Tagged: Andy Diggle

TRY SOMETHING NEW Chapter 10: To The Empire’s Ultimate Weapon!

Sometimes people in positions of power royally #@$% things up. I’ve never had the amazing opportunity to do this before, but this new year has been all about new experiences for me. After 9 brutal weeks of spending 20 minutes a week writing semi-nonsense about new comics in this column I think we can all agree I now wield a remarkably frightening amount of power in this world. And what did I do with my power? With great power comes human trafficking. I offered up Forbidden Planet’s poor basement dweller/demerit collector Ben to you all like he was some sort of man-shaped cookie… Which he sort of is. Poor, sweet Ben. 9 “lucky” contest winners got to take Ben on a date this past week. Poor, sweet, gentle Ben. And what did you, the loyal readers of TRY SOMETHING NEW, do? I legally can’t go into all the details but suffice it to say that Ben will never be the same. Good job readers. My power and your depravity royally #@$% this up. No more contests for at least 2 weeks. Poor, sweet, gentle, exsanguinated Ben needs to rest and regenerate around 4 pints of blood… and an eye. How long does that take?

These double digit columns are rough. Now I’m onto my second apology/retraction of the week. Last week I suggested you pick up Mr. Diggle & Mr. Jock‘s Snapshot #1 from Image. I just wrote “Mr. Jock.” Huh. Anyway, I pointed out that is was a newly colored update of the UK version. Well if you bought the book you might have noticed that the colors they used are both the color black and the color white. There aren’t even ink washes. And if you didn’t buy the book, what the hell? Buy the stuff I recommend. C’mon. I went back and edited that part out of last weeks blog post because this is the 21st century and information is supposed to be fluid and temporary. But for those of you who read the newsletter, you Guttenberg-ites, you are all stuck with what we used to refer to as “mistakes” but what we now refer to as “artifacts of non verified information.” I would feel bad for lying to all of you print readers but in a way I feel like it’s social Darwinism. You get bad information, it slows you down, and a lion eats you. The comic reading herd begins to move faster and make better choices. Malthus smiles from his grave. Sucks to be you. So anyway, yeah I sort of $#!% the bed on that one. You see I don’t get sent many preview versions of books (You hear that marketing/pr folks? Sort your stuff out.) so I go off what I can. What I saw was the black & white stuff and I was told the great colorist Lee Loughridge was going to be adding more colors beyond black & white. Mr. Loughridge is a great colorist and I met him at a party once and we talked about hardcore bands for 5 minutes so he’s basically the coolest guy working in comics right now. Either way, he didn’t color the book. Don’t know what happened. Like most reputable news outlets I get my news from various disreputable news outlets. They said it would be colored. It wasn’t. So there you have it. Either way the book is really good and worth your time. Stop being such a prude and read black & white comics. It’s better for your eyes. (No. It probably isn’t.)

Atomic Robo TP VOL 07 Flying She-Devils of the Pacific

Onto the parade of new books. When Mike Mignola created Hellboy in 19XX (too lazy to google that) there was a weird byproduct that I don’t think anyone could have predicted. The “monster/freak as adventurer/government agent” genre is certainly weirdly specific and probably only exists in western comics. You got the Hellboy spinoff monster cops book B.P.R.D., and new series like Yeti cop book Proof, monster cop book Frankenstein: Agent Of S.H.A.D.E., other Yeti cop book Footprints, and robot adventurer (cop) book Atomic Robo. The weird thing is that all of these books are pretty good. It is a premise that lends itself well to big exciting stories. Personally I have a real soft spot for Atomic Robo and was really glad to see ATOMIC ROBO vol 7.: ATOMIC ROBO AND THE FLYING SHE-DEVILS OF THE SOUTH PACIFIC out this week. Atomic Robo manages to differentiate itself from the crowd by maintaining a serious amount of fun at all times. If Hollywood people were smarter Atomic Robo would be a successful film or cartoon franchise already. (Do they make cartoons in Hollywood?) Equal parts Hellboy and Indiana Jones, Atomic Robo is one of the few ongoing (pretty much) all ages books of any real worth and is a real treasure. Before you pass over the book because it is kid friendly let me remind you that you are reading the newsletter/blog of a comic shop. You are, by definition, at least 60% manchild or womanchild depending on your genitals. Stop being pretentious and read something fun.

