So it seems to be confession time once again (It’s only Clobberin Time when Ben Grimm or CM Punk says so). This time, I must come clean and admit that I’m not a big fan of fantasy. Well at least not in the DnD/Lord of the Rings/Game of Thrones/Dragon Age sense of fantasy. I’ll mess around with a Final Fantasy here or there, or Blizzard’s super addicting Hearthstone, and hell, I even own all 9 issues of Battle Chasers. But traditional fantasy stuff really isn’t my thing, try as I might.
However, I am a fan of comedy, ass-kicking females, and Brian K Vaughn/Fiona Staples’ hit comic Saga. So if someone were to take those elements, and blend them together (on a smoothie kick, sorry) in a Warcraft-esque setting, I’ll pay attention. Especially when the results are as good as the first volume of Rat Queens.
Volume 1 is titled “SASS and SORCERY”, which now is automatically the best sub-genre of fantasy, no one denies this. Jokes aside, it’s a really clever and funny title, and does a really good job of setting one’s expectations for this book. The 4 female leads are great, despite one of them being a dirty, dirty hipster (more of this later, which will lead to unintentional irony). They’re funny, tough as nails, attractive and most importantly believable, even though 3 of them aren’t even being human. Roc Upchurch, an artist who’s work I wasn’t familiar going into this first trade, is great, and really makes me regret not getting into this series sooner. I see a lot of Fiona Staples and Stjepan Sejic in Upchurch’s style, which if there’s any 2 creators you want to be channeling when drawing beautiful destructive ladies, it’s them. It’s a gorgeous looking book, even when it gets extremely violent (and it does, trust me) and Upchurch’s work is that much more impressive once you realize he handles to colors as well.
And while Upchurch was a a new name to me, Kurtis J. Wiebe is not, which was one of the many reasons I was attracted towards this title once the buzz began. I really dug his work on Green Wake a few years ago, and Rat Queens shows how much he’s grown as a writer since. Wisely choosing to skip over old-timey talk, the more modern dialogue talk definitely helped draw me into this fantasy world and it’s cast. The Queens are extremely well-fleshed out, and there are some killer jokes to be had that work even without Upchurch’s slick visuals. And speaking of jokes, there’s 2 in here that are arguably the funniest things I’ve seen in comics for some time. Props to Wiebe and Upchurch for that.
I’m about 400 words in, so it’s probably best that I explain what the premise is. The Rat Queens are 4 young female adventurers; there’s Dee the sole human who happens to be an atheist mage, my personal favorite Violet, the hipster dwarf warrior ( BEHOLD THE IRONY), Rockabilly Elf-mage Hannah and “Baby” Betty, the drug-fueled Hippy Smidgen Thief. This quartet is extremely good at what they do, which includes such activities as getting drunk and destroying parts of their hometown during their down time. Someone in the town is less than pleased with this, and decides the best way to deal with the Queens and their peers to have a bunch of assassins kill them. Needless to say, shenanigans ensue. Violent ones at that!
There was some ridiculously awesome books that dropped via Image in 2013, but Rat Queens may be up there with Sex Criminals in terms of overall quality. If you’re a fan of funny and awesome comics , the $10 for the first volume is more than worth. The series picks up back in May (glad to see another book following the patent Saga format), and you’ll want to be on board with it’s return.
Oh sure, it’s super grey outside at the moment, but spring is finally here! It’s in the 40s, the cat is growling at birds it can’t get at and I get to be mad at the Yankees in real time in 2 days. I’ll gladly take subpar baseball over snow any day.
Before we get into comics, let me state that the first Rat Queens collection dropped this past week, and it is excellent. I usually try to stay on top of new Image debuts, but this one missed my radar somehow. So I dropped the $10 and bought the first trade and am more than pleased with it. I’ll try to do a proper review during the week, but this book is buy on site great.
