Tagged: Alvardo Lopez

Chris’ Comics: Spider-Woman #9 & Green Arrow #2

Spider-Woman_Vol_6_9_TextlessSpider-Woman #9

Dennis Hopeless, Javier Rodriguez, Alvardo Lopez

Marvel $3.99

MOTHER #$@#$%^& WENDIGO!

As I said last week in my Captain Marvel review, Civil War the second is upon us, which means tie-ins issues. And since Carol Danvers has been a supporting character in this title for awhile now, Spider-Woman is getting dragged into this mega-event, like it or not. I feel you J-Drew, lord knows that I feel you.

And while the (gorgeous and simplistic) cover implies hella Civil War action, this issue of Spider-Woman feels like like a tie-in and more like an issue of that delightful Jason Aaron run of Wolverine and the X-men from back in the day. While there’s definitely some Civil War: The Two related stuff in this issue, the bulk of this sees Jessica and friends IMG_0127in Canada dealing with Wendigos! Wendigo is one of my favorite C-list Marvel villains, and I love the way it’s used in this comic, especially when the grizzly twist drops.  As this all goes down, Captain Marvel and Spider-Woman bond, and by bond I mean yell at and insult each other. Good times.

The team of Dennis Hopeless, Javier Rodriguez, and Alvardo Lopez continue their hot streak on this title, with some hilarious dialogue, paired with gorgeous art. The arguing between Jessica and Carol is super entertaining, and readers new and old can feel the history between the two characters. Rodriguez’s facial expressions, acting and page composition are spectacular. I love how we’re guaranteed at least one impressive double page fight scene per issue Lopez’s inks are out of the world, as he and letterer Travis Lanham continue to excel on this book.

Spider-Woman #9 is a very smart tie-in, one that brings Carol into the larger Marvel universe without betraying its mission statement. It’s nothing new for this great creative team, but you still can’t help but get excited reading this sort of comic.

 

GA_Cv2_ds-e1467817721597Green Arrow #2

Benjamin Percy, Otto Scmidt, Nate Piekos

DC $2.99

This series continues to be great for Oliver Queen, who’s just been betrayed, arrowed, tossed into the ocean and left for dead. Hey wait.

Green Arrow #2 resolves the cliffhanger ending of issue 1 by making things MUCH worse for our lead believe it or not. We also get a name for the creepy, homeless-stealing Draculas, and the reintroduction of a character who originated on the Arrow TV show. And while she gets less screen time this month, Benjamin Percy and Otto Schmidt gives some rad as hell Black Canary moments, complete with narration boxes with fishnets. Nate Piekos is the secret MVP of this book for that move.

There’s a lot to like in this issue of GA, which is heavy on the action. Schmidt’s art is gorgeous, and I love the splash pages where a boat is positioning, and the imagery he creates on another page that shows Ollie descending into hell (figuratively) is spectacular.  IMG_0129The book is pretty light on the action sadly, but it makes up for it with a tone of gorgeous visuals.

In terms of the dialogue. Percy’s stuff is “like a Michael Bay movie, but smart and good.”. So the opposite of a Michael Bay movie really. But it’s solid none the less, as he does some clever stuff that reference’s Dante’s Inferno, which is super symbolic of what Ollie’s going through.  The Dinah stuff is great, but I love how he basically manages to remix several older GA stories and do something new with this book. It’s compelling as hell, even though it’s a real bad day for Oliver Queen.

I know a lot of folk like/liked Oliver Queen in Arrow, but this is the first time I’ve really been able to get behind the character and enjoy him in a starring role. Green Arrow #2 is a RAD comic, and it’s arguably one of the biggest successes coming out of Rebirth so far.

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Chris’ Comics: X-men ’92 #4 & Spider-Woman #8

XM922016004-DC11-4baa6X-men ’92 #5

Chris Sims, Chad Bowers, Alti Firmansyah, Matt Milla

Marvel $3.99

X-men ’92 #5 is a comic that had me cackling early in the issue, only to audible gasp come the book’s final pages. To say it’s a good comic is an understatement.

There’s been some online chatter than this book is too jokey at times. Granted there’s been an abundant amount of humor in this series, writers Chris Sims and Chad Bowers are definitely not afraid to get serious at times, which is shown in this issue. And it’s a nice throwback of sorts, as the nature of Storm (phrasing) and Beast’s conflict is something that’s been explored before in Fall of the Mutants/Inferno era of the X-men, and as recent as various X-Force revivals titles. The creative team have done nods like this before, but this is the first time it’s had so much depth to it, and I’m feeling it.