You remember 2007? I don’t really. I looked online and it seems almost nothing really happened that year. Some Marvel character probably died. The Loch Ness monster was caught. George Clinton was president. That Battles record that came out was really good. I discovered basketball shorts. 7/11 perfected making “chicken” nuggets out of Loch Ness Monster meat. The U.S. became the first country to use giant robots in actual combat. I meant to see Michael Clayton. Forbidden Planet’s Executive Director of Web Development, Halal food, & Mini-Comics, Tyler, was born. I had my first milkshake with pieces of cake in it and I refused to believe it was as gross as it actually is. Crazy all the stuff you can find out on the internet, huh? All of that stuff was ok but the one really interesting thing the whole year was that Vasilis Lolos released his super weirdo comic Last Call. Did you miss it? Well it’s about… I don’t really know what it’s about. Some dudes get on a train that is magical or demonic or metaphorical. Not sure. Then lots of weird stuff happens. Well now it’s 2013. Cake shakes ARE gross, basketball shorts are out in favor of smart ties and v-neck sweaters, I probably still won’t watch Michael Clayton, and Tyler is 5 years old and makes more money than me. Also, Mr. Lolos has released LAST CALL vol. 2. There is a lot of killing, some playing with relativity, and lots of “train as metaphor for _____”. In short, the book is pretty awesome. Another of the up and comers making western comics with strong Manga influence, LAST CALL vol. 2 feels like the freaky offspring of Scott Pilgrim, Prophet, and Orc Stain. If you have been digging the work of people like Giannis Milogiannis (some folks just have dope names), James Harren, Brandon Graham, or James Stokoe, this book should be a no-brainer for you. Remember; if you just read vol. 2 and don’t bother to track down vol. 1 first you haven’t earned your sense of confusion.

Powers Bureau #1

Let’s talk about Powers for a minute. Michael Avon Oeming draws it. It looks like he puts more thought into each panel than most cartoonists put into their careers. That’s cool. Good look, Mike. But I am, in some shameful misuse of the word, a writer. I like words. Words are sexy to me. Words are the things I use to both mock and lie to the people around me, and that gives me most of the joy I get in this world. People who use words well are better than people who don’t in my world. Now let’s talk about Brian Michael Bendis. But let’s talk about him via me. I had a shameful period in my life where I didn’t care about comics more than I care about everything else. I was into other stuff and comics just weren’t doing it for me. The thrill had faded years ago, like the shine on so many foil covers. Artists turned writers had abused me and left me bitter and broken. If I did hard drugs this would be my opium years. I was aimless, vacant, distant bordering on ethereal, and almost always nodding off in the back of that cockfighting place on Mott Street. Then someone came to me and saved me. They handed me POWERS vol. 1: WHO KILLED RETRO GIRL? It was an epiphany. It was a chance to see a world I once loved through virgin eyes again. It would have been cool for the sake of this story if the person who handed me that book was Brian Michael Bendis himself, but it wasn’t. I don’t know him. He probably doesn’t hang out at cockfights (“probably” is a strong word.). It was a creepy Gollum-like man in a comic shop that shall not be named who gave me the book. Anyway, I read it and I felt something. Brian Michael Bendis writes dialogue not like the way people talk, he writes it better. It’s idealized dialogue. It’s conversation, perfected. I can’t explain how important his dialogue and the way it forms his characters is to me. In my love of writing I have stopped and obsessed on folks like David Mamet, Elmore Leonard, Quentin Tarantino, Aaron Sorkin, and Whit Stillman for periods of my life. But here is where I say the crazy thing that gets me hate mail. None of them do for me what Bendis does. Bendis made me realize that comics are supposed to be better than all the other mediums. It is the best of all the worlds.

The Powers premise, police procedural in a superhero world, is so simple yet so perfect. This is the chocolate and peanut butter of comics. And the things Bendis does within the book, they were a revelation at the time and can still give you a jolt if you let them; the talking head panels, the multiple interwoven arcs, the focus on the relationships of characters, and lets not forgot the monkey sex issue (google it). All of this was eye opening for me (and most of the comics industry it would seem). The man brought me out of my smoky backroom cockfighting ring and into the less smoky but equally sketchy comic shop once again. Powers is my moment of clarity. I knew I wanted to give myself wholly to comics after I read it and I knew I would follow Mr. Bendis until the day he writes his final panel description. Sadly, Powers has come to an end. And like Lazarus, frozen yogurt shops in New York, and noisy indie rock, Powers has returned from the dead better than ever. POWERS BUREAU #1 comes out on Wednesday. I would say buy it but I might buy all of them and give them out in Port Authority to lost souls and wayward Aaron Sorkin fans. They have nothing left anymore.