OTHER BOOKS WHAT SHIPPED THAT YOU MAY LIKE:
Empowered Special #6
Might MGMT #20
Tomb Raider #2
Adventures of Superman #11
Sandman Overture #2
Legends of Red Sonja #5
Rocky and Bullwinkle #1
Deadly Class #3
Walking Dead #124
All New Ghost Rider #12
Amazing X-men #5
Superior Spider-Man #30
Bravest Warriors #18
Brian Michael Bendis/Stuart Immonen/Sara Pichelli/David Marquez
Note- All New X-men 24 shipped 2 weeks ago.
Despite my problems with the earlier chapters of this crossover, the final 2 chapters of “The Trial of Jean Grey” were very much what I wanted from this event. Heavy on the action, some genuinely excellent interactions between the 2 casts and amazing visuals by Immonen, Pichelli and Marquez make this the type of crossover I wanted to read.
That being said, this mini-event still has some problems. The announcement of the new young Cyclops on-going series really spoils the impact of the last 3 pages, which is a shame. Also despite this being a crossover, it really felt more like an X-event guest starring the Guardians. Maybe something from this event will affect this title more down the road, but chances are I won’t be reading GoTG to see it play out. And truth be told, this could have done in 4 issues, opposed to 6.
The Trial of Jean Grey wasn’t the worst thing I read in recent history, but All New X-men really tired from back to back crossovers. There’s been more than enough new ideas and concepts introduced in this book that need to be fleshed out more. Hopefully with the next few issues can get the book back to being as good as it was when it first debuted, otherwise I’m dropping it.
Kelly Sue Deconnick/Warren Ellis/Matteo Buffagni/Neil Edwards/ Raffaele Ienco
Nothing detracts from one’s enjoyment of a comics more than bad art, which brings us to the final issue of Kelly Sue Deconnick’s Avengers Assemble run. It’s a shame, because the script and dialogue written by KSD and Warren Ellis is fun, clever, and puts a nice little bow on this run. Sadly, it’s ruined by 3 different artists, who are very different stylistically. The usually relibale Matteo Buffagni’s pencils look rush and overly-simplistic, as does Neil Edwards, who’s Bryan Hitch-esque art couldn’t be any more different than Matteo’s. Raffaele Ienco‘s art is easily the best, but he only draws the final 2 pages. A shame, as DeConnick and Ellis deserved better for their final issue.
Matt Fraction/Annie Wu/Matt Hollingsworth
Well that escalated quickly!
Kate Bishop’s California adventure has taken a turn for the worse in issue 18, as we finally learn more about the mysterious cat food man. It’s a brutal issue, as Annie Wu really steps up her visual game. Her art on this book has been nothing short of great, but Wu really out does herself in this issue, especially in the facial expression area.
Aside from looking great, Hawkguy 18 touches upon some seed planted earlier in the book, as the story arc becomes full circle. Once again, Kate finds herself in scenario that’s entirely on her, which was the type of thing she left NYC to avoid. Seeing her Clint Barton-free life parallel Clint’s has been really funny so far, but that red in their collected ledgers (GET IT, IT’S AN AVENGERS REFERENCES!) is beginning to cost people their lives. It’s fun to see Matt Fraction bring everything full circle, in what will probably result in one hell of a showdown in a few issues.
Come on by the shop this Saturday, March 15th, and ask for a FREE “Jodorowsky’s Dune” poster! They’re totally rad and won’t last long. Be sure to get here early- we start distributing them at 9am. Also, be sure to keep an eye on our Facebook and Twitter accounts that day… we’ll be running a really super dooper nifty keen giveaway contest relating to the film starting Saturday at 9am. What is Jodorowsky’s Dune? Well, it’s a long story, but the movie’s tagline (“The Greatest Science Fiction Movie Never Made”) is spot on. Here, why don’t you watch this trailer:
The film opens here in NYC at Film Forum on March 21st.
See ya there.
We are getting super stoked here at FPNYC for our Return To Nuke ‘Em High Vol 1 Blu-Ray/DVD release party. That’s right kids, on Monday March 17th at 6:30 PM meet Director Lloyd Kaufman, as well as the cast and crew of Return To Class of Nuke ‘Em High Vol 1 and get your blu-ray or DVD signed for free!
