On October 1st Forbbidden Planet is pleased to once again have Mr. Ales Kot (Secret Avengers, Zero) as our in-store creator guest to sign copies of his brand new comic from Marvel- Bucky Barnes: Winter Soldier #1. We will be kicking things off at 6pm.
No… Matt D is presenting a VHS screening of Furious!
Video Vortex Presents Furious
Wednesday September 17th 8PM
Get Tickets Here… http://drafthouse.com/movies/video-vortex-furious/nyc_area
Tickets only $1! Hosted by Matt Desiderio (Horror Boobs) and Mike Hunchback (Seminal Psychosis). Bring your tapes! We’ll be set up for a tape trade, with rare VHS tapes also available for sale.
Special thanks to Scarecrow Video for making this screening possible!Video introduction from director Tim Everitt!
Reality is the enemy. We escape into movies and books and comics and our homicidal fantasies because the world we live in isn’t as satisfying as it should be. Occasionally, one of these fictional destinations proves to be so uniquely exciting that we never want to leave. FURIOUS is one of those places; an unexplored dimension populated by cackling sorcerers, whispering statues, fat adolescent warriors and lots and lots of live chickens. FURIOUS is power. It’s magic. It’s a kaleidoscopic siege on the concept of storytelling. And FURIOUS is “RED HOT KARATE ACTION! Filmed entirely on location in Southern California!” FURIOUS has no right to exist. But it does. There’s no fathoming its creation. It’s a movie with 10,000 ideas but zero story; impossible ambition coupled with the desire to alienate anyone watching. Filming a feature on 35mm is expensive, and so is interdimensional travel, or a giant, fire-breathing dragon with entire human skeletons between its teeth. But FURIOUS laughs off these challenges. Money is no object when reality is no option. The only remaining explanation is that it sprang fully formed from some spiritual and intellectual void, a starving chasm of chaotic darkness that feeds off the shock and confusion of human viewers. So feed it. FEED IT. (Zack Carlson, via Bleeding Skull)
Join the facebook event page… https://www.facebook.com/events/690244494397136/
G. Willow Wilson/Adrian Alphona/Ian Herring
Look at that cover. It is a cover that is made of 100% pure joy, as well as paper and probably some chemicals.
Ms. Marvel has been a delight since day 1, but issue 8 may just be my favorite issue to date. As you can tell from the cover, Lockjaw of the Inhumans shows up, possibly in the most amazing and adorable fashion. Which I think is ultimately why I liked this issue so much, because it is the cutest thing to ever cute a cute. G Willow Wilson has done a lot to make Kamala not a stereotypical teenage girl character, so seeing the new Ms Marvel actually go head over feet for her new pet is more of a delight than it is insulting. Her Ms Marvel is a character that’s very 3 dimensional, so seeing her a different side of her every so often is fun.
Issue 8 also sees the return of artist Adrian Alphona, who absolutely owns his return. The book’s art certainly didn’t suffer during his break, especially with master colorist Ian Herring on colors but Alphona’s style is unique, so having him back just feels right. And we as readers are rewarded to some great art that’s beautifully weird, and packed full of small details and hidden jokes. It’s also great to see how Adrian illustrates the use of Ms Marvel’s powers, leading to some cool and hilarious visuals.
Ms Marvel continues to be one of the best books on the stands today, and it’s mostly due to the level of talent and dedication the creative team brings to this book. From cover to cover, the book is a refreshing alternative to most super hero books and is a ton of fun.
Matt Fraction/Annie Wu. Matt Hollingsworth
With the release of issue 20, we only have 2 issues of Hawkeye left. I am the saddest of Chris’ over this fact. The 3 sad faces above prove that.
Issue 20 is artist Annie Wu‘s final issue on the series, and ultimately wraps up Kate Bishop’s California adventure. A lot of questions are resolved and a few reveals are had, making for a satisfying, but not necessarily the happiest of endings.
