Category: Stuff We Like

Highlighted New Releases for NCBD September 9th 2015

I’m gonna try to get back to regular posting on this blog. Here’s my first shot at it- a simple listing of personally recommended or otherwise notable new stuff available at Forbidden Planet NYC in-store and online for the week of 9/9/15. Here we go…


Descender TP Volume 1 – Jeff Lemire (w), Dustin Nguyen (a)

One young robot’s struggle to stay alive in a universe where all androids have been outlawed and bounty hunters lurk on every planet. A rip-roaring and heart-felt cosmic odyssey that pits humanity against machine, and world against world, to create a sprawling space opera from the creators of Trillium, Sweet Tooth, and Little Gotham.

Collects DESCENDER #1-6.

Continue reading

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Chris Comics: Welcome Back #1

STK678250Welcome Back #1

Christopher Sebela, Jonathan Brandon Sawyer, Carlos Zamudio

Boom $3.99

Sorry for the delay gang, someone had a birthday this week (it was me, I berfed), and a busted modem (also me), so interneting was hard.

Last week was an odd week for me  when it came to buying comics, as none of my usual pulls dropped, and the mountain of trades I have to get through are quite dated (no longer the case by the way, again, due to berf). Not wanting to leave Forbidden Planet NYC stranded on hashtag content, or drop $5 on a Marvel book, I decided to see what the indies had to offer. As luck would have it, the fine folks at Boom! Studios released Welcome Back, the first of 4 issue mini series with some slick twists I will attempt to not spoil in this review.


WelcomeBack_001_PRESS-8Welcome Back is written by Christopher Sebela, who’s work I’m not too familiar with outside of co-writing some comics with Matt Fraction and Kelly Sue Deconnick, but his High Crime series from Monkeybrain/Dark Horse is supposed to be really good. I have zero familiarity with artist Jonathan Brandon Sawyer, but man, his stuff is great. He’s a nice blend of artists like Chris Bachalo, Becky Cloonan and Sean Murphy. His line work is sharp and jagged, and fully of energy like Murphy, with his character designs and layouts very much in the graffiti and manga-influenced styles we get from Chris and Becky. And if Sawyer’s Murray in this scenario, then colorist Carlos Zamudio would be the next generation Matt Hollingsworth. The choices of colors in Welcome Back remind me a lot of Hollingsworth works on books like The Wake and Hawkeye, only not as muted. Welcome Back is easily one of the best looking books I’ve seen from a relatively new creative team in some time.

On the words side of things, I get why Sebela’s gotten a ton of praise for his indie comics. Welcome Back is wordy, but never overcrowded. It’s heavy on the dialogue and narration, but flows effortlessly, with everything coming across relatively natural sounding. Some of the stuff WelcomeBack_001_Interiors-1spoken during the action scene is a little clique and hokey, but aside from that, it’s relatively solid. My only real complaint other than that is the use of block, flat fonts for the sound effect by letter  Shawn Aldridge. It really clashes with the art, and it’s weird to see that sort of thing when the narration boxes and dialgoue balloons are position correctly. But those are only some small things that I’m sure that will improve in time, and don’t take much away from the rest of the book.

Welcome Back was a surprisingly great debut that I wish I could go into more but won’t, because again, there are some great twists that work if you go in blind. That’s what I did for the most part, and I enjoyed the book all the more. If you’re looking for something fresh and different, or just tired of one of your favorite being held up by delays, I can’t recommend giving Welcome Back enough. It’s a cool melting pot of ideas with an relatable lead character, and I’m excited to see how this all plays out.

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Chris Comics: Ms Marvel #17

Last-Days-of-Ms.-MarvelMs Marvel #17

G. Willow Wilson, Adrian Alphona & Ian Herring

Marvel $2.99

On the left we have cover artist Kris Anka , who cover may qualify as the best thing. But while this gives us everything we ever wanted from Ms Marvel, it worth noting the content are not as happy.

Given who’s on the cover, and that this book is tied into Secret Wars, Ms. Marvel #17 can be best described as an issue that’s a bit of an emotional roller coaster. Captain Marvel’s presence is something the fans have been demanding since the book dropped, and Wilson, Alphona and Herring deliver when it comes to this team in spades. But it’s not exactly  the feel good issue I was hoping for, given the whole end of the world thing, but it is an incredibly smart comics that has some really good emotional moments as well.

3577e735844c9f972469b12814ecd674What  I like about this issue is that we get to see that Kamala has come a long way since issue once, but a lot of key characteristics are still intact for the character. Writer G Willow Wilson has Ms Marvel freak out when she meets Carol Danvers, which as a super fan, is something that makes a ton of sense, not to mention completely adorable. I enjoyed watching the two Marvels bounce off of each other, and I REALLY dug the brief mention of Kamala’s faith when Captain Marvel gives her a pep talk early in the book,( as well as Carol’s advice for our you lead when faced with a difficult kitten-related matter). I also dug Wilson’s take on Carol Danvers, who’s a lovable & playful badass who manages to also be a solid mentor to Ms. Khan when she’s not busting her chops. There’s also several moments that will tug at your heart, giving the book a sense of sadness and desperation. There’s plenty of high, lows and even a few laughs, which says a lot given the fact that this is only 20 pages of content.