What’s that you say? You can’t make it? What?!?!?!
Well don’t worry cause FP got your back as usual. Pre-order copies now and we will make sure to get them signed for you! All the benefits of coming to the event without having to breath in that horrid Troma aroma.
Pre-order now by clicking on the product name!
For more details check out the facebook event page HERE.
Screw the Oscars, come out and party with our very own Matt D and the Horror Boobs crew! Tonight at the Alamo Drafthouse in Yonkers delve into the depths of the Video Vortex with a VHS screening of the analog only classic Death Spa!
Yes you read that correct, this screening is only one dollar!
Click HERE to get tickets!
Join the facebook event page HERE.
VIDEO VORTEX unearths and celebrates ultra-obscure, ultra-bizarre movies from the fringes of the universe. And beyond. Projected from VHS tapes that play through a VCR on stage, every movie is carefully curated to potentially be the greatest thing that you’ve never seen. This is 100% pure analog beauty, blown up on the big screen and ready to melt your brain. Horror! Comedy! Action! Computers! Gore! Rap! Nerds! Turkish people dressing up like superheroes! This is the surreal, hilarious, and singular experience that VIDEO VORTEX delivers.
Michael owns the Star Body Health Spa. It’s a very futuristic place, because “the computer runs the spa.” Years earlier, Michael’s wheelchair-bound wife died in an inferno. Today, the spa is plagued by an unseen supernatural force, which causes graphic gore, full-frontal nudity, and leotards to erupt in flames. A guy’s face falls off while making out with a girl. Another guy gets ripped apart by a workout machine. A girl BLOWS UP while staring at a mirror. Questions arise. Why was Michael’s new girlfriend burned by the steam room, and why is she the only person who wears bandages for the entire film? Clearly, other people have sustained injuries that also require bandages. The detective asks, “How does a goddamn diving board just COME LOOSE?,” after a girl dies because of a faulty diving board. During a costume party at the spa, Michael is besieged with paranormal researchers and an in-law with a secret. A female detective says, “Aw, fuck this computer shit!” But you won’t say that. Because DEATH SPA is the irrational, workout-themed NIGHTMARE ON ELM STREET rip-off that you’ve been waiting your whole life to see. (Joseph A. Ziemba)
Tickets only $1! Hosted by Matt Desiderio (Horror Boobs).
We’re pleased as punch to announce that superstar writer DAN SLOTT (Superior Spider-Man, Amazing Spider-Man) will be signing here at Forbidden Planet NYC the day his much anticipated new comic SILVER SURFER #1 debuts, Wednesday March 26th at 7pm.
Here’s Marvel’s publicity copy for the new Surfer series:
The universe is big. Bigger than you could ever imagine. And the SILVER SURFER, the lone sentinel of the skyways, is about to discover that the best way to see it… is with someone else.
Meet the Earth Girl who’s challenged the Surfer to go beyond the boundaries of the known Marvel U– into the strange, the new, and the utterly fantastic!
Illustrated by one of Forbidden Planet’s absolute favorite comic artists, Mike Allred, this is sure to be one of the year’s biggest titles. We’re terrifically excited Dan will be on hand to celebrate the occasion. Hope you’ll join us!!!
Forbidden Planet NYC is located at 832 Broadway between 13th and 12th St.
What’s this?! An article where I actually talk about the thing I was hired to do?! I too am surprised about this turn of events!
It’s been awhile, mostly because I’ve been a bit burnt out talking about toys (you can only talk about Batman figures on a weekly basis for so long), and because there was a lack of toys that caught my eye. That’s since changed, as we’ve received plentiful comics and videya game type toys in recently. Let’s start off with a few imports yes?