While the book is a bit of a downer at times, the creators do a fantastic job on this comic. Annie Wu’s art is super expressive, and the range of emotions she can put into her characters and environments is impressive. Poor Kate Bishop takes a beating in this issue, and Wu does a bang up job of showing it, with some nasty bruises, bandages and messed up hair. But her Hawkeye is a warrior, and the final 2 pages show how much of a bad ass Katie-Kate can be when push comes to shove. Matt Hollingsworth’s colors really do Annie Wu pencils justice, mixing a lot of bright colors you’d associate with California with the traditional Hawkeye purple. It’s the same flat coloring style you see when David Aja is drawing the book, but it’s different enough to compliment Annie Wu’s style in all the right ways.
Matt Fraction‘s script of course brings the entire package together. His dialogue is sharp, the reveals he drops land and nothing feels out of place. It’s impressive to see how much he got out of Kate’s “new” supporting cast in such a brief period of time spent with them, but they all feel so fleshed out. And his Kate also remains a fun character that you can help but cheer for, especially when some of the shit hits the fans. He’s done wonders for the character, and I consider him the definitive voice of Kate, despite having nothing to do with her creation.
With this and Superior Foes of Spider-Man wrapping up soon, I’m really bummed to see 2 of my favorite books come to an end. However much like SUP FOES, Hawkeye’s ending seems like it’s coming to a natural ending point, and I’m sure the creators will stick the landing. The Kate Bishop California adventure does suffer a bit due to countless delays, but ultimately it does it’s job of ending one story and setting up the final story. I don’t want this book to end y’all, but I’m eager to see what Fraction, Hollingsworth and David Aja do with the final 2 issues after this issue.
Here we have the more “Affordable” $3 and $4 books. Insert back in my day rant here.
Sam Humphries, Paco Medina, Juan Vlasco, David Curiel
Light Spoiler Warning: Kitty Pryde appears in a banana suit in this comic. 10/10, Book of the Month.
I’m not sure how much access Sam Humphries had to James Gunn’s GOTG script before the movie and this comic launched, but I would not be surprised if you told me he knew everything about the movie’s plot before writing this book. This Star Lord feels a lot like the movie version, only with an updated taste in music.
This third issue of GOTG is a hoot. It’s a nice little done and one that expands Quill’s support cast, and undoubtedly plans a seed or 2 for future stories. Paco Diaz, Juan Vlasco and David Curiel still continue to deliver month after month, making this book look as good as it deserves to. Legendary Star Lord is a ton of fun, and I’m glad the success of the Guardians movie allowed this book to happen.
Tom King/Tim Seeley/Stephen Mooney
On paper I should hate this comic. The art is barely serviceable, it’s a tie-in to an event book/weekly series I’m not reading, and it’s starts on a major downer. In a way, it comes off as the type of comics that’s kept me away from DC in that past.
Despite a lot working against it, I ended up LOVING Grayson: Future’s End. It’s Batman meets Momento, where the book continuously flashing back to the past, ending at a beginning. Tim Seeley and Tom King take a risk with the plot of this comic, and despite all odds, pull it off with some incredible results.
It’s just a shame that this book doesn’t look as good as it has in the past. I’m not sure why regular series artist Mikel Janin isn’t present, but guest artist Stephen Mooney doesn’t posses the same talent. It also worries me that we’re having guest artists only 3 issues in.
Ultimately this book is saved by the story and dialogue. King’s own spy experience comes into play here, and you’ll want to re-read this issue once you figure out a certain plot element. Im also curious as to see if a few of the plot points introduced in this book are going to play out in the future of this book or not.
I encourage anyone who’s enjoyed the first 2 issues of Grayson to pick up this issue. Despite the dip in the quality of art, it’s still a good book that’s worth the $3.
Nick Spencer, Steve Lieber, Rachelle Rosenberg
Anyone who’s been reading SUP FOES for the last year could tell you the formula of this book. The previous ending is address in the first few pages, the Sinister
6 5 get out of one jam and into another, things look up for the team and the final page blows that to hell, setting up the next issue.
With the book wrapping up at #17, this issue turns the dial up to 11. The Sinister
5 4, chalk up several wins this time around, which only means things are going to get real bad for them real quick. This arc is called “Gang War” for a few reasons and readers will know why by the time they hit page 20.
