has a Golden Age Batman and a silver-age Barbara Gordon Batgirl, but again, CATMAN! This is awesome and I will kill someone to own it. Each figure goes for about $20 a pop and is comparable to the DCUC line in terms of scale, articulation and sculpt. Continue reading

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Statue Report: Ms. Marvel Bishoujo Statue

By Chris Troy

Possibly due to  several minor disputes with my wife over the past few years, I’ve (rather impressively) held off purchasing one of the various Marvel Bishoujo statues; a line consisting of various Marvel Comics heroines based on the work of  Japanese artist Yamashita Shunya. Space issues aside, (yay current bigger apartment) I found it hard to justify spending $60 on a very small statue, especially when your average Revoltech/Figma/Gunpla kit is cheaper and roughly the same scale. For the record, my wife has to this day not given me any crap for the Queen’s Blade Revoltechs we own. However, since Kotobukiya started handling DC characters as well as marvel, the scale of the statues has grown while the price has managed to stay the same! And with entries like Black Cat, Catwoman, and Batgirl, the temptation to drop the money to buy one has grown as well! Then the Ms. Marvel Bishoujo Statue dropped, which made the line a ton more tempting. Granted, in terms of comics, I’ve read more- and probably prefer- both Cat-ladies and Ms. Gordon. I LOVE Ms. Marvel’s design, and since it’s a great big statue I couldn’t resist picking one up. Continue reading

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