Tagged: Batgirl

Chris Comics: Putting The New 52 to rest with Grayson and Batgirl

Grayson-20Batgirl-52-variant-cover-by-Babs-TarrGrayson #20

Jackson Lanzing, Collin Kelly, Roge Antonio, Jeromy Cox

DC $3.99

Batgirl #52

Brenden Fletcher, Elenora Carline, Minkyu Jung, Serge Lapointe, Steve Wands

DC $2.99

Now that DC Rebirth is up and running, May sees the end of several DC titles before they get rebranded and relaunched with new creative teams. Which means both Batgirl and Grayson have come to an end, which is a shame.

Batgirl #52 wraps up the Brenden Fletcher-verse crossover, and sets up the next chapter of Barbara Gordon’s life for the creative team of Hope Larson and Rafael Albuquerque. Grayson #20 ends Dick’s run as a spy, puts the genie back in the bottle in regards to his secret identity, and gets him back in the Nightwing costume in time for Tim Seeley‘s return to the character. Despite neither storylines wrapping up with their original creative teams attached (Fletcher on Batgirl being the exception), both stories wrap up nicely, with only a few missteps.

As I’ve said several times in the past, Jackson Lanzing & Collin Kelly read exactly like image-117Tim Seeley and Tom King do on this book and that’s excellent. I’m sure they studied the notes left by those writers to a T, which I appreciate, especially when they were brought on the book so late in the game. Not only do they close out one of the most interesting status quos for Dick Grayson on an extremely high note, but they set things up for Helena Bertinelli’s role in the upcoming Batgirl and the Birds of Prey book flawlessly. And Roge Antonio’s art improves tenfold this issue, drawing an incredibly compelling action final fight scene between Grayson and Otto Netz for the bulk of the issue. He does a superb job of keeping in the spirit of the trippy art direction established by previous series artist Mikel Janin, while doing his own thing. Jeromy Cox has been fantastic on this title since issue one, and he’s just as great here. I HATE to see Grayson end, but man, this was a real solid ending by this team.

Batgirl #52 on the other hand, feels rushed, as there are a number of grammatical and spelling errors that plague this issue. The art from Elenora Carline & Minkyu Jung,  is okay, but there’s a lot of stiff posing and flat looking characters despite some excellent colors from Sergio Lapointe. Even Brenden Fletcher’s dialogue is extremely disappointing at times, reading more like a cheesy all ages comic more than the fresh and relevant to today’s audience stuff we as readers have been used to. Which is odd, given how good a solo Fletcher can be, as seen in Black Canary and Batgirl_52_01Gotham Academy.

I also find it odd to remove Barbara Gordon from her company so early in the game. I know WHY it needed to happen (new creative team and with a new MO), but to do 2 issues after the company’s up and running feels really out of place. It feel likes it was more than an editorial call rather than something Fletcher elected to do, although I have no evidence of such.

At the end of the day, we have 2 books I’m sad to see end, for entirely different reasons. With Grayson, it’s an end of an era that I really enjoyed, but know that the character’s in good hands. With Batgirl, it feels like the character is being forced into a more traditional role, rather than allowing her to exist in a status quo that very few, if any, female characters get to inhibit. I’ll be reading both characters once their reintroduced in Rebirth, although there’s no guarantee I’ll be sticking around for the long haul.

 

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Chris’ Comics: Batgirl #51 & Grayson #19

STL001391Batgirl #51

Brenden Fletcher, Elenora Carlini, Minkyu Jung, Roger Robinson, Serge Lapointe

DC $3.99

I applaud what Brenden Fletcher did with this 51st issue of Batgirl. With Babs Tarr and Cameron Stewart off the title and more or less done with DC Comics for the foreseeable future, Fletcher has 2 issues of comic to write before the new creative team takes over this summer. It appears he’s using these issues to do a low key crossover, using a plot line from the third Batgirl Annual he worked on to bring together the worlds of Batgirl, Black Canary and Gotham Academy. Aside from the slight fan service, Fletcher also has Barbara Gordon dealing with her new status quo, something he helped set up, which is a fun inverse of the super hero who also has to deal with running a company trope.

Oddly enough, having 3 artists on this book didn’t take away from my enjoyment on this book as much as you’d assume it would. Elenora Carlini & Minkyu Jung’s styles blend well together, channeling the same energy Stewart and Tarr brought to the book’s visuals. Roger Robinson is the odd man out here, with a style that’s less exaggerated and more traditional in a sense. His art isn’t bad per say, but it’s comparatively plain once stacked up against the other artists on the book. Serge Lapointe‘s colors are great as per usual, continuing to do some fantastic stuff on the Bat-books his colors.

Batgirl #51 is a fun read and feels like a cool little mini-event. The lack of Tarr and Stewart is felt, but if you’re a fan of the books Brenden Fletcher worked on during his time at DC, you’ll enjoy this issue.

GRAY-Cv19-6d216-7296dGrayson #19

Jackson Lanzing, Collin Kelly, Roge Antonio, Jeromy Cox

DC $3.99

The highest praise I can pay Grayson #19 is that if you told me that former writers Tim Seeley and Tom King wrote this issue, I would have believed you. Writers Jackson Lanzing and Collin Kelly do a superb job and matching the tone set up by those 2 writers, making for an extremely fun read that sees Dick Grayson deal with a massive betrayal. It’s something that’s all too common in spy fiction, but because the creators involved are so talented, it comes off as a complete surprise.

Like the writers, artist Roge Antonio’s really steps up this issue and attempts to pay homage to the creators who came before him, His Dick Grayson may not be the prettiest, but Antonio excels at drawing some really solid action pieces, as well as getting a little trippy with the layouts at times. Having regular Grayson colorist Jeromy Cox color his art definitely helps with the experience, as his contributions really help set the mood and bring the art to life.