Creators Nick Spencer, Steve Lieber and Rachelle Rosenberg are doing some career defining stuff with this book. We finally get to set the Sinister ( insert number here) work together as a team, but the creators have been on same page since day one, making this one of the most constantly great book on the stands.
Superior Foes of Spider-Man continues to be everything I want from a comic: humor, action and fully fleshed out characters. Issue 15 is all of that, and as sad as I am to see this book wrapping up, I have no doubt it will absolutely stick it’s landing.
Oh snap, it’s a two part review article for this week! I pulled a whopping 5 books , as well as a few trades, so expect ALL COMICS ALL THE TIME articles for the next 2 weeks. Yeah I know, that’s kind of business as usual for me, but I’m choosing to do that over word- vomiting over the release of TWO new Cyclops action figures, so pretend it’s special this time around.
I’ve divided the books up as the following: Comics that cost $5 and comics that don’t cost $5. We’ll be looking at the $5 books first (which unsurprisingly are both Marvel books), because…well because I said so dammit.
Gerry Duggan/Matteo Lolli/Cristiane Peter
I’ll be honest, this book was a tough sell for me when it was initially announced. I haven’t bought a straight-up Deadpool book in years, and I tend to be very weary of books starring Hawkeye not written by Matt Fraction or Ales Kot. The $5 price tag certainly did help things either, and I figured that is it was good, trade waiting it would be a valid option.
HOWEVER, after flipping through the first issue of said at the shop, I ended up liking what I saw and decided to take a chance on it. And you know what, I’m glad it did, but this book hit me in all the right ways. Gerry Duggan has proven he can tell a good Deadpool story plenty of times in the proper Deadpool series, and while Matteo Lolli is no David Aja, his art definitely works for this story.
The plot summary is as following: it’s Halloween night, and Deadpool and some folk familiar to both books are out trick or treating in a certain Avenger’s building. One of Hawkguy’s tenants has got himself in some trouble, so now Wade and Clint have some super heroing to do. The only problem is that don’t necessary want to work together as bro,s bros.
That by the way, brings me to my sole issue with this comic. We’ve seen Deadpool and Hawkeye work together in the past, last year in A+X, and currently in Secret Avengers. I may be playing the role of TURBO NERD here, but there’s material currently being published ( Thunderbolts, Hawkeye, the just mentioned Secret Avengers) thatclashes with this book. Maybe it with all make sense once those stories are all told, but only time will tell.
Continuity-nerd-issues aside, the book itself is fun. Both Lolli and Duggan obviously have some experience with Deadpool with past works, so it’s no surprise that the Deadpool stuff is handled really well. A little head’s up though, this book is DEEP into the current events of the main Deadpool series, so you may be a little confused about a thing or two if you’re not caught up on it.
That being said, the big surprise is how well the Hawkeye side of things are managed is handled. There are a lot of clever nods to Fraction/Aja’s run, including 2 double spreads that parody the 2 most celebrated issues of Hawkeye.
Obviously any encounter between Hawkeye and Deadpool should be humorous, and the jokes do not disappoint. Duggan knows how to handle mixing humor and action well, and the laughs land more than miss. Visually, Lolli and color artist Cristiane Peter are great, giving the book a clean, bright look that reminds me a lot of the late and great Mike Wieringo’s work.
Ultimately, this book isn’t going to win any awards or redefine the medium, but it’s a fun read for fans of the characters. If you’ve been enjoying Hawkeye and/or Deadpool, you’re sure to enjoy this double sized debut. If you want this to be your entry book to both characters though, you may want to look elsewhere.
Brian Michael Bendis/Chris Bachalo/ Several Inkers
I’ll be honest, this book can be summed up as a double sized issue where the X-men stand around and react to a retcon. That may not be your cup of tea, especially when you factor in that it’s $5 and there’s still a chapter in this arc to go.