Art wise, Alti Firmansyah is super expressive and animated, and letterer Travis Lanham does something really neat with their choice of fonts during on extended scene. The book has relied on nostalgia for jokes before, and in this particular instance, the lettering really helps sell the humor here. It’s a neat bit that I appreciated a bunch. Matt Milla’s colors are solid, especially when dealing with the Cyberspace craziness.

The second arc of X-men ’92 is a massive improvement over the mini series it followed, and I dug the hell out of that mini. Bower, Sims and the entire art team are given more room to breathe, and don’t have to worry about adhering to the rules of a crossover event. Free to tell their own stories, they turn the extreme up to 11, and gave us an arc that’s absolutely bonkers, yet incredibly enjoyable.

Spider-Woman_Vol_6_8_TextlessSpider-Woman #8

Dennis Hopeless, Javier Rodriguez, Alvardo Lopez

Marvel. $3.99

Hey look, Spider-Woman’s back. Well technically she never left, I just took a break due to Spider-Women crossover times.

Spider-Woman #8 is a done in one that sees Jessica Drew back in action, taking on Tigershark, while the Porcupine watches her son. It’s not unlike issue 5 actually, one this issue is super heavy on the action.

Much like myself, Javier Rodriguez returns to Spider-Woman this month, and absolutely kills it. His colors are gorgeous, giving the book a radiant glow that’s also stunning as the pencil art. Which, by the way, is incredible. The way Rodriguez draws sprawling fight scenes is incredibly, never skimping out on the details. This may be the single best looking Marvel comic I’ll read this year, as no one does layouts and motion like Rodriguez. And props to Alvardo Lopez, who manages to ink this thing with some incredibly thin lines, keeping the line clean and crisp.

Dennis Hopeless is superb. He wonderfully mixes humor with some emotion. His Jessica Drew is so three dimensional, being both a loving mother and a adrenaline junkie who loves help people.  And what he’s done with the Porcupine, changing him from a Z-list villain into someone quite endearing is spectacular.

Spider-Woman #8 is a comic that’s big on hear and big on action. It’s a gorgeous book that’s balances character development and super heroics perfectly. And even with Civil War II around the corner, I’m excited to pick up the next issue, just because of what the creators have done with Carol Danvers in this title. Buy on sight.

 

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Chris’ Comics: Spider-Woman #9

SWOMAN2015009-Cov-c2f18Spider-Woman #9

Dennis Hopeless, Javier Rodriguez, Alvardo Lopez

Marvel $3.99

Javier Rodriguez is a beast y’all.

I’ve been a fan of both Spider-Woman and Javier for awhile. Jessica Drew is my wife’s favorite Avenger, and Rodriguez won me over back when he was coloring Daredevil. Putting him on Spider-Woman with that slick Kris Anka designed costume was a gift, and this issue may arguably be his most impressive work to date.  It also helps that he and writer Dennis Hopeless are channeling other quirky creator driven books like Superior Foes of Spider-Man, the aforementioned Daredevil and Hawkeye with this incarnation of Spider-Woman.

4691358-2+swoman2014009_int2-1Issue 9 kicks off the 2nd arc of this team’s run, which sees J-Drew, reporter Phil Urich, and reformed Z-list villain the Porcupine hit the road to help folk across the country deal with the various weirdness one would face as a denizen in the Marvel Universe. This results in the Porcupine not being the most obscure villain to show up in this book, which says a lot. It alsot means Rodriguez is able to draw a number of insane fight scenes, all of which are gorgeous and highly detailed. I also like how he also frames his pages, using photos as panels, and doing a lot of interesting things with the sense motion by drawing multiple Jessicas in a single panel. The book seems excessive to the untrained eye, but once you start reading it, the proper flow of events becomes apparent and it’s all very wonderful. And since he doubles as colorist, he uses lighting to his advantage throughout the book. I’m not saying he uses it for some easy outs, no, his pages are crammed full of content, the coloring just helps to guide the reader’s eyes as to where they should be focusing on. And the quality of the colors are worth mentioning, as it’s the first time the digital editions looks as good as the paper version. A lot of books look a lot crisper on a tablet then on paper (ie any DC book I buy) , but Rodriguez someone manages to avoid it. Inker Alavardo Lopez is as equally talented, providing the art with thin clean lines, showcasing just how detailed the art is. The finish product looks like it’s popping off of the page in several instances, making it one of the more eye catching books coming from Marvel.