With next issue being the last, Grayson #19 ends with an encounter fans have been expecting/dreading. It’s a shame we already know who’s on this new Birds of Prey roster, because it definitely takes some of the suspense away from this encounter. But that’s on editorial/marketing, not the creators, so it’s hard to fault them. Regardless of quasi-spoilers, Grayson #19 is an thrilling comic, one that hopefully will be serviced by a fantastic ending next month.

 

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Chris’ Comics: Batgirl #50

BG_Cv50Batgirl #50

Cameron Stewart, Brenden Fletcher, Babs Tarr, Roger Robinson, John Timms, Elonora Carlini, James Harvey, Serge Lapointe

DC $4.99

I’ll be blunt, Batgirl #50 is a little bit of a disappointment.

While it’s not entirely the creative team’s fault, this is a $5 comic that feels more like an annual. What was suppose to be the final issue for all 3 members of Team Batgirl (Cameron Stewart, Brenden Fletcher & Babs Tarr,who are off to do creator owned stuff for Image), the comic actually features several additional guest artists, once again making the title feel more like a art jam project.  Babs Tarr does draw the bulk of these pages (20 aka the amount of your average DC/Marvel book), which is where the book really shines. If this was the springboard for the new Birds of Prey book, the additional pages by the guess artists would make a ton of sense. But seeing how none of those character except Batgirl & Black Canary are appearing in that title come this summer, it feels like an excuse to pad the book’s page count. I’m genuinely curious if the decision to make the comic double sized was editorial or the creative teams, because it feels incredibly disjointed.

To be fair to the guest artist, their work is certainly solid. Roger Robinson, John Timms, Elonora Carlini, and James Harvey have all pitched in on art duties before on the character, so they certainly feel familiar on the book. They all manage to ape Tarrs’ sBatgirl-50-11tyle quite well, so the book looks good all throughout the issue. And while I may complain about the presence of multiple guest artists, I really do dig the Street Fighter-influenced Vs. pages that break up the chapters. And it’s cool to see Babs working off of Cameron Stewart’s layouts again, as we can see how much she’s grown since she last worked off of them.

The book is at it’s best when it towards the ending, as you can really see where the team was trying to take Barbara. It’s where the real meat of the story is, and it does some really cool things with Babs and the cast of supporting characters the team has assembled. It’s a shame that there’s not more time spent on that sort of thing, versus the amount of time spent with the guest artists and guest stars dealing with other villains. The book ends up feeling back-loaded, which is a batgril-50-teamshame, because again, while I don’t dislike the artist, but there’s a lot of fat to chew through to get to the good stuff.

Batgirl #50 has some genuinely good moments in it, but this book will test your patience. A shame really, because the team had spent a considerable amount of time taking Babs into her this new and exciting direction. They do ultimately succeed in blazing some new paths with the character, and set things up for the next creative team to do some real interesting things with the character, but I just wish the execution could have been a little better.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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Val’s Toy Chest- The Cat and The Canary

DO NOT READ THIS IF YOU WANT TO AVOID POTENTIAL ARROW/FLASH/LEGENDS OF TOMORROW SPOILERS.

Hey guys- at the beginning of this season on Arrow, a mysterious death that is supposed to stick was teased on the show to take place sometime during the back half of the season. That mystery looks to be solved in this week’s episode and if all the leaked pictures are to be believed, including shots of SPOILER Dinah Laurel Lance’s SPOILER grave from the Legends of Tomorrow first season finale, Star City is about to have one less vigilante and it is a bone-headed decision. That being said, further spoilers for the penultimate episode of The Flash Season Two seem to show us a completely new iteration (i.e. Earth-2) of said character, portrayed by the same actress appearing to either fight alongside Barry or against. I don’t know what to believe anymore, but I think the CW DC TV shows will go down as a massive joke if they kill an iconic character and one as important to the Green Arrow and Justice League mythos such as the Black Canary without some sort of way out. I will drop Arrow out of protest, though I haven’t watched the past two episodes anyway. I will continue to support Katie Cassidy’s career if she is the one being written off the show and still hold out a brief glimmer of hope that her Flash stint could become permanent. I’ve already dismantled my Arrow toy shelf in anticipation of the big death. If Laurel survives, then I will gladly eat crow.

END SPOILERS

bc

That bit of news aside, there’s a couple of neat items to discuss this week- both featuring everyone’s favorite feline femme fatale. The first is the Tweeterhead/Sideshow Batman Returns Catwoman piece. Based on Michelle Pfeiffer’s likeness, this statue finds Selina Kyle atop a rooftop base, whip in hand, ready to strike the Batman. 040232300646The other Catwoman piece is a statue from Diamond Select Toys which like its predecessor, Batgirl, is based on the now 50-year-old Adam West Batman 1966 TV series. Catwoman is sculpted to resemble Julie Newmar and comes standing atop a base with the classic Batman TV logo emblazoned upon it.699788813287

Other Catwoman items in-stock now include the Batman 1966 Catwoman bust, also based on Julie Newmar’s likeness, the Cover Girls of the DC Universe Catwoman statue and the Batman: The Animated Series Catwoman bust designed after her look in the 1992-1995 series. If Catwoman isn’t your thing, but you love 1966 Batman, we’ve still got a number of items in stock from that era of Batmania. This includes the Batman, Robin and Batgirl three-pack, the Batmobile with Batman and Robin figures, the To The Batcave set with Bruce Wayne and the Batcomputer and the Tweeterhead Yvonne Craig as Batgirl Maquette. Tweeterhead also released one other awesome piece recently, particularly if you enjoy Batman comics from the 1950s- the Kathy Kane Batwoman maquette recently arrived and she is in all her retro glory.

040232344503

As I started working on this column, we received a limited refresh on Batman: The Animated Series figures which probably won’t last too long. Harley Quinn, The Mad Hatter, The Penguin, The Riddler, Robin, The Joker and Man-Bat from the original Animated Series are all back in stock as well as Batgirl, Poison Ivy, Killer Croc, Robin, Bane, Scarecrow, The Creeper and Mr. Freeze from The New Batman Adventures. The Batman and Phantasm two pack completes our restock of animated style action figures.