That being said, if you don’t mind that sort of thing, it’s a compelling as hell issue. Chris Bachalo returns to draw the hell out of this issue, despite him not knowing how Kitty’s Pryde modern costume works at times, or Cyclops mask reappearing at random.
Those minor issues aside, the book looks great. The army of inkers complement Bachalo’s pencils and colors well, giving the book a crisp, bold, cohesive look. Cohesive and GREAT mind you, as Bachalo delivers some really powerfully scene, both emotionally and action wise. Also the way he colors Iceman is great, as it looks like actual ice.
Brian Michael Bendis isn’t a slouch either mind you, but your opinion on the script may be different from mine. I’m a fan of the retcons he’s introducing, but it’s bringing Xavier into some scorched earth territory. If you’re an Charles Xavier fan, you may have a bone or two to pick with these reveals, but I’m strictly on Team Cyclops Was Right, and am digging Bendis doing some new stuff here.
Again, at $5, this issue of Uncanny X-men comes down to a matter of taste. If you’ve been a fan Uncanny’s direction since the Bendis relaunch, you’ll probably like issue 25. If you’re only thinking of jumping aboard because Original Sin is on the cover, you can skip it.
Hey y’all. I just spent the last 5 days in Atlanta, attending DragonCon and attempting to find Ludacris. I was not very successful in the later, unless Luda was disguised as an otter at the Atlanta Aquarium. Which I sadly doubt was the case. Anywho, I’m back, so comics time is now.
Jim Zub/ Steve Cummings/ John Rauch/ Marshall Dillon
It’s rare for my wife to beat me to the punch when it comes to launch of new comics, but it was the case with Wayward‘s debut. Apparently one of the covers (there’s roughly a million of them btw) caught her attention months ago via Tumblr, and it made a big enough impression on her that she made sure I picked it up for her last week.
There’s a lot to like in this debut issue of Wayward. It has a cool story hook, solid art by Steve Cummings, fresh dialogue by Jim Zubb, and John Rauch‘s outstanding coloring that really makes this book pop out at times. It’s not exactly the deepest read, but a cute and fun debut with some ultra violence.
My only problem with Wayward is that there’s a character who comes off as several manga/anime cliches rolled into one. Hopefully the character will be developed more as the series continues, but her debut leaves something to be desired. Aside from that it’s a fun read, assuming you go into it thinking it’s the next Saga or The Wicked + The Divine. The book certainly doesn’t pretend to be, and it’s ultimately stronger for it.
Brian Michael Bendis/ Mahmud Asar/ Marte Gracia
Mahmud Asar comes back this month to launch the newest story arc in All New X-men, and his art here is much stronger than his previous fill in from earlier in the year. Issue 31 sees the team go after a new mutant all by themselves, and results in the 5 young X-men ending up in another Marvel universe. Which one you may ask? One that writer Brian Michael Bendis has been heavily involved in for years.
Asrar’s art is solid, but I think it’s a bit of a step down from the previous issue. His art isn’t as dynamic as Immonen or Pichelli’s, and a lot heavier on the black inks than the two of them, but still is serviceable. He handles the few actions scenes well, and his final page is particularly solid, definitely getting the reader hyped for what’s to come.
And even with a new artist, Bendis and series colorists Marte Gracia strive, making ANXM #31 another enjoyable issue. I’m curious to see what this storyline has in store for the readers, and am hoping that it continues to upkeep the level of excellence brought to this book by Stuart Immonen.
Brian K Vaughan/Fiona Staples
The painful event we knew was going to happen finally hits critical mass in Saga #22. BKV and Fiona Staples have been slowly been building up to it for months, but now the poop has hit the fan something fierce and things are going to get real bad real quick.
It’s impressive what Brian K Vaughan and Staples can do and do so well in a 22 page comic. We’re finally introduced to a long teased character, reintroduced to a few returning favorites and still have plenty of room for the story to advance. And by advance I mean destroy the readers in a mere 4 pages.
And those 4 pages man. Everything from the body language to the dialogue is perfect, making this, what is surely the first of several heart crushing blows, all the more devastating.