On the art side of things, gosh I love Adrian Alphona and Ian Herring. Jersey City may be facing the apocalypse, but Alphona crazy detailed  panels manage to maintain this book’s excellent sense of humor. His backgrounds are chock full of MAD magazine-esque hidden jokes, and not to mention some bizarre and hilarious looking characters. His Kamala will have her facial expression exaggerated for humor’s sake, and he’s capable of drawing some extremely derpy looking animals, ramping up the book’s cute factor. That being said, he also manages to capture the more serious and emotional moments with the gravitas needed to sell the scene, and his Captain Marvel has just the right amount of swagger worthy of Carol Danvers. Colorists Ian Herring’s colors are perfect for every scene, giving the day scenes the proper sense of end of the world times, and using some interesting colors choices for the scene heavy on the super hero-type effects.

As someone who gave up on reading Secret Wars proper and already has a sense on how this will end thanks to upcoming solicits, it’s worth noting how good this creative teams on making this Incursion feel like a real threat. The sense of danger and emotional strain of Last Days is there and feels real, even though we’re due for a new Ms Marvel #1 come this fall. Ms Marvel continues to be the best thing coming out of Marvel these days, even when it’s tied into a massive crossover. This book is definitely worth your time if you’re a regular reader scared who’s not reading Secret Wars, or a Secret Wars fan looking for an amazing tie in.




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(Late) Review: Starfire #1

So yeah, doing 3 shows in 3 consecutive weekends has caught up to me. Flamecon was a wonderful one day show that I’m glad I funded/attended, and Heroescon was rad as always. But it’s taken a hit on my writing time, not to mention drained me physically (and financially). So the reviews are coming, they’ll just be a mixture of new stuff, slightly old stuff, collected stuff and one advance review. Give me 2 weeks and everything will be back to normal. Well as close to normal you can get around these parts. First up, a dated review on a book that I’ve really enjoyed recently.

Starfire-1-CoverStarfire #1

Amanda Conner/Jimmy Palmiotti/Emanuela Lupacchino/Ray McCarthy/Hi-Fi

DC $2.99

I’ll start this review off with a confession: I never really cared much for Starfire, even though I’m a pretty big Dick Grayson fan. Ir’s probably because I missed her heyday as a member of the Marv Wolfman/George Perez New Teen Titans. And aside from a few random Teen Titan revivals from the 90s/00s, my biggest exposure to the character was from the animated TT animated series, which I liked enough, but wasn’t super into.

Amanda Conner and Jimmy Palmiotti however, are 2 creators I’m very much familiar with and dig. Their run on Power Girl was a blast, and I like what I’ve read of their Harley Quinn run. Putting them on a character like Starfire, who was very much in need of some direction after appearing in that ROUGH Red Hood and the Outlaws book, was a smart choice

4619905-starf_1_4Conner and Palmiotti’s Starfire is wisely located in Key West, which makes for an unusual locale for a super hero comic. The most southwestern point in the US, this tropical locale isn’t exactly full of crime and super baddies. But Starfire isn’t exactly a traditional super hero book; it’s more a comedic character exploration piece. Kory is trying to figure out her identity in Key West, not unlike how the writers are trying to find her a play in this relatively new DC. The pair of writers give her a nice cast of characters to work with, giving  the book a delightful sitcom-esque supporting cast. Amanda and Jimmy do some really solid world building in 20 pages, and I’m curious to see what they can do now that the introductions are done.

Starfire-2Emanuela Luppacchino is the penciler on this book, and he’s a perfect fit for the comic. He’s more Ivan Reis than Amanda Conner, and he manages to capture the beauty of the setting and the book’s lead perfectly. His characters are sexy, with hints of cheesecake here and there, but nothing super objectifying. And the humor is done justice with the cute little thought balloons Starfire has whenever she’s unfamiliar with earth terminology. Trever McCarthy‘s ink are clean and straightforward, with Hi-Fi making the book looking bright and vibrant.  Starfire herself is a prime example on how good the art sides of things are,  with her cool hair-flame effect never clashing with her orange skin. It’s a pretty accurate recreation of Key West, right down to the drunk bros.

Starfire #1 is the perfect introduction for people familiar with the character from the character, or didn’t care for her previous handling. It’s a little to sexy for younger reader, so maybe we keep the kids are the Teen Titans Go! audience from it until their older. But for anyone over 13 who wants a more iconic take on that character, or something that’s just fun and great looking, this is the book you want to be reading. If you like Conner/Palmiotti’s past work, or offbeat female lead titles like Squirrel Girl and Rat Queens, this is the book for you.