I got to see Batman V Superman last week and I mostly enjoyed it. It isn’t the best superhero movie in the world, but I had fun watching it. Brief thoughts on the film- it was a little disjointed at times, Batman was a massive jerk, Superman was fine, Wonder Woman is AMAZING! Gal Gadot’s portayal of the Amazon Princess, no matter how brief made the film for me. Whether it was the thrill of finally seeing her on the big screen for the first time or because I just love Wonder Woman, she was a breath of fresh air. If you’re feeling like you need merchandise from the film, we’ve gotten a restock of action figures of the DC Trinity as they appear in the movie back on our shelves. You too can own a Ben Affleck Batman, Henry Cavill Superman, and Gal Gadot Wonder Woman if your heart desires. Each figure from Mattel has a piece to build Batman’s Grapple Gun and are fully articulated so you can pose them for your own adventures. If Barbie dolls are more to your liking, we also just received the Batman and Superman Barbie Brand dolls from the movie. No Diana yet, sadly.

Next week: the 500th issue of the Weekly Planet. Catch you guys then!

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Chris’ Comics: Batgirl #48

BG_CV48Batgirl #48

Cameron Stewart, Brenden Fletcher, Babs Tarr, Rob Haynes, Serge Lapointe, Lee Loughridge

DC $2.99

BABS TARR!! BLACK CANARY!! CO-O-ah dang, I almost had enough things that started with “B”to warrant a “BACKGIRL” gag. ::: is fired immediately for even suggesting that. :::

 

Batgirl #48 sees Babs Tarr return to art duties, which means the book is back to firing on all cylinders. Her pencils (with Rob Haynes helping with breakdowns) are great, and her artistic vision and style help Batgirl bounce back after an issue where I wasn’t really feeling the art. Tarr is the life blood of this book, and it’s nice to see the book look as good and it reads. Also Tarr finally gets to draw Batgirl as a Luchador, which is obviously great, and long overdue in my opinion.

batgirl-48-vid-gamesBabs’ art and holographic pro wrestling aside (again, GREAT!), Batgirl #48 offer readers a lot for their $3. We finally get some answers regarding what’s going on with Babs’ (Gordon) brain,  see her team up with Batwing against the video game themed villains Co-op, said Black Canary team up, and some other things that I don’t want to spoil. My only complaint is that one reveal in this issue was something we all saw coming a mile away, which is a bit anti-climactic, unless there’s a last minute swerve next issue, which would be welcomed.

Also that fight with Co-op had some many terrible puns it felt like I was reading Kieron Gillen’s Twitter feed. Painful if you’re not down with that sort of thing, but also wonderful in a Batman ’66 sort of way.

My beef aside, I also like how the book manages to have 2 colorists work on it and come out relatively fine. Serge Lapointe is joined by Rob Haynes, and while you can tell the differences in style from first glance, the book doesn’t suffer as a result from it. Bab Tarr’s demands colors that pop and are energetic, and both colorists manage to nail that without any issue. I dug how Haynes used darker, bolder colors for his segments, stressing the action/dramatic vibe the book took, where as Lapointe’s palette was lighter. Batgirl uses color extremely well, and it’s great to see colorists not named Matt Wilson kill it in comics.

While there was some fun at their expense earlier, Brenden Fletcher and Cameron Stewart really do a superb job on the script. Cringe worthy jokes aside, there’s a healthy mix of batgirl-48-vid-games-2action and drama, resulting in a fun super hero soap opera. In addition to forwarding the plot and character relationship, the book manages to bring reader up to speed as to what Black Canary’s been up in a fun scene that doesn’t read like an forced ad for her book.

Batgirl #48 ends on a great cliffhanger,  really raising up the stakes for this arc. It’s a great read, and proves how important Babs Tarr role in this title is. If there rumored DC relaunch does go through, hopefully this creative team stay intact. They’re created an incarnation of Batgirl that’s delightful, and it’s the most fun I’ve had with the character in years.

 

 

 

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Chris’ Comics: Batgirl #47

4999675-0+bg_cv47_dsBatgirl #47

Cameron Stewart, Brenden Fletcher, Eleonora Carlini, Moritat, Serge Lapointe

DC $2.99

 I’m a reasonable critic, or I’ve lied to myself enough times to fully believe that I am. I understand that fill in artists are a thing that needs to happen when it comes to super hero comics. Babs Tarr is still relatively new to the business, and it’s hard for most artists, old and new, to hit that 12 issues a year mark. It’s something I’ve grown accustom to, and don’t mind when guys artists like Bengal swing by a draw an issue.

Batgirl #47 has 2 artists assigned to this comic, and while they’re both similar in style, neither Eleonora Carlini or Moritate really give the readers much to talk about. Carilini’s out of costume stuff looks fine enough, almost hitting those Babs Tarr level of 4999685-3+bg_47_3energy to the book, but it falls apart when character in costume show up. Moritat’s backgrounds are nice and detailed but his characters, especially the faces, are weak, and the art looks more like a children’s book than a comic at times. It’s a shame, because Serge Lapointe does some great stuff with the coloring, which does save the art work in some portions of the book, but certainly not others.

I do dig what Cameron Stewart and Brenden Fletcher are doing on the narrative end of the title. We get to see Barbara Gordon pal around with the Spoiler, who I adore, and Bluebird, someone I not as familiar with, but dig none the less. It’s a fun team up that sees the trio working with Bab’s roommate Frankie, who also has gotten herself a code name that starts with an O, but isn’t the one that you want. It does makes for a solid running gag, hopefully editorial will let Frankie take up the name we want her to have sooner rather than later. Regardless, it’s fun to see Babs pal around with other female super heroines who are not Black Canary, and I hope to see them stick around.