They say it’s always darkest before dawn, but man, this sort of darkness makes me sad. A great comic none the less, just one that you should not read without something to hug near by.
“Seconds” is the third comic from creator Bryan Lee O’Malley.
“Seconds” follows Katie, the chef/auteur creator of the best restaurant in the city, Seconds. She started the restaurant with all her friends, who have all since moved onto other ventures while Katie remained. With all her friends gone, she dreams of opening a new restaurant called “Katie’s,” with the excuses that the name fits on the pre-existing marquee of Lucky’s, the dilapidated building she bought to house her new endeavors.
Alright enough synopses, let’s talk formally. Second’s is by far the most well-crafted comic O’Malley has ever put out. The quality of cartooning and world building is top notch, something clearly O’Malley has a knack for as he’s shown us over the course of his career. The inclusion of color at the onset of this project (as opposed to the post coloring of Scott Pilgrim (which is colored by Nathan Fairbairn the same fella who colors this book)) keeps the work from being disconnected, or rather that one of the balls could drop in the perpetual juggling act that is making comics. That formalism aside, Fairbairn is a truly incredible colorist who fits O’Malley’s work like you’re dad’s old flannel you stole from his closet.
The most impressive thing (from a cartoonist’s point of view possibly…) may be how well O’Malley pulls off collaboration with three different creators on a book sold by his name alone. Having the drawing assistance of Jason Fischer and letters by the great Dustin Harbin is inspired. All too often, comics fall apart simple because the people collaborating on the project don’t completely synchronize into one vision. Writing can be great, drawing superb, but for whatever reason the people working together just don’t (man motions with both hands coming together with his finger’s interlaced). “Seconds” however does not suffer from this in the slightest. The “O’Malley Studio” syncs up without a stich to be shown despite being able to see the difference in drawing styles of Fischer and O’Malley, or the craftsmanship of Harbin versus the looser brush style of O’Malley.
The characters carry three dimensions though interestingly are not characters we all know. That is to say, they aren’t caricatures, you may know people in your life that are say a “Max or Katie Type,” but they have some many affects to their personality you would forever need to temper the phrase “Oh you’re toooootallly a Katie” with “Except you don’t yadayadayadayada.”
One issue I have with this book, that many disagree with me on, is an inherent issue I find with every comic that is attempting to be “novelistic.” O’Malley has said that he wanted this comic to be more like a book, hence I’m assuming the choice to have it put out by a book publisher as opposed to a comic publisher, though I’m sure distribution and money always play a heavy role. The issue I’m writing about is the extreme use of narration and exposition. The use of text is heavy, with little use of simple pictures being used to tell parts of the story. It falls into a category of comics that almost come off as “Learn How to Read Comics” or “Comics For Normal People.” An example being Alison Bechdel comics, where in the text is so heavy that the pictures rarely have a chance to shine. This argument is not to discredit the amazing and forward thinking work Bechdel and O’Malley both create or the moot argument of “Why Not Just Make It A Prose Book?” These people are cartoonist and they are telling the stories they want to tell in their medium, that’s not the issue. The issue is why not use the pictures More? There is scarcely an action that isn’t also accompanied by text describing what is happening. I can understand O’Malley’s want to be more novelistic in his approach to comics making but find it a lost opportunity to push the his own story-telling style where-in there is not just the surface quality of the picture making and the interesting story he threads for you, but also a more personalized vision of digestion. For the intricate Groundhog’s Day story that “Seconds” is there is little in the way of interesting Visual Story-Telling.
That very personal critique aside, (sorry everyone) Seconds is well worth your time. O’Malley is a supremely talented individual whose work remains consistently strong and consistently gets stronger. Go get Seconds so you cannot wait for his next book.
Hey today’s my birthday! Totally not relevant to anything we’re going to discuss tonight, except for like 1 gag, but you can wish me a happy birthday in the comments section if you dare!
Ales Kot/Michael Walsh/Matthew Wilson
Deadpool and Hawkeye team-up time is exactly the type of birthday gift I wanted. Thank you team Secret Avengers.