tumblr_nryvwpapM11qlmthpo1_1280Dennis Hopeless’ Jessica Drew is a fantastic take on the character. She’s flawed – impatient, short tempered, slightly aggressive, but her heroic nature is never in question. It’s nice to see a veteran like Jessica not fall into the model of the good, but boring, role model, as it makes her a tad more relatable then some of her newer peers. She reads more like a more competent Clint Barton (or and adult Kate Bishop if you will) than a sexy Peter Parker, which makes her stands out a ton from the other Spider-female characters. Hopeless also give Porcupine some character, making the newest addition of the cast slightly more lovable. It will be interesting to see if the character will catch on like the Superior Foes of Spider-Man era Sinister Six Five have, but the potential is certainly there.

Spider-Woman #9 is another fantastic issue by a creative team that’s clearly firing on all cylinders. Jessica Drew is a delightful lead, her supporting cast is fun, and the book’s direction is interesting, until it’s interrupted by Secret Wars and relaunched. I can’t recommend it enough, as it’s arguably one of the best super hero books currently available.

 

 

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Troy’s Toys But with Comics: Walking in the Spider Webs edition.

Spider-Gwen_Vol_1_4_TextlessSpider-Gwen #4

Jason Latour/Robbi Rodriquez/Rico Renzi

Marvel $3.99

Spider-Gwen #4 aka, the issue where writer Jason Latour gets a lot of mileage from a bunch of dead people.

In a relatively quiet installment of Spider-Gwen, as we have our lead hanging out with May and Ben Parker, two characters who’ve played massive parts in Peter’s life but rarely got interact the world around them as a living couple. Here we get to see the two of them bounce off of Gwen in a world where Peter is dead, and even with that in mind, the results are really heart warming. While we’ve seen a similar Peter-less Gwen/May dynamic explored before in Ultimate Spider-Man, but things play out slightly different here. The Ben/Gwen stuff is great, despite it being a quick scene. Latour’s wonderful dialogue and Robbi Rodriquez‘s art really make it a memorable, and I’m excited to see these characters in the book more in the future. We also get some more Captain Jean DeWolffe, a long gone Spider-Man supporting character who’s given a new dynamic thanks to these talented creators.

Half the fun of Spider-Gwen is seeing how different the world she habits is from the 616. And while it hasn’t stopped being charming, it’s nice seeing these characters form deep relationships and bonds in a short amount of time. It continues to be a great looking book that’s equally charming and emotionally, not unlike the classic Lee/Dikito Spider-Man run.

SWOMAN2014007_CovSpider-Woman  #7

Dennis Hopeless/ Javier Rodriguez/Alvardo Lopez/Muntsa Vicente

Marvel $3.99

Speaking of Spider-Woman, here were have the O.G. Spider-lady Jessica Drew. We’re 3 issue into this run (ignore that number seven), and I am still marveling over how much this book has improved now that Javier Rodriguez has taken over artistic duties.

It’s rare to have a comic have something impressive about every page in it, but that’s the only fair description of Rodriguez’s contributions to this comic. We got a hints on how great his panel placement and layouts during his guest stint as a penciler on Daredevil and his work on AXIS: Hobgoblin, but his art is on a whole other level here. It’s equal parts Chris Samnee and Marcos Martin, but still it’s own style. Rodriguez is the next big thing in term of comics art, and Spider-Woman #7 is proof of that.

As good as Javier is, he obviously not the only reason why this book is as good as it is. Alvardo Lopez’s inks are tight and clean, perfectly in sync with Rodriguez’s line art. And Munsta Vincete‘s contributions as colorist are crucial, as he gives the book a clean and bright look with some really bold imagery at times. The art is on POINT, as is Dennis Hopeless‘ writing. Hopeless’s dialogue sounds as good as the book looks, as the arc takes an interesting turn, and introduces a fantastic new locale to the Marvel Universe.

Under a lesser creative team, a book like Spider-Woman would risk being redundant, especially with Spider-Gwen and Silk being as good as they are, especially in the visuals department. But this team has made this book both the heir to the Waid/Samnee Daredevil run as well as the Spencer/Lieber Superior Foes of Spider-Man. It’s visually amazing, hilarious, clever and slowly becoming the book I read first when I buy my comics.