First and foremost is the Max Factory Legend of Zelda Link Figma. For one of the premiere video game franchise for 25+ years, there’s a shocking lack of decent action figures for the game. Figma Link, based on the Skyward Sword game for the Nintendo Wii, changes that, offering the best plastic incarnation of the character to date. The sculpt is 100% faithful to the game, and the paint job, while simple, captures the graphics of the game quite well. There’s not much to discuss in terms of accessories, but they’re the type of things you expect to come packaged with a Figma-variant face, alternate hands, a stand, the iconic Master Sword and Hylian Shield, and a swinging effect for the sword. It’s a dream figure for those who’ve been waiting for a good Link figure, and one that’s not going to be around for long. Link retails for $54 and it’s totally worth every penny for long suffering Nintendo fans.
Our selection of S.H. Figuarts has also expanded with a ton of #ladies! The super-popular Sailor Moon line has expanded, as we have both Sailor Mars and Mercury in stock, as well as the Pink Ranger from the Mighty Morphin Power Rangers line. All of these figures are super faithful to their source material, and posses about 30-4o points of articulation. And of course there’s variant hands and a few accessories per figure.
Both Sailor Scouts (I have a passing familiarity with Sailor Moon lingo) have changeable faces and wands, where as the Pink Ranger (Kimberly right?) has her bow and blaster. The lack of stands is a back whack, but it lowers the price point a bit, so that’s cool. Theses all retail in the $40 range, and we have a few other Sailor Moon/Power Rangers Figuarts in stock if you want to check those out too.
Concluding this return to form, I’m ending this article at a look at some new super hero figures. With Amazing Spider-Man 2 and Captain America: The Winter Soldier (sploosh) due out in theaters this spring, Hasbro has rolled out 2 separate waves of 6″ Legends figures. The Spider-Man wave consists of movie-accurate Spider-Man and Electro, Ultimate Beetle (with modern Boomerang as the variant!), Carnage, the Superior Spider-Man AND Black Cat (with Spider-Girl as the variant). The Cap wave consists of Marvel NOW! Cap, Captain America from The First Avengers, Baron Zemo, the Red Skull, and both Hydra and A.I.M. grunts. Both waves have figures packaged with Build-A-Figure pieces, meaning if you drop close to $200 on buying either of these complete waves, you can get the Ultimate Green Goblin or a Mandroid. Please note that Hasbro has one again jacked up the cost of these figures, so they’re retailing close to $30 a pop.
That’s all for this week. With Toy Fair around the corner, I’ll try to update the toy side of things more often, but no promises FPNYC! Although there are some new Play Arts worth talking about….
Ever wonder what it would be like to sleep with a porn star? On the surface it sounds fun, but think of the possible repercussions. Lucky for you there’s Lucky Bastard, the new NC-17 “found-footage” horror film from CAVU Pictures opening Valentine’s Day weekend at Cinema Village. Through it’s pseudo-documentary/reality television style Lucky Bastard lets you experience the thrill and fallout of such an event from the safety of your theater seat.
Tuesday, February 11th from 4:30 to 5:30 meet the star and creators of Lucky Bastard right here at Forbidden Planet NYC! The CAVU Pictures crew as well as lead actress Betsy Rue (My Bloody Valentine 3-D, Halloween II, True Blood) , Director Robert Nathan (Law & Order, ER), Co-Writer/Executive Producer Lukas Kendall (Film Score Monthly) and Producer Jim Wynorski (Chopping Mall, Return of Swamp Thing, Sorceress) will be on hand giving out posters and signing autographs for FREE!
We have a few more tricks up our sleeves that are guaranteed to tickle your fancy! What if I told you that Forbidden Planet will be giving you the chance to win a pair of tickets to see Lucky Bastard? That would possibly make you a lucky bastard as well, huh! Keep your eyes fixed on our Twitter and Facebook pages for your chance to win. Not computer savvy? Don’t fret, FP will also be giving away a pair tickets at our event on Tuesday! Tickets will be good for any of the screenings during it’s run at Cinema Village.