The 2 writers also manage to balance a number of subplots in the span of 20 issues without things getting out of hand. I like how they manage to keep this book in line with the events of two other Bat books while having Barbara deal with her own set of problems 5010044-bg_47_5with each plot line have enough space to breathe. It’s a shame the art for this title isn’t on par with this writing, because the dialogue is a ton of fun, and the narrative is incredibly strong.

I hate to trash a book, but ultimately Batgirl #47 disappointed me. Again it’s a shame, but I really like what the writers bring to the table, and I enjoyed Batgirl running around with some of the less prominent members of the Bat-Family. On paper it sounds like a fun team up book, but the execution suffers from not so great art. A shame, as the book turns out to be a textbook example of how a weak art can ruin a good comic. It’s super unfortunate, as this issue sets up some important things up for the upcoming 50th issue, so it’s a bit a crucial issue, despite not being the most enjoyable comic.

 

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Chris’ Comics: What I loved about Comics in 2015

It’s been awhile FPNYC Faithful! Both my wife’s and my parents are divorced and remarried, so that means 4 families in 3 different states over the course of 3-5 days, depending on the year. The upside to that is that I got to see “The Force Awakens” twice, which I enjoyed a bunch. Downside is that my portable keyboard’s “N” and “B” keys don’t working, making writing while traveling virtually impossible, at least if I wanted proper spelling.

2015 was kind of a mix bag for Comics. Between Convergence and Secret Wars, there were WEEKS where I didn’t pull any big 2 comics. Which was fine really, as Dark Horse, Image and Boom put out some fantastic books this year. Which means I’m going to spend today talking about what I loved about comics this year.

Kaptara-coverTHE RISE OF CHIP ZDARSKY: The homie Matt Fraction is probably my favorite dude working in comics, but in terms of books released in 2015, I think I’ve read all of 6 books written by Fraction in 2015. HOWEVER, his chum/Sex Criminals co-creator Chip Zdarsky had a fantastic year as far as I’m concerned. 2015 saw Chip teamed up with Infinite Kung-Fu creator Kagan McLeod and put out the excellent Kaptara for Image, Joe Quinones on Marvel’s absolutely hilarious Howard the Duck series, and in a move no one saw coming, Archie hired him and Erica Henderson for a Jughead series. Zdarsky and his army of artists released some gorgeous comics packed with sharp and brilliant humor. I’m excited to see what Chip and his friends can do come 2016, which will hopefully include Sex Criminals coming out on a regular schedule.

KIERON GILLEN, JAMIE MCKELVIE AND MATT WILSON PUT OUT PHONOGRAM VOLUME 3, OH AND THE WICKED AND THE DIVINE REMAINS AN EXCELLENT TITLE. 

PhonogramIG_04-1 Warning, this is where things get a little Image heavy for a bit.

For months, WicDiv has been battling it out with Saga for the crown of “Most Emotionally Damaging Image title”. 2015 saw that book hit all sorts of new creative highs, making for a fantastic read.

BUT THE MOST IMPORTANT THING IS THAT PHONOGRAM CAME BACK!

Phonogram: The Immaterial Girl isn’t the trio’s most accessible work, something I’ve stated several times,  but I don’t care. The music + magic plot point with it’s fascinating cast resonates with me in ways most comics don’t. I’m glad to see it come back, especially with these creators as good as they are now, and it deliver on levels I couldn’t predict. Between this and WicDiv, it’s hard to argue any creative team have had such a banner year more than these two.

PaperGirls_02-1BRIAN K VAUGHAN RELEASES A 2ND ON-GOING, IMAGE GETS ME TO GIVE THEM MORE MONEY. 

I might as well just get the rest of the Image stuff out in a single, dedicated section. In addition to books I was already reading like Rat Queens, Deadly Class, Saga, Sex Crimz, WicDiv & Pretty Deadly, Image decided to let a bunch of talented folk to put out more great books, which is both great for me as reader, and terrible for my savings account. Bitch Planet, Paper Girls, The Goddamned, Island, Montress,  and Tokyo Ghosts are just a few of the incredible offerings coming out from Image, who has had an banner year in 2015. And with creators like Bryan Lee O’ Malley preparing books for Image in 2016, I can’t see the publisher slowing down anytime soon.

SECRET WARS ISN’T TERRIBLE, A TON OF MARVEL BOOKS ARE FUN, THE STAR WARS BOOKS ARE GREAT, AND ALL NEW ALL DIFFERENT MARVEL Silk Marvel #1NOW HAS A TON OF POTENTIAL HITS ON THE WAY*!

I have plenty of issues with Marvel 2015, but I can’t deny the company has put out some amazing books over the past 12 months. Secret Wars, even with the delays, may be the new standard of excellent for event books. Marvel added wonderful books like The Unbeatable Squirrel Girl, Moon Girl and Devil Dinosaur, Spider-Gwen, and Silk to their catalog. Hawkeye, Uncanny X-men and Secret Avengers all ended on high notes, as the Star Wars line kick several types of ass in ways Star Wars comics never had before. 2015 has been another great year for the House of Ideas, and 2016 looks to continue that trend with the new Black Panther, X-Men ’92, Black Widow, Luke Cage/Iron Fist and Captain Marvel titles dropping over the new few months.

*Anything Inhuman related being the exception, unless we count the wonderful Ms. Marvel.

DC….WELL DC TRIED REAL HARD AND THEY DESERVE SOME PROPS FOR AT LEAST MAKING AN ATTEMPT!

DC did not have a banner year, which is a shame. Convergence was a massive flop and it Batgirl_45_coverdid a ton of damage towards the DC You launch this past summer, which was pretty great for the most part. Black Canary, Starfire are excellent companion books to the already established (and wonderful) Batgirl and Harley Quinn titles, and Tom King is doing the Lord’s work over in Omega Men. The creative teams over on the Superman and Bat books are taking some neat risks, and the Justice League books have been pretty solid as a whole. Sadly, the sales haven’t been there, so who knows what’s to become of books like Gotham Academy and Prez come 2015. But with such cutting edge and diverse titles like John Constantine: Hellblazer, Cyborg, Grayson, and Midnighter coming out, hopefully DC’s 2016 will be better without having to sacrifice much.