Deadpool is a character that if not handled properly can ruin your story and bringing any momentum to a screeching halt. Luckily, that’s not the case for Secret Avengers #7, where Deadpool’s 4th Wall breaking and straight up insanity makes for a hell of a read. It also helps that Ales Kot’s version of the character is genuinely funny here, using himself to interact with Wade on the page.It’s not the first time we’ve gotten such, but it’s certainly the best execution of it in awile.
Michael Walsh, Matthew Wilson & VC’s Clayton Cowles also get in on the fun, providing some hilarious (and sometimes chicken-based) visual gags and sound effects. The book has been plenty funny in the past, but this issue really takes things to the next level all while advancing the plot. Walsh and co also do a lot of experimenting with layouts, using double spreads, pages with 10+ panels and some other interesting choices that I rather not spoil. It’s the title of art that deserves more praise than it’s getting.
Secret Avengers was a great book in a week that saw a lot of strong releases. It’s the type of Marvel Comic that justified the $4 price tag.
G. Willow Wilson/ Jacob Wyatt/ Ian Herring
Jacob Wyatt‘s 2 issue guest stint on Ms Marvel returns this week with a delightful wrap of. Kamala’s team up with Wolverine has the pair fight a giant alligator and deal with a classic death trap while discussing Ms. Marvel’s new career path. Under lesser creators, this book would risk being preachy, almost a “very special episode” type of book. Luckily for us, the readers, the creative team remains flawless, and the end result is a very good comic.
I’m the type of dude who doesn’t like Wolverine, as I’ve suffering from Wolverine exhaust ever since I got into comics. That being said, Wolverine hanging out with teen lady super heroes is something I like…..oh man, I just re-read that past sentence, I apologize how creepy it sounds. Sorry :/
Creepy-ass commentary is now over. And since G Willow Wilson is pretty much perfect on this issue, which ends on a super fun note, we’ll talk about Jacob Wyatt some more. I really loved his art during this arc, as he was just as expressive and animated as regular artist Adrian Alphona, but very much of his own style. His Khamala is adorable, which….nope, no more creepy as commentary, sorry.
But yeah, another enjoyable Ms Marvel, with some great art, fantastic dialogue and the set up for some really awesome guest stars. All under a highly amusing cover by Jamie McKelvie that dropped right during selfie-month in DC. Forbidden Planet’s best selling series is a best seller for a reason, and the quality seen in this issue is proof of that.
Kieron Gillen/Jamie McKelvie Matthew Wilson/Clayton Cowles.
Brilliant, simply brilliant.
Much like the first 2 issues, the Wicked + the Divine is a gorgeous books that has some of the best dialogue in comics. It’s also incredible smart, and isn’t afraid to challenge the readers, making you wanting to re-read it several time to pick up on everything.
Also the Stephanie Hans variant is gorgeous and continues my streak of buying variant covers for this series.
And it’s just not Kieron Gillen and Jamie McKelvie doing some career defining stuff. Matthew Wilson (again) color’s are the realness, and Clayton Cowle‘s lettering is the type that you stand up and take notice off. It’s several creators coming together to make a fantastic comic.
Wicked/Divine is one of those books that makes picking out a favorite Image book difficult. While it may initally come across as collections of Gillen’s greatest hits (Music and Gods as themes), it’s definitely taken it’s own form and the results couldn’t be better. It’s an amazing comics, one that stands out among a week of fantastic releases.
We at Forbidden Planet are super excited to a special signing with the one and only FAREL DARLYMPLE for his new book The Wrenchies. Mr. Dalrymple will be in store on Spetember 19th at six p.m. to sign copies of his brand new (and long awaited) new graphic novel from First Second. We’re all a-tingle.
UPDATE: If you cannot make it to this event you can still pre-order signed copies through our webstore. You can request personalization at checkout if desired.
No, not Rollerblade… ROLLER BLADE!
VIDEO VORTEX Presents ROLLER BLADE hosted by HORROR BOOBS and SEMINAL PSYCHOSIS
Wednesday August 20th 8PM
2548 Central Park Avenue, Yonkers NY
Tickets are only ONE DOLLAR, please buy in advance!