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Take a Comic Book History Tour of New York City

New York City is the birthplace of the comic book, and I’m pleased as punch to announce that Forbidden Planet’s sponsoring a series of walking tours in which you can experience the medium’s rich history firsthand. The folks over at ETC Custom Events are offering the following sojourns, titled “New York is Comic Book Country.” There’s an email address at the end of this article. Reach out to them if you’re interested in any or all of these fascinating tours.

ETC Custom Events,walking tour, geek tour, comic book tour, new york city tours

It Started on Yancy Street

Ranging from the birthplace and childhood neighborhood of “King of Comics” Jack Kirby — co-creator of Captain America, the Fantastic Four, the X-Men and scores more — to the laboratory of Doc Ock in Spider-Man 2, this tour through the Lower East Side and Greenwich Village shows guests a veritable history of comic-book lore in New York. You’ll see Peter Parker’s pad in Spider-Man 2 and Spider-Man 3, the site of Dr. Strange’s Sanctum Sanctorum, the original home of both All-American Comics (where the Flash, Green Lantern, Wonder Woman and the Justice Society of America all began) and EC (Tales from the Crypt, Mad), the campus of Marvel’s “Empire State University” and much more. The tour ends at Forbidden Planet, the be-all and end-all of comic books, graphic novels and comics collectibles. We’ve got some surprises in store (pun intended), both along the way and at the final stop. This is a great one for all comics True Believers.

Look — Up in the Sky!

The amazing lobby of the skyscraper where Timely (later Marvel) Comics began sets the stage for our midtown Manhattan tour, which takes sightseers to such venues as the W.R. Grace building (site of the Silver Surfer’s flight from the Human Torch in Fantastic Four: Rise of the SilverSurfer), the lair of Superman’s Lex Luther below Grand Central Terminal, and the home of the famed Daily Planet. Along the way, you’ll peek into Midtown Comics, see the sites of the Baxter Building and the Stark Tower (film version), and maybe even hang out right where the Avengers staged an epic battle. We’ll see where DC Comics got started and where the original Captain Marvel (Shazam), Human Torch and Sub-Mariner were born — not to mention Superman and Batman. Bank on a few surprise extras and a bunch more stops en route. Want even more? For the true devotee (or those with extra-sturdy sneakers) this one has several optional stops — ask us about them.

Avengers Assemble!

Stan Lee’s inspiration for the Avengers Mansion came from a real mansion right here in New York, and it’s the first stop on our uptown comic-book themed tour. Learn about the current headquarters of Marvel (you’ll even pop into a Marvel staff hangout). You’ll pass the former homes of two comics superstars, mosey on over to the site of Stark Tower (which might now be under construction), wander by the art studio of a brilliant but reclusive comics legend, and see other cool stuff as you explore the comic-book world here in NY. Ask us about a special add-on: A visit to MoCCA (the Museum of Comic and Cartoon Art) for a brief tour.

All tours available Wednesdays and Thursdays.

Feeling devil-may-care and spontaneous? Email us about our next-day tours, Thursday-Monday: Book a tour the following day for a 10-percent discount. Email us: for info and to book a tour!

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Troy’s Toys But with Comics: Walking in the Spider Webs edition.

Spider-Gwen_Vol_1_4_TextlessSpider-Gwen #4

Jason Latour/Robbi Rodriquez/Rico Renzi

Marvel $3.99

Spider-Gwen #4 aka, the issue where writer Jason Latour gets a lot of mileage from a bunch of dead people.

In a relatively quiet installment of Spider-Gwen, as we have our lead hanging out with May and Ben Parker, two characters who’ve played massive parts in Peter’s life but rarely got interact the world around them as a living couple. Here we get to see the two of them bounce off of Gwen in a world where Peter is dead, and even with that in mind, the results are really heart warming. While we’ve seen a similar Peter-less Gwen/May dynamic explored before in Ultimate Spider-Man, but things play out slightly different here. The Ben/Gwen stuff is great, despite it being a quick scene. Latour’s wonderful dialogue and Robbi Rodriquez‘s art really make it a memorable, and I’m excited to see these characters in the book more in the future. We also get some more Captain Jean DeWolffe, a long gone Spider-Man supporting character who’s given a new dynamic thanks to these talented creators.

Half the fun of Spider-Gwen is seeing how different the world she habits is from the 616. And while it hasn’t stopped being charming, it’s nice seeing these characters form deep relationships and bonds in a short amount of time. It continues to be a great looking book that’s equally charming and emotionally, not unlike the classic Lee/Dikito Spider-Man run.

SWOMAN2014007_CovSpider-Woman  #7

Dennis Hopeless/ Javier Rodriguez/Alvardo Lopez/Muntsa Vicente

Marvel $3.99

Speaking of Spider-Woman, here were have the O.G. Spider-lady Jessica Drew. We’re 3 issue into this run (ignore that number seven), and I am still marveling over how much this book has improved now that Javier Rodriguez has taken over artistic duties.