And that concludes the annual wall of text. A weird but good year for comics IMO, which plenty to look forward next year! Thanks for reading, hope to see you again come 2016!

 

 

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Chris’ Comics: Batgirl #45

Batgirl_45_coverBatgirl #45

Brenden Fletcher, Cameron Stewart, Babs Tarr, Serge Lapointe

DC, $2.99

Batgirl #45 is a comic with 0 super villain punching and 100% romance and relationship-based plots. That may sound less than ideal for a super hero comic, but you also have to factor in there’s also a 100% increase of Dick Grayson in this month’s issue; which is important to me obviously, making it the lack of costumed violence more than okay.

 

But before I start gushing over a Babs Tarr drawn Grayson (aka the best thing), let me start off by saying that this issue is actually a pretty big moment for mainstream comics. Early in the run, the Screen Shot 2015-10-26 at 1.34.41 PMcreative team made an error that could be viewed as transphobic. While it was not their intent, the team apologized, promised to do better, and made sure the digital and collected version of the story were fixed to be less offensive. This issue illustrates that the team has continued to make good on their promise, as we see a trans character get married to her girlfriend, without one of them being a Skrull or super villains showing up to crash wedding. As far as I can tell, this is the first trans-wedding in mainstream comics, which is great, as it shows Big 2 comics creators striving to be more inclusive and mature about LGBTQ issues. It’s also nice because it feel genuine, not a marketing stunt, and chances are we don’t have to worry about these characters being fringed anytime soon. It’s also nice to see a wedding happen in comics that’s not full of shenanigans, but that’s less impressive, at least comparatively speaking.

Okay, back to me gushing over Dick (PHRASING). Babs Tarr is back on solo layouts and finished pencils for this book, and the results are pretty great. I really dug the portrayal of Grayson under Tarr, Cameron Stewart and Brenden Fletcher, who write him as more of a (incredibly handsome) jerk than the Screen-Shot-2015-10-29-at-12.31.32-AMteam over in Grayson do, but given the history between the two, it makes sense, and doesn’t really damage the character in any permanent way. Their relationship is flirty and playful, and respects each of the characters new histories in this newer DCU. I also really appreciated the creators allowing male characters pining over the female lead in a way that reverses gender stereotypes, showing some vulnerably we usually don’t see from male super heroes.

I’ve stated that Tarr has drawn Batgirl with a shoujo manga influence in the past, and issue 45 allows the artist to go all out in that style. Colorist Serge Lapointe gets in on this, using a lighter palette, heavy on the pinks, purples, and whites. Of course given the wedding theme of the issue, it make totally sense, and I like how Lapointe drops the Shoujo filter a few times, going with bolder, crisper palette for the more intense, non-smooching-related scenes. It’s a neat technique, and it’s cool to see an artist experiment like that.

Batgirl #45 may be my favorite issue of this team’s run to date. It’s a fun issue with a lot of fun character moments, and focuses on my 2 favorite DC characters. Babs Tarr’s art couldn’t be better, and the writers inject the book with some stellar dialogue, while doing some really progressive stuff. Plus it’s nice to see someone do take on romance comic that’s not from Rosy Press. Pick it up if you have feeling/opinions on Batgirl and the Robin formerly known as Nightwing, or if you just like refreshingly modern romance comics.

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Chris Comics: Batgirl #44

4815993-bg_cv44_dsBatgirl #44

Cameron Stewart, Brenden Fletcher, Bengal, Serge Lapointe

DC, $2.99

I’m not entirely sure if it’s a coincidence or the work of Bat-Group editor Mark Doyle, but I can help but notice that the 3 DC books I read every month have really great alternative artist to fill in for their respect books. Bengal, previoulys seen on the Batgirl: Endgame one shot and the lead story in this year’s often-mentioned-by-me-Batgirl Annual, fills in for the first time on Batgirl proper, and delivers some fantastic visuals. While he’s not as experimental or fashion savvy as regular series artist Babs Tarr, Bengal’s more traditional lay outs and strong body language make for a good looking comic none the less. Bengal’s style is comparable to Tarr’s in that they’re obviously from a generation of artist raised on anime and manga, but where as Babs is Shoujo Manga/Anime, Bengal is very much shonen. This is evident in the big fight scene in the issue, which is the bulk of Bengal’s best art is present thanks to incredibly well choreographed panels. And even though some of the character heads are a little too lumpy or round at times,  my biggest fault with the art doesn’t lie with Bengal. I felt the pale colors provided by usual on point colorist Serge Lapointe take a bit away from the visuals. Batgirl has been a book which has been visually define by being kinetic and bright, but the muted colors take things back a notch this time around.

 

4815995-bg_44_2Brenden Fletcher and Cameron Stewart (as well as previous series writer Gail Simone) deserve a decent amount of praise for giving Babs a wonderfully diverse cast of supporting characters. Despite living in the fictional area Burnside, based on super gentrified real life areas like Portland and Brooklyn, Fletcher and Stewart have surrounded Babs with some wonderful characters from various walks of life, and quickly made them stand out in a number of fascinating ways. It’s a shame the same can’t be said about this month’s villain, who felt rather disposable and a bit of an afterthought. I understand it’s hard to build upon on of the strongest collection of villains in comics when you’re NOT Grant Morrison, and that the team is channeling Batman 66 as well as Batman The Animated Series, but it would be nice to see Batgirl face a more formidable foe instead of another throw away villain who wears an absurd amount of eye shadow. My issues with the Velvet Tiger aside, the writing in this comic is still pretty great. Barbara’s various relationships with her friends all fell genuine thanks to the superb dialogue, and while there’s plenty of talk, it never feels like too overbearing. Fletcher and Stewart also know when to dial back and let Bengal and letterer Steve Wands handing all the heavy lifting with the fight scenes, leaving the slick action sequences relatively uncluttered.