During the Second Dark Age in the City of Lost Angels, Mother Speed and the Sisters of the Holy Order of Roller Blades live in a dystopian wasteland where Saticoy and his metalhead henchmen, the Droog, terrorize the streets! Saticoy, a fetish mask-wearing jerk wants the Sisters’ crystal, the source of all their power. He sends the Bimbo With No Name to infiltrate the Sisters and steal the crystal! What will the naked nuns do?
Lost yet? Yea, verily! Don’t worry, you’ll love this insane VHS classic so much for its copious amounts of nudity, post-apocalyptic punks, and inventive special effects, you’ll be bladin’ all the way home! SKATE OR DIE! (Katrina Basilio)
Tickets only $1! Hosted by Matt Desiderio (Horror Boobs) and Mike Hunchback (Seminal Psychosis). Bring your tapes! We’ll be set up for a tape trade, with rare VHS tapes also available for sale.
Join the facebook event page… I guess…
Hell of a week y’all. Talking comics today is a welcome distraction after everything we’ve see go down over the last couple of days
Brian Michael Bendis/Sara Pichelli/Marte Gracia
Call it a breather issue. Much like Chris Claremont before him, Brian Michael Bendis uses this issue of All New to do some character building, with Angel taking X-23 out on the town, Emma Frost beginning Jean Grey’s training and Kitty Pryde taking a holographic phone call from her kinda boyfriend Peter Quill. It’s a very cute script, and it’s something needed to cleanse the palette after all that time travel shenanigans.
With the previous issue seeing the departure of series regular artist Stuart Immonen (who’s stick around to handle this book’s cover), Bendis is joined by his former Guardians of the Galaxy artist Sara Pichelli. Immonen is a difficult artist to follow up to, but Pichelli, who has some experience drawing these characters, makes a strong debut. For a mostly taking heads issue, Pichelli’s facial expressions and body language really sells the book, especially with the few pages that are dialogue free. The one area she actually surpasses Immonen in is having this cast look like teenagers, something Stuart struggled with, especially when their older counterparts were also on the page. She’s a welcomed addition to this book, and I’m excited to see her draw more of it.
My only real beef with this issue is that the final page’s cliffhanger is tied into the last 2 issues of Uncanny X-men , and will probably play out over there instead of this book. If you’re like me and buy both Bendis X-books this isn’t much of an problem, but those not may be disappointed to have to track down a pair of issue that shipped before this one. Ultimately, I dug the hell out of this comic. It was cute, good looking and chock full of fun moments. These sort of one offs are appreciated, and it’s a nice break before another famous Bendis/Pichelli shows up next month.
Matt Fraction/ Chip Zdarsky
The letters section for this issue alone is worth the $3.50. There I just saved you 2 minutes of reading.
Oh you stuck around! Really? Did you not read what I wrote above? Oh you want more reasons? Yeah okay sure, I suppose I can help you there.
Sex Criminals is probably my wife’s favorite comic not called Saga. Which means my wife has great taste in both comics and men. But the opening sequence of this book really impressed her this week, as there’s something that Suzie, our female lead, is suffering from that my wife knew all too well. It’s a testament to both Matt Fraction and Chip Zdarsky, who managed to hit the symptoms of said problem dead on, despite being dudes. It’s also a reason why this book is such a hit.
Issue 7 is a return to form for Sex Criminals. Not that issues 5 or 6 were bad, but they were heavier on the serious side. This one is chocked full of humor, including the use of a word that makes me giggle every time I read/hear it because I am 12. There’s even a bit of action and suspense too, making it a nice balanced read.
I’ve already sung Fraction’s praises plenty of times in the past between this book and Hawkeye, so I’m gonna talk Chip Zdarsky for a bit. First off, that cover. Extremely sharp and a very cool design. Zdarsky’s always been a bit experimental with the covers, and the results are great. But this is kinda next level for the ol Chipper, and I hope it continues. Then there’s in the interiors. I had to re-read some sections and few times just to catch all the gags hidden in the background. It’s a shame that some of this Easter eggs and gags are sacrificed for word balloons, but it’s nice to see Chip put so much effort into something a lot of people not named Matt Fraction aren’t going to see.