A little more info on the film…
LUCKY BASTARD is the found-footage story of a pornographic website that sponsors a contest for its subscribers—a contest in which the prize is having sex with a porn star. The entire film is shot from the point of view of the website’s cameras recording the on-screen and behind-the-scenes action.At the center of the story are: porn star Ashley Saint (Betsy Rue); Mike (Don McManus), who owns the “Lucky Bastard” website; and Dave G. (Jay Paulson), the unsuspecting subscriber who wins the contest. The “Lucky Bastard” employees treat their work matter-of-factly. Mike once clearly had more serious artistic ambitions; now he shoots the “Lucky Bastard” website’s content. Ashley, his most popular performer, initially refuses to participate. She dismisses the contest as “sick,” knowing that the winner will eventually be humiliated by the experience. Ashley views herself as an entertainer supporting her two children; the contest is nothing she would call “adult entertainment.” Nevertheless, she gives in to Mike. The young contest winner, Dave G., quickly discovers himself to be a pawn in a game of commerce. When, as Ashley predicted, he becomes humiliated, his personality is transformed and he seeks revenge on his tormentors. In this world, where everyone is safe within its borders, an outsider poses the ultimate danger. Those who humiliated him will discover that humiliation as entertainment, now an American pastime, has consequences they could never have expected.
As a guy who managed an Adult Video store for 5 years, who also just so happens to be a huge horror fan, you can understand why this film speaks to me. I’m excited, to say the least!
Lucky Bastard is only playing for one week at the Cinema Village so make sure you mark your calendars!
Feb 14th – 20th at: 1pm, 3pm, 5pm, 7:15pm, 9:30pm
Filmmakers Robert Nathan and Lukas Kendall will be attending select screenings to intro the film and a partake in a few Q&A sessions, but the titillating lead Betsy Rue will only be appearing at Forbidden Planet!
Friday, Feb 14th after the 7:15pm – with filmmaker Robert Nathan, executive producer / co-writer Lukas Kendall & Producer Jim Wynorski
Friday, Feb 14th just the INTRO for the 9:30pm – with filmmaker Robert Nathan, executive producer / co-writer Lukas Kendall & Producer Jim Wynorski
Saturday, Feb 15th after the 5pm & 7:15pm – with filmmaker Robert Nathan, executive producer / co-writer Lukas Kendall, & Producer Jim Wynorski
Saturday, Feb 15th just the INTRO for the 9:30pm – with filmmaker Robert Nathan, executive producer / co-writer Lukas Kendall & Producer Jim Wynorski
Sunday, Feb 16th after the 5pm & 7:15pm – with filmmaker Robert Nathan & Producer Jim Wynorski
But wait, there’s more!
Forbidden Planet will also be extending a 15% discount to all Lucky Bastard ticket holders on opening night. So if you come down to the store after you catch a screening of Lucky Bastard at the Cinema Village, all you gotta do is present your ticket stub before you check out and you’ll get a discount.
See you Tuesday for the event, and then hopefully again on Friday after you see the flick!
So we’re all on board for killing the winter/the snow yes? Because we need to.
Matt Fraction/Annie Wu/Matt Hollingsworth
Marvel, $2.99, 20 pages
Hawkeye‘s back this week! Sorta….David Aja still needed time to finish up issue #15, so we’re jumping ahead to #16 for another Kate Bishop adventure, which I’m of 2 minds about.
Kate’s new status quo in the book leads to another fun done and one, which sees Lady Hawkguy dealing with a pair of aged dueling pop stars.Matt Fraction’s channeling some of his Casanova work here with this premise, only there’s more way more humor and less trans-dimensional jumping, and arguably the best “Champions”-related joke in years. And we get to see more of Kate’s LA supporting cast, which is great is you’re a fan of world building.
My problem with this issue is that it’s very…disjointed at the end. There’s a solid gag or 2, but the pacing feels rushed, so the landing doesn’t stick. Again, far from a bad issue, it’s just stink that the issue kind of falls apart at the end.