CQAMp_kUcAA1KmPDespite my various critiques/nit-picks with the comic, Batgirl #44 is ultimately another fun issue of this great run. Bengal’s art is quite solid, and the writing is on par as usual, and I really felt like I got my $3 bucks worth with all the content crammed into 20 pages. Between this and the previously reviewed stellar Grayson installment, it was a good week for Bat-Family fans.

 

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Chris’ Comics: Batgirl #43

BG-Cv43-ds-dd959-600x923Batgirl #43

Cameron Stewart, Brenden Fletcher, Babs Tarr, Michel Lacombe, Serge Lapointe

DC $2.99

Batgirl #43 is a frustrating comic (but at least that David LaFuente cover is rad). On the narrative end of this book, it’s hard to find fault with this issue, which really comes as no surprise. Writers Brenden Fletcher & Cameron Stewart give us an narrative with plentiful content, juggling multiple characters and plot lines with little to no problem. It’s impressive considering 3.5 new characters are added/reintroduced to the mix and are given plentiful face time, in addition getting some cool moments with Babs’s roommate Frankie and another supporting character in my favorite scene in the book. All of this, plus a cool murder mystery involving tigers! Stewart and Fletcher really make me  feel like I’m really got my money’s worth with this book, which I appreciate.The various relations between all the characters make the book that much more enjoyable, and the mystery while a tad bizarre is also a ton of fun. That quality writing also makes me feel a little bad that I’m about to be a little harsh on the book’s art.

bg-43-2-148685-320x180As I said last review, Babs Tarr is responsible for the layout/breakdown for this book now that Cameron Stewart is off drawing Fight Club 2. In the span of the last 3 issues we’ve seen Tarr handle the bulk of the art either by herself, or with a guest artist. Issue 43 continues the trend with Michel Lacombe helping with breakdowns, and Juan Castro inking some of the final few pages. This is where the problems lie, as the book looks different from page to page at times, with the art either looking really good, or incredibly rushed. Some of the blame can be placed on colorist’s Serge Lapointe‘s shoulders, as some pages have a weird glow to them, and there even panels where the colors are darker than the previous ones for no reason. See the panel I’ve included; the lighting on the forearms/hands makes zero sense given where the direction of the light is coming from. There’s a few panels like that which really took me out of the 4767224-bg_43_4experience. The addition of Castro’s ink is interesting, as it gave Babs’ art a little more of a finished look, but it also clashes with her looser, sketchier style. The middle section of the comic is ultimately where the book looks it’s best, but again, the odd changes in the hue takes away from the stronger portions of Tarrs and Lacombe’s art.

Batgirl #43 is a fun comic that’s hampered by an unfortunate amount of art issues. I probably wouldn’t mind it as much as I do if we were dealing with a multi issue run, but we’re only 3 issues in after a 2 month hiatus. Hopefully Editorial can find someone who can help Tarr with breakdowns on a more regular basis, because seeing the book hampered by inconsistent art is extremely annoying. Hopefully, much like this month’s Gotham Academy, this is a rare misstep but a member of proven creative team, and thing will be back on track next issue.

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Chris’ Comics: Batgirl Annual 3

IMG_0099Batgirl Annual 3

Cameron Stewart, Brenden Fletcher, Bengal, David Lafuente, Ming Doyle, Mingjue Helen Chen

DC $4.99

Originally, I wanted to talk about Batgirl Annual 3 in the same review as Batgirl 42, BUTTTTT when your double sized issue has 4 artists attached to it, maybe you give it a separate review.

Batgirl Annual 3 is part art jam issue, part team up comic. Over in Batgirl proper, we’ve rarely seen her interact with anyone in the Bat-family outside of her dad. Here, Babs runs into the newly revived Spoiler, the recently cancelled Batwoman, the adorable leads from Gotham Academy AND as the cover shows, her former…something, Dick Grayson and his boss Helena Bertinelli. Drawing this issue is a murder row’s of artists; Bengal, fresh from the Batgirl Endgame one shot, Gotham Academy alternate artist Mingjue Helen Chen, and making their Bat family debuts, David Lafuente and Ming Doyle, who handle the Spoiler and Batwoman chapters respectively. The annual is written by series regulars Brenden Fletcher and Cameron Stewart, who don’t produce the deepest of plots, but a fun one none the less, invoking silver age team up books like the Brave and the Bold and Marvel Two in One. For five bucks, you can do a lot worst out there, especially when you factor in how good this book looks.

BatgirlBengal’s Grayson chapter starts the book off, and Stewart and Fletcher NAIL the voices of Dick and Helena perfectly. It’s a amusing story where our 3 heroes have to stop a group of terrorists in Gotham, and Dick has to avoid being seen by Babs at all costs. Bengal’s manga meets David Lapham art style is perfect for this high action story, and the writers perfectly capture the tone and style of Grayson, including incorporating the series’ key running gag.  As someone who really likes the Dick and Barbara relationship, this story work for me on a number of levels.

From there it’s Spoiler and David Lafuente. As someone who wasn’t a fan of Lafuente’s Ultimate Spider-Man run, I can honestly say that his work on this story is incredible. Lafuente’s style has grown since his Marvel days, channeling some Todd Nauck and the late and great  Mike Wieringo in his pages. It’s some very kinetic and expressive stuff, and if I have any complaints, it’s that I wanted another 15 pages, or at least for Lafuente to draw theses characters again in the future. After that it’s tumblr_ns99dbFSik1rrp531o1_250Ming Doyle’s Batwoman story, which has a cool pulp vibe to it, and reminds me a lot of the good ol Greg Rucka and JH Williams era for Kate Kane. Also, there’s a pretty sweet Wicker Man reference in the story, and I for one always appreciate shout outs to movies remade by Nicholas Cage.