It’s rare to have a comic have something impressive about every page in it, but that’s the only fair description of Rodriguez’s contributions to this comic. We got a hints on how great his panel placement and layouts during his guest stint as a penciler on Daredevil and his work on AXIS: Hobgoblin, but his art is on a whole other level here. It’s equal parts Chris Samnee and Marcos Martin, but still it’s own style. Rodriguez is the next big thing in term of comics art, and Spider-Woman #7 is proof of that.

As good as Javier is, he obviously not the only reason why this book is as good as it is. Alvardo Lopez’s inks are tight and clean, perfectly in sync with Rodriguez’s line art. And Munsta Vincete‘s contributions as colorist are crucial, as he gives the book a clean and bright look with some really bold imagery at times. The art is on POINT, as is Dennis Hopeless‘ writing. Hopeless’s dialogue sounds as good as the book looks, as the arc takes an interesting turn, and introduces a fantastic new locale to the Marvel Universe.

Under a lesser creative team, a book like Spider-Woman would risk being redundant, especially with Spider-Gwen and Silk being as good as they are, especially in the visuals department. But this team has made this book both the heir to the Waid/Samnee Daredevil run as well as the Spencer/Lieber Superior Foes of Spider-Man. It’s visually amazing, hilarious, clever and slowly becoming the book I read first when I buy my comics.

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April 30th Troma Signing with Lloyd Kaufman, Ethan Hurt & Lisa Gaye!

Forbidden Planet is stoked to announce a Troma signing on Thursday April 30th at 7PM! The Troma Team and Ship to Shore Phone Co. are celebrating the release of the Class of Nuke ‘Em High Original Soundtrack Lp and the Blu-ray releases of Class of Nuke “Em High Part 2 and The Toxic Avenger part 2!

Meet Lloyd Kaufman (Troma President and creator of The Toxic Avenger), Ethan Hurt (Composer of the Class of Nuke ‘Em High Theme), and Lisa Gaye (star of Class of Nuke ‘ Em High 2 & 3, Toxic Avenger 2-4, and many more Troma classiscs!

As usual we make sure that people across the globe will be able to take part in this event! So pre-order a copy of the Class of Nuke ‘Em High LP, Class of Nuke ‘Em Blu Ray, or Toxic Avenger 2 Blu Ray DVD Combo from and it will be signed by all guests attending our event!


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Troy’s Toys but with Comics: SEXCASTLE


Kyle Starks

Image $15.99

Reviewed by Chris Troy 

“Nurse, this baby was born mean!”

Comics Alliance contributor/upcoming X-men ’92 writer Chris Sims first brought Kyle Starks‘ brilliant SEXCASTLE to my attention via a an article/Kickstartr plug on CA. The panel that sold me on the book is below, edited because language, but the important thing about this page remains unaltered:









The last panel is arguably the best line of comics dialogue in 2015/the last 10 years/since Ben Grimm declared it was “Clobberin’ Time” for the first time.

Once SEXCASTLE was fully funded, Image Comics, who has also given us comics with sex in the title such as SEX and SEX CRIMINALS, picked up the publishing rights, and unleashed Kyle Starks insanely rad comic on the masses last week. It’s a tribute/parody of classic ’80s/90s action films, which is nothing new to comics, but so over the top it feels fresh. Sexcastle definitely pays homage to the works that inspired it, but it also laughs at them, and encourages others to do so as well.

fistburger006SEXCASTLE is the tale of Shane Sexcastle, once the world’s greatest assassin, now an ex-con who ready to start life over in a small town. Of course that sort of plot doesn’t make for the most action packed action comic, so Shane’s vow to give up violence is short lived, and his legacy of brutality* catches up to him once he messes up some locale. This ends in hella punching several characters that bear resemblance to a lot of action film icons, and all of them dying terrible and hilarious deaths. Oh and an actual bear. Sexcastle isn’t exactly the most serious of comics folks.

What Sexcastle is however, is arguably the most quotable comic in some time. The dialogue is a blend of action movies and Chris Onstad‘s Achewood, meaning a lot of dumb things are said in clever and hilarious ways. There’s jokes everywhere in this book, and all of them stick their landing mostly because they’re played straight, and rarely acknowledged. I’m honestly surprised the book isn’t labeled as an action-comedy, but then again I suppose there’s nothing funny about violence. No, that’s a lie, comics violence can be hilarious, especially when GUNCHUCKS are involved.

Sexcastle01Starks’ artwork is simplistic, and honestly that’s for the best. Like I just said, there’s a ton of graphic violence in this book, and this book would probably turn me off to it a bit if it looked too realistic. The cartoony style works in the comic’s favor, as does having the book being printed in black and white with some gray-scaling. Even the hand penned lettering is often hilarious, featuring sound sound effects like ONG-BAK’D, PANTIED, and a bunch of others words I can’t post here.