What does work is the team of Annie Wu and Matt Hollingsworth. Their Los Angeles is bright, fill with various shades of blues and purples and is a stark contrast from Clint Barton and David Aja’s New York. And Wu’s Kate Bishop is awesome. Very expressive, trendy and fluid. She looks like a believable 18 year old vigilante.
Again, Hawkeye #16 is a good comic. I’m just spoiled by it being a GREAT comic for months.
Kelly Sue Deconnick/Emma Rios/Jordie Bellaire
Image, 20 pages, #3.50
Damn this book is brutal.
Team Pretty Deadly continues to deliver the most intense fight scenes in comics since the 2nd issue, which doesn’t come as a complete surprise given how talented Emma Rios is. And paired with Jordie Bellaire’s amazing colors, the damage these characters take looks extra vicious, but never too grotesque. It earns it’s M for Mature rating.
Kelly Sue Deconnick and Team Pretty Deadly are crafting quite the tale. After a slow and vague start, this series has really ramped up in terms of progression, fleshing out the characters, building the world and answering questions. There’s still some weirdness to it, but it’s welcomed, as it’s very much the type of weird one would find in Sandman, rather than being weird for weirdness sake.
What started off as something as a revenge-driven narrative has definitely shown that there’s more life in this story, even with the first arc wrapping up next month. Pretty Deadly has been on fire for months, and much like it’s publisher.
Brian Bendis/Stuart Immonen/Wade Von Grawbadger/Marte Gracia
Marvel, $3.99, 20 pages
Stuart Immonen’s return aside, my expectations for this issue were pretty low. 22.NOW is the lead in for yet another crossover (SIGH), this time with Bendis’ Guardians of the Galaxy book. It’s worth noting that both of these books have movies coming out this summer, so the writings on the wall as to why, at least from an editorial stand point.
The books starts of with 6 pages of X-drama, and the remainder of the book is all action all the time. Immonen and friends pull no punches with their return on the art , as the book looks great. You’ll be surprised how much detail is crammed into a salad of all things! And Marte Gracia’s are great, as the book really pops on a visual level. Bendis, meanwhile delivers a solid script, and his RUN D.M.C. love is noted.
While I’m still a little fatigued from Battle of the Atom, I’m definitely intrigued by the opening chapter of The Trial of Jean Grey. It only being 6 chapters definitely keeps my hopes up, and the artists attached to it certainly have me excited. Hopefully this one ends as well as it starts.
Scott Snyder/Sean Murphy/Matt Hollingsworth
Vertigo/DC, Collects issue 1-5
Hey look, I’m starting the year off looking at a DC book not called Sandman, this really is a brave new world!
In my defense, look at this creative team, for it is shiny and very talented! Back when I was buying New 52 DC, Scott Snyder’s Batman was the only DC book I bought for over a year on a monthly basis. He’s an insanely talented writer, and seems like a good dude judging by the quality of his tweets (obviously a very important tool in measuring one’s worth). On the art side of things, Sean Murphy is another creator I really dig, being a fan of his since his Hellblazer fill-in days, and following him onto Joe the Barbarian and Punk Rock Jesus. And with Hawkeye’s Matt Hollingsworth coloring the book, even I had to cave in, despite my heavy Marvel/Image bias.
The Wake is arguably one of the best sci-fi-horror comic I’ve read in quite some time. The creators really did their research when it came to this building this world, because a lot of the science involved seems plausible, or at least to my undereducated ass. The plot, which I’ll do my best to avoid spoilers, us marine biologist Lee Archer is offered a once in a lifetime job to go out to the Arctic to do some research on some odd noises the government has stumbled upon….or so she thinks! ( Gasp here please) Then the HORRIBLE AND SPOOKY truth is revealed, and the more stuff happen and ultimately it leads to into some world altering stuff. Actual world altering, not the for 6 months then everything is back to normal world altering you seen in Marvel event. Also there may be some wackiness that goes down in mankind’s earliest days, and the far future. No more details, but yeah, this books is nuts in the best kind of ways.