Sex Criminals seven is the result of 2 creators having a blast creating a comic. Which is great for the reader, because the ends results are stupendous. Combined with a first-class letters column that’s as insightful and hilarious as the interior, Sex Criminals #7 is another can’t miss comic from Fraction and Zdarsky.
A solid week for trades, and a solid week from Oni Press. I guess all books are solid though. Their matter through chemical bonding, organic material, etc. Good thing books aren’t metal! Cause then I’d have to explain the Fermi Surface principle, and we really just don’t have time for quantum solids theory. But you can probably figure it out from this:
We’ll discuss it next week. Instead, here’s a book about a cat…
I Was the Cat by Paul Tobin and Ben Dewey- Last night, I had a dream I was a cat. Everything was cat perspective, but I was aware of myself as something I normally was not. It wasn’t a long dream; I just did a bunch of exploring and typical cat things, nothing special. But my journey doesn’t have to end. I can imagine myself as the best cat around thanks to a new hardcover book out this week from Oni Press. Imagine that every major event in history involved one cat living each of his nine lives hidden in between the pages of every textbook, and you get Burma the cat. Reaching the end of his life, he reaches out to journalist Allison Breaking to make his last mark in society. But there are some pieces he’d rather leave uncovered. Tobin has written more books than I can name, and the same can be said for artist Benjamin Dewey. But their collaboration is something is the beginning of a magical cat romp through life.
Henry and Glen Forever and Ever TP by Tom Neely- Neely, of course, isn’t the only credit in this book. A labor of love about two domestic lovers who labor over their mothers, defeating cults, and sometimes going to therapy to help keep their eternal rocking passion alive. If you’ve picked up the minis when then came out, or you’re just curious about what this curious little world is about, you can now HAVE IT ALL! I got to peep an early release one this past week in San Diego, and just the painted American Gothic cover is worth picking this book up. Plus, Neely is working on a new Image book, and will soon be the coolest kid in town, so get his stuff while you still can.
Steven Universe #1 by Jeremy Sorese and Coleman Engle- Rebecca Sugar has done amazing work making the titular cartoon network show a hit amongst the little tweens, and the older stoners who enjoy the colors and bubbliness of the show. Steven is the youngest in a family of universal guardians, and while he’s trying to figure out the superhero gig, he’s also trying to figure out his coming-of-age emotions and pains of getting older. But in his first comic, Steven is all about having fun, and riding bikes. Though nothing is ever simple for Steven, and he gets in over his head. The former Adventure Time writer set the stage for an amazing cartoon that will surely win over the hearts and minds of all my other childish contemporaries.
Trillium TP by Jeff Lemire- You’ve probably been following this story all along, which I have, but you probably haven’t seen the flipbook madness collected all in one place, which I have not. That’s why this trade is so important to pick up this week. Between the distant past, and the far future, Lemire weaves a half love, half adventure story that delineates the space-time continuum. And the literal flipbook he uses to visually illustrate just how far apart our protagonists are can only be put to better use in a full collection of their love story that seeks the end the universe.
Bunker TP by Joshua Hale Fialkov and Joe Infurnari- Look. Let’s get real. Fialkov is one of the most inventive writers currently writing inventive books. And Infurnari compliments this inventiveness with dreamlike art that mimics the surreal landscape in which the characters of The Bunker must traverse; past, present, and future. Investigating the moral grounds of whether messing with the past will beget a brighter future, the characters of The Bunker are deeply flawed, all while trying to do the best they can to save humanity (and themselves) with only the information that has been left for them from the future. As a psychological thriller fan, this goes greatly in tandem with those who are fans of shows like The Leftovers, Under the Dome, etc. It’s really a comic perfect for anyone who enjoys a story, like a real story. A story that twists and turns, and leaves you with unexpected feelings of alliance and betrayal.