SEXCASTLE, while chock full of good morals, is definitely not for the children. BUT it’s arguably the best comic release of the year. Yeah, I know, Scott McCloud released something not too long along, and technically this was first released in 2014, BUT MCCLOUD’S FOR NERDS** AND SEXCASTLE DOESN’T ACKNOWLEDGE SUCH LAME CONCEPTS AS TIME! To paraphrase The Simpsons, BUY SEXCASTLE OR GO TO HELL!




*Shout of to the Misfits!

** Not personal Scott McCloud, but this book owns harder than both The Raids and Dredd combined.


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Troy’s Troys, But with Comics: Back, with my friend Gwen edition

DON’T CALL IT A COMEBACK! No for real, don’t, I’ve only been gone for about a week, also I may have used this joke before.

Sorry for the sudden disappearance, but I had a move on my hands, which meant, me, my wife, our dumb cat went from Brooklyn to Queens, care of the Tracksuit Bros from Hawkeye. The snow did not make things easier by the by. But I’m back, chock full of new comics to talk about, and I’ll eventually get back to Toy Fair coverage. Give me a week and we should be good*.


*Citation needed.

Spider-Gwen-1-Cover-Robbi-Rodriguez-720x1112Spider-Gwen #1

Jason Latour/Robbi Rodriguez/Rico Renzi

Marvel $3.99

Spider-Verse is old, busted and bloated, Spider-Gwen is the new hotness.

When Spider-Gwen made her debut back in the Edge of Spider-Verse mini, I thought it was too much of a  (great looking) tease that played it a bit too safe, which sucked for me at the time. Then that particular issue went through several reprintings, giving Gwen that Babs Tarr Batgirl hype, so here we are 4 months later, looking at the relatively Spider-Verse free debut of Spider-Gwen’s ongoing. Editor Nick Lowe credits the fans excitement for the character for  the birth of the book in the debut issue’s letter section, and it’s a good to Marvel to see listening and giving the fandom what they want with this book.

spider_gwen_1_1Robbi Rodriguez and Rico Renzi do some amazing work with this issue. Rodriguez’s layouts and energy put a fresh paint of on this familiar yet different Marvel Universe. His style is the child of the exaggerated expressions you see from Erica Henderson‘s work combined with the sharp lines and “dirt” you see from Sean Murphy.  His line work is loose, and when paired with Rico Renzi’s bright color palette, it makes for a superb visual experience. Between Renzi’s Gwen and Jordie Bellaire’s Moon Knight, Marvel’s making an impressive case for characters to have more white in their costumes. Also, I hope that doesn’t read as a Klan reference. Gwen’s costume grabs your eyes when it’s on the page, and its demands you attention, making it the focus of the panel, despite her positioning within. And the graffiti element leads to some really fascinating use of colors, which looks fantastic in digital. It’s Spider-Man meets Jet Grind/Set Radio, which is my jam, and makes the book worth it for the visuals alone.

Jason Latour‘s script is great too. Now free to tell his own story that’s not limited to a single issue tie in, Latour is free to flesh out Gwen’s world and cast more. His Gwen has her share of bad luck, but it’s way different than the type Peter Parker’s dealt with in his various incarnations. Which is great, because powers aside, Spider-Gwen really feels different from Spider-Man on every level. Additionally, Latour does a nice job of adding several established Marvel characters to the world with some neat twists, obviously planting the seeds for future story. And the situation Gwen’s dad is now faced with is really interesting, not to mention what’s going on with her band mates. It’s a surprisingly dense read for a 20 page comic, even with a cliffhanger ending. The pacing is great, and Latour has really stepped it up from the EoSV one shot.

Spider-Gwen #1 is another great debut from a company that’s been on fire with female lead books as of late. Latour, Rodriguez and Renzi come out swinging with this debut, and I mean that with fists, not webs, ugh, never mind, just buy it, this review has died via wordplay overdose.



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Troy’s Troys: Actually about Toys edition

Hey, so it looks like I’m going to Toy Fair 2015 tomorrow, thanks to a little help from my wife’s company! Meaning I’ll have FRESH photos to post on here in a few days that I took, versus asking around/stealing  acquiring from the Google.

In honor of this occasion, I decided to write about a few collectibles I’ve been enjoying as of late. My #toygame was pretty weak in 2014, because New York apartments are small and expensive and I only have so much space/money. HOWEVER, I did manage to snag a few things here and there.

set-of-x-men-classic-pop-vinyl-figuresdancing-groot-figure-03First and foremost, I’ve think it’s safe to say I’m slightly addicted to the Funko’s POP Vinyl line. I’ve managed to avoid picking up too many over the past few years (Batgirl being the lone exception, which is fine, because she is perfection), but the company’s made a hard push for my wallet as of late, to much success. Aside from the amazing NFL POP line, Funko recently released a all X-men‘s Marvel line, as well as a 2nd Guardians of the Galaxy line. While I’m managed to avoid buying anything not Duck or Groot related from the GOTG line, the Marvel line consists of Mystique, Professor X, Storm, Magneto, Colossus AND MOST IMPORTANTLY Cyclops. What I’m saying is that the lone Batgirl POP is now chilling with Nightwing, Drew Brees and hella X-Men.