Snyder and Murphy have a working relationship going back to Snyder’s American Vampire series, and The Wake is a testament of how in-sync these 2 are. There’s some REALLY brutal stuff that goes down in this first volume, and some real nightmare inducing imagery as well. And like I said earlier it’s also incredibly smart, and you can tell Snyder did his research, who I believe does some teaching in addition to comics. The best type of horror is the believeable type, and Snyder does a nice job of tying marine biology and various culture’s folklores together in this story.
Sean Murphy remains one of the best artists out there. His style is rough, sketchy, and heavy on the dark inks, and that’s fine with me. I’m not sure if The Wake would have worked as well with photo realistic art, but it definitely does with Snyder’s rough, jagged art. It’s always super detailed, and characters all look great without looking like super heroes or super models. And again, with Snyder’s help, they’re all very believable, fleshed out, and rarely, if ever a cliche. And with Hollingsworth’s colors, Snyder scenes look amazing. I prefer black and white Murphy art most of the time, but Hollingsworth’s one of the best colorists in the biz, so his stuff only makes Murphy’s art better in the end.
The first act of this series ends on great cliffhanger, and I’m eager to see what volume 2 brings. The lead for the next volume and their world look super interesting, and I like what I’m reading and hearing from Snyder and Murphy. With Image currently owning the creator owned crowd, it’s nice to see a Vertigo book bring it, especially with the future of the imprint in question these days.
So the Image Expo 2014 has come and gone and man, screw them. I have a limited budget for comics stuff because living in New York isn’t cheap, and they go and announce like 3 or 4 books I don’t have the budget for, but from creators I REALLY like. So that sucks for my bank account, but great for me…..spiritually I suppose? I dunno, but if you want to get caught up on what went down, go check our friends at Bleeding Cool and Comics Alliance for details, interviews and pictures.
Now that the holidays (and MAGfest 2014, wooo) has passed, comics have began shipping normally once again. Which means no more waxing poetically over books I really liked in 2013, and back to discussing new comics.
Matt Fraction/Chip Zdarsky
Image, $3.50, 20 pages, plus letters from pervs
Haha, J/K, I’m just going to talk more about Matt Fraction comics to start off the year!
I want to say this is the issue where guff gets real, but this also a comic where Chip Zdarsky draws a pizza vagina in the letters section. Another fine reason as to why this book is Time’s Comic Book of 2013.
But yeah, shit gets real in this surprising dense 4th issue. Fraction and Zdarsky get a lot done in the span of 20 pages, and not all of it are butt sex jokes and funny named pornos. I mean yeah, those are there, but there are also times of serious business too. It’s a lot more like the first issue where tragedy and humor are perfectly mixed, only there’s more drama and action ( like there was any shortage of that in this book, HIYYOOOOOO) this time around. And hey, we even get some questions answered! And no worries, the intro page remains hilarious (good luck trying to read that one out loud), and the letter page….well like I said, pizza vagina, so the same as usual.
Sex Criminals was one of the most refreshing reads of 2013, also known as the year of Luigi, and it starts off 2014 strong. I’m super excited for the conclusion of the first arc next month, and you all can look forward to me suffering from withdrawal as the book goes on a brief hiatus after that.
Also hey, we got that 4th printing cover in stock (pictured above), which I’m still laughing about. There’s also the upcoming 4th printing, but for a 2nd time cover coming in a few weeks, because people are dumb and didn’t pre-order this book the first time around, or just really like odd-photoshopped covers. I’m obviously in the later category.
A lot of people. No serious, a lot of people worked on this comic, look at the credits page, it’s the last page in the book and see how right I am!
Marvel, $5.99, 52 pages
Marvel did one of these last year that I didn’t care much for, with the exception of the Mike Allred Ant-Man story ….written by Matt Fraction (whomp whomp whompppp).