Uncanny X-Men #1 Now

Hey, did you read that last paragraph? Did you like it? Don’t care. This awkward obsessing train rolls on. So… Brian Michael Bendis. I don’t expect all people to like his work. I get that he can be polarizing. He occasionally sacrifices old characterization continuity to serve story and people like their weird old continuity baggage. He pushed the medium forward and there always have to be people who push back. Sometimes his female characters are treated like second class citizens… (I don’t have a funny quip for that one. It’s a bummer.) He is good and most people don’t like good things. I get all that. But for me this new Bendis era of X-Men is about as exciting as comics gets. The X-Men were my childhood obsession, and smart comics are my adult obsession. This week childhood me and adult me meet up for a very excited 22 pages as Brian Michael Bendis begins writing UNCANNY X-MEN #1. His All New X-Men is the standout book of the very excellent Marvel Now! relaunch. Now his “X-Men on the run” team gets their own book, harkening back to the mutants as outlaws origins of the characters. The recent evolution of Cyclops, from preppy milquetoast, to his “heavy is the head that wears the crown” version, to his current radicalization, is one of the best things either of the Big 2 has done with one of their characters ever. This is actual growth and development. This is art. It is sad, hard to read sometimes, and compelling as hell. My guess? When all is said and done Mr. Bendis does the best X-Men book of the last 25 years. Get it now and watch the X-Men take their place once again as the most exciting team in comics.

Well it’s time to go. You have new books to buy and it’s my turn to irrigate Ben’s eye socket and I have to find out if my attorney appealed Mr. Bendis’ restraining order yet. Wish us both luck.

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TRY SOMETHING NEW Chapter 9: Rebel Spies Managed To Steal Secret Plans…

I am writing this column a day earlier than I usually do in hopes that with more time it will be better written and better researched. Weird thing is I didn’t do any more research and I am not sure why I would be a better writer at 3AM on a Saturday than I am at 3AM on a Sunday. Let’s chalk this one up to pointless planning and once again celebrate procrastination.

The one exciting thing about this week’s column is it’s my 9th. My final single digits column. So sad. To celebrate I will be rewarding 9 lucky readers with a no expenses paid date with Forbidden Planet’s resident Shipping Monster/Skinny Pants-Wearer, Ben. You thought I was going to offer up Tech Wizard/Baby Eagle, Tyler, didn’t you? Here’s the thing. Tyler reads this column. He has to. Hi Tyler. He would edit this part out before you all ever got close to hand feeding him the baby shrimp he eats for every meal. I am pretty sure Ben does not read this and I am very sure he can’t stop it before it comes out, hence my contest offering him up as a prize. Good luck everyone. May the best 9 men or women win. Anyway, there are a lot of good books out this week and I ran out of jokes in mid January so let’s get on with the show, shall we?

New Deadwardians TP

There are a few publishers in the world that have such an amazing vision, such a unique and well cultivated sensibility, that their brand can be trusted without question, their logo on a book jacket is basically a greenlight for smart readers. Vertigo has always been at the forefront of those publishers. Sandman, Swamp Thing, Hellblazer, Preacher, V For Vendetta, 100 Bullets, Transmetropolitan, Invisibles, Scalped, Y The Last Man, DMZ, Sweet Tooth, Fables, Unknown Soldier, and tons more. That list alone is sort of breathtaking. Unfortunately for everyone who likes good stuff, Vertigo has fallen on a bit of hard times. Long running books are being moved to DC, books that traditionally would be Vertigo titles are being lost to other publishers, and worst of all, books are being overlooked. NEW DEADWARDIANS is one of those titles. Smart, fun, social commentary on gender and class struggle as told through a society of zombies, vampires, and humans, trying to survive together in post-Victorian England, New Deadwardians is the kind of book that would have been a must have for savvy comic fans 10 years ago. I miss those days of great books getting attention.

RIYL: League of Extraordinary Gentlemen, the works of Jonathan Swift, the Buffy-verse.