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Troy Toy’s But With Comics: Very fill in. Such Rush. Wow.

This is the last big release week in 2013, and man, it ended on kind of a downer comics-wise. 4 out of the 5 Marvel books I pulled had more than 1 artist attached to them, and the one with the correctly solicited team still involved a guest artist. Also Saga was kind of brutal. I suppose some explanations are needed.

dd34Daredevil #34

Mark Waid/Javier Rodriguez/Alvardo Lopez

Marvel, $2.99, 20 pages.

Javier Rodriguez came out swinging this week, which is exactly what Daredevil needed after the less than stellar art from last issue. He was a more than adequate fill-in for regular series artist Chris Samnee last time around, but man, Javier really stepped up his game since then  and it leads to some very strong framing sequences and panels in this issue. It’s a very Marcus Martin meets Annie Wu style, especially when it comes to facial expressions and body language. Add strong inks from Alvardo Lopez, with Javier coloring himself, you get a very strong final product. Mark Waid, remains flawless when it comes to dialogue, which surprises no one. This current arc of Daredevil has been impressive, mixing current headlines with obscure Marvel horror, and it’s hard to think who else but Waid could have pulled it off. This was easily the best book Marvel released this week, although it did some strong competition.

marvel-avengers-assemble-issue-22inhAvengers Assemble 22.INH

Kelly Sue Deconnick/Warren Ellis/Matteo Buffagni/Paco Diaz/Nolan Woodward

Marvel, $3.99, 20 pages

You can tell Warren Ellis has come aboard a title when the books starts off with “There are thing of yours I would very much like inside of me.”

That’s not a complaint mind you. Ellis works well with series regular Kelly Sue Deconnick, although the book feels a little more snarky and adult than usual. It’s still a delightful read, as it’s easiest the most fun and humorous Avengers book on the market. This Inhumanity tie-in arc started off on a great foot and the addition of Ellis has only made things better, especially since this story calls back to previous

The only downside to this issue is that Paco Diaz, the other artist attached to this title does not mesh well with Mattero Buffangi. I like Diaz a lot from his work on Daniel Way’s Deadpool, put his pages stick out like a sore thumb, despite Nolan Woodward’s excellent work on the colors. Still not a bad issue, it’s just stinks that some lesser art takes away from the final product. Speaking of which…

ANXMEN2012020-DC11-LR-e6953_latest_photosAll New X-men #20

Brian Michael Bendis, Mahmud Asrar,Brandon Peterson, Israel Silva, Marte Gracia

Marvel, $3.99, 20 pages

See above? Repeat that, but replace the names. Asrar and Peterson are both fine artists, but their styles could not be anymore different. And it doesn’t help that some of Asrar’s pages look extremely rushed, and both artists have their own separate colorists. It’s not a bad comic, but it’s certainly not as good as the book has been. Also ignore that cover, nothing like that even comes close to happening. Again, another good comic ruined by rushed art, something Marvel has excelled at this past week.

::: Also see Longshot saves the Marvel Universe #4 sadly 🙁 :::

saga-17-web-72Saga #17

Brian K Vaughn, Fiona Staples

Image, $2.99, 20 pages

This is Saga’s Red Wedding issue. Or it’s Walking Dead midseason finale if that first reference doesn’t make sense to you. It’s the type of issue that has people screaming about their feels on Tumblr, because oh god, it hurts, and chances are it’s not going to get better next issue.

BKV and Staples has been carefully crafting this moment since the 3rd volume began. It’s been pretty light on the action, focusing on building characters and relationships, all while the volume 2 cliffhanger remained mostly ignored, not falling into place until the last 2 issues. And then previous issues’ cliffhanger drops, and it turns out to be a massive swerve and GUH, THIS BOOK IS SO GOOD Y’ALL, ALTHOUGH IT’S ALL FOR THE WRONG REASONS, GAH!

So yeah, Saga’s still great, but MANNNNNNN, it hurts y’all. It hurts.

I still need to read Pretty Deadly #3, but what I saw I liked. So it’s fairly safe to seem it’s pull-worthy. And with that, that wraps up my 2013 pulls. The next 2 weeks are extremely light on comics, so I have something else in store. Plus maybe I’ll look at some new toys. Who knows, but happy holidays regardless FPNYC Faithful.

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