For the record, we currently have POPs in from everything from Firefly to the WWE, but it’s me, so comics and football rule everything around me. I’m a fan of Funko’s ability to capture all these various properties well in such a small and minimalist style, and the low price doesn’t hurt either.

avengers-marvel-legends-captain-marvel-carol-dangers-figure-maid-111990And since I’m already on the topic of Marvel Comics, the newest line of Marvel Legends just dropped.  This Avengers themed line consists of Marvel NOW Thor, Iron Fist, The Sentry, Classic Hawkeye, Machine Man, Scarlet Witch, and probably the most in demand figure in a long while, Captain Marvel herself, Carol Danvers. This particular wave is great, and the Old Thor/Odin build a figure is a cool addition. In addition to this wave, we also have some of the older Legends from 2014 in stock (Spider-Man, The X-men, Guardians of the Galaxy and I THINK some Winter Soldier line), all for $30 a pop.


batman-the-animated-series-action-figures-wave-one-set-of-4-4 San Diego Comic-Con 2014 First Look DC Comics Greg Capullo Batman Designer Series Wave 3 Action Figures - Zero Year Batman, Batgirl, Two-Face and Commissioner James GordonThere’s also no shortage of DC Collectibles in stock. And by DC I mean Batman, of course. Snark aside, at least some of the latest Bat-offerings have been neat. The 3rd Wave of the excellent Greg Capullo designer line dropped recently, complete with the visually interesting Batman Year Zero, Two Face, and two Gordons in the form of Batgirl and Jim Gordon himself. The line continues to captures Capullo’s art perfectly, and may be the best line of toys DC Collectibles is current putting out. The other major Batline is the Animated Series themed line, which has a New Adventures of Batman and Robin accurate Batman and Mr. Freeze figure, and a B:TAS themed Catwoman and Two Face. All of these figures look gorgeous, but be warned, they’re a tad fragile.

This doesn’t even begin to cover all the collectible we have in stock. We got a ton of fandoms covered like Aliens, Sailor Moon, Transformers, Star Wars, Adventure Time covered, as well as several more than escape my lizard brain at the moment. But yeah, come on by, see what we got and expect actual Toy Fair coverage soon!




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Queen of Blood NYC premiere at the PKD Film Festival!

This SATURDAY JAN 17th at 6PM make sure to check out the NYC premiere of QUEEN OF BLOOD as part of The Philip K Dick Film Festival!



Queen of Blood, directed by Fangoria Editor-in-Chief Chris Alexander is the follow up to his horrifically beautiful 2012 film Blood for Irina. Chris Alexander will be in attendance for a very special Q&A. So make sure to pick up tickets now before they sell out!

Tickets available here…

More info here…


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What I dug in 2014 finale: Creator Owned Comics

This is me saving the best for last. While both Marvel and DC had solid years creatively (and sales wise I imagine, but I don’t have those numbers at my hands), the number of quality creator owned comics that dropped this past year was astonishing. Today will be the day I focus on those quality books, which is why I’ve titled this article as such.

comics-the-wicked-and-the-divine-2-coverImage Comics had arguably it’s bet year to date in 2014. Aside from “older” on-goings like The Walking Dead, Saga, Invincible, Umbral, Rat Queens, and Sex Criminals (as well as the end of Ed Brubaker and Sean Phillips Fatale), we saw the debut of  a number of excellent new comics. Such books like the often discussed The Wicked + The Divine by Kieron Gillen, Jamie McKelvie and Matthew Wilson, Fuse ( Antony Johnston, Justin Greenwood) Shutter ( Joe Keatinge, Leila Del Duca, Owen Gieni, Ed Brisson), Bitch Planet ( Kelly Sue Deconnick, Valentine Del Landro) among a dozen others all debuted within the last 12 months, which is impressive to say the least. Image continues to be the premiere comics company for creator owned books, luring some of the top creators from Marvel and DC (see Scott Snyder, Mark Millar, Rick Remender) to put out some of their best work of their careers without having to use corporate owned IPs. Image put out some of my favorite comics of the past year, all without having to resort to crossovers and $5 gimmick books.

boombox_lumberjanes_002_aBut Image wasn’t the only comic company to have a good year with creator owned comics. BOOM Studios produced some top notched horror comics with James Tylion IV with The Woods and Memetic. Their BOOM BOX! imprint also had the debut of the excellent Lumberjanes comics, arguably one of the best all ages comics on the stands The book by Noelle Stevenson, Grace Ellis, Brooke Allen and Maarta Laiho was originally announced as a 8 issue mini series, but it’s well deserved popularity got it bumped up to an on-going and is constantly delightful and visually stunning. Oni Press published Charles Soule & Alberto Jimenez Alburquerque’s sci-fi drama Letter 44, a book that deserves more hype and discussion, and the books Charles Bunn’s put out through the company has been nothing short of great.  And while not exactly creator owned, Valiant Comics continues to impress, with some best under the radar super hero/action books being put out on a monthly basis.