Finally the books ends on Batgirl teaming up with Olivia and Maps from Gotham Academy. While it feels like pure fluff (Fletcher co-writes GA, so their appearance make sense to a degree), Mingjue Helen Chen draws the hell out of this story. It’s so charming that you can forgive it, especially when you get to the final page of the story But this story, like every other one except the Batwoman story, all have the same problem. The villains are pretty forgettable and kind of generic. Like I have no idea if they’re an established threat in the DCU, something brought back for their first New 52/DC You appearance, or created for this book. And ultimately, I don’t care.

Batgirl-Annual-5-600x923Batgirl Annual 3 is something you don’t need to pick up if you think it’s going to tie into the current Batgirl on-going someway. BUT, if you want to see a bunch of great Bat family character interact with Babs while being drawn by some fantastic artists, then yeah, you should buy it.

 

 

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Chris’ Comics: Batgirl #42 & Sex Criminals #11

STK674518Sex Criminals #11

Matt Fraction & Chip Zdarsky

Image, $3.99 (or $4.69 for the XXX variant, which you should not open in public or your place of work.)

 

After a number of crazy delays, Sex Criminals returns to the stands, and we are richer for the experience. Fraction and Zdarsky give us a new character in this issue, and said character seem like a nice new person who loves their mother a bunch. Oh and they also have freaky sex powers, what a world. Issue 11 also changes the location for the book, which is revealed in a hilarious montage one would expect from the genius of Chip Zdarsky. And while we’ve seen plenty of quality Chippage as a late from both Kaptara and Howard the Duck during the Sex Crimz hiatus, having a comic he drew just feels right. Mostly because he’s co-created some incredible endurable characters I’ve missed, but also because NO ONE does sight gags and easter eggs as well as him. It’s incredible how much humor he can pack into the background of these books, never overcrowding them and distracting readers from what we’re suppose to be focusing on with the narrative.

As someone who’s met and talked to Chip and writer Matt Fraction a number of times over the past year and a half ( no restraining order yet, whooo), it’s freaky how much this books feels like an extension of their friendship. There’s a bit where Fraction breaks the forth wall and explains why there text there instead of dialogue (due to Chip’s talents ironically), and it feels like something he would be screaming about during a panel. It’s hilarious and it shows how confident and comfortable these two creators are with each other. Fraction’s words as still sharp as ever, blending pop culture jabs and jokes with engaging dialogue. His characters read very realistic, despite you know, the whole freezing time thing.

Sex Criminals‘ return is a mostly talking heads issue which pushes the plot forward a bit. The biggest reveal is hilarious, and it’s nice to see the book return hitting the floor running. This book being as good as it is surprises no one, and I’m glad to have it back.

BG_Cv42 Batgirl #42

Babs Tarr/Brenden Fletcher/Cameron Stewart/Serge Lapointe

DC $2.99

 Batgirl #42 sees artists Jake Wyatt & Michel LaCombe helping Babs Tarr with breakdowns. On one hand this is good, because Wyatt’s style is a little tighter than Tarr’s giving the book a look similar to when Cameron Stewart was assisting Babs. However, it loses some of the energy she brought to the book last issue with her dynamic layouts. Oh sure, we only got an issue with her working alone on the book, but I really like the results, and was hoping for more. The book still looks great though, so don’t expect any sort of dip in quality on the art end. There’s still a lot of energy to these pages, and Serge Lapointe‘s bright colors are fantastic. And Tarr’s Burnside is great, full of energy and sexy and confident Batgirl dealing with a new Batman and the new 52 incarnation of Livewire.

Batgirl #42 is a comic I dug a lot. The premise is neat: An experiencde Batgirl teaming up with a inexperienced Batman who’s also her dad is something new, and a fun exploration of the daughter/father superhero dynamic. Writers Cameron Stewart and Brendan Fletcher having Babs take point in their battle against Livewire makes a ton of sense given how she’s slightly more experience with dealing with super-crazies directly than her dad it, and it does so without making the Jim Gordon Batman look inept. The pacing is great, and the balance between time spend on Barbara as a grad student and as Batgirl is appreciated. Plus the team brings back a great supporting character from the Gail Simone run of this book, and ends the book on happy little cliffhanger. Batgirl remains a refreshing and fun book, with great visuals and a pleasant blend of drama and action.

 

 

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Chris’ Comics: Welcome Back Babs (A Batgirl #41 review)

Batgirl_Vol_4-41_Cover-1_TeaserBatgirl #41

Cameron Stewart/Brenden Fletcher/Babs Tarr/Joel Gomez/Serge Lapointe

DC $2.99

So Batgirl’s back, and things are a little different this time around . Yes I’m well aware things have been very different since issue #36, but we have a few more changes on our hands. First and foremost, co-writer Cameron Stewart is no longer handling layout duties, as he’s busy drawing a thing I’m not supposed to talk about. What this means is that Babs Tarr is drawing this book by herself, a first for the book and her career, which is immediately noticeable. Her style is more expressive and looser than Stewart’s, giving the book a more over the top manga-style look in terms of character language and layout. It’s a little jarring at first, but it also give the more its own visual identity unlike anything else out there on the stands, and let’s Tarr experiment with her storytelling. With Babs (the artist, not the Batgirl) handling the bulk of the art now, she has Joel Gomez assisting her on backgrounds, something I wouldn’t have noticed with the proper crediting.

batgirl-41-robo-batThe book also has a new colorist in Serge Lapointe, who does a lot of neat things with the color. The book’s color has more of a softer feel to it, sometime giving it that pencils to color look to it depending on the panel. Another cool trick Lapointe does is giving some backgrounds a neat spray paint look, which stands out a bunch when slapped against white canvas-esque negative space. I definitely do miss Stewart’s visual contributions to the book, as well as Wicks coloring, but Tarr, Gomez and Lapointe are so talented it’s hard not to mind the slight changes all that much.