Dia De Los Muertos #1

It’s always an exciting thing when you find an artist you can fall in love with and watch their work grow over time. Riley Rossmo is one of those artists for me. Falling stylistically between folks like Ashley Wood, Ben Templesmith, and Fiona Staples, Rossmo’s work is both unique and somehow familiar. Having honed his craft on books like Cowboy Ninja Viking, Green Wake, Proof, and Bedlam, Rossmo has once again put together a new project that looks like it may be his best work yet. DIA DE LOS MUERTOS is a short anthology series with a great concept, 9 good writers contribute horror stories about the Mexican Day Of The Dead for Rossmo to illustrate. Greatness ensues. The 1st issue of this 3 issue series is out this week and well worth the attention of anyone looking for the next great comic artist.

RIYL: The old Vertigo Anthologies, Creepy or Eerie, artists putting on a workshop for you.

Snapshot #1

Andy Diggle has written a lot of comics. Jock has drawn a lot of comics. Together they made brilliant comics like Green Arrow: Year One and The Losers. This week they are finally brought together again for the first issue of their “wrong time, wrong place” crime thriller SNAPSHOT. It came out in Judge Dredd Megazine in the UK but British people don’t always share their stuff with us well  so Image is re-releasing it for us stateside. Man, I’m so happy we had that revolution. If you have never read any of their stuff get ready for fast paced, gritty, clever, and beautiful. If you have then I’m sure you’re already buying this one.

RIYL: Criminal, Rear Window, Stray Bullets.

Zed A Cosmic Tale TP

I guess the story that everybody talks about with ZED is that it was Michael Gagne’s labor of love for 11 years. That is an awfully long time to work on a book. It would be heartbreaking if it was bad. Luckily for all of us ZED is pretty brilliant. This seemingly whimsical tale of an adorable alien turns very dark and brutal when the fate of his planet is thrust upon him. When I was young the stuff for kids that I actually cared about was upsetting, traumatic, and wonderful. Bambi, The Seventh Seal, Grimm’s Fairy Tales, Pinocchio, Willy Wonka & The Chocolate Factory, Beetlejuice, The Witches, Lord Of The Flies, and on and on forever. That is something kids and YA entertainment has lost these days, the idea that it’s ok to be harrowing and terrifying. ZED has that perfect mix of innocence and brutality that makes it feel substantial enough for kids and adults to fall in love with. This is how classics are made.

RIYL: Bone, Wall-E, Lilo & Stitch.

Harbinger #0

I suppose a journalist should be impartial and have objectivity. I get that. Luckily, what I do is pretty far from journalism in most regards. Mostly I just tell you to buy stuff and you ignore me and buy Green Lantern. So with that first test failed I can move past and journalistic aspirations and put it out there that I have very little objectivity. There are comic creators who I like. I value their work and I pull for it to be successful. Luckily 99% of the time (maybe more like 87%) I am pulling for these creators because they are good and deserve to have readers. Joshua Dysart is one of those creators. I buy everything the guy writes. Remember a few weeks ago when I got real weird and preachy on how good Unknown Soldier is and how good his Harbinger vol. 1 is? Well now I am doing it again because I can. HARBINGER #0 is out this week. An origin story following the rise of the mysterious Toyo Harada, this issue is a great jumping on point for anyone who wants to read one of the best superhero books on shelves today. It’s nice looking, smart, and it isn’t something you have read 100 times before. Just do it.

RIYL: Morning Glories, Rising Stars, old X-Men books.

Well that concludes our 9th column together. Here’s to the next 9, may they be as sweet as our tears and as bitter as our dreams. Now to pick the 9 winners of the 1st ever weekly “Take Ben To Eat And See Where It Goes” contest. If you see a big $$$ at the bottom of this page  it means you are a winner! Drop by Forbidden Planet with donuts, lamb & rice (no salad), or Dos Toros to collect your prize.

$$$

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Daredevil Reborn #1, New Comic Day Deal for Wednesday 1.12.11

Each week we offer our customers a limited, one-day-only (new comic day, to be exact) deep discount on a new graphic novel or comic book.

Andy Diggle Davide Gianfelice Daredevil RebornThis week’s floppy for the frugal is Daredevil Reborn #1 for 50% OFF.

Written by Andy Diggle
Art by Davide Gianfelice
Cover by Jock
The apocalyptic events of SHADOWLAND have left the once-proud legacy of Daredevil in tatters. Now, far from the mean streets of Hell’s Kitchen, a new evil is rising, and the only man crazy enough to face it is a man with nothing left to lose. The road to Hell was paved with good intentions, but the long road to redemption is the far harder path…

We are selling this issue  for just $1.99 until 11:59pm EST on January 12th.

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