Marvel was definitely aiming for the Tumblr crowd with this book, which is fine, because it’s still good without pandering for “Likes”/”Faves”/”Reblogs”. My personal highlight is the G. Willow Wilson/Adrian Alphona Ms. Marvel story. While the character was announced a few months back, the only appearance she’s made so far was at the end of the the first volume of the current Captain Marvel book. Here we get to see what she’s made of, and it’s a very fun read, as it’s a fresh take on the super powered teenager story, that’s a tad self aware, careful not to cater to stereotypes, and shows some cool uses of the lead’s power set. Additional props to Ian Herring’s colors which really make the story pop.
Allred’s back this year, with Dan Slott with a Silver Surfer story that’s all sorts of great. Mike Allred is at his best when he’s channeling Jack Kirby, so seeing him take to the cosmos is a real delight for me. Also it’s been some time since I’ve seen Dan Slott write something not Spider-Man-related, so seeing him flex those muscles again is fun. And speaking of good looking books, Phil Noto’s Black Widow story is a visual tour de force. Nate Edmondson and Clayton Cowles are great on words and colors, don’t get me wrong, but this story is Noto’s show, and he excels are delivering some fantastic visuals. The Al Ewing/Lee Garbett Loki story that bookends this title is fun and the James Robinson/Steve Pugh All New Invaders story shows potential. The Avengers story wasn’t that bad either, but I’ve seen better from Rags Morale, although Nick Spencer delivers on the script end. . But for $7 bucks, I can’t complain, as the title served it’s purpose. It’s successfully gotten me excited about a bunch of titles Marvel’s publishing, although I’ll probably only be only buying one of them monthly.
Alright I talked about 2 comics for a long time today. I’ll be back to review the first volume of The Wake real soon!
Troma’s newest flick Return To Nuke Em’ High Vol. 1 is finally hitting theaters in NYC! Why is this important to me? Well I love Troma… duh! But for reals… one of my life long goals of being in a Lloyd Kaufman directed Troma film was finally fulfilled. Now this ain’t just any Troma flick, this is Return To Nuke Em’ High! A modern rehash of one of Troma’s most beloved films – Class of Nuke Em’ High. Who cares that I don’t have any lines and my screen time totals less than a minute, what matters is that I did it! I even made it into the trailer for a millisecond!
I saw this Tromasterpiece a few months back as part of The New York Horror Film Festival. And let me tell you… it was amazing! All the blood, boobs, and buffoonery that you could ever hope for! So mark your calendar and come out to support true independent cinema!
Screenings start January 10th at the Village East Cinema with a slew a special guests in attendance! For more info click HERE.
Troma Entertainment is proud to announce that the stars of Science Channel’s “Oddities,” Evan Michelson and Mike Zohn and will be in attendance at the NYC theatrical premiere of Lloyd Kaufman’s latest film “Return to Nuke ‘Em High: Vol. 1” on Friday, January 10th at the Village East Cinemas. Michelson and Zohn, the proprietors of Obscura Antiques & Oddities who also appear in the film, will moderate the Q and A following the screening to commemorate the opening and Troma’s 40th Anniversary.
Come out Thursday, January 9, 2014, 8:00 p.m. to Troma invades Moma! With a screening of Return To Nuke Em’ High and a post screening Q and A with Director Lloyd Kaufman as well as a slew of other Nuke Em’ High Alumni! Click HERE for more info.
In the final installment of the greatest love story ever told, about the domestic life of “Henry” and “Glenn” as well as their neighbors “Daryl” and “John,” we are treated to three new short stories. (similarities to real people must mean those real people have really crazy lives. What a coincidence!) This issue includes the shocking conclusion to the story of Glenn’s mother living with them (spoiler alert: zombies), Glenn and Wendy make a daring rescue from Space City after Henry gets a pep talk from Lemmy, and Henry saves Glenn from some giant lizards after his drummer quits. It’s a true testament to the power of love to overcome even the biggest, manliest egos of our time. The book also features dozens of pin up art and full color covers from the original serialized series. Will our lovers continue to frustrate, inspire, and show us the way?
You can order via mail here or just come by the shop and pick yours up while supplies last.