51kMcl9F-rL._SX258_BO1,204,203,200_And finally, two of 2014’s biggest releases, creator owned or otherwise, weren’t even from traditional comics publishers. Seconds, by Scott Pilgrim‘s Bryan Lee O Malley, Through the Woods by Emily Carroll saw print this year, and both are must reads in my opinion. While Seconds may  not be made into a movie by Edgar Wright any time soon, it’s a phenomenal comic that feels like a Miyazaki movie meant for the Scott Pilgrim crowd. Through the Woods is by far the creepiest comic I’ve read in years, as Emily Carroll delivers some genuine terror with her work, which blends horror with folk tales. I can’t recommend either enough.

2014 was a terrific year for comic. There may have been some dumb stuff that went down with some professionals and publishers, but the amount of good that came from the industry easily triumphs the bad. I’m eager to see what 2015 offers, what with us being a few short days from Image Expo, the release of Squirrel Girl, and whatever DC has up their sleeves once the company is united in California.


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What I dug into 2014: Marvel Edition

Today I’m going to take a look at what Marvel made me happy with over the past year. The company did an excellent job of maintaining a diverse catalog of super hero books (Although they could work on diversifying their creators), while pushing out a bunch of $5 books I didn’t read.

portrait_incredible (1)First and foremost, 2014 gave us Ms. Marvel, arguably the MOST important cape book on the stands today. A wonderful comic by G Willow Wilson, Adrian Alphona, and Ian Herring,  Khamala Khan is as relevant to readers and their world as Spider-Man was in the 1960s. It’s a gorgeous book with a message that’s an absolute delight to read. Marvel did a lot with their female characters in 2014 (2015 isn’t looking too shabby either for the record), and Ms Marvel is ultimately the best of the bunch, if not the company’s entire catalog.



backgroundIn 2014, we saw one of Marvel’s best books end. No not Hawkeye. 2015 for that, maybe. The Superior Foes of Spider-Man ended this year, which saw Nick Spencer, Steve Lieber and Rachelle Rosenberg tell some ridiculous and hilarious stories starring some of Spider-Man more’s C & D list villains. If Khamala Khan wasn’t so  damn compelling, Boomerang would had easily been my Marvel character of the year, which speaks volume on how good this creative team is. Also this book had a Corgi as a reoccurring character, which is how you get the Chris Troy vote.

hawkeye17cvr300px-Secret_Avengers_Vol_3_1So this is the part where I talk about Hawkeye. We all saw this coming. Hawkeye by Matt Fraction, David Aja, Matt Hollingsworth and Annie Wu didn’t ship on time at all throughout the year, but when it did, it was amazing. 2014 saw a Christmas Special, Kate Bishop’s California adventure wrap up, and the amazing Sign Language issue, because apparently the Pizza Dog issue wasn’t ground breaking enough. The Hawkeyes had a another great year, between this, the Gerry Duggan penned Hawkeye Vs Deadpool mini series, and Clint’s roll in Secret Avengers.

Secret Avengers (by Ales Kot, Michael Walsh, & Matthew Wilson) is also an amazing book. Incredibly weird, and sometimes morbidly dark, but amazing none the less. Also see the brief but rad Moon Knight run by Warren Ellis, Declan Shevaley &  Jordie Bellaire.Weird? Yes. Violent as hell? Also yes? Incredible visuals and some solid story telling. YUP. This is the best Ellis Marvel book since NEXTWAVE, and Shevaley’s art is incredible. A shame it was so short, because I could have read a year’s worth of stories by this team.

Uncanny_X-Men_Vol_3_20Captain_Marvel_Vol_8_1_TextlessTruth be told, Marvel had a bunch of great books by amazing creative teams drop throughout out the year. Storm, Daredevil, Captain Marvel, Uncanny X-men,  Thor, Captain America, The Mighty Avengers, Magneto, She Hulk and Black Widow spring to mind immediately, and I’m sure I missed a few. Like Legendary Star-Lord for example.

While Marvel event titles were expensive and kind of a mess, the company provided a incredible amount of quality books in 2014. The company took a lot of risks, and a lot of them paid off. I’m eager to see what the company has to offer in 2015, all while avoiding Secret Wars or whatever.


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What I dug in 2014: DC Comics edition

It’s the end of 2014, which means it’s time for everyone to drop “Best Of” lists. Truth be told, there’s been a ton of acclaimed comics I didn’t read this year, so me complying one is kind of whack. HOWEVER, I’ve read a bunch of good comics this year, so I’m going to make 3 articles dedicated to some of my favorites from the past year. A solid cop-out if you ask me, #biased.