The other big change is the fact that Batgirl is now a little in-line with other non-Fletcher written Batbook’s continuity, which puts Babs (The Batgirl, not the artist) in a difficult position thanks to the events of Endgame. Her dad Jim Gordon is the new Batman (spoilers?), who’s under orders to get rid of the other vigilantes of Gotham .  This is obviously a problem for Batgirl, but for the reader, it’s an interesting story to bear witness too, as it adds a cool twist to the usually stable Jim & Barbara Gordon relationship. In addition to all that Bat-family drama, we get the new 52 premiere of a cult favorite villain, allowing Babs Tarr to get her Bruce Timm on, all while some seeds are planted for another Bat-character to make an appearance down the line.

sdsd-740x431The Brenden Fletcher/Stewart/Tarr team hit their sophomore arc of Batgirl at full speed. While there’s some changes on the visual side, Fletcher and Stewart’s dialogue is just as good as it’s was pre-crossover break. There’s some really cute humor here, as well as some character relations that feel honest and genuine. The book feels fresh and relevant to the times, but never goes overboard with the time-sensitive references. It’s a fun little read that looks fantastic, and you can sense the team is having a blast work on the book.

Batgirl continues to be a book that shows DC is willing to change to ensure it’s brand survives in a world where Marvel dominates the charts and box offices (Jurassic World being the exception.). It’s success is obviously the reason why we even got this DC You initiative to begin with, and I’m happy to say it’s as good of a comic as it is important to the company and the marketplace.

 

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Troy’s Toys But With Comics: #BatgirlofBurnside Edition

So in case haven’t sold a large  small portion of your humanity to the internet like I have, you may have missed this week’s Batgirl controversy. The Outhouse has a good summary of the insanity if you care to catch up on it, and I agree with DC‘s  decision to recall the cover. Sadly, there’s a loud internet minority that doesn’t agree with me, but I really don’t give a toss about their whacks opinions.

As fate would have it (“or maybe it’s a CONSPIRACY?!” says that one guy on Facebook no one really likes), not only did this month’s issue of Batgirl drop this week, but the Batgirl: Endgame tie-in issue dropped as well. Since Barbara is once again in the spotlight, I’d figured I’d cover both issues in the column, because it makes or better narrative or something.

batgirlendgame1BG40cover-copy_5488f03771edf2.26063680Batgirl: Endgame #1

Cameron Stewart/Brenden Fletcher/Bengal

Batgirl #40

Cameron Stewart/Brenden Fletcher/Babs Tarr/Maris Wicks 

DC $2.99

Batgirl Endgame wasn’t what I expecting, but delightful none the less. Taking place before the events of Batman #40, but after Batgirl #40, the one shot sees Babs helping out with some evacuating while dealing with the ( HERE LIES SPOILERS) The Joker plague that infected Gotham.

The comic is impressive on 2 major levels. It’s a silent issue of sorts, which ever since G.I. Joe #21, is nothing new, but still an hard feet to pull off. What separate this silent issue from past ones is the clear use of Emojis, thus making it the MOST 2015 of comics. The other things that wow me was the art of Bengal, who has the not easy task of being the first artist to draw something related the series since Babs Tarr. This France-based artist delivers some gorgeous and really expressive art, and successfully manages to tell a emotional story without the use of any dialogue.

The story, by series regulars Brenden Fletcher and Cameron Stewart, itself is fairly straight forward, and a tad on the fluff side, but let’s be real, there’s only so much you can do with a editorial mandated tie in. Upside, it’s a simple one-shot (unlike the Death of the Story arc from a few years back), the gets to see Batgirl be a creative and triumphant hero, which is nice when dealing with Joker related stuff. It’s a solid alternative to the pretty grim stuff that’s been going with Batman proper, and shows that Barbara can be triumphant and stay true to her character even in the darkest of situations.

With Batgirl #40 we have a story in a very modern setting with a some retro plot elements. The previous issue gave us the reveal of the first arc’s big bad, and we get it’s origin with this issue. It’s a bit disappointing in my opinion, as SPOILERS a rogue AI based on Batgirl’s brain patterns is something  straight out of Wargames. I do appreciate it being  an analogy for the Batgirl’s ongoing struggle with her identity, but I thought it was a little ham fisted. That being said, I REALLY dug the last few pages of the issue, and I’m hyped to see what June will bring for this title and the upcoming Black Canary title.

 

Even though I wasn’t exactly the biggest fan of the book’s plot, Cameron Stewart, Babs Tarr and Marius Wicks’ visuals are still gorgeous. Tarr’s facial expressions, beautiful character designs & outfits and brutal yet clean fights scenes combined with Wicks’ crisp colors palette are still the main reason to buy this book. And while Stewart and Brenden Fletcher’s script wasn’t as strong as i’ts been in the past, they do drop some interesting hints about the possible future of some of the cast members.

 

Batgirl #40 is a bit uneven, and Batgirl Endgame is a bit of light read, but I wouldn’t call either comics bad. They’re fun books, with visuals that aren’t afraid to try new things. They both feel fresh, which is appreciated and welcomed, as I rather see comic try and fail then stick to  a proven but tired formula. Batgirl is a book that embraces the changing comic book medium, and that makes it a must read.

 

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Forbidden Planet NYC Sponsoring This Week’s Geek Girl Brunch

IMG_2285Lotsa free comics, a special coupon, and some random neat-o surprises (for example, one attendee’s going home with a 1:100 Grant Morrison variant to Multiversity #1, someone’s got a copy of Frank Quitely’s DC art book coming to them… etc.). The event’s booked solid with a waiting list, but be sure to get in touch with them if you’d like to be involved in their future gigs.

Check out this Batgirl piece Cameron Stewart drummed up to celebrate the party!

Cameron Stewart Batgirl Geek Girl BrunchUPDATE 1/23/15: We’re also providing a Batman Cookie Jar for the GGB crew to giveaway via raffle!

Entertainment Earth Batman Cookie Jar

 

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