2012/2013 saw me drop a number of DC Comics titles, mostly due to the lack of interest in the direction DC editorial was heading. 2014 changed that, as  editor Mark Doyle came aboard the Bat-line and shook things up a lot, assigning some top notch creators to old and new titles. It’s resulted in me getting interested back in Dc’s catalog for the first time in a while, with the exception of one book I never really stopped reading.

Batman_Vol_2_31_Textless-1That exception is Scott Snyder and Greg Capullo‘s amazing run on Batman. This book has been constantly excellent since the beginning of the new 52, and this year saw the conclusion to the incredible Year Zero story line, as well as the fantastic Endgame arc. Snyder’s Batman has been a more human take of the character, way different from the Bat-god we’ve seen from Grant Morrison‘s run, and has been the most relatable take on the character in some time. Greg Capullo, inked masterfully by Danny Miki with amazing colors by FCO Plascencia, is doing some next level stuff with this book. His villains are grotesque, his Batman is a mix of iconic and pulp hero, and his Gotham varies from modern metropolis to nightmare-fuel garbagetown depending on the scene.

4008079-grayson01But Snyder and Capullo kicking ass isn’t anything new. What is new is Grayson, the spy thriller that saw Nightwing go from vigilante to spy who refuses to kill. Which is problematic given his new profession. Written by Tim Seeley and former actual spy Tom King, with  Mikel Janin and Jeromy Cox, it’s been the most compelling Dick Grayson has been since he was Batman, and is a fun book that incorporates espionage with some weirder elements of the Batverse. While the book suffers the occasional misstep, it’s also incredibly smart and sexy when the book (in a non-insulting/offensive way) delivers. The Future’s End tie-in was easily one of the best editorial mandated tie-in book to an event I don’t read this past year, and would be the best single issue for the series if we didn’t have a surprisingly sweet issue involving a Manty Raid.

STK652755586cfd30a87203654de3e206e1093d7dI also can’t overlook the trio of female lead books set in the Batverse. Gotham Academy, but Brendan Fletcher, Becky Cloonan, Karl Kerschl and and a trio of amazing colorists ( Geyser, Dave McCaig and John Rauch) is Batman meets Harry Potter, and is a slick looking book I didn’t know I wanted, but now am incredibly happy we have. It reminds me of Jason Aaron‘s insanely charming run of Wolverine and the X-men, only with less mutants and more #Teens. Harley Quinn, by Jimmy Palmiotti, Amanda Conner, Chad Hardin and Alex Sinclair, has became a massive hit for DC Comics, and while the book is pretty hit or miss to me, it’s hard to overlook it’s importance. It’s the closest DC has an book that truley appeals to the Deadpool audience, and when the book is good, it’s good. And finally there’s Batgirl, DC’s arguably most hyped book of the year. The book, seeing Fletcher joined by Cameron Stewart, Babs Tarr and Maris Wick, set the internet aflame when it was announced, and has delivered ever since they creative team’s debut in October. It’s a much needed book that does some interesting things with Barbara Gordon, and much like Gotham Academy, it’s gorgeous and incredibly fun.


So yes, while DC has put out some incredibly bad books this past year (Forever Evil and the current run of Wonder Woman spring to mind), it seems they’ve finally found some books that match some of the gems Marvel has been offering as of late. I’m hoping this trend continues well into 2015.


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Matt D is Furious!

No… Matt D is presenting a VHS screening of Furious!


Video Vortex Presents Furious
Wednesday September 17th 8PM
Get Tickets Here…

Tickets only $1! Hosted by Matt Desiderio (Horror Boobs) and Mike Hunchback (Seminal Psychosis). Bring your tapes! We’ll be set up for a tape trade, with rare VHS tapes also available for sale.

Special thanks to Scarecrow Video for making this screening possible!Video introduction from director Tim Everitt!

Reality is the enemy. We escape into movies and books and comics and our homicidal fantasies because the world we live in isn’t as satisfying as it should be. Occasionally, one of these fictional destinations proves to be so uniquely exciting that we never want to leave. FURIOUS is one of those places; an unexplored dimension populated by cackling sorcerers, whispering statues, fat adolescent warriors and lots and lots of live chickens. FURIOUS is power. It’s magic. It’s a kaleidoscopic siege on the concept of storytelling. And FURIOUS is “RED HOT KARATE ACTION! Filmed entirely on location in Southern California!” FURIOUS has no right to exist. But it does. There’s no fathoming its creation. It’s a movie with 10,000 ideas but zero story; impossible ambition coupled with the desire to alienate anyone watching. Filming a feature on 35mm is expensive, and so is interdimensional travel, or a giant, fire-breathing dragon with entire human skeletons between its teeth. But FURIOUS laughs off these challenges. Money is no object when reality is no option. The only remaining explanation is that it sprang fully formed from some spiritual and intellectual void, a starving chasm of chaotic darkness that feeds off the shock and confusion of human viewers. So feed it. FEED IT. (Zack Carlson, via Bleeding Skull)

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